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Marin Marais (1656-1728) - Excerpts from Suite No.3 from Pieces en trio pour les flutes, violon, et dessus de viole (1692) Fantaisie champestre Sarabande &#8211; Grave Bransle de village Rigaudon 1e Minuet 2e Minuet 3e Minuet 4e Minuet Simphonie &#8211; lentement New Comma Baroque - Matthew C. Cataldi, Baroque violin, Leighann Daihl, Baroque flute, Phillip W. Serna, viola da gamba &amp; Emily J. Morlan, historical keyboards from the program Tous les Matins du Monde &quot;All the Mornings of the World&quot; - Music of the French Baroque by Chambonni&#232;res, Couperin, Leclair &amp; Marais Recorded September 10th, 2012 at Adlai E. Stevenson High School Recital Hall, Adlai E. Stevenson High School, Lincolnshire, IL To find out more about about the New Comma Baroque, please visit http://www.newcommabaroque.org/.

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Marin Marais (1656-1728) - Sonnerie de Sainte-Genevi&#232;ve du Mont de Paris [The Bells of St. Genevieve] from La Gamme et Autres Morceaux de Symphonie (1723) New Comma Baroque - Matthew C. Cataldi, Baroque violin, Phillip W. Serna, viola da gamba &amp; Emily J. Morlan, historical keyboards from the program Tous les Matins du Monde &quot;All the Mornings of the World&quot; - Music of the French Baroque by Chambonni&#232;res, DuBuisson, Leclair &amp; Marais Recorded March 27th-28th, 2012 at Bethany Lutheran Church, Crystal Lake, IL To find out more about about the New Comma Baroque, please visit http://www.newcommabaroque.org/. This content appears here on the GambaCast by permission. All video content &#169; 2012 New Comma Baroque. ________________________________________________ Based in the Chicago area, Dr. Serna works to bring the early western string instrument family known as the viola da gamba into many area schools &#8211; demonstrating solo literature from the Renaissance, Baroque and early Classical periods for treble viol, tenor viol, bass viol &amp; violone. Please help us make viols accessible to both young and old. For feedback, please email info AT thegambacast.org. Please review the podcast in iTunes at http://itunes.apple.com/us/podcast/the-viols-in-our-schools-gambacast/id279089596 Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. Viols in Our Schools Copyright &#169; 2012 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Jean-Marie Leclair (1697-1764) Sonata Op.2, No.3 in C-Major from Second Livre de Sonates pour le Violon et pour le Flute Traversiere avec le Basse Continuo (1730) Adagio Allegro Adagio Giga [Allegro ma poco] New Comma Baroque - Matthew C. Cataldi, Baroque violin, Phillip W. Serna, viola da gamba &amp; Emily J. Morlan, historical keyboards from the program Tous les Matins du Monde &quot;All the Mornings of the World&quot; - Music of the French Baroque by Chambonni&#232;res, DuBuisson, Leclair &amp; Marais Recorded March 27th-28th, 2012 at Bethany Lutheran Church, Crystal Lake, IL To find out more about about the New Comma Baroque, please visit http://www.newcommabaroque.org/. This content appears here on the GambaCast by permission. All video content &#169; 2012 New Comma Baroque. ________________________________________________ Based in the Chicago area, Dr. Serna works to bring the early western string instrument family known as the viola da gamba into many area schools &#8211; demonstrating solo literature from the Renaissance, Baroque and early Classical periods for treble viol, tenor viol, bass viol &amp; violone. Please help us make viols accessible to both young and old. For feedback, please email info AT thegambacast.org. Please review the podcast in iTunes at http://itunes.apple.com/us/podcast/the-viols-in-our-schools-gambacast/id279089596 Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. Viols in Our Schools Copyright &#169; 2012 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Jean-Marie Leclair (1697-1764) Sonata Op.2, No.3 in C-Major from Second Livre de Sonates pour le Violon et pour le Flute Traversiere avec le Basse Continuo (1730) Adagio Allegro Adagio Giga [Allegro ma poco] New Comma Baroque - Matthew C. Cataldi, Baroque violin, Phillip W. Serna, viola da gamba &amp; Emily J. Morlan, historical keyboards from the program Tous les Matins du Monde &quot;All the Mornings of the World&quot; - Music of the French Baroque by Chambonni&#232;res, DuBuisson, Leclair &amp; Marais Recorded March 27th-28th, 2012 at Bethany Lutheran Church, Crystal Lake, IL To find out more about about the New Comma Baroque, please visit http://www.newcommabaroque.org/. This content appears here on the GambaCast by permission. All video content &#169; 2012 New Comma Baroque. ________________________________________________ Based in the Chicago area, Dr. Serna works to bring the early western string instrument family known as the viola da gamba into many area schools &#8211; demonstrating solo literature from the Renaissance, Baroque and early Classical periods for treble viol, tenor viol, bass viol &amp; violone. Please help us make viols accessible to both young and old. For feedback, please email info AT thegambacast.org. Please review the podcast in iTunes at http://itunes.apple.com/us/podcast/the-viols-in-our-schools-gambacast/id279089596 Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. Viols in Our Schools Copyright &#169; 2012 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Nicolaus &#224; Kempis (d.1676) - Symphonia Septima a 3 supra Ciaconna for 2 Violins, Viola da Gamba &amp; Basso Continuo Performed by HARMONIE - Dutch Music of the 17th Century From a performance at the 49th Annual Conclave of the Viola da Gamba Society of America - HARMONIE &#8211; July 26, 2011, Butler Hall, Saint Xavier University, Chicago, IL, 7:00PM Sheila Smyth and Valerie Sylvester, violins, Phillip W. Serna, bass viol and Janet E. Scott, harpsichord To find out more about about the Viola da Gamba Society of America, please visit http://www.vdgsa.org/. Harpsichordist Janet Scott has been active as a soloist and continuo player for over twenty-five years, performing in Canada, the United States, England, and Austria. Among her teachers are the well-known British scholar and harpsichordist, Colin Tilney, and Elisabeth Wright, the distinguished professor of harpsichord and forte piano at the Early Music Institute, Indiana University, where Janet earned her Masters degree in Harpsichord Performance. In addition to being a recipient of numerous Canadian government Arts Grants, she was a founding member of two baroque ensembles, served as manager of a baroque orchestra, was the artistic director of a summer music series, and toured the province of Nova Scotia, performing at historical churches in the famed Canadian concert series, Musique Royale. She now lives in Bloomington, Indiana with her husband, harpsichord maker David Jensen, where she is a sound recording cataloger for the William &amp; Gayle Cook Music Library at Indiana University. She is also a church organist, gives harpsichord lessons privately, performs regularly with the Fort Wayne Bach Collegium, and freelances with ensembles in the U.S. and in Ontario. In November of 2011 she will be performing in Vancouver with the early music group &#161;Sacebuche! A keen amateur viol player, Janet is the editor of the Viola da Gamba Society News, the Society&#8217;s quarterly newsletter. Phillip W. Serna has performed on double bass with numerous Midwest orchestras and chamber ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. Phillip also performs on viola da gamba with Early Music ensembles including Ars Antigua, the Chicago Early Music Consort, Duo fantaisie en Echo, the Newberry Consort of Viols, the Secret of the Muses, the Spirit of Gambo - a Chicago Consort of Viols, the Third Coast Viols and many others. On viol, he continues to appear across the Midwest as a viol pedagogue, as a recitalist performing old works and premiering new works for viol, as a concert soloist performing concerti by Telemann and others, as well as a soloist performing works by Buxtehude and Bach including Bach&#8217;s Sonatas, St. Matthew Passion, Brandenburg Concerto No.6 and Cantatas 76, 106 &amp; 198. Phillip is the founder and music director of the Early Music outreach program Viols in Our Schools, Early Music America&#8217;s Outreach Award recipient of 2010. In addition to teaching privately around the Chicago area, Phillip is instructor of double bass and viola da gamba at Valparaiso University, and is on faculty at the Music Institute of Chicago&#8217;s Early Music Department. Phillip holds a Bachelor of Music degree from the San Francisco Conservatory of Music, and Masters and Doctorate degrees from Northwestern University School of Music where he studied double bass with Michael Hovnanian and DaXun Zhang as well as viola da gamba with Newberry Consort founder Mary Springfels. Sheila Smyth, baroque violin, is a busy performer in and around Toronto with many ensembles and orchestras, both baroque and modern, on violin, viola and treble viola da gamba. She holds a Bachelor of Music in Performance degree from the University of Toronto and has undertaken further modern training in New York with Burton Kaplan. Her baroque studies have included masterclasses and lessons with Marilyn McDonald, Robert Mealy, Mark Destrub&#233; and Elizabeth Blumenstock, among others. She is principal violist of Nota Bene Baroque and Opera York, and assistant principal violist of Talisker Players, the Choral Music Orchestra. Sheila is a frequent guest soloist with the Toronto Continuo Collective and Scaramella, and has performed in the Luminato festival and Grand River Baroque Festival. She has been heard live in performance with the Emperor Quartet on CBC Radio 2 and CFMX Radio, and is a founding member of Musathena and the Cardinal Consort of Viols. Valerie Sylvester received a Master&#8217;s Degree in violin performance from the Mannes School of Music in New York after completing undergraduate studies at the University of Toronto. Her early music studies have taken her to almost all of the baroque masterclass workshops in North America and lessons with many of the leading early music specialists. She is concertmaster of the Niagara Symphony, Talisker Players (&#8216;The Choral Orchestra&#8217;), and the orchestra of Opera York. As a baroque violinist she has performed with various ensembles throughout Ontario, including Aradia, Opera Atelier, and Tafelmusik. She is a founding member of Nota Bene Baroque Orchestra and is a frequent guest soloist with the Toronto Continuo Collective. She is a co-founder of the baroque chamber groups &apos;Musick&apos;s Hand-maid&apos;, &apos;Coprario&apos;s Musique&apos;, and &apos;Musathena&apos;. She also plays bass viola da gamba and performs frequently with the Cardinal Consort of Viols. This content is Copyright &#169; 2011 Harmonie and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. 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Nicolaus &#224; Kempis (d.1676) - Symphonia Septima a 3 supra Ciaconna for 2 Violins, Viola da Gamba &amp; Basso Continuo Performed by HARMONIE - Dutch Music of the 17th Century From a performance at the 49th Annual Conclave of the Viola da Gamba Society of America - HARMONIE &#8211; July 26, 2011, Butler Hall, Saint Xavier University, Chicago, IL, 7:00PM Sheila Smyth and Valerie Sylvester, violins, Phillip W. Serna, bass viol and Janet E. Scott, harpsichord To find out more about about the Viola da Gamba Society of America, please visit http://www.vdgsa.org/. Harpsichordist Janet Scott has been active as a soloist and continuo player for over twenty-five years, performing in Canada, the United States, England, and Austria. Among her teachers are the well-known British scholar and harpsichordist, Colin Tilney, and Elisabeth Wright, the distinguished professor of harpsichord and forte piano at the Early Music Institute, Indiana University, where Janet earned her Masters degree in Harpsichord Performance. In addition to being a recipient of numerous Canadian government Arts Grants, she was a founding member of two baroque ensembles, served as manager of a baroque orchestra, was the artistic director of a summer music series, and toured the province of Nova Scotia, performing at historical churches in the famed Canadian concert series, Musique Royale. She now lives in Bloomington, Indiana with her husband, harpsichord maker David Jensen, where she is a sound recording cataloger for the William &amp; Gayle Cook Music Library at Indiana University. She is also a church organist, gives harpsichord lessons privately, performs regularly with the Fort Wayne Bach Collegium, and freelances with ensembles in the U.S. and in Ontario. In November of 2011 she will be performing in Vancouver with the early music group &#161;Sacebuche! A keen amateur viol player, Janet is the editor of the Viola da Gamba Society News, the Society&#8217;s quarterly newsletter. Phillip W. Serna has performed on double bass with numerous Midwest orchestras and chamber ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. Phillip also performs on viola da gamba with Early Music ensembles including Ars Antigua, the Chicago Early Music Consort, Duo fantaisie en Echo, the Newberry Consort of Viols, the Secret of the Muses, the Spirit of Gambo - a Chicago Consort of Viols, the Third Coast Viols and many others. On viol, he continues to appear across the Midwest as a viol pedagogue, as a recitalist performing old works and premiering new works for viol, as a concert soloist performing concerti by Telemann and others, as well as a soloist performing works by Buxtehude and Bach including Bach&#8217;s Sonatas, St. Matthew Passion, Brandenburg Concerto No.6 and Cantatas 76, 106 &amp; 198. Phillip is the founder and music director of the Early Music outreach program Viols in Our Schools, Early Music America&#8217;s Outreach Award recipient of 2010. In addition to teaching privately around the Chicago area, Phillip is instructor of double bass and viola da gamba at Valparaiso University, and is on faculty at the Music Institute of Chicago&#8217;s Early Music Department. Phillip holds a Bachelor of Music degree from the San Francisco Conservatory of Music, and Masters and Doctorate degrees from Northwestern University School of Music where he studied double bass with Michael Hovnanian and DaXun Zhang as well as viola da gamba with Newberry Consort founder Mary Springfels. Sheila Smyth, baroque violin, is a busy performer in and around Toronto with many ensembles and orchestras, both baroque and modern, on violin, viola and treble viola da gamba. She holds a Bachelor of Music in Performance degree from the University of Toronto and has undertaken further modern training in New York with Burton Kaplan. Her baroque studies have included masterclasses and lessons with Marilyn McDonald, Robert Mealy, Mark Destrub&#233; and Elizabeth Blumenstock, among others. She is principal violist of Nota Bene Baroque and Opera York, and assistant principal violist of Talisker Players, the Choral Music Orchestra. Sheila is a frequent guest soloist with the Toronto Continuo Collective and Scaramella, and has performed in the Luminato festival and Grand River Baroque Festival. She has been heard live in performance with the Emperor Quartet on CBC Radio 2 and CFMX Radio, and is a founding member of Musathena and the Cardinal Consort of Viols. Valerie Sylvester received a Master&#8217;s Degree in violin performance from the Mannes School of Music in New York after completing undergraduate studies at the University of Toronto. Her early music studies have taken her to almost all of the baroque masterclass workshops in North America and lessons with many of the leading early music specialists. She is concertmaster of the Niagara Symphony, Talisker Players (&#8216;The Choral Orchestra&#8217;), and the orchestra of Opera York. As a baroque violinist she has performed with various ensembles throughout Ontario, including Aradia, Opera Atelier, and Tafelmusik. She is a founding member of Nota Bene Baroque Orchestra and is a frequent guest soloist with the Toronto Continuo Collective. She is a co-founder of the baroque chamber groups &apos;Musick&apos;s Hand-maid&apos;, &apos;Coprario&apos;s Musique&apos;, and &apos;Musathena&apos;. She also plays bass viola da gamba and performs frequently with the Cardinal Consort of Viols. This content is Copyright &#169; 2011 Harmonie and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://www.itunes.com/podcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2011 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Johannes Schenck (1660-1712) - Il Giardino Armonico, Opus 3 for 2 Violins, Viola da Gamba &amp; Basso Continuo - Sonata 11 Adagio Allegro Adagio Vivace Performed by HARMONIE - Dutch Music of the 17th Century From a performance at the 49th Annual Conclave of the Viola da Gamba Society of America - HARMONIE &#8211; July 26, 2011, Butler Hall, Saint Xavier University, Chicago, IL, 7:00PM Sheila Smyth and Valerie Sylvester, violins, Phillip W. Serna, bass viol and Janet E. Scott, harpsichord To find out more about about the Viola da Gamba Society of America, please visit http://www.vdgsa.org/. Harpsichordist Janet Scott has been active as a soloist and continuo player for over twenty-five years, performing in Canada, the United States, England, and Austria. Among her teachers are the well-known British scholar and harpsichordist, Colin Tilney, and Elisabeth Wright, the distinguished professor of harpsichord and forte piano at the Early Music Institute, Indiana University, where Janet earned her Masters degree in Harpsichord Performance. In addition to being a recipient of numerous Canadian government Arts Grants, she was a founding member of two baroque ensembles, served as manager of a baroque orchestra, was the artistic director of a summer music series, and toured the province of Nova Scotia, performing at historical churches in the famed Canadian concert series, Musique Royale. She now lives in Bloomington, Indiana with her husband, harpsichord maker David Jensen, where she is a sound recording cataloger for the William &amp; Gayle Cook Music Library at Indiana University. She is also a church organist, gives harpsichord lessons privately, performs regularly with the Fort Wayne Bach Collegium, and freelances with ensembles in the U.S. and in Ontario. In November of 2011 she will be performing in Vancouver with the early music group &#161;Sacebuche! A keen amateur viol player, Janet is the editor of the Viola da Gamba Society News, the Society&#8217;s quarterly newsletter. Phillip W. Serna has performed on double bass with numerous Midwest orchestras and chamber ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. Phillip also performs on viola da gamba with Early Music ensembles including Ars Antigua, the Chicago Early Music Consort, Duo fantaisie en Echo, the Newberry Consort of Viols, the Secret of the Muses, the Spirit of Gambo - a Chicago Consort of Viols, the Third Coast Viols and many others. On viol, he continues to appear across the Midwest as a viol pedagogue, as a recitalist performing old works and premiering new works for viol, as a concert soloist performing concerti by Telemann and others, as well as a soloist performing works by Buxtehude and Bach including Bach&#8217;s Sonatas, St. Matthew Passion, Brandenburg Concerto No.6 and Cantatas 76, 106 &amp; 198. Phillip is the founder and music director of the Early Music outreach program Viols in Our Schools, Early Music America&#8217;s Outreach Award recipient of 2010. In addition to teaching privately around the Chicago area, Phillip is instructor of double bass and viola da gamba at Valparaiso University, and is on faculty at the Music Institute of Chicago&#8217;s Early Music Department. Phillip holds a Bachelor of Music degree from the San Francisco Conservatory of Music, and Masters and Doctorate degrees from Northwestern University School of Music where he studied double bass with Michael Hovnanian and DaXun Zhang as well as viola da gamba with Newberry Consort founder Mary Springfels. Sheila Smyth, baroque violin, is a busy performer in and around Toronto with many ensembles and orchestras, both baroque and modern, on violin, viola and treble viola da gamba. She holds a Bachelor of Music in Performance degree from the University of Toronto and has undertaken further modern training in New York with Burton Kaplan. Her baroque studies have included masterclasses and lessons with Marilyn McDonald, Robert Mealy, Mark Destrub&#233; and Elizabeth Blumenstock, among others. She is principal violist of Nota Bene Baroque and Opera York, and assistant principal violist of Talisker Players, the Choral Music Orchestra. Sheila is a frequent guest soloist with the Toronto Continuo Collective and Scaramella, and has performed in the Luminato festival and Grand River Baroque Festival. She has been heard live in performance with the Emperor Quartet on CBC Radio 2 and CFMX Radio, and is a founding member of Musathena and the Cardinal Consort of Viols. Valerie Sylvester received a Master&#8217;s Degree in violin performance from the Mannes School of Music in New York after completing undergraduate studies at the University of Toronto. Her early music studies have taken her to almost all of the baroque masterclass workshops in North America and lessons with many of the leading early music specialists. She is concertmaster of the Niagara Symphony, Talisker Players (&#8216;The Choral Orchestra&#8217;), and the orchestra of Opera York. As a baroque violinist she has performed with various ensembles throughout Ontario, including Aradia, Opera Atelier, and Tafelmusik. She is a founding member of Nota Bene Baroque Orchestra and is a frequent guest soloist with the Toronto Continuo Collective. She is a co-founder of the baroque chamber groups &apos;Musick&apos;s Hand-maid&apos;, &apos;Coprario&apos;s Musique&apos;, and &apos;Musathena&apos;. She also plays bass viola da gamba and performs frequently with the Cardinal Consort of Viols. This content is Copyright &#169; 2011 Harmonie and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://www.itunes.com/podcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2011 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Johannes Schenck (1660-1712) - Il Giardino Armonico, Opus 3 for 2 Violins, Viola da Gamba &amp; Basso Continuo - Sonata 11 Adagio Allegro Adagio Vivace Performed by HARMONIE - Dutch Music of the 17th Century From a performance at the 49th Annual Conclave of the Viola da Gamba Society of America - HARMONIE &#8211; July 26, 2011, Butler Hall, Saint Xavier University, Chicago, IL, 7:00PM Sheila Smyth and Valerie Sylvester, violins, Phillip W. Serna, bass viol and Janet E. Scott, harpsichord To find out more about about the Viola da Gamba Society of America, please visit http://www.vdgsa.org/. Harpsichordist Janet Scott has been active as a soloist and continuo player for over twenty-five years, performing in Canada, the United States, England, and Austria. Among her teachers are the well-known British scholar and harpsichordist, Colin Tilney, and Elisabeth Wright, the distinguished professor of harpsichord and forte piano at the Early Music Institute, Indiana University, where Janet earned her Masters degree in Harpsichord Performance. In addition to being a recipient of numerous Canadian government Arts Grants, she was a founding member of two baroque ensembles, served as manager of a baroque orchestra, was the artistic director of a summer music series, and toured the province of Nova Scotia, performing at historical churches in the famed Canadian concert series, Musique Royale. She now lives in Bloomington, Indiana with her husband, harpsichord maker David Jensen, where she is a sound recording cataloger for the William &amp; Gayle Cook Music Library at Indiana University. She is also a church organist, gives harpsichord lessons privately, performs regularly with the Fort Wayne Bach Collegium, and freelances with ensembles in the U.S. and in Ontario. In November of 2011 she will be performing in Vancouver with the early music group &#161;Sacebuche! A keen amateur viol player, Janet is the editor of the Viola da Gamba Society News, the Society&#8217;s quarterly newsletter. Phillip W. Serna has performed on double bass with numerous Midwest orchestras and chamber ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. Phillip also performs on viola da gamba with Early Music ensembles including Ars Antigua, the Chicago Early Music Consort, Duo fantaisie en Echo, the Newberry Consort of Viols, the Secret of the Muses, the Spirit of Gambo - a Chicago Consort of Viols, the Third Coast Viols and many others. On viol, he continues to appear across the Midwest as a viol pedagogue, as a recitalist performing old works and premiering new works for viol, as a concert soloist performing concerti by Telemann and others, as well as a soloist performing works by Buxtehude and Bach including Bach&#8217;s Sonatas, St. Matthew Passion, Brandenburg Concerto No.6 and Cantatas 76, 106 &amp; 198. Phillip is the founder and music director of the Early Music outreach program Viols in Our Schools, Early Music America&#8217;s Outreach Award recipient of 2010. In addition to teaching privately around the Chicago area, Phillip is instructor of double bass and viola da gamba at Valparaiso University, and is on faculty at the Music Institute of Chicago&#8217;s Early Music Department. Phillip holds a Bachelor of Music degree from the San Francisco Conservatory of Music, and Masters and Doctorate degrees from Northwestern University School of Music where he studied double bass with Michael Hovnanian and DaXun Zhang as well as viola da gamba with Newberry Consort founder Mary Springfels. Sheila Smyth, baroque violin, is a busy performer in and around Toronto with many ensembles and orchestras, both baroque and modern, on violin, viola and treble viola da gamba. She holds a Bachelor of Music in Performance degree from the University of Toronto and has undertaken further modern training in New York with Burton Kaplan. Her baroque studies have included masterclasses and lessons with Marilyn McDonald, Robert Mealy, Mark Destrub&#233; and Elizabeth Blumenstock, among others. She is principal violist of Nota Bene Baroque and Opera York, and assistant principal violist of Talisker Players, the Choral Music Orchestra. Sheila is a frequent guest soloist with the Toronto Continuo Collective and Scaramella, and has performed in the Luminato festival and Grand River Baroque Festival. She has been heard live in performance with the Emperor Quartet on CBC Radio 2 and CFMX Radio, and is a founding member of Musathena and the Cardinal Consort of Viols. Valerie Sylvester received a Master&#8217;s Degree in violin performance from the Mannes School of Music in New York after completing undergraduate studies at the University of Toronto. Her early music studies have taken her to almost all of the baroque masterclass workshops in North America and lessons with many of the leading early music specialists. She is concertmaster of the Niagara Symphony, Talisker Players (&#8216;The Choral Orchestra&#8217;), and the orchestra of Opera York. As a baroque violinist she has performed with various ensembles throughout Ontario, including Aradia, Opera Atelier, and Tafelmusik. She is a founding member of Nota Bene Baroque Orchestra and is a frequent guest soloist with the Toronto Continuo Collective. She is a co-founder of the baroque chamber groups &apos;Musick&apos;s Hand-maid&apos;, &apos;Coprario&apos;s Musique&apos;, and &apos;Musathena&apos;. She also plays bass viola da gamba and performs frequently with the Cardinal Consort of Viols. This content is Copyright &#169; 2011 Harmonie and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://www.itunes.com/podcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2011 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Carolus Hacquart (c.1640-1701?) - Sonata Quinta a Tre for 2 Violins, Viola da Gamba &amp; Basso Continuo Adagio-Canzona (Allegro) Grave e superbo Bizzaria (Vivace) Grave Aria (Allegro) Performed by HARMONIE - Dutch Music of the 17th Century From a performance at the 49th Annual Conclave of the Viola da Gamba Society of America - HARMONIE &#8211; July 26, 2011, Butler Hall, Saint Xavier University, Chicago, IL, 7:00PM Sheila Smyth and Valerie Sylvester, violins, Phillip W. Serna, bass viol and Janet E. Scott, harpsichord To find out more about about the Viola da Gamba Society of America, please visit http://www.vdgsa.org/. Harpsichordist Janet Scott has been active as a soloist and continuo player for over twenty-five years, performing in Canada, the United States, England, and Austria. Among her teachers are the well-known British scholar and harpsichordist, Colin Tilney, and Elisabeth Wright, the distinguished professor of harpsichord and forte piano at the Early Music Institute, Indiana University, where Janet earned her Masters degree in Harpsichord Performance. In addition to being a recipient of numerous Canadian government Arts Grants, she was a founding member of two baroque ensembles, served as manager of a baroque orchestra, was the artistic director of a summer music series, and toured the province of Nova Scotia, performing at historical churches in the famed Canadian concert series, Musique Royale. She now lives in Bloomington, Indiana with her husband, harpsichord maker David Jensen, where she is a sound recording cataloger for the William &amp; Gayle Cook Music Library at Indiana University. She is also a church organist, gives harpsichord lessons privately, performs regularly with the Fort Wayne Bach Collegium, and freelances with ensembles in the U.S. and in Ontario. In November of 2011 she will be performing in Vancouver with the early music group &#161;Sacebuche! A keen amateur viol player, Janet is the editor of the Viola da Gamba Society News, the Society&#8217;s quarterly newsletter. Phillip W. Serna has performed on double bass with numerous Midwest orchestras and chamber ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. Phillip also performs on viola da gamba with Early Music ensembles including Ars Antigua, the Chicago Early Music Consort, Duo fantaisie en Echo, the Newberry Consort of Viols, the Secret of the Muses, the Spirit of Gambo - a Chicago Consort of Viols, the Third Coast Viols and many others. On viol, he continues to appear across the Midwest as a viol pedagogue, as a recitalist performing old works and premiering new works for viol, as a concert soloist performing concerti by Telemann and others, as well as a soloist performing works by Buxtehude and Bach including Bach&#8217;s Sonatas, St. Matthew Passion, Brandenburg Concerto No.6 and Cantatas 76, 106 &amp; 198. Phillip is the founder and music director of the Early Music outreach program Viols in Our Schools, Early Music America&#8217;s Outreach Award recipient of 2010. In addition to teaching privately around the Chicago area, Phillip is instructor of double bass and viola da gamba at Valparaiso University, and is on faculty at the Music Institute of Chicago&#8217;s Early Music Department. Phillip holds a Bachelor of Music degree from the San Francisco Conservatory of Music, and Masters and Doctorate degrees from Northwestern University School of Music where he studied double bass with Michael Hovnanian and DaXun Zhang as well as viola da gamba with Newberry Consort founder Mary Springfels. Sheila Smyth, baroque violin, is a busy performer in and around Toronto with many ensembles and orchestras, both baroque and modern, on violin, viola and treble viola da gamba. She holds a Bachelor of Music in Performance degree from the University of Toronto and has undertaken further modern training in New York with Burton Kaplan. Her baroque studies have included masterclasses and lessons with Marilyn McDonald, Robert Mealy, Mark Destrub&#233; and Elizabeth Blumenstock, among others. She is principal violist of Nota Bene Baroque and Opera York, and assistant principal violist of Talisker Players, the Choral Music Orchestra. Sheila is a frequent guest soloist with the Toronto Continuo Collective and Scaramella, and has performed in the Luminato festival and Grand River Baroque Festival. She has been heard live in performance with the Emperor Quartet on CBC Radio 2 and CFMX Radio, and is a founding member of Musathena and the Cardinal Consort of Viols. Valerie Sylvester received a Master&#8217;s Degree in violin performance from the Mannes School of Music in New York after completing undergraduate studies at the University of Toronto. Her early music studies have taken her to almost all of the baroque masterclass workshops in North America and lessons with many of the leading early music specialists. She is concertmaster of the Niagara Symphony, Talisker Players (&#8216;The Choral Orchestra&#8217;), and the orchestra of Opera York. As a baroque violinist she has performed with various ensembles throughout Ontario, including Aradia, Opera Atelier, and Tafelmusik. She is a founding member of Nota Bene Baroque Orchestra and is a frequent guest soloist with the Toronto Continuo Collective. She is a co-founder of the baroque chamber groups &apos;Musick&apos;s Hand-maid&apos;, &apos;Coprario&apos;s Musique&apos;, and &apos;Musathena&apos;. She also plays bass viola da gamba and performs frequently with the Cardinal Consort of Viols. This content is Copyright &#169; 2011 Harmonie and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://www.itunes.com/podcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2011 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Carolus Hacquart (c.1640-1701?) - Sonata Quinta a Tre for 2 Violins, Viola da Gamba &amp; Basso Continuo Adagio-Canzona (Allegro) Grave e superbo Bizzaria (Vivace) Grave Aria (Allegro) Performed by HARMONIE - Dutch Music of the 17th Century From a performance at the 49th Annual Conclave of the Viola da Gamba Society of America - HARMONIE &#8211; July 26, 2011, Butler Hall, Saint Xavier University, Chicago, IL, 7:00PM Sheila Smyth and Valerie Sylvester, violins, Phillip W. Serna, bass viol and Janet E. Scott, harpsichord To find out more about about the Viola da Gamba Society of America, please visit http://www.vdgsa.org/. Harpsichordist Janet Scott has been active as a soloist and continuo player for over twenty-five years, performing in Canada, the United States, England, and Austria. Among her teachers are the well-known British scholar and harpsichordist, Colin Tilney, and Elisabeth Wright, the distinguished professor of harpsichord and forte piano at the Early Music Institute, Indiana University, where Janet earned her Masters degree in Harpsichord Performance. In addition to being a recipient of numerous Canadian government Arts Grants, she was a founding member of two baroque ensembles, served as manager of a baroque orchestra, was the artistic director of a summer music series, and toured the province of Nova Scotia, performing at historical churches in the famed Canadian concert series, Musique Royale. She now lives in Bloomington, Indiana with her husband, harpsichord maker David Jensen, where she is a sound recording cataloger for the William &amp; Gayle Cook Music Library at Indiana University. She is also a church organist, gives harpsichord lessons privately, performs regularly with the Fort Wayne Bach Collegium, and freelances with ensembles in the U.S. and in Ontario. In November of 2011 she will be performing in Vancouver with the early music group &#161;Sacebuche! A keen amateur viol player, Janet is the editor of the Viola da Gamba Society News, the Society&#8217;s quarterly newsletter. Phillip W. Serna has performed on double bass with numerous Midwest orchestras and chamber ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. Phillip also performs on viola da gamba with Early Music ensembles including Ars Antigua, the Chicago Early Music Consort, Duo fantaisie en Echo, the Newberry Consort of Viols, the Secret of the Muses, the Spirit of Gambo - a Chicago Consort of Viols, the Third Coast Viols and many others. On viol, he continues to appear across the Midwest as a viol pedagogue, as a recitalist performing old works and premiering new works for viol, as a concert soloist performing concerti by Telemann and others, as well as a soloist performing works by Buxtehude and Bach including Bach&#8217;s Sonatas, St. Matthew Passion, Brandenburg Concerto No.6 and Cantatas 76, 106 &amp; 198. Phillip is the founder and music director of the Early Music outreach program Viols in Our Schools, Early Music America&#8217;s Outreach Award recipient of 2010. In addition to teaching privately around the Chicago area, Phillip is instructor of double bass and viola da gamba at Valparaiso University, and is on faculty at the Music Institute of Chicago&#8217;s Early Music Department. Phillip holds a Bachelor of Music degree from the San Francisco Conservatory of Music, and Masters and Doctorate degrees from Northwestern University School of Music where he studied double bass with Michael Hovnanian and DaXun Zhang as well as viola da gamba with Newberry Consort founder Mary Springfels. Sheila Smyth, baroque violin, is a busy performer in and around Toronto with many ensembles and orchestras, both baroque and modern, on violin, viola and treble viola da gamba. She holds a Bachelor of Music in Performance degree from the University of Toronto and has undertaken further modern training in New York with Burton Kaplan. Her baroque studies have included masterclasses and lessons with Marilyn McDonald, Robert Mealy, Mark Destrub&#233; and Elizabeth Blumenstock, among others. She is principal violist of Nota Bene Baroque and Opera York, and assistant principal violist of Talisker Players, the Choral Music Orchestra. Sheila is a frequent guest soloist with the Toronto Continuo Collective and Scaramella, and has performed in the Luminato festival and Grand River Baroque Festival. She has been heard live in performance with the Emperor Quartet on CBC Radio 2 and CFMX Radio, and is a founding member of Musathena and the Cardinal Consort of Viols. Valerie Sylvester received a Master&#8217;s Degree in violin performance from the Mannes School of Music in New York after completing undergraduate studies at the University of Toronto. Her early music studies have taken her to almost all of the baroque masterclass workshops in North America and lessons with many of the leading early music specialists. She is concertmaster of the Niagara Symphony, Talisker Players (&#8216;The Choral Orchestra&#8217;), and the orchestra of Opera York. As a baroque violinist she has performed with various ensembles throughout Ontario, including Aradia, Opera Atelier, and Tafelmusik. She is a founding member of Nota Bene Baroque Orchestra and is a frequent guest soloist with the Toronto Continuo Collective. She is a co-founder of the baroque chamber groups &apos;Musick&apos;s Hand-maid&apos;, &apos;Coprario&apos;s Musique&apos;, and &apos;Musathena&apos;. She also plays bass viola da gamba and performs frequently with the Cardinal Consort of Viols. This content is Copyright &#169; 2011 Harmonie and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://www.itunes.com/podcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2011 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Johannes Schenck (1660-1712) - Il Giardino Armonico, Opus 3 for 2 Violins, Viola da Gamba &amp; Basso Continuo - Sonata 2 Capricio Vivace Adagio Un Poco Allegro Performed by HARMONIE - Dutch Music of the 17th Century From a performance at the 49th Annual Conclave of the Viola da Gamba Society of America - HARMONIE &#8211; July 26, 2011, Butler Hall, Saint Xavier University, Chicago, IL, 7:00PM Sheila Smyth and Valerie Sylvester, violins, Phillip W. Serna, bass viol and Janet E. Scott, harpsichord To find out more about about the Viola da Gamba Society of America, please visit http://www.vdgsa.org/. Harpsichordist Janet Scott has been active as a soloist and continuo player for over twenty-five years, performing in Canada, the United States, England, and Austria. Among her teachers are the well-known British scholar and harpsichordist, Colin Tilney, and Elisabeth Wright, the distinguished professor of harpsichord and forte piano at the Early Music Institute, Indiana University, where Janet earned her Masters degree in Harpsichord Performance. In addition to being a recipient of numerous Canadian government Arts Grants, she was a founding member of two baroque ensembles, served as manager of a baroque orchestra, was the artistic director of a summer music series, and toured the province of Nova Scotia, performing at historical churches in the famed Canadian concert series, Musique Royale. She now lives in Bloomington, Indiana with her husband, harpsichord maker David Jensen, where she is a sound recording cataloger for the William &amp; Gayle Cook Music Library at Indiana University. She is also a church organist, gives harpsichord lessons privately, performs regularly with the Fort Wayne Bach Collegium, and freelances with ensembles in the U.S. and in Ontario. In November of 2011 she will be performing in Vancouver with the early music group &#161;Sacebuche! A keen amateur viol player, Janet is the editor of the Viola da Gamba Society News, the Society&#8217;s quarterly newsletter. Phillip W. Serna has performed on double bass with numerous Midwest orchestras and chamber ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. Phillip also performs on viola da gamba with Early Music ensembles including Ars Antigua, the Chicago Early Music Consort, Duo fantaisie en Echo, the Newberry Consort of Viols, the Secret of the Muses, the Spirit of Gambo - a Chicago Consort of Viols, the Third Coast Viols and many others. On viol, he continues to appear across the Midwest as a viol pedagogue, as a recitalist performing old works and premiering new works for viol, as a concert soloist performing concerti by Telemann and others, as well as a soloist performing works by Buxtehude and Bach including Bach&#8217;s Sonatas, St. Matthew Passion, Brandenburg Concerto No.6 and Cantatas 76, 106 &amp; 198. Phillip is the founder and music director of the Early Music outreach program Viols in Our Schools, Early Music America&#8217;s Outreach Award recipient of 2010. In addition to teaching privately around the Chicago area, Phillip is instructor of double bass and viola da gamba at Valparaiso University, and is on faculty at the Music Institute of Chicago&#8217;s Early Music Department. Phillip holds a Bachelor of Music degree from the San Francisco Conservatory of Music, and Masters and Doctorate degrees from Northwestern University School of Music where he studied double bass with Michael Hovnanian and DaXun Zhang as well as viola da gamba with Newberry Consort founder Mary Springfels. Sheila Smyth, baroque violin, is a busy performer in and around Toronto with many ensembles and orchestras, both baroque and modern, on violin, viola and treble viola da gamba. She holds a Bachelor of Music in Performance degree from the University of Toronto and has undertaken further modern training in New York with Burton Kaplan. Her baroque studies have included masterclasses and lessons with Marilyn McDonald, Robert Mealy, Mark Destrub&#233; and Elizabeth Blumenstock, among others. She is principal violist of Nota Bene Baroque and Opera York, and assistant principal violist of Talisker Players, the Choral Music Orchestra. Sheila is a frequent guest soloist with the Toronto Continuo Collective and Scaramella, and has performed in the Luminato festival and Grand River Baroque Festival. She has been heard live in performance with the Emperor Quartet on CBC Radio 2 and CFMX Radio, and is a founding member of Musathena and the Cardinal Consort of Viols. Valerie Sylvester received a Master&#8217;s Degree in violin performance from the Mannes School of Music in New York after completing undergraduate studies at the University of Toronto. Her early music studies have taken her to almost all of the baroque masterclass workshops in North America and lessons with many of the leading early music specialists. She is concertmaster of the Niagara Symphony, Talisker Players (&#8216;The Choral Orchestra&#8217;), and the orchestra of Opera York. As a baroque violinist she has performed with various ensembles throughout Ontario, including Aradia, Opera Atelier, and Tafelmusik. She is a founding member of Nota Bene Baroque Orchestra and is a frequent guest soloist with the Toronto Continuo Collective. She is a co-founder of the baroque chamber groups &apos;Musick&apos;s Hand-maid&apos;, &apos;Coprario&apos;s Musique&apos;, and &apos;Musathena&apos;. She also plays bass viola da gamba and performs frequently with the Cardinal Consort of Viols. This content is Copyright &#169; 2011 Harmonie and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://www.itunes.com/podcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2011 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Johannes Schenck (1660-1712) - Il Giardino Armonico, Opus 3 for 2 Violins, Viola da Gamba &amp; Basso Continuo - Sonata 2 Capricio Vivace Adagio Un Poco Allegro Performed by HARMONIE - Dutch Music of the 17th Century From a performance at the 49th Annual Conclave of the Viola da Gamba Society of America - HARMONIE &#8211; July 26, 2011, Butler Hall, Saint Xavier University, Chicago, IL, 7:00PM Sheila Smyth and Valerie Sylvester, violins, Phillip W. Serna, bass viol and Janet E. Scott, harpsichord To find out more about about the Viola da Gamba Society of America, please visit http://www.vdgsa.org/. Harpsichordist Janet Scott has been active as a soloist and continuo player for over twenty-five years, performing in Canada, the United States, England, and Austria. Among her teachers are the well-known British scholar and harpsichordist, Colin Tilney, and Elisabeth Wright, the distinguished professor of harpsichord and forte piano at the Early Music Institute, Indiana University, where Janet earned her Masters degree in Harpsichord Performance. In addition to being a recipient of numerous Canadian government Arts Grants, she was a founding member of two baroque ensembles, served as manager of a baroque orchestra, was the artistic director of a summer music series, and toured the province of Nova Scotia, performing at historical churches in the famed Canadian concert series, Musique Royale. She now lives in Bloomington, Indiana with her husband, harpsichord maker David Jensen, where she is a sound recording cataloger for the William &amp; Gayle Cook Music Library at Indiana University. She is also a church organist, gives harpsichord lessons privately, performs regularly with the Fort Wayne Bach Collegium, and freelances with ensembles in the U.S. and in Ontario. In November of 2011 she will be performing in Vancouver with the early music group &#161;Sacebuche! A keen amateur viol player, Janet is the editor of the Viola da Gamba Society News, the Society&#8217;s quarterly newsletter. Phillip W. Serna has performed on double bass with numerous Midwest orchestras and chamber ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. Phillip also performs on viola da gamba with Early Music ensembles including Ars Antigua, the Chicago Early Music Consort, Duo fantaisie en Echo, the Newberry Consort of Viols, the Secret of the Muses, the Spirit of Gambo - a Chicago Consort of Viols, the Third Coast Viols and many others. On viol, he continues to appear across the Midwest as a viol pedagogue, as a recitalist performing old works and premiering new works for viol, as a concert soloist performing concerti by Telemann and others, as well as a soloist performing works by Buxtehude and Bach including Bach&#8217;s Sonatas, St. Matthew Passion, Brandenburg Concerto No.6 and Cantatas 76, 106 &amp; 198. Phillip is the founder and music director of the Early Music outreach program Viols in Our Schools, Early Music America&#8217;s Outreach Award recipient of 2010. In addition to teaching privately around the Chicago area, Phillip is instructor of double bass and viola da gamba at Valparaiso University, and is on faculty at the Music Institute of Chicago&#8217;s Early Music Department. Phillip holds a Bachelor of Music degree from the San Francisco Conservatory of Music, and Masters and Doctorate degrees from Northwestern University School of Music where he studied double bass with Michael Hovnanian and DaXun Zhang as well as viola da gamba with Newberry Consort founder Mary Springfels. Sheila Smyth, baroque violin, is a busy performer in and around Toronto with many ensembles and orchestras, both baroque and modern, on violin, viola and treble viola da gamba. She holds a Bachelor of Music in Performance degree from the University of Toronto and has undertaken further modern training in New York with Burton Kaplan. Her baroque studies have included masterclasses and lessons with Marilyn McDonald, Robert Mealy, Mark Destrub&#233; and Elizabeth Blumenstock, among others. She is principal violist of Nota Bene Baroque and Opera York, and assistant principal violist of Talisker Players, the Choral Music Orchestra. Sheila is a frequent guest soloist with the Toronto Continuo Collective and Scaramella, and has performed in the Luminato festival and Grand River Baroque Festival. She has been heard live in performance with the Emperor Quartet on CBC Radio 2 and CFMX Radio, and is a founding member of Musathena and the Cardinal Consort of Viols. Valerie Sylvester received a Master&#8217;s Degree in violin performance from the Mannes School of Music in New York after completing undergraduate studies at the University of Toronto. Her early music studies have taken her to almost all of the baroque masterclass workshops in North America and lessons with many of the leading early music specialists. She is concertmaster of the Niagara Symphony, Talisker Players (&#8216;The Choral Orchestra&#8217;), and the orchestra of Opera York. As a baroque violinist she has performed with various ensembles throughout Ontario, including Aradia, Opera Atelier, and Tafelmusik. She is a founding member of Nota Bene Baroque Orchestra and is a frequent guest soloist with the Toronto Continuo Collective. She is a co-founder of the baroque chamber groups &apos;Musick&apos;s Hand-maid&apos;, &apos;Coprario&apos;s Musique&apos;, and &apos;Musathena&apos;. She also plays bass viola da gamba and performs frequently with the Cardinal Consort of Viols. This content is Copyright &#169; 2011 Harmonie and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://www.itunes.com/podcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2011 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[quaver - Vampire Weekend - M79 (arr. Lanier) Brady Lanier, Marie Dalby, Tobi Sz&#252;ts, Loren Ludwig, viols Announcing the release of the Maxima records CD &#8216;quaver&#8217; &#8211; featuring music by Shostakovich, Machaut, Sheryl Crow, Ratatat, Piazzolla and many more! To order the new CD email quaverviols@gmail.com or visit http://www.quaver.org/. Quaver is committed to playing exciting music, new and old, in ways that engage the eclectic sensibilities of the iPod era. Our concerts bring together music ranging from Petrucci to Purcell, and from Shostakovich to Sheryl Crow. We draw on the traditional viol consort to reunite polyphony&apos;s rich musical heritage with the present: seventeenth-century pavans and fantasias are paired with recent polyphonic music from performers such as the rock band Radiohead, the electronica ensemble Ratatat, and the composers Astor Piazzolla and Gyorgy Ligeti. Quaver appeals to audiences as diverse as our music, appearing in concert halls, coffee shops, clubs and art galleries. This content is Copyright &#169; 2010 quaver and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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quaver - Vampire Weekend - M79 (arr. Lanier) Brady Lanier, Marie Dalby, Tobi Sz&#252;ts, Loren Ludwig, viols Announcing the release of the Maxima records CD &#8216;quaver&#8217; &#8211; featuring music by Shostakovich, Machaut, Sheryl Crow, Ratatat, Piazzolla and many more! To order the new CD email quaverviols@gmail.com or visit http://www.quaver.org/. Quaver is committed to playing exciting music, new and old, in ways that engage the eclectic sensibilities of the iPod era. Our concerts bring together music ranging from Petrucci to Purcell, and from Shostakovich to Sheryl Crow. We draw on the traditional viol consort to reunite polyphony&apos;s rich musical heritage with the present: seventeenth-century pavans and fantasias are paired with recent polyphonic music from performers such as the rock band Radiohead, the electronica ensemble Ratatat, and the composers Astor Piazzolla and Gyorgy Ligeti. Quaver appeals to audiences as diverse as our music, appearing in concert halls, coffee shops, clubs and art galleries. This content is Copyright &#169; 2010 quaver and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[quaver - Ratatat - Seventeen Years (arr. Ludwig) Brady Lanier, Marie Dalby, Tobi Sz&#252;ts, Loren Ludwig, viols Announcing the release of the Maxima records CD &#8216;quaver&#8217; &#8211; featuring music by Shostakovich, Machaut, Sheryl Crow, Ratatat, Piazzolla and many more! To order the new CD email quaverviols@gmail.com or visit http://www.quaver.org/. Quaver is committed to playing exciting music, new and old, in ways that engage the eclectic sensibilities of the iPod era. Our concerts bring together music ranging from Petrucci to Purcell, and from Shostakovich to Sheryl Crow. We draw on the traditional viol consort to reunite polyphony&apos;s rich musical heritage with the present: seventeenth-century pavans and fantasias are paired with recent polyphonic music from performers such as the rock band Radiohead, the electronica ensemble Ratatat, and the composers Astor Piazzolla and Gyorgy Ligeti. Quaver appeals to audiences as diverse as our music, appearing in concert halls, coffee shops, clubs and art galleries. This content is Copyright &#169; 2010 quaver and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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quaver - Ratatat - Seventeen Years (arr. Ludwig) Brady Lanier, Marie Dalby, Tobi Sz&#252;ts, Loren Ludwig, viols Announcing the release of the Maxima records CD &#8216;quaver&#8217; &#8211; featuring music by Shostakovich, Machaut, Sheryl Crow, Ratatat, Piazzolla and many more! To order the new CD email quaverviols@gmail.com or visit http://www.quaver.org/. Quaver is committed to playing exciting music, new and old, in ways that engage the eclectic sensibilities of the iPod era. Our concerts bring together music ranging from Petrucci to Purcell, and from Shostakovich to Sheryl Crow. We draw on the traditional viol consort to reunite polyphony&apos;s rich musical heritage with the present: seventeenth-century pavans and fantasias are paired with recent polyphonic music from performers such as the rock band Radiohead, the electronica ensemble Ratatat, and the composers Astor Piazzolla and Gyorgy Ligeti. Quaver appeals to audiences as diverse as our music, appearing in concert halls, coffee shops, clubs and art galleries. This content is Copyright &#169; 2010 quaver and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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quaver - Giuseppe Verdi (1813-1901) - Ave Maria Brady Lanier, Marie Dalby, Tobi Sz&#252;ts, Loren Ludwig, viols Announcing the release of the Maxima records CD &#8216;quaver&#8217; &#8211; featuring music by Shostakovich, Machaut, Sheryl Crow, Ratatat, Piazzolla and many more! To order the new CD email quaverviols@gmail.com or visit http://www.quaver.org/. Quaver is committed to playing exciting music, new and old, in ways that engage the eclectic sensibilities of the iPod era. Our concerts bring together music ranging from Petrucci to Purcell, and from Shostakovich to Sheryl Crow. We draw on the traditional viol consort to reunite polyphony&apos;s rich musical heritage with the present: seventeenth-century pavans and fantasias are paired with recent polyphonic music from performers such as the rock band Radiohead, the electronica ensemble Ratatat, and the composers Astor Piazzolla and Gyorgy Ligeti. Quaver appeals to audiences as diverse as our music, appearing in concert halls, coffee shops, clubs and art galleries. This content is Copyright &#169; 2010 quaver and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[quaver - William Cranford - Fantasia No.3 &#225;4 Brady Lanier, Marie Dalby, Tobi Sz&#252;ts, Loren Ludwig, viols Announcing the release of the Maxima records CD &#8216;quaver&#8217; &#8211; featuring music by Shostakovich, Machaut, Sheryl Crow, Ratatat, Piazzolla and many more! To order the new CD email quaverviols@gmail.com or visit http://www.quaver.org/. Quaver is committed to playing exciting music, new and old, in ways that engage the eclectic sensibilities of the iPod era. Our concerts bring together music ranging from Petrucci to Purcell, and from Shostakovich to Sheryl Crow. We draw on the traditional viol consort to reunite polyphony&apos;s rich musical heritage with the present: seventeenth-century pavans and fantasias are paired with recent polyphonic music from performers such as the rock band Radiohead, the electronica ensemble Ratatat, and the composers Astor Piazzolla and Gyorgy Ligeti. Quaver appeals to audiences as diverse as our music, appearing in concert halls, coffee shops, clubs and art galleries. This content is Copyright &#169; 2010 quaver and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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quaver - Martha Bishop (b.1937) - Tango In Nomine Brady Lanier, Marie Dalby, Tobi Sz&#252;ts, Loren Ludwig, viols Announcing the release of the Maxima records CD &#8216;quaver&#8217; &#8211; featuring music by Shostakovich, Machaut, Sheryl Crow, Ratatat, Piazzolla and many more! To order the new CD email quaverviols@gmail.com or visit http://www.quaver.org/. Quaver is committed to playing exciting music, new and old, in ways that engage the eclectic sensibilities of the iPod era. Our concerts bring together music ranging from Petrucci to Purcell, and from Shostakovich to Sheryl Crow. We draw on the traditional viol consort to reunite polyphony&apos;s rich musical heritage with the present: seventeenth-century pavans and fantasias are paired with recent polyphonic music from performers such as the rock band Radiohead, the electronica ensemble Ratatat, and the composers Astor Piazzolla and Gyorgy Ligeti. Quaver appeals to audiences as diverse as our music, appearing in concert halls, coffee shops, clubs and art galleries. This content is Copyright &#169; 2010 quaver and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[quaver - Dmitri Shostakovich (1906-1975) - Waltz from Jazz Suite No.1 Brady Lanier, Marie Dalby, Tobi Sz&#252;ts, Loren Ludwig, viols Announcing the release of the CD &#8216;quaver&#8217; by quaver &#8211; featuring music by Shostakovich, Machaut, Sheryl Crow, Ratatat, Piazzolla and many more! To order the new CD email quaverviols@gmail.com or visit http://www.quaver.org/. Quaver is committed to playing exciting music, new and old, in ways that engage the eclectic sensibilities of the iPod era. Our concerts bring together music ranging from Petrucci to Purcell, and from Shostakovich to Sheryl Crow. We draw on the traditional viol consort to reunite polyphony&apos;s rich musical heritage with the present: seventeenth-century pavans and fantasias are paired with recent polyphonic music from performers such as the rock band Radiohead, the electronica ensemble Ratatat, and the composers Astor Piazzolla and Gyorgy Ligeti. Quaver appeals to audiences as diverse as our music, appearing in concert halls, coffee shops, clubs and art galleries. This content is Copyright &#169; 2010 quaver and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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quaver - Dmitri Shostakovich (1906-1975) - Waltz from Jazz Suite No.1 Brady Lanier, Marie Dalby, Tobi Sz&#252;ts, Loren Ludwig, viols Announcing the release of the CD &#8216;quaver&#8217; by quaver &#8211; featuring music by Shostakovich, Machaut, Sheryl Crow, Ratatat, Piazzolla and many more! To order the new CD email quaverviols@gmail.com or visit http://www.quaver.org/. Quaver is committed to playing exciting music, new and old, in ways that engage the eclectic sensibilities of the iPod era. Our concerts bring together music ranging from Petrucci to Purcell, and from Shostakovich to Sheryl Crow. We draw on the traditional viol consort to reunite polyphony&apos;s rich musical heritage with the present: seventeenth-century pavans and fantasias are paired with recent polyphonic music from performers such as the rock band Radiohead, the electronica ensemble Ratatat, and the composers Astor Piazzolla and Gyorgy Ligeti. Quaver appeals to audiences as diverse as our music, appearing in concert halls, coffee shops, clubs and art galleries. This content is Copyright &#169; 2010 quaver and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[CD Preview - Accademia del Piacere - Antoine Forqueray (1671-1745) - Jupiter from from Pi&#232;ces de viole, Premier Divertissement From the CD by Alqhai &amp; Alqhai - Accademia del Piacere - Les violes du ciel et de lenfer Fahmi Alqhai solo viola da gamba Rami Alqhai, viola da gamba Miguel Rinc&#243;n, theorbo and baroque guitar Alberto Mart&#237;nez Molina, harpsichord Not many geniuses have been seen since those beautiful days, as if Nature had decided to take a rest after the death of Louis XIV. Voltaire, The Age of Louis XIV &#8220;Angels are many-sided and equivocal.&#8221; Thus wrote the poet Rafael P&#233;rez Estrada and I ponder on that ambiguity of the archangel, halfway between heavenly and evil, as I am shaken by the alternation and the successive waves of this album, half godlike half barbarian, alternatively &#8220;fanciful and lunatic&#8221;, as Hubert Le Blanc described the wild evil temper of Antoine Forqueray, changing immediately into the exaggerated, troubled sensitiveness of the most intimate and poetical Marin Marais. It is funny: you listen to it forwards and backwards and both performances always fit symmetrically, as if they were exactly-cut reverses. The answer is given, once again, by P&#233;rez Estrada, who points out: &#8220;exact lovers cast only one shadow.&#8221; The juxtaposition of the opposite Forqueray and Marais cast, therefore, one single global shadow. Juan Mar&#237;a Rodr&#237;guez (translation: Adolfo Garc&#237;a) After the success of Accademia del Piacere&apos;s first CD, LE LACRIME DI EROS (Prelude Classical Music Award 2009 to the best international Early Baroque recording), Alqhai &amp; Alqhai continues its task of spreading the talent of the brilliant last generation of Andalusian musicians and their extraordinary musical heritage: Accademia del Piacere is now working on the edition of its third CD, dedicated to the Golden Age of Spanish polyphony. To order Les violes du ciel et de lenfer and other CDs from Alqhai &amp; Alqhai, visit http://www.alqhai-alqhai.com/. This content is Copyright &#169; 2010 Alqhai &amp; Alqhai/ Accademia del Piacere and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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CD Preview - Accademia del Piacere - Antoine Forqueray (1671-1745) - Jupiter from from Pi&#232;ces de viole, Premier Divertissement From the CD by Alqhai &amp; Alqhai - Accademia del Piacere - Les violes du ciel et de lenfer Fahmi Alqhai solo viola da gamba Rami Alqhai, viola da gamba Miguel Rinc&#243;n, theorbo and baroque guitar Alberto Mart&#237;nez Molina, harpsichord Not many geniuses have been seen since those beautiful days, as if Nature had decided to take a rest after the death of Louis XIV. Voltaire, The Age of Louis XIV &#8220;Angels are many-sided and equivocal.&#8221; Thus wrote the poet Rafael P&#233;rez Estrada and I ponder on that ambiguity of the archangel, halfway between heavenly and evil, as I am shaken by the alternation and the successive waves of this album, half godlike half barbarian, alternatively &#8220;fanciful and lunatic&#8221;, as Hubert Le Blanc described the wild evil temper of Antoine Forqueray, changing immediately into the exaggerated, troubled sensitiveness of the most intimate and poetical Marin Marais. It is funny: you listen to it forwards and backwards and both performances always fit symmetrically, as if they were exactly-cut reverses. The answer is given, once again, by P&#233;rez Estrada, who points out: &#8220;exact lovers cast only one shadow.&#8221; The juxtaposition of the opposite Forqueray and Marais cast, therefore, one single global shadow. Juan Mar&#237;a Rodr&#237;guez (translation: Adolfo Garc&#237;a) After the success of Accademia del Piacere&apos;s first CD, LE LACRIME DI EROS (Prelude Classical Music Award 2009 to the best international Early Baroque recording), Alqhai &amp; Alqhai continues its task of spreading the talent of the brilliant last generation of Andalusian musicians and their extraordinary musical heritage: Accademia del Piacere is now working on the edition of its third CD, dedicated to the Golden Age of Spanish polyphony. To order Les violes du ciel et de lenfer and other CDs from Alqhai &amp; Alqhai, visit http://www.alqhai-alqhai.com/. This content is Copyright &#169; 2010 Alqhai &amp; Alqhai/ Accademia del Piacere and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[CD Preview - Accademia del Piacere - Marin Marais (1626-1728) - Le Tourbillon from Pi&#232;ces de viole du quatri&#232;me Livre, 1717 From the CD by Alqhai &amp; Alqhai - Accademia del Piacere - Les violes du ciel et de lenfer Fahmi Alqhai solo viola da gamba Rami Alqhai, viola da gamba Miguel Rinc&#243;n, theorbo and baroque guitar Alberto Mart&#237;nez Molina, harpsichord Not many geniuses have been seen since those beautiful days, as if Nature had decided to take a rest after the death of Louis XIV. Voltaire, The Age of Louis XIV &#8220;Angels are many-sided and equivocal.&#8221; Thus wrote the poet Rafael P&#233;rez Estrada and I ponder on that ambiguity of the archangel, halfway between heavenly and evil, as I am shaken by the alternation and the successive waves of this album, half godlike half barbarian, alternatively &#8220;fanciful and lunatic&#8221;, as Hubert Le Blanc described the wild evil temper of Antoine Forqueray, changing immediately into the exaggerated, troubled sensitiveness of the most intimate and poetical Marin Marais. It is funny: you listen to it forwards and backwards and both performances always fit symmetrically, as if they were exactly-cut reverses. The answer is given, once again, by P&#233;rez Estrada, who points out: &#8220;exact lovers cast only one shadow.&#8221; The juxtaposition of the opposite Forqueray and Marais cast, therefore, one single global shadow. Juan Mar&#237;a Rodr&#237;guez (translation: Adolfo Garc&#237;a) After the success of Accademia del Piacere&apos;s first CD, LE LACRIME DI EROS (Prelude Classical Music Award 2009 to the best international Early Baroque recording), Alqhai &amp; Alqhai continues its task of spreading the talent of the brilliant last generation of Andalusian musicians and their extraordinary musical heritage: Accademia del Piacere is now working on the edition of its third CD, dedicated to the Golden Age of Spanish polyphony. To order Les violes du ciel et de lenfer and other CDs from Alqhai &amp; Alqhai, visit http://www.alqhai-alqhai.com/. This content is Copyright &#169; 2010 Alqhai &amp; Alqhai/ Accademia del Piacere and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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CD Preview - Accademia del Piacere - Marin Marais (1626-1728) - Le Tourbillon from Pi&#232;ces de viole du quatri&#232;me Livre, 1717 From the CD by Alqhai &amp; Alqhai - Accademia del Piacere - Les violes du ciel et de lenfer Fahmi Alqhai solo viola da gamba Rami Alqhai, viola da gamba Miguel Rinc&#243;n, theorbo and baroque guitar Alberto Mart&#237;nez Molina, harpsichord Not many geniuses have been seen since those beautiful days, as if Nature had decided to take a rest after the death of Louis XIV. Voltaire, The Age of Louis XIV &#8220;Angels are many-sided and equivocal.&#8221; Thus wrote the poet Rafael P&#233;rez Estrada and I ponder on that ambiguity of the archangel, halfway between heavenly and evil, as I am shaken by the alternation and the successive waves of this album, half godlike half barbarian, alternatively &#8220;fanciful and lunatic&#8221;, as Hubert Le Blanc described the wild evil temper of Antoine Forqueray, changing immediately into the exaggerated, troubled sensitiveness of the most intimate and poetical Marin Marais. It is funny: you listen to it forwards and backwards and both performances always fit symmetrically, as if they were exactly-cut reverses. The answer is given, once again, by P&#233;rez Estrada, who points out: &#8220;exact lovers cast only one shadow.&#8221; The juxtaposition of the opposite Forqueray and Marais cast, therefore, one single global shadow. Juan Mar&#237;a Rodr&#237;guez (translation: Adolfo Garc&#237;a) After the success of Accademia del Piacere&apos;s first CD, LE LACRIME DI EROS (Prelude Classical Music Award 2009 to the best international Early Baroque recording), Alqhai &amp; Alqhai continues its task of spreading the talent of the brilliant last generation of Andalusian musicians and their extraordinary musical heritage: Accademia del Piacere is now working on the edition of its third CD, dedicated to the Golden Age of Spanish polyphony. To order Les violes du ciel et de lenfer and other CDs from Alqhai &amp; Alqhai, visit http://www.alqhai-alqhai.com/. This content is Copyright &#169; 2010 Alqhai &amp; Alqhai/ Accademia del Piacere and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[CD Preview - Accademia del Piacere - Marin Marais (1626-1728) - La Reveuse from Pi&#232;ces de viole du quatri&#232;me Livre, 1717 From the CD by Alqhai &amp; Alqhai - Accademia del Piacere - Les violes du ciel et de lenfer Fahmi Alqhai solo viola da gamba Rami Alqhai, viola da gamba Miguel Rinc&#243;n, theorbo and baroque guitar Alberto Mart&#237;nez Molina, harpsichord Not many geniuses have been seen since those beautiful days, as if Nature had decided to take a rest after the death of Louis XIV. Voltaire, The Age of Louis XIV &#8220;Angels are many-sided and equivocal.&#8221; Thus wrote the poet Rafael P&#233;rez Estrada and I ponder on that ambiguity of the archangel, halfway between heavenly and evil, as I am shaken by the alternation and the successive waves of this album, half godlike half barbarian, alternatively &#8220;fanciful and lunatic&#8221;, as Hubert Le Blanc described the wild evil temper of Antoine Forqueray, changing immediately into the exaggerated, troubled sensitiveness of the most intimate and poetical Marin Marais. It is funny: you listen to it forwards and backwards and both performances always fit symmetrically, as if they were exactly-cut reverses. The answer is given, once again, by P&#233;rez Estrada, who points out: &#8220;exact lovers cast only one shadow.&#8221; The juxtaposition of the opposite Forqueray and Marais cast, therefore, one single global shadow. Juan Mar&#237;a Rodr&#237;guez (translation: Adolfo Garc&#237;a) After the success of Accademia del Piacere&apos;s first CD, LE LACRIME DI EROS (Prelude Classical Music Award 2009 to the best international Early Baroque recording), Alqhai &amp; Alqhai continues its task of spreading the talent of the brilliant last generation of Andalusian musicians and their extraordinary musical heritage: Accademia del Piacere is now working on the edition of its third CD, dedicated to the Golden Age of Spanish polyphony. To order Les violes du ciel et de lenfer and other CDs from Alqhai &amp; Alqhai, visit http://www.alqhai-alqhai.com/. This content is Copyright &#169; 2010 Alqhai &amp; Alqhai/ Accademia del Piacere and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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CD Preview - Accademia del Piacere - Marin Marais (1626-1728) - La Reveuse from Pi&#232;ces de viole du quatri&#232;me Livre, 1717 From the CD by Alqhai &amp; Alqhai - Accademia del Piacere - Les violes du ciel et de lenfer Fahmi Alqhai solo viola da gamba Rami Alqhai, viola da gamba Miguel Rinc&#243;n, theorbo and baroque guitar Alberto Mart&#237;nez Molina, harpsichord Not many geniuses have been seen since those beautiful days, as if Nature had decided to take a rest after the death of Louis XIV. Voltaire, The Age of Louis XIV &#8220;Angels are many-sided and equivocal.&#8221; Thus wrote the poet Rafael P&#233;rez Estrada and I ponder on that ambiguity of the archangel, halfway between heavenly and evil, as I am shaken by the alternation and the successive waves of this album, half godlike half barbarian, alternatively &#8220;fanciful and lunatic&#8221;, as Hubert Le Blanc described the wild evil temper of Antoine Forqueray, changing immediately into the exaggerated, troubled sensitiveness of the most intimate and poetical Marin Marais. It is funny: you listen to it forwards and backwards and both performances always fit symmetrically, as if they were exactly-cut reverses. The answer is given, once again, by P&#233;rez Estrada, who points out: &#8220;exact lovers cast only one shadow.&#8221; The juxtaposition of the opposite Forqueray and Marais cast, therefore, one single global shadow. Juan Mar&#237;a Rodr&#237;guez (translation: Adolfo Garc&#237;a) After the success of Accademia del Piacere&apos;s first CD, LE LACRIME DI EROS (Prelude Classical Music Award 2009 to the best international Early Baroque recording), Alqhai &amp; Alqhai continues its task of spreading the talent of the brilliant last generation of Andalusian musicians and their extraordinary musical heritage: Accademia del Piacere is now working on the edition of its third CD, dedicated to the Golden Age of Spanish polyphony. To order Les violes du ciel et de lenfer and other CDs from Alqhai &amp; Alqhai, visit http://www.alqhai-alqhai.com/. This content is Copyright &#169; 2010 Alqhai &amp; Alqhai/ Accademia del Piacere and appears here on the GambaCast by permission. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Johannes Schenck (1660-1712) - Sonata V for for Unaccompanied Viola da Gamba from the Vienna Manuscript Adagio-Allegro-Adagio - Aria - Aria. Allegro - Adagio-Tempo di Gavotte- Adagio &#8211; Adagio - Allegro - Giga Recorded August 16, 2010 in Duesenberg Recital Hall, Valparaiso University Center for the Arts, Valparaiso, IN. This audio content is Copyright &#169;2010 Phillip W. Serna and appears here on the GambaCast by permission. For more information on Valparaiso University Music Programs, visit http://www.valpo.edu/music. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Carl Friedrich Abel (1723- 1787) - Allegro, WKO 205 from 27 Pieces for Unaccompanied Viola da Gamba Recorded August 16, 2010 in Duesenberg Recital Hall, Valparaiso University Center for the Arts, Valparaiso, IN. This audio content is Copyright &#169;2010 Phillip W. Serna and appears here on the GambaCast by permission. For more information on Valparaiso University Music Programs, visit http://www.valpo.edu/music. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Carl Friedrich Abel (1723- 1787) - Allegro from 27 Pieces for Unaccompanied Viola da Gamba Recorded August 16, 2010 in Duesenberg Recital Hall, Valparaiso University Center for the Arts, Valparaiso, IN. This audio content is Copyright &#169;2010 Phillip W. Serna and appears here on the GambaCast by permission. For more information on Valparaiso University Music Programs, visit http://www.valpo.edu/music. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Carl Friedrich Abel (1723- 1787) - Sonata in G-Major, WKO155 for Unaccompanied Viola da Gamba for Unaccompanied Viola da Gamba Adagio - Allegro - Minuet Recorded August 16, 2010 in Duesenberg Recital Hall, Valparaiso University Center for the Arts, Valparaiso, IN. This audio content is Copyright &#169;2010 Phillip W. Serna and appears here on the GambaCast by permission. For more information on Valparaiso University Music Programs, visit http://www.valpo.edu/music. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Martha Bishop (b.1937) - Serna Suite for Unaccompanied 7-String Bass Viol (2009) Prelude - Tango - Sarabande - Jigg Performance Notes This Suite is written for Phillip Serna in gratitude for his support of modern composition and in awe of his fine viola da gamba playing skills. I am grateful to composer Dr. John A. Lennon for his excellent advice and encouragement in this and many other compositional efforts. I am also grateful to Mr. and Mrs. Randall Anderson for the loan of their cabin for a quiet retreat in the mountains of North Georgia, and for the inspiration those mountains provided me in writing this piece. Martha Bishop, November 2009 Recorded August 16, 2010 in Duesenberg Recital Hall, Valparaiso University Center for the Arts, Valparaiso, IN. This audio content is Copyright &#169;2010 Phillip W. Serna &amp; music is &#169;2009 Martha Bishop and appears here on the GambaCast by permission. For information on the musical activities of Martha Bishop, visit http://www.marthabishop.com/. For more information on Valparaiso University Music Programs, visit http://www.valpo.edu/music. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Georg Philipp Telemann (1681-1767) - Concert Suite in D-major for Viola da Gamba, Strings &amp; Continuo, TWV55:D18 Ouverture - La Trompette - Sarabande - Rondeau - Bour&#233;e - Courante &#8211; Gigue Filmed May 22, 2010 at the Joliet Junior College Fine arts Theater, Joliet IL. Dr. Phillip W. Serna performs with the Metropolitan Youth Symphony Orchestra is under the direction of Dr. Lawrence Sisk and executive director Pam Nogal. This video content is Copyright &#169; 2010 the Phillip W. Serna &amp; the Metropolitan Youth Symphony Orchestra and appears here on the GambaCast by permission. For more information on Metropolitan Youth Symphony Orhcestra&#8217;s Music Programs, visit http://www.mysomusic.org. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. viols in our schools gambacast, www.thegambacast.org,]]></blip:puredescription>
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Georg Philipp Telemann (1681-1767) - Concert Suite in D-major for Viola da Gamba, Strings &amp; Continuo, TWV55:D18 Ouverture - La Trompette - Sarabande - Rondeau - Bour&#233;e - Courante &#8211; Gigue Filmed May 22, 2010 at the Joliet Junior College Fine arts Theater, Joliet IL. Dr. Phillip W. Serna performs with the Metropolitan Youth Symphony Orchestra is under the direction of Dr. Lawrence Sisk and executive director Pam Nogal. This video content is Copyright &#169; 2010 the Phillip W. Serna &amp; the Metropolitan Youth Symphony Orchestra and appears here on the GambaCast by permission. For more information on Metropolitan Youth Symphony Orhcestra&#8217;s Music Programs, visit http://www.mysomusic.org. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. viols in our schools gambacast, www.thegambacast.org,

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  <blip:puredescription><![CDATA[Francesco Rognoni (fl. 1600s) - Viola Bastarda Diminutions on Susanne ung jour (after Orlando di Lassus) From Selva di Varie passaggi second l&#8217;uso modern (Milan, 1620) Accompaniment arranged for viol consort by Phillip W. Serna Performed June 24, 2010 in Oberlin, OH To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. viols in our schools gambacast, www.thegambacast.org,]]></blip:puredescription>
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Francesco Rognoni (fl. 1600s) - Viola Bastarda Diminutions on Susanne ung jour (after Orlando di Lassus) From Selva di Varie passaggi second l&#8217;uso modern (Milan, 1620) Accompaniment arranged for viol consort by Phillip W. Serna Performed June 24, 2010 in Oberlin, OH To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. viols in our schools gambacast, www.thegambacast.org,

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  <blip:puredescription><![CDATA[G. Victor Penniman - Ruby Gamba - The Herbs - Unbelieveable The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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G. Victor Penniman - Ruby Gamba - The Herbs - Unbelieveable The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[G. Victor Penniman - Ruby Gamba - The Herbs - Shrine The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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G. Victor Penniman - Ruby Gamba - The Herbs - Shrine The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[G. Victor Penniman - Ruby Gamba - The Herbs - Orphaned The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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G. Victor Penniman - Ruby Gamba - The Herbs - Orphaned The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[G. Victor Penniman - Ruby Gamba - The Herbs - Lullaby The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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G. Victor Penniman - Ruby Gamba - The Herbs - Lullaby The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[G. Victor Penniman - Ruby Gamba - The Herbs - Helena The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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G. Victor Penniman - Ruby Gamba - The Herbs - Helena The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[G. Victor Penniman - Ruby Gamba - The Herbs - I Dreamed I was Flying The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/]]></blip:puredescription>
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G. Victor Penniman - Ruby Gamba - The Herbs - I Dreamed I was Flying The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/

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  <blip:puredescription><![CDATA[G. Victor Penniman - Ruby Gamba - The Herbs - Changes The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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G. Victor Penniman - Ruby Gamba - The Herbs - Changes The track included are from the Herb&#8217;s recent album Lightning &#8211; please support their work by purchasing their album. &quot;Lightning is aptly named. It is a brilliant flash of emotions and deeply personal lyrics that is over all too quickly. When the last song fades into quiet, you&apos;ll be breathless with introspective wonder and a nostalgic smile on your face. Through the course of these ten powerful songs lost loves will emerge from the darkness of memory, future loves will appear in your imagination, and your soul will take a deep breath and sigh. Lightning builds to an emotional crescendo and lets go with a gentle push, as if the Herbs&apos; goal was not only to make a great album but also to help the listeners find a window into their own hearts. Each song is a complete work of art, but if you listen to the entire album in a sitting you&apos;ll discover the sweet melancholy of the subliminal message created by the weaving of loss, love, desire, despair, and, most of all, hope through the course of the all too brief CD.&quot; -RC, Syracuse The Herbs&apos; music is a healing, soothing blend of rock, funk, folk, swing, jazz, blues, all lovingly mixed together to create a unique amalgam for your worries, a cooling balm for the soul, the perfect cure for what ails your spirit. Better than chicken soup, when you&apos;re blue try some Herbs. The Herbs are- William Nicholson - guitar, harmonica, vocals Lincoln Tubbs- drums Victor Penniman- viola de gamba, violin, cello, bass David Desiro- percussion Contact: http://www.theherbsband.com/?song=contact To purchase the album Lightning: http://www.theherbsband.com/?song=store About G. Victor Penniman: Violist da gamba, guitarist, award-winning music director and co-founder of discontinuo, G. Victor Penniman holds a Doctor of Musical Arts in Operation of Early Music Programs, with minors in music history and conducting, at the Indiana University School of Music&#8217;s Early Music Institute. He also holds a Masters of Music degree in historical musicology from Florida State University, where he taught viol for three years and co-directed the Early Music Ensembles under Dr. Jeffrey Kite-Powel, and a Bachelor of Arts in Music degree from Marylhurst University near Portland, Oregon. He has studied viola da gamba with Wendy Gillespie, Tim Scott, Martha Bishop, Alison Crum, Margriet Tindemans, Yukimi Kambe, Toshinari Ohashi, and Paolo Pandolfo, and Erin Headley. He was music director for the Tygre&apos;s Heart Shakespeare Company in Portland, OR in 1992, and has performed with The Oregon Renaissance Band (Phil and Gayle Neumann, dir.), the Oregon Bach Festival Orchestra (Helmuth Rilling, cond.), the Waverly Baroque Ensemble, the Tallahassee Bach Parley, and countless other individual projects and performances. While doing his undergraduate work, he was primarily a double bassist, studying with Glenn Moore (of the jazz group &#8220;Oregon&#8221;), Rob Thomas, and Herman Jobelmann. He has also been a student of Indian classical music in the Hindustani tradition. Victor is an Assistant Professor of Music at Wells College, where he teaches Western music history, the History of Rock n&#8217; Roll, Music Technology, directs the Wells College Early Music Ensemble, and gives private instruction in viola da gamba, guitar, violin, viola, cello, bass (upright and electric), mandolin, banjo, and recorder. He is also a Lecturer in Music History at Ithaca College, in Ithaca, NY, and choir director at the United Ministries Church in Aurora, NY. For more information, visit http://www.ormesbyproductions.com/Victor.htm. This content is Copyright &#169; 2010 Victor Penniman/ The Herbs and appears here on the GambaCast by permission. For more information on Victor Penniman with The Herbs, visit http://www.theherbsband.com/. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Christopher Burrus with Phillip Serna - Captaine Tobias Hume (1569-1645) - Musicke &amp; Mirth (Lady Hattons Delight) from Captaine Humes Poeticall Musicke (1607) Filmed December 3, 2009 in Duesenberg Recital Hall, Valparaiso University Center for the Arts, Valparaiso, IN. This video content is Copyright &#169; 2010 Christopher Burrus and Phillip W. Serna. Christopher Burrus is a sophomore music major in the viola da gamba and contrabass studio of Phillip Serna at Valparaiso University. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Christopher Burrus with Phillip Serna - Captaine Tobias Hume (1569 - 1645) - The Spirit of Gambo (The Lord Dewys Favoret) from Captaine Hume&apos;s Poeticall Musicke (1607) Filmed December 3, 2009 in Duesenberg Recital Hall, Valparaiso University Center for the Arts, Valparaiso, IN. This video content is Copyright &#169; 2010 Christopher Burrus and Phillip W. Serna. Christopher Burrus is a sophomore music major in the viola da gamba and contrabass studio of Phillip Serna at Valparaiso University. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Pourquoi me reveiller - Viol &amp; Electric Viol - Sacred Shine Pourquoi me reveiller started in Rotterdam, the Netherlands, in 1998. At the time the band consisted of four people, now it has grown to a group of six, including two female backing singers. The first few years were all about developing, mostly making and composing music together. For quite a while the band did not come out into the open. After years of raging puberty accompanied by extremely loud music they decided to approach music in a little less disturbing way. Piano and viola da gamba replaced distorted guitars and since we had no drummer the music softened a bit. After years of practicing and doing gigs in lots of dubious places, Pourquoi was given the opportunity to write and perform music for a theatre production. A remake of l&apos;histoire du soldat. Only after the release of the first album &#8220;They took my bed outside&#8221; (end of 2005 by Dying Giraffe Recordings) did Pourquoi me reveiller really pick up speed. The album was reviewed favourably and several tracks found their way to the playlists of national and international radio stations. The album They took my bed outside was given a lo-fi character on purpose. Therefore it was all the more surprising that Pourquoi me reveiller was given such an enthusiastic reception by the media and press. The typical and original sound and the varied repertoire was considered very appealing and a reference to the so-called and also typical Belgian Pop was soon made. For a long time Pourquoi me reveiller was Rotterdam&#8217;s or the Dutch best kept secret, but now slowly the band and its music are finding their way to the music lovers. The translation of Pourquoi me reveiller may be &#8220;Why wake up&#8221;, but the band is definitely not a sleepy one. On the contrary, Pourquoi me reveiller has woken up and follows its own musical route.... Pourquoi me Reveiller are: Muf - Vocals, guitars, piano, accordion Nix - Guitars, backing vocals, percussion Fallus - Viola da gamba, Ruby Gamba, backing vocals Inkie - Bass guitar Jess - Piano, vocals, percussion Natalie - Vocals Contact: http://www.myspace.com/pourquoimereveiller Email: pobox@pourquoimereveiller.com pourquoimereveiller@myspace.com Label: Dying Giraffe Recordings http://www.dgrmusic.com/ This content is Copyright &#169; 2010 Pourquoi me reveiller and appears here on the GambaCast by permission. For more information on Pourquoi me reveiller, visit http://www.myspace.com/pourquoimereveiller &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Pourquoi me reveiller - Viol &amp; Electric Viol - Sacred Shine Pourquoi me reveiller started in Rotterdam, the Netherlands, in 1998. At the time the band consisted of four people, now it has grown to a group of six, including two female backing singers. The first few years were all about developing, mostly making and composing music together. For quite a while the band did not come out into the open. After years of raging puberty accompanied by extremely loud music they decided to approach music in a little less disturbing way. Piano and viola da gamba replaced distorted guitars and since we had no drummer the music softened a bit. After years of practicing and doing gigs in lots of dubious places, Pourquoi was given the opportunity to write and perform music for a theatre production. A remake of l&apos;histoire du soldat. Only after the release of the first album &#8220;They took my bed outside&#8221; (end of 2005 by Dying Giraffe Recordings) did Pourquoi me reveiller really pick up speed. The album was reviewed favourably and several tracks found their way to the playlists of national and international radio stations. The album They took my bed outside was given a lo-fi character on purpose. Therefore it was all the more surprising that Pourquoi me reveiller was given such an enthusiastic reception by the media and press. The typical and original sound and the varied repertoire was considered very appealing and a reference to the so-called and also typical Belgian Pop was soon made. For a long time Pourquoi me reveiller was Rotterdam&#8217;s or the Dutch best kept secret, but now slowly the band and its music are finding their way to the music lovers. The translation of Pourquoi me reveiller may be &#8220;Why wake up&#8221;, but the band is definitely not a sleepy one. On the contrary, Pourquoi me reveiller has woken up and follows its own musical route.... Pourquoi me Reveiller are: Muf - Vocals, guitars, piano, accordion Nix - Guitars, backing vocals, percussion Fallus - Viola da gamba, Ruby Gamba, backing vocals Inkie - Bass guitar Jess - Piano, vocals, percussion Natalie - Vocals Contact: http://www.myspace.com/pourquoimereveiller Email: pobox@pourquoimereveiller.com pourquoimereveiller@myspace.com Label: Dying Giraffe Recordings http://www.dgrmusic.com/ This content is Copyright &#169; 2010 Pourquoi me reveiller and appears here on the GambaCast by permission. For more information on Pourquoi me reveiller, visit http://www.myspace.com/pourquoimereveiller &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Pourquoi me reveiller - Viol &amp; Electric Viol - Pourquoi me reveiller started in Rotterdam, the Netherlands, in 1998. At the time the band consisted of four people, now it has grown to a group of six, including two female backing singers. The first few years were all about developing, mostly making and composing music together. For quite a while the band did not come out into the open. After years of raging puberty accompanied by extremely loud music they decided to approach music in a little less disturbing way. Piano and viola da gamba replaced distorted guitars and since we had no drummer the music softened a bit. After years of practicing and doing gigs in lots of dubious places, Pourquoi was given the opportunity to write and perform music for a theatre production. A remake of l&apos;histoire du soldat. Only after the release of the first album &#8220;They took my bed outside&#8221; (end of 2005 by Dying Giraffe Recordings) did Pourquoi me reveiller really pick up speed. The album was reviewed favourably and several tracks found their way to the playlists of national and international radio stations. The album They took my bed outside was given a lo-fi character on purpose. Therefore it was all the more surprising that Pourquoi me reveiller was given such an enthusiastic reception by the media and press. The typical and original sound and the varied repertoire was considered very appealing and a reference to the so-called and also typical Belgian Pop was soon made. For a long time Pourquoi me reveiller was Rotterdam&#8217;s or the Dutch best kept secret, but now slowly the band and its music are finding their way to the music lovers. The translation of Pourquoi me reveiller may be &#8220;Why wake up&#8221;, but the band is definitely not a sleepy one. On the contrary, Pourquoi me reveiller has woken up and follows its own musical route.... Pourquoi me Reveiller are: Muf - Vocals, guitars, piano, accordion Nix - Guitars, backing vocals, percussion Fallus - Viola da gamba, Ruby Gamba, backing vocals Inkie - Bass guitar Jess - Piano, vocals, percussion Natalie - Vocals Contact: http://www.myspace.com/pourquoimereveiller Email: pobox@pourquoimereveiller.com pourquoimereveiller@myspace.com Label: Dying Giraffe Recordings http://www.dgrmusic.com/ This content is Copyright &#169; 2010 Pourquoi me reveiller and appears here on the GambaCast by permission. For more information on Pourquoi me reveiller, visit http://www.myspace.com/pourquoimereveiller &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Pourquoi me reveiller - Viol &amp; Electric Viol - Pourquoi me reveiller started in Rotterdam, the Netherlands, in 1998. At the time the band consisted of four people, now it has grown to a group of six, including two female backing singers. The first few years were all about developing, mostly making and composing music together. For quite a while the band did not come out into the open. After years of raging puberty accompanied by extremely loud music they decided to approach music in a little less disturbing way. Piano and viola da gamba replaced distorted guitars and since we had no drummer the music softened a bit. After years of practicing and doing gigs in lots of dubious places, Pourquoi was given the opportunity to write and perform music for a theatre production. A remake of l&apos;histoire du soldat. Only after the release of the first album &#8220;They took my bed outside&#8221; (end of 2005 by Dying Giraffe Recordings) did Pourquoi me reveiller really pick up speed. The album was reviewed favourably and several tracks found their way to the playlists of national and international radio stations. The album They took my bed outside was given a lo-fi character on purpose. Therefore it was all the more surprising that Pourquoi me reveiller was given such an enthusiastic reception by the media and press. The typical and original sound and the varied repertoire was considered very appealing and a reference to the so-called and also typical Belgian Pop was soon made. For a long time Pourquoi me reveiller was Rotterdam&#8217;s or the Dutch best kept secret, but now slowly the band and its music are finding their way to the music lovers. The translation of Pourquoi me reveiller may be &#8220;Why wake up&#8221;, but the band is definitely not a sleepy one. On the contrary, Pourquoi me reveiller has woken up and follows its own musical route.... Pourquoi me Reveiller are: Muf - Vocals, guitars, piano, accordion Nix - Guitars, backing vocals, percussion Fallus - Viola da gamba, Ruby Gamba, backing vocals Inkie - Bass guitar Jess - Piano, vocals, percussion Natalie - Vocals Contact: http://www.myspace.com/pourquoimereveiller Email: pobox@pourquoimereveiller.com pourquoimereveiller@myspace.com Label: Dying Giraffe Recordings http://www.dgrmusic.com/ This content is Copyright &#169; 2010 Pourquoi me reveiller and appears here on the GambaCast by permission. For more information on Pourquoi me reveiller, visit http://www.myspace.com/pourquoimereveiller &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Pourquoi me reveiller - Viol &amp; Electric Viol - They Took My Bed Outside Pourquoi me reveiller started in Rotterdam, the Netherlands, in 1998. At the time the band consisted of four people, now it has grown to a group of six, including two female backing singers. The first few years were all about developing, mostly making and composing music together. For quite a while the band did not come out into the open. After years of raging puberty accompanied by extremely loud music they decided to approach music in a little less disturbing way. Piano and viola da gamba replaced distorted guitars and since we had no drummer the music softened a bit. After years of practicing and doing gigs in lots of dubious places, Pourquoi was given the opportunity to write and perform music for a theatre production. A remake of l&apos;histoire du soldat. Only after the release of the first album &#8220;They took my bed outside&#8221; (end of 2005 by Dying Giraffe Recordings) did Pourquoi me reveiller really pick up speed. The album was reviewed favourably and several tracks found their way to the playlists of national and international radio stations. The album They took my bed outside was given a lo-fi character on purpose. Therefore it was all the more surprising that Pourquoi me reveiller was given such an enthusiastic reception by the media and press. The typical and original sound and the varied repertoire was considered very appealing and a reference to the so-called and also typical Belgian Pop was soon made. For a long time Pourquoi me reveiller was Rotterdam&#8217;s or the Dutch best kept secret, but now slowly the band and its music are finding their way to the music lovers. The translation of Pourquoi me reveiller may be &#8220;Why wake up&#8221;, but the band is definitely not a sleepy one. On the contrary, Pourquoi me reveiller has woken up and follows its own musical route.... Pourquoi me Reveiller are: Muf - Vocals, guitars, piano, accordion Nix - Guitars, backing vocals, percussion Fallus - Viola da gamba, Ruby Gamba, backing vocals Inkie - Bass guitar Jess - Piano, vocals, percussion Natalie - Vocals Contact: http://www.myspace.com/pourquoimereveiller Email: pobox@pourquoimereveiller.com pourquoimereveiller@myspace.com Label: Dying Giraffe Recordings http://www.dgrmusic.com/ This content is Copyright &#169; 2010 Pourquoi me reveiller and appears here on the GambaCast by permission. For more information on Pourquoi me reveiller, visit http://www.myspace.com/pourquoimereveiller &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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<br />

Pourquoi me reveiller - Viol &amp; Electric Viol - They Took My Bed Outside Pourquoi me reveiller started in Rotterdam, the Netherlands, in 1998. At the time the band consisted of four people, now it has grown to a group of six, including two female backing singers. The first few years were all about developing, mostly making and composing music together. For quite a while the band did not come out into the open. After years of raging puberty accompanied by extremely loud music they decided to approach music in a little less disturbing way. Piano and viola da gamba replaced distorted guitars and since we had no drummer the music softened a bit. After years of practicing and doing gigs in lots of dubious places, Pourquoi was given the opportunity to write and perform music for a theatre production. A remake of l&apos;histoire du soldat. Only after the release of the first album &#8220;They took my bed outside&#8221; (end of 2005 by Dying Giraffe Recordings) did Pourquoi me reveiller really pick up speed. The album was reviewed favourably and several tracks found their way to the playlists of national and international radio stations. The album They took my bed outside was given a lo-fi character on purpose. Therefore it was all the more surprising that Pourquoi me reveiller was given such an enthusiastic reception by the media and press. The typical and original sound and the varied repertoire was considered very appealing and a reference to the so-called and also typical Belgian Pop was soon made. For a long time Pourquoi me reveiller was Rotterdam&#8217;s or the Dutch best kept secret, but now slowly the band and its music are finding their way to the music lovers. The translation of Pourquoi me reveiller may be &#8220;Why wake up&#8221;, but the band is definitely not a sleepy one. On the contrary, Pourquoi me reveiller has woken up and follows its own musical route.... Pourquoi me Reveiller are: Muf - Vocals, guitars, piano, accordion Nix - Guitars, backing vocals, percussion Fallus - Viola da gamba, Ruby Gamba, backing vocals Inkie - Bass guitar Jess - Piano, vocals, percussion Natalie - Vocals Contact: http://www.myspace.com/pourquoimereveiller Email: pobox@pourquoimereveiller.com pourquoimereveiller@myspace.com Label: Dying Giraffe Recordings http://www.dgrmusic.com/ This content is Copyright &#169; 2010 Pourquoi me reveiller and appears here on the GambaCast by permission. For more information on Pourquoi me reveiller, visit http://www.myspace.com/pourquoimereveiller &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Pourquoi me reveiller - Viol &amp; Electric Viol - Silly Love Song Pourquoi me reveiller started in Rotterdam, the Netherlands, in 1998. At the time the band consisted of four people, now it has grown to a group of six, including two female backing singers. The first few years were all about developing, mostly making and composing music together. For quite a while the band did not come out into the open. After years of raging puberty accompanied by extremely loud music they decided to approach music in a little less disturbing way. Piano and viola da gamba replaced distorted guitars and since we had no drummer the music softened a bit. After years of practicing and doing gigs in lots of dubious places, Pourquoi was given the opportunity to write and perform music for a theatre production. A remake of l&apos;histoire du soldat. Only after the release of the first album &#8220;They took my bed outside&#8221; (end of 2005 by Dying Giraffe Recordings) did Pourquoi me reveiller really pick up speed. The album was reviewed favourably and several tracks found their way to the playlists of national and international radio stations. The album They took my bed outside was given a lo-fi character on purpose. Therefore it was all the more surprising that Pourquoi me reveiller was given such an enthusiastic reception by the media and press. The typical and original sound and the varied repertoire was considered very appealing and a reference to the so-called and also typical Belgian Pop was soon made. For a long time Pourquoi me reveiller was Rotterdam&#8217;s or the Dutch best kept secret, but now slowly the band and its music are finding their way to the music lovers. The translation of Pourquoi me reveiller may be &#8220;Why wake up&#8221;, but the band is definitely not a sleepy one. On the contrary, Pourquoi me reveiller has woken up and follows its own musical route.... Pourquoi me Reveiller are: Muf - Vocals, guitars, piano, accordion Nix - Guitars, backing vocals, percussion Fallus - Viola da gamba, Ruby Gamba, backing vocals Inkie - Bass guitar Jess - Piano, vocals, percussion Natalie - Vocals Contact: http://www.myspace.com/pourquoimereveiller Email: pobox@pourquoimereveiller.com pourquoimereveiller@myspace.com Label: Dying Giraffe Recordings http://www.dgrmusic.com/ This content is Copyright &#169; 2010 Pourquoi me reveiller and appears here on the GambaCast by permission. For more information on Pourquoi me reveiller, visit http://www.myspace.com/pourquoimereveiller &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Pourquoi me reveiller - Viol &amp; Electric Viol - Silly Love Song Pourquoi me reveiller started in Rotterdam, the Netherlands, in 1998. At the time the band consisted of four people, now it has grown to a group of six, including two female backing singers. The first few years were all about developing, mostly making and composing music together. For quite a while the band did not come out into the open. After years of raging puberty accompanied by extremely loud music they decided to approach music in a little less disturbing way. Piano and viola da gamba replaced distorted guitars and since we had no drummer the music softened a bit. After years of practicing and doing gigs in lots of dubious places, Pourquoi was given the opportunity to write and perform music for a theatre production. A remake of l&apos;histoire du soldat. Only after the release of the first album &#8220;They took my bed outside&#8221; (end of 2005 by Dying Giraffe Recordings) did Pourquoi me reveiller really pick up speed. The album was reviewed favourably and several tracks found their way to the playlists of national and international radio stations. The album They took my bed outside was given a lo-fi character on purpose. Therefore it was all the more surprising that Pourquoi me reveiller was given such an enthusiastic reception by the media and press. The typical and original sound and the varied repertoire was considered very appealing and a reference to the so-called and also typical Belgian Pop was soon made. For a long time Pourquoi me reveiller was Rotterdam&#8217;s or the Dutch best kept secret, but now slowly the band and its music are finding their way to the music lovers. The translation of Pourquoi me reveiller may be &#8220;Why wake up&#8221;, but the band is definitely not a sleepy one. On the contrary, Pourquoi me reveiller has woken up and follows its own musical route.... Pourquoi me Reveiller are: Muf - Vocals, guitars, piano, accordion Nix - Guitars, backing vocals, percussion Fallus - Viola da gamba, Ruby Gamba, backing vocals Inkie - Bass guitar Jess - Piano, vocals, percussion Natalie - Vocals Contact: http://www.myspace.com/pourquoimereveiller Email: pobox@pourquoimereveiller.com pourquoimereveiller@myspace.com Label: Dying Giraffe Recordings http://www.dgrmusic.com/ This content is Copyright &#169; 2010 Pourquoi me reveiller and appears here on the GambaCast by permission. For more information on Pourquoi me reveiller, visit http://www.myspace.com/pourquoimereveiller &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169;2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Musica Pacifica &#8211; Henry Purcell (1659-1695) - Pavan Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Musica Pacifica &#8211; Henry Purcell (1659-1695) - Pavan Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Musica Pacifica - Matthew Locke (1621-22-1677) - Suite from the Broken Consort (1661) I . Fantaizie II. Courante III. Ayre (Almand) IV. Saraband Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Musica Pacifica - Matthew Locke (1621-22-1677) - Suite from the Broken Consort (1661) I . Fantaizie II. Courante III. Ayre (Almand) IV. Saraband Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Musica Pacifica - John Jenkins (1592-1678) - Fancy and Air No.2 Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Musica Pacifica - John Jenkins (1592-1678) - Fancy and Air No.2 Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Musica Pacifica - Thomas Baltzar (1631-1663) - Movements from &quot;Suite for 3 Trebles Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Musica Pacifica - Thomas Baltzar (1631-1663) - Movements from &quot;Suite for 3 Trebles Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Musica Pacifica - Andrea Falconiero (1585-1680) - L&apos;Eroica Sonata a Tre Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Musica Pacifica - Andrea Falconiero (1585-1680) - L&apos;Eroica Sonata a Tre Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Musica Pacifica - Italian Dances Marizio Cazzati (c.1620-1677) - Balletto Marizio Cazzati (c.1620-1677) - Aria Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Musica Pacifica - Italian Dances Marizio Cazzati (c.1620-1677) - Balletto Marizio Cazzati (c.1620-1677) - Aria Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Musica Pacifica - Italian Dances Andrea Falconiero (c.1585-1683) - L&#8217;Orlando Brando Biagio Marini (c.1587-1663) - Balletto Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Musica Pacifica - Italian Dances Andrea Falconiero (c.1585-1683) - L&#8217;Orlando Brando Biagio Marini (c.1587-1663) - Balletto Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Musica Pacifica - Tarquinio Merula (ca.1595-1665) - Ciaccona Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Musica Pacifica - Tarquinio Merula (ca.1595-1665) - Ciaccona Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Musica Pacifica - Tarquinio Merula (ca.1595-1665) - Ballo detto Pollicio Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Musica Pacifica - Tarquinio Merula (ca.1595-1665) - Ballo detto Pollicio Recorded live at the Coal Seller&apos;s Concert in Palo Alto, CA Oct. 31, 2008. Judith Linsenberg, recorder; Elizabeth Blumenstock, violin; David Morris, viola da gamba; Charles Sherman, harpsichord. With special guest Robert Mealy, violin and Peter Maund, percussion To view Musica Pacifica&#8217;s original videos, please also visit http://www.youtube.com/MusicaPacificaSF. Musica Pacifica achieved recognition as one of North America&apos;s premiere baroque ensembles soon after the group&apos;s founding in 1990. They have been described by the press as &quot;some of the finest baroque musicians in America&quot; (American Record Guide) and &quot;among the best in the world&quot; (Alte Musik Aktuell). At home in the San Francisco Bay area, the artists are members of Philharmonia Baroque and American Bach Soloists, and they appear with many other prominent early music ensembles nationally and abroad. They have collaborated with such early music luminaries as Stephen Stubbs (lute/guitar) and Maxine Eilander (harps); sopranos Ellen Hargis and Julianne Baird; countertenor and cornettist, Michael Collver; bassoonist Michael McCraw, and Baroque dancers Linda Tomko &amp; Co. Musica Pacifica&apos;s stylish, high-energy, and virtuoso performances have consistently received enthusiastic reviews from critics and audiences alike. These qualities have led to appearances on such prestigious chamber and early music concert series as Music Before 1800 and the Frick Collection (NY), Tage Alter Musik (Regensburg), the Shrine to Music Museum (Vermillion, SD), the Cleveland Art Museum, the Pittsburgh Renaissance and Baroque Society, the Seattle Early Music Guild, Milwaukee&apos;s Early Music Now, the Houston Early Music Society, the Los Angeles County Museum, the San Diego Early Music Society, and the Cambridge Early Music Society (MA), among many others. They have three times been a featured ensemble at the Berkeley Early Music Festival, and their first appearance there was cited in Early Music (UK) as &quot;perhaps the standout of the entire festival.&quot; They have performed at festivals in Germany and Austria and have been heard on German National radio as well as on National Public Radio&#8217;s &quot;Performance Today&quot; and &quot;Harmonia.&quot; Musica Pacifica&apos;s seven CD releases--Bach Trio Sonatas and a 2-CD set of Marais, Pi&#232;ces en trio on Virgin/Veritas; Alessandro Scarlatti Concerti da camera, Mancini Concerti da camera, Telemann Chamber Cantatas and Trio Sonatas, Vivaldi La Notte: Concerti per strumenti diversi , and Fire Beneath My Fingers, on Dorian--have won national and international awards, including the highest ratings in several CD magazines and each one being chosen as &quot;CD of the Month&quot; by the early music journal Alte Musik Aktuell (Regensburg). Fire Beneath My Fingers was touted as &#8220;one off the most exciting Baroque recordings I&#8217;ve heard&#8221; on Audiophile Audition, and was a featured recording on Minnesota Public Radio. The Telemann CD, described by Early Music America Magazine as &quot;superbly elegant . . . exemplifying the finest in historical performance today,&quot; won Chamber Music America and WQXR&apos;s 2003 Record Award honoring the best chamber music recordings of the year. The Mancini recording was cited as a &quot;Noteworthy Disc&quot; in the 2000 International Antonio Vivaldi Awards for Italian Early Music in Venice--the only CD that year by a North American ensemble to receive the honor. This video content is Copyright &#169; 2008/ 2009 Musica Pacifica and appears here on the GambaCast by permission. For more information on Musica Pacifica, visit http://www.MusicaPacifica.org/. For more videos by Musicaacifica, please visit http://www.youtube.com/musicapacificasf. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009/ 2010 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Third Coast Viols - John Jenkins (1592-1678) - Pavan No.2 &#225;6 David Morris, Colleen McGary-Smith, Mary Springfels, Craig Trompeter &amp; Brent Wissick, viols, with David Schrader, organ &amp; Ken Perlow, Phillip W. Serna &amp; Russell Wagner, viols Filmed May 24th, 2009 in Nichols Concert Hall, The Music Institute of Chicago, Evanston, IL. This video content is Copyright &#169; 2009/ 2010 the Third Coast Viols &amp; the Viola da Gamba Society Third Coast and appears here on the GambaCast by permission. For more information on Third Coast Viols &amp; the Viola da Gamba Society Third Coast, visit http://www.vdgsa.org/3rdCoast. . To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Third Coast Viols - John Jenkins (1592-1678) - Pavan No.2 &#225;6 David Morris, Colleen McGary-Smith, Mary Springfels, Craig Trompeter &amp; Brent Wissick, viols, with David Schrader, organ &amp; Ken Perlow, Phillip W. Serna &amp; Russell Wagner, viols Filmed May 24th, 2009 in Nichols Concert Hall, The Music Institute of Chicago, Evanston, IL. This video content is Copyright &#169; 2009/ 2010 the Third Coast Viols &amp; the Viola da Gamba Society Third Coast and appears here on the GambaCast by permission. For more information on Third Coast Viols &amp; the Viola da Gamba Society Third Coast, visit http://www.vdgsa.org/3rdCoast. . To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Third Coast Viols - John Jenkins (1592-1678) - Fantasia No.6 &#225;6David Morris, Colleen McGary-Smith, Mary Springfels, Craig Trompeter &amp; Brent Wissick, viols, with David Schrader, organ &amp; Ken Perlow, Phillip W. Serna &amp; Russell Wagner, violsFilmed May 24th, 2009 in Nichols Concert Hall, The Music Institute of Chicago, Evanston, IL. This video content is Copyright &#169; 2009 the Third Coast Viols &amp; the Viola da Gamba Society Third Coast and appears here on the GambaCast by permission. For more information on Third Coast Viols &amp; the Viola da Gamba Society Third Coast, visit http://www.vdgsa.org/3rdCoast.. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Third Coast Viols - John Jenkins (1592-1678) - Suite No.2 &#225;3 David Morris, Colleen McGary-Smith, Mary Springfels, Craig Trompeter &amp; Brent Wissick, viols, with David Schrader, organ &amp; Ken Perlow, Phillip W. Serna &amp; Russell Wagner, violsFilmed May 24th, 2009 in Nichols Concert Hall, The Music Institute of Chicago, Evanston, IL. This video content is Copyright &#169; 2009 the Third Coast Viols &amp; the Viola da Gamba Society Third Coast and appears here on the GambaCast by permission. For more information on Third Coast Viols &amp; the Viola da Gamba Society Third Coast, visit http://www.vdgsa.org/3rdCoast.. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Third Coast Viols - Christopher Simpson (1602-06-1669) - Division in GDavid Morris, Colleen McGary-Smith, Mary Springfels, Craig Trompeter &amp; Brent Wissick, viols, with David Schrader, organ &amp; Ken Perlow, Phillip W. Serna &amp; Russell Wagner, violsFilmed May 24th, 2009 in Nichols Concert Hall, The Music Institute of Chicago, Evanston, IL. This video content is Copyright &#169; 2009 the Third Coast Viols &amp; the Viola da Gamba Society Third Coast and appears here on the GambaCast by permission. For more information on Third Coast Viols &amp; the Viola da Gamba Society Third Coast, visit http://www.vdgsa.org/3rdCoast.. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Third Coast Viols - William Lawes (1602-1645) - Sett in F &#225;5David Morris, Colleen McGary-Smith, Mary Springfels, Craig Trompeter &amp; Brent Wissick, viols, with David Schrader, organ &amp; Ken Perlow, Phillip W. Serna &amp; Russell Wagner, violsFilmed May 24th, 2009 in Nichols Concert Hall, The Music Institute of Chicago, Evanston, IL. This video content is Copyright &#169; 2009 the Third Coast Viols &amp; the Viola da Gamba Society Third Coast and appears here on the GambaCast by permission. For more information on Third Coast Viols &amp; the Viola da Gamba Society Third Coast, visit http://www.vdgsa.org/3rdCoast.. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Third Coast Viols - Matthew Locke (1621-22-1677) - Suite in B-flat &#225;3 David Morris, Colleen McGary-Smith, Mary Springfels, Craig Trompeter &amp; Brent Wissick, viols, with David Schrader, organ &amp; Ken Perlow, Phillip W. Serna &amp; Russell Wagner, violsFilmed May 24th, 2009 in Nichols Concert Hall, The Music Institute of Chicago, Evanston, IL. This video content is Copyright &#169; 2009 the Third Coast Viols &amp; the Viola da Gamba Society Third Coast and appears here on the GambaCast by permission. For more information on Third Coast Viols &amp; the Viola da Gamba Society Third Coast, visit http://www.vdgsa.org/3rdCoast.. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Third Coast Viols - John Jenkins (1592-1678) - Fantasia No.6 &#225;4David Morris, Colleen McGary-Smith, Mary Springfels, Craig Trompeter &amp; Brent Wissick, viols, with David Schrader, organ &amp; Ken Perlow, Phillip W. Serna &amp; Russell Wagner, violsFilmed May 24th, 2009 in Nichols Concert Hall, The Music Institute of Chicago, Evanston, IL. This video content is Copyright &#169; 2009 the Third Coast Viols &amp; the Viola da Gamba Society Third Coast and appears here on the GambaCast by permission. For more information on Third Coast Viols &amp; the Viola da Gamba Society Third Coast, visit http://www.vdgsa.org/3rdCoast.. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Third Coast Viols - John Jenkins (1592-1678) - Fantasia No.10 &#225;5 David Morris, Colleen McGary-Smith, Mary Springfels, Craig Trompeter &amp; Brent Wissick, viols, with David Schrader, organ &amp; Ken Perlow, Phillip W. Serna &amp; Russell Wagner, violsFilmed May 24th, 2009 in Nichols Concert Hall, The Music Institute of Chicago, Evanston, IL. This video content is Copyright &#169; 2009 the Third Coast Viols &amp; the Viola da Gamba Society Third Coast and appears here on the GambaCast by permission. For more information on Third Coast Viols &amp; the Viola da Gamba Society Third Coast, visit http://www.vdgsa.org/3rdCoast.. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Geoffrey Gordon - Stanza della Segnatura, after the Raphael frescoes in the Vatican (2004) - IV - The School of AthensThe performers are the United Kingdom based ensemble Passacaglia. For mroe information on the group, please visit http://www.passacaglia.com/. About Composer Geoffrey GordonGeoffrey Gordon&apos;s list of works includes orchestral and chamber music--vocal and instrumental--as well as scores for theater, film and dance. His music has been called &#8220;brilliant&#8221; (Philadelphia Inquirer), &#8220;stunning&#8221; (Milwaukee Journal Sentinel), &#8220;wonderfully idiomatic&#8221; (Salt Lake Tribune), &#8220;haunting&#8221; (Strings Magazine) and &#8220;remarkable&#8221; (Fanfare). Chicago Tribune music critic John von Rhein called Mr. Gordon&#8217;s lux solis aeterna, premiered in January of this year by the new music ensemble Fulcrum Point, &#8220;a cosmic beauty &#8230; of acutely crafted music.&#8221;For a full biography, please downlaod this PDF file.This audio content is Copyright &#169; 2009 Geoffrey Gordon and appears here on the GambaCast by permission. For more information on Geoffrey Gordon, visit http://www.geoffreygordoncomposer.com/, http://www.reverbnation.com/geoffreygordoncomposer &amp; http://www.myspace.com/lcmartistgordon. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Geoffrey Gordon - Stanza della Segnatura, after the Raphael frescoes in the Vatican (2004) - IV - The School of AthensThe performers are the United Kingdom based ensemble Passacaglia. For mroe information on the group, please visit http://www.passacaglia.com/. About Composer Geoffrey GordonGeoffrey Gordon&apos;s list of works includes orchestral and chamber music--vocal and instrumental--as well as scores for theater, film and dance. His music has been called &#8220;brilliant&#8221; (Philadelphia Inquirer), &#8220;stunning&#8221; (Milwaukee Journal Sentinel), &#8220;wonderfully idiomatic&#8221; (Salt Lake Tribune), &#8220;haunting&#8221; (Strings Magazine) and &#8220;remarkable&#8221; (Fanfare). Chicago Tribune music critic John von Rhein called Mr. Gordon&#8217;s lux solis aeterna, premiered in January of this year by the new music ensemble Fulcrum Point, &#8220;a cosmic beauty &#8230; of acutely crafted music.&#8221;For a full biography, please downlaod this PDF file.This audio content is Copyright &#169; 2009 Geoffrey Gordon and appears here on the GambaCast by permission. For more information on Geoffrey Gordon, visit http://www.geoffreygordoncomposer.com/, http://www.reverbnation.com/geoffreygordoncomposer &amp; http://www.myspace.com/lcmartistgordon. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Geoffrey Gordon - Stanza della Segnatura, after the Raphael frescoes in the Vatican (2004) - III - The Cardinal VirtuesThe performers are the United Kingdom based ensemble Passacaglia. For mroe information on the group, please visit http://www.passacaglia.com/. About Composer Geoffrey GordonGeoffrey Gordon&apos;s list of works includes orchestral and chamber music--vocal and instrumental--as well as scores for theater, film and dance. His music has been called &#8220;brilliant&#8221; (Philadelphia Inquirer), &#8220;stunning&#8221; (Milwaukee Journal Sentinel), &#8220;wonderfully idiomatic&#8221; (Salt Lake Tribune), &#8220;haunting&#8221; (Strings Magazine) and &#8220;remarkable&#8221; (Fanfare). Chicago Tribune music critic John von Rhein called Mr. Gordon&#8217;s lux solis aeterna, premiered in January of this year by the new music ensemble Fulcrum Point, &#8220;a cosmic beauty &#8230; of acutely crafted music.&#8221;For a full biography, please downlaod this PDF file.This audio content is Copyright &#169; 2009 Geoffrey Gordon and appears here on the GambaCast by permission. For more information on Geoffrey Gordon, visit http://www.geoffreygordoncomposer.com/, http://www.reverbnation.com/geoffreygordoncomposer &amp; http://www.myspace.com/lcmartistgordon. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Geoffrey Gordon - Stanza della Segnatura, after the Raphael frescoes in the Vatican (2004) - II - ParnassusThe performers are the United Kingdom based ensemble Passacaglia. For mroe information on the group, please visit http://www.passacaglia.com/. About Composer Geoffrey GordonGeoffrey Gordon&apos;s list of works includes orchestral and chamber music--vocal and instrumental--as well as scores for theater, film and dance. His music has been called &#8220;brilliant&#8221; (Philadelphia Inquirer), &#8220;stunning&#8221; (Milwaukee Journal Sentinel), &#8220;wonderfully idiomatic&#8221; (Salt Lake Tribune), &#8220;haunting&#8221; (Strings Magazine) and &#8220;remarkable&#8221; (Fanfare). Chicago Tribune music critic John von Rhein called Mr. Gordon&#8217;s lux solis aeterna, premiered in January of this year by the new music ensemble Fulcrum Point, &#8220;a cosmic beauty &#8230; of acutely crafted music.&#8221;For a full biography, please downlaod this PDF file.This audio content is Copyright &#169; 2009 Geoffrey Gordon and appears here on the GambaCast by permission. For more information on Geoffrey Gordon, visit http://www.geoffreygordoncomposer.com/, http://www.reverbnation.com/geoffreygordoncomposer &amp; http://www.myspace.com/lcmartistgordon. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Geoffrey Gordon - Stanza della Segnatura, after the Raphael frescoes in the Vatican (2004) - II - ParnassusThe performers are the United Kingdom based ensemble Passacaglia. For mroe information on the group, please visit http://www.passacaglia.com/. About Composer Geoffrey GordonGeoffrey Gordon&apos;s list of works includes orchestral and chamber music--vocal and instrumental--as well as scores for theater, film and dance. His music has been called &#8220;brilliant&#8221; (Philadelphia Inquirer), &#8220;stunning&#8221; (Milwaukee Journal Sentinel), &#8220;wonderfully idiomatic&#8221; (Salt Lake Tribune), &#8220;haunting&#8221; (Strings Magazine) and &#8220;remarkable&#8221; (Fanfare). Chicago Tribune music critic John von Rhein called Mr. Gordon&#8217;s lux solis aeterna, premiered in January of this year by the new music ensemble Fulcrum Point, &#8220;a cosmic beauty &#8230; of acutely crafted music.&#8221;For a full biography, please downlaod this PDF file.This audio content is Copyright &#169; 2009 Geoffrey Gordon and appears here on the GambaCast by permission. For more information on Geoffrey Gordon, visit http://www.geoffreygordoncomposer.com/, http://www.reverbnation.com/geoffreygordoncomposer &amp; http://www.myspace.com/lcmartistgordon. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Geoffrey Gordon - Stanza della Segnatura, after the Raphael frescoes in the Vatican (2004) - I - The AdorationThe performers are the United Kingdom based ensemble Passacaglia. For mroe information on the group, please visit http://www.passacaglia.com/. About Composer Geoffrey GordonGeoffrey Gordon&apos;s list of works includes orchestral and chamber music--vocal and instrumental--as well as scores for theater, film and dance. His music has been called &#8220;brilliant&#8221; (Philadelphia Inquirer), &#8220;stunning&#8221; (Milwaukee Journal Sentinel), &#8220;wonderfully idiomatic&#8221; (Salt Lake Tribune), &#8220;haunting&#8221; (Strings Magazine) and &#8220;remarkable&#8221; (Fanfare). Chicago Tribune music critic John von Rhein called Mr. Gordon&#8217;s lux solis aeterna, premiered in January of this year by the new music ensemble Fulcrum Point, &#8220;a cosmic beauty &#8230; of acutely crafted music.&#8221;For a full biography, please downlaod this PDF file.This audio content is Copyright &#169; 2009 Geoffrey Gordon and appears here on the GambaCast by permission. For more information on Geoffrey Gordon, visit http://www.geoffreygordoncomposer.com/, http://www.reverbnation.com/geoffreygordoncomposer &amp; http://www.myspace.com/lcmartistgordon. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Geoffrey Gordon - Stanza della Segnatura, after the Raphael frescoes in the Vatican (2004) - I - The AdorationThe performers are the United Kingdom based ensemble Passacaglia. For mroe information on the group, please visit http://www.passacaglia.com/. About Composer Geoffrey GordonGeoffrey Gordon&apos;s list of works includes orchestral and chamber music--vocal and instrumental--as well as scores for theater, film and dance. His music has been called &#8220;brilliant&#8221; (Philadelphia Inquirer), &#8220;stunning&#8221; (Milwaukee Journal Sentinel), &#8220;wonderfully idiomatic&#8221; (Salt Lake Tribune), &#8220;haunting&#8221; (Strings Magazine) and &#8220;remarkable&#8221; (Fanfare). Chicago Tribune music critic John von Rhein called Mr. Gordon&#8217;s lux solis aeterna, premiered in January of this year by the new music ensemble Fulcrum Point, &#8220;a cosmic beauty &#8230; of acutely crafted music.&#8221;For a full biography, please downlaod this PDF file.This audio content is Copyright &#169; 2009 Geoffrey Gordon and appears here on the GambaCast by permission. For more information on Geoffrey Gordon, visit http://www.geoffreygordoncomposer.com/, http://www.reverbnation.com/geoffreygordoncomposer &amp; http://www.myspace.com/lcmartistgordon. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Jonathan Dunford &#8211; Electric Viol - La connerie&quot;When the viola da gamba is confronted and subsequently linked to a Macintosh computer and digital sounds of our time, it is not just a magnificent instrument from the past, but clearly shows it&apos;s wealth in tone quality, and is an incredible source of contemporary creation.&quot;About Jonathan DunfordJonathan Dunford has become one of the principal forces in bringing solo seventeenth century music for unaccompanied bass viol back to public attention.For over two decades he has performed to great critical acclaim in packed concert halls worldwide for a public moved and enthusiastic of his musical quality and his control of the instrument. His regular performances at the mus&#233;e de la musique in Paris have convinced the many neophytes of the single and unutterable charm of the viola da gamba. He has sounded his viol in the most various places: museums, theatres, castles, mills and churches.He is invited regularly to large festivals as well as musical associations.Besides his activity as a performer, Jonathan DUNFORD is an avid researcher : he has worked in libraries and archives in the whole world on unedited music for the viol. He has published editions of this music for the Cahiers du Tourdion of Strasbourg, the Soci&#233;t&#233; Fran&#231;aise de Musicologie, and has written articles for various newspapers, magazines as well as the New Grove&apos;s Dictionary. He has also participated in countless conferences and radio broadcasts on the viol. In 2004 he was appointed curator of viol music at the Centre de Musique Baroque in Versailles.The abundant discography of Jonathan DUNFORD, devoted primarily to unedited music for the viol for Ad&#232;s - Universal Music Classics is unanimously greeted by critics with prizes such as the &quot; diapason d&#8217;or &quot; or the &quot; choc de la musique &quot;. We find him in diverse groups with a repertoire ranging from the 16th to 21st centuries : Renaissance Consort Music, Elizabethan Music with singers, baroque music as a solo player or in a small chamber group, traditional Chinese Music, or improvisations with the guitarist Fred Frith.He performs as a solo player with his group &#8220;A 2 Violes Esgales&#8221; who he founded with the violist Sylvia Abramowicz and plays as part of the group XVIII-21 (Jean Christophe Frisch) or the . Baroque orchestra Le Parnasse Fran&#231;ais.He has lived in Paris since 1985 and greatly appreciates the charm of the &#171; city of lights &#187;. About Benjamin MorandoHaving followed classical piano and violin study, Benjamin Morando becomes an iconoclast composer, harnessing electronic instruments to cultivate the musical fields with an energy only matched by his serious appetite for off-the-beaten tracks projects: Pentile, France Copland and Octet, whose first release was widely recognized by french and international publications (Le Monde, Lib&#233;ration, Les Inrockuptibles, Technikart, La Repubblica, Spex...).He performed in France and abroad in Montr&#233;al, New York, Berlin, Milan, Londres, Tokyo and Copenhague. He signed remixes for Beck, Ennio Morricone, Stephan Eicher, TTC. He is one of the master minds behind the famous Dirty compilations, recognized by the critics as essentials in any respectable music collection.This video content is Copyright &#169; 2009 Jonathan Dunford &amp; Benjamin Morando and appears here on the GambaCast by permission. For more information on Jonathan Dunford &amp; Benjamin Morando, visit http://a2violes.com/ &amp; http://www.gentilshommes.com/who-are-we.html respectively. For other videos by Jonathan Dunford, please visit http://www.youtube.com/saintecolombe. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/Podcast.html.]]></blip:puredescription>
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Jonathan Dunford &#8211; Electric Viol - La connerie&quot;When the viola da gamba is confronted and subsequently linked to a Macintosh computer and digital sounds of our time, it is not just a magnificent instrument from the past, but clearly shows it&apos;s wealth in tone quality, and is an incredible source of contemporary creation.&quot;About Jonathan DunfordJonathan Dunford has become one of the principal forces in bringing solo seventeenth century music for unaccompanied bass viol back to public attention.For over two decades he has performed to great critical acclaim in packed concert halls worldwide for a public moved and enthusiastic of his musical quality and his control of the instrument. His regular performances at the mus&#233;e de la musique in Paris have convinced the many neophytes of the single and unutterable charm of the viola da gamba. He has sounded his viol in the most various places: museums, theatres, castles, mills and churches.He is invited regularly to large festivals as well as musical associations.Besides his activity as a performer, Jonathan DUNFORD is an avid researcher : he has worked in libraries and archives in the whole world on unedited music for the viol. He has published editions of this music for the Cahiers du Tourdion of Strasbourg, the Soci&#233;t&#233; Fran&#231;aise de Musicologie, and has written articles for various newspapers, magazines as well as the New Grove&apos;s Dictionary. He has also participated in countless conferences and radio broadcasts on the viol. In 2004 he was appointed curator of viol music at the Centre de Musique Baroque in Versailles.The abundant discography of Jonathan DUNFORD, devoted primarily to unedited music for the viol for Ad&#232;s - Universal Music Classics is unanimously greeted by critics with prizes such as the &quot; diapason d&#8217;or &quot; or the &quot; choc de la musique &quot;. We find him in diverse groups with a repertoire ranging from the 16th to 21st centuries : Renaissance Consort Music, Elizabethan Music with singers, baroque music as a solo player or in a small chamber group, traditional Chinese Music, or improvisations with the guitarist Fred Frith.He performs as a solo player with his group &#8220;A 2 Violes Esgales&#8221; who he founded with the violist Sylvia Abramowicz and plays as part of the group XVIII-21 (Jean Christophe Frisch) or the . Baroque orchestra Le Parnasse Fran&#231;ais.He has lived in Paris since 1985 and greatly appreciates the charm of the &#171; city of lights &#187;. About Benjamin MorandoHaving followed classical piano and violin study, Benjamin Morando becomes an iconoclast composer, harnessing electronic instruments to cultivate the musical fields with an energy only matched by his serious appetite for off-the-beaten tracks projects: Pentile, France Copland and Octet, whose first release was widely recognized by french and international publications (Le Monde, Lib&#233;ration, Les Inrockuptibles, Technikart, La Repubblica, Spex...).He performed in France and abroad in Montr&#233;al, New York, Berlin, Milan, Londres, Tokyo and Copenhague. He signed remixes for Beck, Ennio Morricone, Stephan Eicher, TTC. He is one of the master minds behind the famous Dirty compilations, recognized by the critics as essentials in any respectable music collection.This video content is Copyright &#169; 2009 Jonathan Dunford &amp; Benjamin Morando and appears here on the GambaCast by permission. For more information on Jonathan Dunford &amp; Benjamin Morando, visit http://a2violes.com/ &amp; http://www.gentilshommes.com/who-are-we.html respectively. For other videos by Jonathan Dunford, please visit http://www.youtube.com/saintecolombe. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/Podcast.html.

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  <blip:puredescription><![CDATA[Jonathan Dunford &#8211; Electric Viol - Tableau de l&apos;operation de la Gambe&quot;When the viola da gamba is confronted and subsequently linked to a Macintosh computer and digital sounds of our time, it is not just a magnificent instrument from the past, but clearly shows it&apos;s wealth in tone quality, and is an incredible source of contemporary creation.&quot;About Jonathan DunfordJonathan Dunford has become one of the principal forces in bringing solo seventeenth century music for unaccompanied bass viol back to public attention.For over two decades he has performed to great critical acclaim in packed concert halls worldwide for a public moved and enthusiastic of his musical quality and his control of the instrument. His regular performances at the mus&#233;e de la musique in Paris have convinced the many neophytes of the single and unutterable charm of the viola da gamba. He has sounded his viol in the most various places: museums, theatres, castles, mills and churches.He is invited regularly to large festivals as well as musical associations.Besides his activity as a performer, Jonathan DUNFORD is an avid researcher : he has worked in libraries and archives in the whole world on unedited music for the viol. He has published editions of this music for the Cahiers du Tourdion of Strasbourg, the Soci&#233;t&#233; Fran&#231;aise de Musicologie, and has written articles for various newspapers, magazines as well as the New Grove&apos;s Dictionary. He has also participated in countless conferences and radio broadcasts on the viol. In 2004 he was appointed curator of viol music at the Centre de Musique Baroque in Versailles.The abundant discography of Jonathan DUNFORD, devoted primarily to unedited music for the viol for Ad&#232;s - Universal Music Classics is unanimously greeted by critics with prizes such as the &quot; diapason d&#8217;or &quot; or the &quot; choc de la musique &quot;. We find him in diverse groups with a repertoire ranging from the 16th to 21st centuries : Renaissance Consort Music, Elizabethan Music with singers, baroque music as a solo player or in a small chamber group, traditional Chinese Music, or improvisations with the guitarist Fred Frith.He performs as a solo player with his group &#8220;A 2 Violes Esgales&#8221; who he founded with the violist Sylvia Abramowicz and plays as part of the group XVIII-21 (Jean Christophe Frisch) or the . Baroque orchestra Le Parnasse Fran&#231;ais.He has lived in Paris since 1985 and greatly appreciates the charm of the &#171; city of lights &#187;. About Benjamin MorandoHaving followed classical piano and violin study, Benjamin Morando becomes an iconoclast composer, harnessing electronic instruments to cultivate the musical fields with an energy only matched by his serious appetite for off-the-beaten tracks projects: Pentile, France Copland and Octet, whose first release was widely recognized by french and international publications (Le Monde, Lib&#233;ration, Les Inrockuptibles, Technikart, La Repubblica, Spex...).He performed in France and abroad in Montr&#233;al, New York, Berlin, Milan, Londres, Tokyo and Copenhague. He signed remixes for Beck, Ennio Morricone, Stephan Eicher, TTC. He is one of the master minds behind the famous Dirty compilations, recognized by the critics as essentials in any respectable music collection.This video content is Copyright &#169; 2009 Jonathan Dunford &amp; Benjamin Morando and appears here on the GambaCast by permission. For more information on Jonathan Dunford &amp; Benjamin Morando, visit http://a2violes.com/ &amp; http://www.gentilshommes.com/who-are-we.html respectively. For other videos by Jonathan Dunford, please visit http://www.youtube.com/saintecolombe. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/Podcast.html.]]></blip:puredescription>
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Jonathan Dunford &#8211; Electric Viol - Tableau de l&apos;operation de la Gambe&quot;When the viola da gamba is confronted and subsequently linked to a Macintosh computer and digital sounds of our time, it is not just a magnificent instrument from the past, but clearly shows it&apos;s wealth in tone quality, and is an incredible source of contemporary creation.&quot;About Jonathan DunfordJonathan Dunford has become one of the principal forces in bringing solo seventeenth century music for unaccompanied bass viol back to public attention.For over two decades he has performed to great critical acclaim in packed concert halls worldwide for a public moved and enthusiastic of his musical quality and his control of the instrument. His regular performances at the mus&#233;e de la musique in Paris have convinced the many neophytes of the single and unutterable charm of the viola da gamba. He has sounded his viol in the most various places: museums, theatres, castles, mills and churches.He is invited regularly to large festivals as well as musical associations.Besides his activity as a performer, Jonathan DUNFORD is an avid researcher : he has worked in libraries and archives in the whole world on unedited music for the viol. He has published editions of this music for the Cahiers du Tourdion of Strasbourg, the Soci&#233;t&#233; Fran&#231;aise de Musicologie, and has written articles for various newspapers, magazines as well as the New Grove&apos;s Dictionary. He has also participated in countless conferences and radio broadcasts on the viol. In 2004 he was appointed curator of viol music at the Centre de Musique Baroque in Versailles.The abundant discography of Jonathan DUNFORD, devoted primarily to unedited music for the viol for Ad&#232;s - Universal Music Classics is unanimously greeted by critics with prizes such as the &quot; diapason d&#8217;or &quot; or the &quot; choc de la musique &quot;. We find him in diverse groups with a repertoire ranging from the 16th to 21st centuries : Renaissance Consort Music, Elizabethan Music with singers, baroque music as a solo player or in a small chamber group, traditional Chinese Music, or improvisations with the guitarist Fred Frith.He performs as a solo player with his group &#8220;A 2 Violes Esgales&#8221; who he founded with the violist Sylvia Abramowicz and plays as part of the group XVIII-21 (Jean Christophe Frisch) or the . Baroque orchestra Le Parnasse Fran&#231;ais.He has lived in Paris since 1985 and greatly appreciates the charm of the &#171; city of lights &#187;. About Benjamin MorandoHaving followed classical piano and violin study, Benjamin Morando becomes an iconoclast composer, harnessing electronic instruments to cultivate the musical fields with an energy only matched by his serious appetite for off-the-beaten tracks projects: Pentile, France Copland and Octet, whose first release was widely recognized by french and international publications (Le Monde, Lib&#233;ration, Les Inrockuptibles, Technikart, La Repubblica, Spex...).He performed in France and abroad in Montr&#233;al, New York, Berlin, Milan, Londres, Tokyo and Copenhague. He signed remixes for Beck, Ennio Morricone, Stephan Eicher, TTC. He is one of the master minds behind the famous Dirty compilations, recognized by the critics as essentials in any respectable music collection.This video content is Copyright &#169; 2009 Jonathan Dunford &amp; Benjamin Morando and appears here on the GambaCast by permission. For more information on Jonathan Dunford &amp; Benjamin Morando, visit http://a2violes.com/ &amp; http://www.gentilshommes.com/who-are-we.html respectively. For other videos by Jonathan Dunford, please visit http://www.youtube.com/saintecolombe. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/Podcast.html.

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The Spirit of Gambo - a Chicago Consort of Viols - William Byrd (1543-1623) - Where Fancy Fond for Pleasure Pleads Filmed March 29th, 2009 at the Early Music Series at the Byron Colby Barn, Grayslake, IL. Audio Recording by Free Chin, Choice Media Design, Chicago, IL. This video content is Copyright &#169; 2009/ 2010 the Spirit of Gambo - a Chicago Consort of Viols and appears here on the GambaCast by permission. For more information on the Spirit of Gambo, visit http://www.spiritofgambo.org/. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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The Spirit of Gambo - a Chicago Consort of Viols - Alfonso Ferrabosco II (1575-1628) - The HexachordsFilmed March 29th, 2009 at the Early Music Series at the Byron Colby Barn, Grayslake, IL. Audio Recording by Free Chin, Choice Media Design, Chicago, IL. This video content is Copyright 2009/ 2010 the Spirit of Gambo - a Chicago Consort of Viols and appears here on the GambaCast by permission. For more information on the Spirit of Gambo, visit http://www.spiritofgambo.org/. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &apos;Viols in Our Schools&apos; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[The Spirit of Gambo - a Chicago Consort of Viols - William Byrd (1543-1623) - My Mistress Had a Little DogMy mistress had a little dogWhose name was Pretty RoyalWho neither hunted sheep nor hogBut was without denialA tumbler fine that might be seenTo wait upon a fairy queen.Upon his mistress he would waitIn courteous wise and humble,And with his craft and false deceit,When she would have him tumble,Of coneys in the pleasant prime,He would kill twenty at a time.The goddess which Diana hightAmong her beagles daintyHad not a hound so fair and whiteNor grac&#233;d with such beauty;And yet his beauty was not such,But his conditions were as rich.But out, alas! I&apos;ll speak no more.My heart with grief doth shake;This pretty dog was wounded soreEv&apos;n for his mistress&apos; sake:A beastly man or manly beastKnocked out his brains and so I rest.A trial royal! a trial! Oyez! Oyez!Ye hounds and beagles all,If ye sat in Appleton Hall,Would you not judge that out of doubtTyburn were fit for such a lout?Filmed March 29th, 2009 at the Early Music Series at the Byron Colby Barn, Grayslake, IL. Audio Recording by Free Chin, Choice Media Design, Chicago, IL. This video content is Copyright &#169; 2009/ 2010 the Spirit of Gambo - a Chicago Consort of Viols and appears here on the GambaCast by permission. For more information on the Spirit of Gambo, visit http://www.spiritofgambo.org/. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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The Spirit of Gambo - a Chicago Consort of Viols - William Byrd (1543-1623) - My Mistress Had a Little DogMy mistress had a little dogWhose name was Pretty RoyalWho neither hunted sheep nor hogBut was without denialA tumbler fine that might be seenTo wait upon a fairy queen.Upon his mistress he would waitIn courteous wise and humble,And with his craft and false deceit,When she would have him tumble,Of coneys in the pleasant prime,He would kill twenty at a time.The goddess which Diana hightAmong her beagles daintyHad not a hound so fair and whiteNor grac&#233;d with such beauty;And yet his beauty was not such,But his conditions were as rich.But out, alas! I&apos;ll speak no more.My heart with grief doth shake;This pretty dog was wounded soreEv&apos;n for his mistress&apos; sake:A beastly man or manly beastKnocked out his brains and so I rest.A trial royal! a trial! Oyez! Oyez!Ye hounds and beagles all,If ye sat in Appleton Hall,Would you not judge that out of doubtTyburn were fit for such a lout?Filmed March 29th, 2009 at the Early Music Series at the Byron Colby Barn, Grayslake, IL. Audio Recording by Free Chin, Choice Media Design, Chicago, IL. This video content is Copyright &#169; 2009/ 2010 the Spirit of Gambo - a Chicago Consort of Viols and appears here on the GambaCast by permission. For more information on the Spirit of Gambo, visit http://www.spiritofgambo.org/. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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The Spirit of Gambo - a Chicago Consort of Viols - Orlando Gibbons (1583-1625) - The Silver Swan from the First Set of Madrigals &amp; Motets in 5 Parts - Apt for Voices or Viols &amp; Fantasia No.2 for the Great Dooble BassFilmed March 29th, 2009 at the Early Music Series at the Byron Colby Barn, Grayslake, IL. Audio Recording by Free Chin, Choice Media Design, Chicago, IL. This video content is Copyright &#169; 2009/ 2010 the Spirit of Gambo - a Chicago Consort of Viols and appears here on the GambaCast by permission. For more information on the Spirit of Gambo, visit http://www.spiritofgambo.org/. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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The Spirit of Gambo - a Chicago Consort of Viols - Thomas Tomkins (1572-1656) - Pavan &amp; Alman &#225;4 Filmed March 29th, 2009 at the Early Music Series at the Byron Colby Barn, Grayslake, IL. Audio Recording by Free Chin, Choice Media Design, Chicago, IL. This video content is Copyright &#169; 2009/ 2010 the Spirit of Gambo - a Chicago Consort of Viols and appears here on the GambaCast by permission. For more information on the Spirit of Gambo, visit http://www.spiritofgambo.org/. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[The Spirit of Gambo - a Chicago Consort of Viols - William Byrd (1543-1623) - Out of the Orient Crystal SkiesOut of the orient crystal skies a blazing star did shine,Showing the place where poorly lies a bless&#233;d Babe divine,Born of a maid of royal blood, who Mary hight by name,A Sacred Rose which once did bud by grace of heavenly flame;This shining star three kings did guide, even from the furthest East,To Bethlehem where it betide this bless&#233;d Babe did rest,Laid in a silly manger poor betwixt an ox and ass,Whom these three kings did all adore as God&apos;s high pleasure was;And for the joy of his great birth a thousand Angels sing:&quot;Glory and peace unto the earth, where born is this new King.&quot;The shepherds dwelling there about, when they this news did know,Came singing all even in a rout, fa-lan-ti-ding-di-do.Filmed March 29th, 2009 at the Early Music Series at the Byron Colby Barn, Grayslake, IL. Audio Recording by Free Chin, Choice Media Design, Chicago, IL. This video content is Copyright &#169; 2009/ 2010 the Spirit of Gambo - a Chicago Consort of Viols and appears here on the GambaCast by permission. For more information on the Spirit of Gambo, visit http://www.spiritofgambo.org/. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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The Spirit of Gambo - a Chicago Consort of Viols - William Byrd (1543-1623) - Out of the Orient Crystal SkiesOut of the orient crystal skies a blazing star did shine,Showing the place where poorly lies a bless&#233;d Babe divine,Born of a maid of royal blood, who Mary hight by name,A Sacred Rose which once did bud by grace of heavenly flame;This shining star three kings did guide, even from the furthest East,To Bethlehem where it betide this bless&#233;d Babe did rest,Laid in a silly manger poor betwixt an ox and ass,Whom these three kings did all adore as God&apos;s high pleasure was;And for the joy of his great birth a thousand Angels sing:&quot;Glory and peace unto the earth, where born is this new King.&quot;The shepherds dwelling there about, when they this news did know,Came singing all even in a rout, fa-lan-ti-ding-di-do.Filmed March 29th, 2009 at the Early Music Series at the Byron Colby Barn, Grayslake, IL. Audio Recording by Free Chin, Choice Media Design, Chicago, IL. This video content is Copyright &#169; 2009/ 2010 the Spirit of Gambo - a Chicago Consort of Viols and appears here on the GambaCast by permission. For more information on the Spirit of Gambo, visit http://www.spiritofgambo.org/. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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The Spirit of Gambo - a Chicago Consort of Viols - William Byrd (1543-1623) - Ye Sacred MusesYe sacred Muses, race of Jove,whom Music&apos;s lore delighteth,Come down from crystal heav&apos;ns aboveto earth where sorrow dwelleth,In mourning weeds, with tears in eyes:Tallis is dead, and Music dies.Filmed March 29th, 2009 at the Early Music Series at the Byron Colby Barn, Grayslake, IL. Audio Recording by Free Chin, Choice Media Design, Chicago, IL. This video content is Copyright &#169; 2009/ 2010 the Spirit of Gambo - a Chicago Consort of Viols and appears here on the GambaCast by permission. For more information on the Spirit of Gambo, visit http://www.spiritofgambo.org/. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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The Spirit of Gambo - a Chicago Consort of Viols - Thomas Tallis (c.1505-1585) - In Nomine No.1 &#225;4 Filmed March 29th, 2009 at the Early Music Series at the Byron Colby Barn, Grayslake, IL. Audio Recording by Free Chin, Choice Media Design, Chicago, IL. This video content is Copyright &#169; 2009/ 2010 the Spirit of Gambo - a Chicago Consort of Viols and appears here on the GambaCast by permission. For more information on the Spirit of Gambo, visit http://www.spiritofgambo.org/. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Ernst Stoz - Riccardo Rognoni (c.1550 - c.1620) - &apos;Anchor che col partire&apos; Variations for Viola BastardaThis Audio-only episode is performed by Ernst Stolz, viols About Ernst StolzErnst Stolz is a very versatile performer of the viola da gamba and keyboards. He is an active studio teacher. Ernst Stolz studied at the Royal Conservatory in the Netherlands with Michael Barker on recorder, Bob van Asperen on harpsichord, Stanley Hoogland on fortepiano. Additionaly, he studied piano with Sumiko Nagaoka at the Conservatory of Utrecht and choir with Louis Buskens in Rotterdam. Other teachers include: Bernard Kruijs, Marjanne Block, Jaques Ogg, Max van Egmond, Erik van Nevel, Rebecca Stewart, et al. Amongst Ernst Stolz&#8217;s teachers on viol is Freek Bosrtlap, and his instrument was built by luthier Marco Ternovec. This video content is Copyright &#169; 2008/ 2009 Ernst Stolz and appears here on the GambaCast by permission. For more information on Ernst Stolz, visit http://www.ErnstStolz.com/ &amp; www.pianolesdenhaag.nl. For more than 100 videos by Ernst Stolz, please visit http://www.youtube.com/ernststolz. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Johann Sebastian Bach (1685-1750) - Sonata No.3 in g-minor for Viola da Gamba &amp; Keyboard (Harpsichord), BWV 1029 Vivace Adagio Allegro Dr. Phillip W. Serna, double bass &amp; bass viol with Dr. Joseph Bognar, harpsichord &amp; organ Filmed March 20th, 2009 in Duesenberg Recital Hall, Valparaiso University Center for the Arts, Valparaiso, IN. This video content is Copyright &#169; 2009/ 2010 the Phillip W. Serna &amp; Valparaiso University and appears here on the GambaCast by permission. For more information on Valparaiso Unviersity Music Programs, visit http://www.valpo.edu/music. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. viols in our schools gambacast, www.thegambacast.org,

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Georg Philipp Telemann (1681-1767) - Sonata in D-Major from Der getreuer Music-Meister (The Faithful Music Master) for Unaccompanied Viola da Gamba Andante Vivace Recitativo-Arioso Vivace Dr. Phillip W. Serna, double bass &amp; bass viol with Dr. Joseph Bognar, harpsichord &amp; organ Filmed March 20th, 2009 in Duesenberg Recital Hall, Valparaiso University Center for the Arts, Valparaiso, IN. This video content is Copyright &#169; 2009/ 2010 the Phillip W. Serna &amp; Valparaiso University and appears here on the GambaCast by permission. For more information on Valparaiso Unviersity Music Programs, visit http://www.valpo.edu/music. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. viols in our schools gambacast, www.thegambacast.org,

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Johann Sebastian Bach (1685-1750) - Suite No.1 in G-Major for Violoncello (Double Bass), BWV 1007 Prelude Allemande Courante Sarabande Menuet I &amp; II Gigue Dr. Phillip W. Serna, double bass &amp; bass viol with Dr. Joseph Bognar, harpsichord &amp; organ Filmed March 20th, 2009 in Duesenberg Recital Hall, Valparaiso University Center for the Arts, Valparaiso, IN. This video content is Copyright &#169; 2009/ 2010 the Phillip W. Serna &amp; Valparaiso University and appears here on the GambaCast by permission. For more information on Valparaiso Unviersity Music Programs, visit http://www.valpo.edu/music. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. viols in our schools gambacast, www.thegambacast.org,

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Johann Sebastian Bach (1685-1750) - Sonata No.1 in G-Major for Viola da Gamba &amp; Keyboard (Organ), BWV 1027 Adagio Allegro ma non tanto Andante Allegro moderato Dr. Phillip W. Serna, double bass &amp; bass viol with Dr. Joseph Bognar, harpsichord &amp; organ Filmed March 20th, 2009 in Duesenberg Recital Hall, Valparaiso University Center for the Arts, Valparaiso, IN. This video content is Copyright &#169; 2009/ 2010 the Phillip W. Serna &amp; Valparaiso University and appears here on the GambaCast by permission. For more information on Valparaiso Unviersity Music Programs, visit http://www.valpo.edu/music. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Ernst Stolz - Arnolt Schlick (c.1455-1460-after 1521) Maria zart, von edler Art This Audio-only episode is performed by Ernst Stolz, viols About Ernst StolzErnst Stolz is a very versatile performer of the viola da gamba and keyboards. He is an active studio teacher. Ernst Stolz studied at the Royal Conservatory in the Netherlands with Michael Barker on recorder, Bob van Asperen on harpsichord, Stanley Hoogland on fortepiano. Additionaly, he studied piano with Sumiko Nagaoka at the Conservatory of Utrecht and choir with Louis Buskens in Rotterdam. Other teachers include: Bernard Kruijs, Marjanne Block, Jaques Ogg, Max van Egmond, Erik van Nevel, Rebecca Stewart, et al. Amongst Ernst Stolz&#8217;s teachers on viol is Freek Bosrtlap, and his instrument was built by luthier Marco Ternovec. This video content is Copyright &#169; 2008/ 2009 Ernst Stolz and appears here on the GambaCast by permission. For more information on Ernst Stolz, visit http://www.ErnstStolz.com/ &amp; www.pianolesdenhaag.nl. For more than 100 videos by Ernst Stolz, please visit http://www.youtube.com/ernststolz. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Ernst Stolz - Antony Holborne (1545-1606) - The Night Watch This Audio-only episode is performed by Ernst Stolz, viols About Ernst StolzErnst Stolz is a very versatile performer of the viola da gamba and keyboards. He is an active studio teacher. Ernst Stolz studied at the Royal Conservatory in the Netherlands with Michael Barker on recorder, Bob van Asperen on harpsichord, Stanley Hoogland on fortepiano. Additionaly, he studied piano with Sumiko Nagaoka at the Conservatory of Utrecht and choir with Louis Buskens in Rotterdam. Other teachers include: Bernard Kruijs, Marjanne Block, Jaques Ogg, Max van Egmond, Erik van Nevel, Rebecca Stewart, et al. Amongst Ernst Stolz&#8217;s teachers on viol is Freek Bosrtlap, and his instrument was built by luthier Marco Ternovec. This video content is Copyright &#169; 2008/ 2009 Ernst Stolz and appears here on the GambaCast by permission. For more information on Ernst Stolz, visit http://www.ErnstStolz.com/ &amp; www.pianolesdenhaag.nl. For more than 100 videos by Ernst Stolz, please visit http://www.youtube.com/ernststolz. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Ernst Stolz - Antony Holborne (1545-1606) - The Night Watch This Audio-only episode is performed by Ernst Stolz, viols About Ernst StolzErnst Stolz is a very versatile performer of the viola da gamba and keyboards. He is an active studio teacher. Ernst Stolz studied at the Royal Conservatory in the Netherlands with Michael Barker on recorder, Bob van Asperen on harpsichord, Stanley Hoogland on fortepiano. Additionaly, he studied piano with Sumiko Nagaoka at the Conservatory of Utrecht and choir with Louis Buskens in Rotterdam. Other teachers include: Bernard Kruijs, Marjanne Block, Jaques Ogg, Max van Egmond, Erik van Nevel, Rebecca Stewart, et al. Amongst Ernst Stolz&#8217;s teachers on viol is Freek Bosrtlap, and his instrument was built by luthier Marco Ternovec. This video content is Copyright &#169; 2008/ 2009 Ernst Stolz and appears here on the GambaCast by permission. For more information on Ernst Stolz, visit http://www.ErnstStolz.com/ &amp; www.pianolesdenhaag.nl. For more than 100 videos by Ernst Stolz, please visit http://www.youtube.com/ernststolz. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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<br />

Ernst Stolz - Guillaume Dufay (ca.1400-1474) - Ave Maria Coelorum &#224;3 This Audio-only episode is performed by Ernst Stolz, viols About Ernst StolzErnst Stolz is a very versatile performer of the viola da gamba and keyboards. He is an active studio teacher. Ernst Stolz studied at the Royal Conservatory in the Netherlands with Michael Barker on recorder, Bob van Asperen on harpsichord, Stanley Hoogland on fortepiano. Additionaly, he studied piano with Sumiko Nagaoka at the Conservatory of Utrecht and choir with Louis Buskens in Rotterdam. Other teachers include: Bernard Kruijs, Marjanne Block, Jaques Ogg, Max van Egmond, Erik van Nevel, Rebecca Stewart, et al. Amongst Ernst Stolz&#8217;s teachers on viol is Freek Bosrtlap, and his instrument was built by luthier Marco Ternovec. This video content is Copyright &#169; 2008/ 2009 Ernst Stolz and appears here on the GambaCast by permission. For more information on Ernst Stolz, visit http://www.ErnstStolz.com/ &amp; www.pianolesdenhaag.nl. For more than 100 videos by Ernst Stolz, please visit http://www.youtube.com/ernststolz. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Ernst Stolz - Francesco Landini (1325-1397) - Si dolce non sono &#224;3 This Audio-only episode is performed by Ernst Stolz, viols About Ernst StolzErnst Stolz is a very versatile performer of the viola da gamba and keyboards. He is an active studio teacher. Ernst Stolz studied at the Royal Conservatory in the Netherlands with Michael Barker on recorder, Bob van Asperen on harpsichord, Stanley Hoogland on fortepiano. Additionaly, he studied piano with Sumiko Nagaoka at the Conservatory of Utrecht and choir with Louis Buskens in Rotterdam. Other teachers include: Bernard Kruijs, Marjanne Block, Jaques Ogg, Max van Egmond, Erik van Nevel, Rebecca Stewart, et al. Amongst Ernst Stolzs teachers on viol is Freek Bosrtlap, and his instrument was built by luthier Marco Ternovec. This video content is Copyright &#169; 2008/ 2009 Ernst Stolz and appears here on the GambaCast by permission. For more information on Ernst Stolz, visit http://www.ErnstStolz.com/ &amp; www.pianolesdenhaag.nl. For more than 100 videos by Ernst Stolz, please visit http://www.youtube.com/ernststolz. Viols in Our Schools and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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<br />

Ernst Stolz - Francesco Landini (1325-1397) - Si dolce non sono &#224;3 This Audio-only episode is performed by Ernst Stolz, viols About Ernst StolzErnst Stolz is a very versatile performer of the viola da gamba and keyboards. He is an active studio teacher. Ernst Stolz studied at the Royal Conservatory in the Netherlands with Michael Barker on recorder, Bob van Asperen on harpsichord, Stanley Hoogland on fortepiano. Additionaly, he studied piano with Sumiko Nagaoka at the Conservatory of Utrecht and choir with Louis Buskens in Rotterdam. Other teachers include: Bernard Kruijs, Marjanne Block, Jaques Ogg, Max van Egmond, Erik van Nevel, Rebecca Stewart, et al. Amongst Ernst Stolzs teachers on viol is Freek Bosrtlap, and his instrument was built by luthier Marco Ternovec. This video content is Copyright &#169; 2008/ 2009 Ernst Stolz and appears here on the GambaCast by permission. For more information on Ernst Stolz, visit http://www.ErnstStolz.com/ &amp; www.pianolesdenhaag.nl. For more than 100 videos by Ernst Stolz, please visit http://www.youtube.com/ernststolz. Viols in Our Schools and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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<br />

Ernst Stolz - Thomas Lupo (1571-1628) - Fantasia &#224;3 Bass Viols This Audio-only episode is performed by Ernst Stolz, viols About Ernst StolzErnst Stolz is a very versatile performer of the viola da gamba and keyboards. He is an active studio teacher. Ernst Stolz studied at the Royal Conservatory in the Netherlands with Michael Barker on recorder, Bob van Asperen on harpsichord, Stanley Hoogland on fortepiano. Additionaly, he studied piano with Sumiko Nagaoka at the Conservatory of Utrecht and choir with Louis Buskens in Rotterdam. Other teachers include: Bernard Kruijs, Marjanne Block, Jaques Ogg, Max van Egmond, Erik van Nevel, Rebecca Stewart, et al. Amongst Ernst Stolz&#8217;s teachers on viol is Freek Bosrtlap, and his instrument was built by luthier Marco Ternovec. This video content is Copyright &#169; 2008/ 2009 Ernst Stolz and appears here on the GambaCast by permission. For more information on Ernst Stolz, visit http://www.ErnstStolz.com/ &amp; www.pianolesdenhaag.nl. For more than 100 videos by Ernst Stolz, please visit http://www.youtube.com/ernststolz. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Alessandro Scarlatti (1660-1725) - Clori mia, Clori bellaFrom the February 22, 2009 Chicago Early Music Consort Performance of &#8216;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Alessandro Scarlatti (1660-1725) - Clori mia, Clori bellaFrom the February 22, 2009 Chicago Early Music Consort Performance of &#8216;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Alessandro Scarlatti (1660-1725) - Sonata in G-MajorFrom the February 22, 2009 Chicago Early Music Consort Performance of &#8216;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago Early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Giovanni Legrenzi (1626-1690) - Non c&apos;e che dire la voglio cosi From the February 22, 2009 Chicago Early Music Consort Performance of &#8216;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Giovanni Legrenzi (1626-1690) - Non c&apos;e che dire la voglio cosi From the February 22, 2009 Chicago Early Music Consort Performance of &#8216;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Giovanni Buonaventura Viviani (c.1638-1693) - Sonata PrimaFrom the February 22, 2009 Chicago Early Music Consort Performance of &#8216;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Giovanni Buonaventura Viviani (c.1638-1693) - Sonata PrimaFrom the February 22, 2009 Chicago Early Music Consort Performance of &#8216;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Barbara Strozzi (1619-1677) - 3 SongsTra la Speranze e&#8217;l Timore Amor non si fugge Giusta negativaFrom the February 22, 2009 Chicago Early Music Consort Performance of &#8216;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Bartolom&#233;o da Selma y Salaverde (c.1580-c.1638) - Fantasia IXFrom the February 22, 2009 Chicago Early Music Consort Performance of &#8216;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Alessandro Grandi (1586-1630) - In lectulo meoFrom the February 22, 2009 Chicago Early Music Consort Performance of &#8216;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Claudio Monteverdi (1567-1643) - Quel sguardo sdegnosettoFrom the February 22, 2009 Chicago Early Music Consort Performance of &apos;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Claudio Monteverdi (1567-1643) - Quel sguardo sdegnosettoFrom the February 22, 2009 Chicago Early Music Consort Performance of &apos;Per Amore - Music of Love from the Italian Seicento.&apos; Audio Recording by Free Chin, Choice Media Design, Chicago, IL. For more information about the Chicago early Music Consort, visit http://www.chicagoearlymusicconsort.org/. This video content is Copyright &#169; 2008/ 2009 the Chicago Early music Consort and appears here on the GambaCast by permission. Acclaimed for its &#8220;imaginative&#8221; programming and &#8220;delicate, flawlessly-performed music&#8221;, the Chicago Early Music Consort recreates the rich and diverse sounds of the Middle Ages, Renaissance and early Baroque chamber repertoire in an historically-informed manner. Founded by its Artistic Director, Gary Berkenstock, the ensemble consists of Stephanie Sheffield, soprano; Gary Berkenstock, recorder and other early wind instruments; Joel Spears, lute, theorbo and harp; and Phillip W. Serna, viola da gamba and vielle. The Consort appears throughout the Midwest and has performed live on Chicago&#8217;s premiere fine arts station, 98.7WFMT. Programs are built around interesting historical and social themes to which modern audiences can easily relate. For more information, visit www.ChicagoEarlyMusicConsort.org. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Johann Sebastian Bach (1685-1750) - Sonata No.2 in D-Major for Viola da Gamba &amp; Keyboard (Organ), BWV 1028 Adagio Allegro Andante Allegro From a Lenten Organ Recital with Organist Cathryn Wilkinson, March 1, 2009 in Baker Memorial Methodist Church in Saint Charles, IL. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &apos;Viols in Our Schools&apos; Mission - Viols in Our Schools is organized by Dr. Phillip W. Serna of the Spirit of Gambo a Chicago Consort of Viols and is supported by the Viola da Gamba Society Third Coast as well as a pilot program of the Viola da Gamba Society of America. In 2008, Viols in Our Schools is pleased to announce a new video podcast the GambaCast.. Based in the Chicago area, Dr. Serna works to bring the early western string instrument family known as the viola da gamba into many area schools demonstrating solo literature from the Renaissance, Baroque and early Classical periods for treble viol, tenor viol, bass viol &amp; violone. Please help us make viols accessible to both young and old. Viols in Our Schools Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. This video content is Copyright &#169; 2008/ 2009 Phillip W. Serna/ Cathryn Wilkinson and appears here on the GambaCast by permission. For more information on Cathryn Wilkinson &amp; Music at Aurora University, visit http://www.aurora.edu/academics/programs-majors/undergraduate/music/cathryn-wilkinson.html. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Georg Philipp Telemann (1681-1767) - Sonata in D-Major from Der getreuer Music-Meister (The Faithful Music Master) for Unaccompanied Viola da Gamba AndanteVivaceRecitativo-AriosoVivace From a Lenten Organ Recital with Organist Cathryn Wilkinson, March 1, 2009 in Baker Memorial Methodist Church in Saint Charles, IL. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &apos;Viols in Our Schools&apos; Mission - Viols in Our Schools is organized by Dr. Phillip W. Serna of the Spirit of Gambo a Chicago Consort of Viols and is supported by the Viola da Gamba Society Third Coast as well as a pilot program of the Viola da Gamba Society of America. In 2008, Viols in Our Schools is pleased to announce a new video podcast the GambaCast.. Based in the Chicago area, Dr. Serna works to bring the early western string instrument family known as the viola da gamba into many area schools demonstrating solo literature from the Renaissance, Baroque and early Classical periods for treble viol, tenor viol, bass viol &amp; violone. Please help us make viols accessible to both young and old. Viols in Our Schools Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. This video content is Copyright &#169; 2008/ 2009 Phillip W. Serna/ Cathryn Wilkinson and appears here on the GambaCast by permission. For more information on Cathryn Wilkinson &amp; Music at Aurora University, visit http://www.aurora.edu/academics/programs-majors/undergraduate/music/cathryn-wilkinson.html. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Georg Philipp Telemann (1681-1767) - Sonata in D-Major from Der getreuer Music-Meister (The Faithful Music Master) for Unaccompanied Viola da Gamba AndanteVivaceRecitativo-AriosoVivace From a Lenten Organ Recital with Organist Cathryn Wilkinson, March 1, 2009 in Baker Memorial Methodist Church in Saint Charles, IL. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &apos;Viols in Our Schools&apos; Mission - Viols in Our Schools is organized by Dr. Phillip W. Serna of the Spirit of Gambo a Chicago Consort of Viols and is supported by the Viola da Gamba Society Third Coast as well as a pilot program of the Viola da Gamba Society of America. In 2008, Viols in Our Schools is pleased to announce a new video podcast the GambaCast.. Based in the Chicago area, Dr. Serna works to bring the early western string instrument family known as the viola da gamba into many area schools demonstrating solo literature from the Renaissance, Baroque and early Classical periods for treble viol, tenor viol, bass viol &amp; violone. Please help us make viols accessible to both young and old. Viols in Our Schools Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. This video content is Copyright &#169; 2008/ 2009 Phillip W. Serna/ Cathryn Wilkinson and appears here on the GambaCast by permission. For more information on Cathryn Wilkinson &amp; Music at Aurora University, visit http://www.aurora.edu/academics/programs-majors/undergraduate/music/cathryn-wilkinson.html. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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Fran&#231;ois Couperin (1668-1733) - Excerpts from Mass for the Convents (1690) (arr. Wilkinson/ Serna) First Couplet on the &#8220;Sanctus&#8221; &#8211; Plein jeuSecond Couplet &#8211; R&#232;cit de Cornet Elevation &#8211; Tierce en Taille (arr. Wilkinson/ Serna)From a Lenten Organ Recital with Organist Cathryn Wilkinson, March 1, 2009 in Baker Memorial Methodist Church in Saint Charles, IL. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &apos;Viols in Our Schools&apos; Mission - Viols in Our Schools is organized by Dr. Phillip W. Serna of the Spirit of Gambo a Chicago Consort of Viols and is supported by the Viola da Gamba Society Third Coast as well as a pilot program of the Viola da Gamba Society of America. In 2008, Viols in Our Schools is pleased to announce a new video podcast the GambaCast.. Based in the Chicago area, Dr. Serna works to bring the early western string instrument family known as the viola da gamba into many area schools demonstrating solo literature from the Renaissance, Baroque and early Classical periods for treble viol, tenor viol, bass viol &amp; violone. Please help us make viols accessible to both young and old. Viols in Our Schools Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. This video content is Copyright &#169; 2008/ 2009 Phillip W. Serna/ Cathryn Wilkinson and appears here on the GambaCast by permission. For more information on Cathryn Wilkinson &amp; Music at Aurora University, visit http://www.aurora.edu/academics/programs-majors/undergraduate/music/cathryn-wilkinson.html. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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  <blip:puredescription><![CDATA[Samuel Barber (1910-1981) - Wondrous Love - Variations on a Shape-Note Hymn, Op.34 (arr. Wilkinson/ Serna) From a Lenten Organ Recital with Organist Cathryn Wilkinson, March 1, 2009 in Baker Memorial Methodist Church in Saint Charles, IL. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &apos;Viols in Our Schools&apos; Mission - Viols in Our Schools is organized by Dr. Phillip W. Serna of the Spirit of Gambo a Chicago Consort of Viols and is supported by the Viola da Gamba Society Third Coast as well as a pilot program of the Viola da Gamba Society of America. In 2008, Viols in Our Schools is pleased to announce a new video podcast the GambaCast.. Based in the Chicago area, Dr. Serna works to bring the early western string instrument family known as the viola da gamba into many area schools demonstrating solo literature from the Renaissance, Baroque and early Classical periods for treble viol, tenor viol, bass viol &amp; violone. Please help us make viols accessible to both young and old. Viols in Our Schools Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. This video content is Copyright &#169; 2008/ 2009 Phillip W. Serna/ Cathryn Wilkinson and appears here on the GambaCast by permission. For more information on Cathryn Wilkinson &amp; Music at Aurora University, visit http://www.aurora.edu/academics/programs-majors/undergraduate/music/cathryn-wilkinson.html. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.]]></blip:puredescription>
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Samuel Barber (1910-1981) - Wondrous Love - Variations on a Shape-Note Hymn, Op.34 (arr. Wilkinson/ Serna) From a Lenten Organ Recital with Organist Cathryn Wilkinson, March 1, 2009 in Baker Memorial Methodist Church in Saint Charles, IL. To subscribe to the &apos;Viols in Our Schools&apos; GambaCast, visit http://www.thegambacast.org/ and for more information on Viols in Our Schools &amp; Doctor Phillip W. Serna, please visit http://www.violsinourschools.org/. For feedback, please email info@thegambacast.org. Please submit a review in the iTunes store at http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=279089596. Visit the online store to support future outreach activities at http://www.cafepress.com/violadagamba. &apos;Viols in Our Schools&apos; Mission - Viols in Our Schools is organized by Dr. Phillip W. Serna of the Spirit of Gambo a Chicago Consort of Viols and is supported by the Viola da Gamba Society Third Coast as well as a pilot program of the Viola da Gamba Society of America. In 2008, Viols in Our Schools is pleased to announce a new video podcast the GambaCast.. Based in the Chicago area, Dr. Serna works to bring the early western string instrument family known as the viola da gamba into many area schools demonstrating solo literature from the Renaissance, Baroque and early Classical periods for treble viol, tenor viol, bass viol &amp; violone. Please help us make viols accessible to both young and old. Viols in Our Schools Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/. This video content is Copyright &#169; 2008/ 2009 Phillip W. Serna/ Cathryn Wilkinson and appears here on the GambaCast by permission. For more information on Cathryn Wilkinson &amp; Music at Aurora University, visit http://www.aurora.edu/academics/programs-majors/undergraduate/music/cathryn-wilkinson.html. &#8216;Viols in Our Schools&#8217; and the GambaCast is Copyright &#169; 2008/ 2009 Dr. Phillip W. Serna. For more information, visit http://www.thegambacast.org/ &amp; http://www.violsinourschools.org/.

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