Not a whole lot to see here just yet -- check me out at worldmegan.net if you want more info. ;}
In the midst of our pending launch of Ideaschema's Creative Spark Plug lecture series, we talked with Emii for a few minutes this week to ask her about the 5 most challenging elements of being successful in her chosen art -- the mainstream music industry. Here's what she had to say!
A check-in and update on my Linchpin Session notes -- unruly though they may seem!
Where I explain where the hell I've been the last two months, and why I'm always complaining about my friggin' knee. And limping. And not leaving my apartment ever again. (In case you needed to know!) Also? Bonus moral of the story at the end. ;}
Wherein I sign up for a new cell phone contract and ruminate on the bizarre nature of big business in our culture.
The page about Marty's first live cam drawing party is here, if you're curious. ;}
This is my Freak Revolution contest entry. It is more than a minute. I apologize. Find out more about the Freak Revolution contest here, yo. ;}
This was the first section of special music for the afternoon gymanfa ganu on Sunday of the 78th Annual North American Festival of Wales in Pittsburgh, 2009. The wonderful pianist is Alan Thomas, and the song is The Holy City. This video is a bit of a thank you to all the fabulous people I met this last week at the festival.
My two piece set for the David G. Morris memorial semi-professional competition at the 78th Annual North American Festival of Wales in Pittsburgh, 2009. Min y mor (Meuryn / Eric Jones) and Voi lo sapete (Mascagni). The festival accompanist is Alan Thomas.