http://allmusiclyrics.googlepages.com/stealthisfootageSan Francisco, April 2007 // Categories: Cultural Production, Search, Commons Rick Prelinger is the creator and curator of the biggest moving image archive on the internet offering material that can be reused for commercial purposes. Here he explains why he put the films, which he also sells as stock footage, online and what the results have been. He talks of his offline library without computers, and how that relates to the value of serend...
http://allmusiclyrics.googlepages.com/stealthisfootage San Francisco, April 2007 // Categories: Copyright, Cultural Production Here Prelinger underlines how innovative technology opens up new visions of the possible, but stresses that their ultimate effect is contingent on other factors. Many media platforms simply die and are not heard from again. Regarding copyright, Rick describes its emergence from an esoteric subject to a consumer issue, but emphasizes that from the point of view of cultu...
http://allmusiclyrics.googlepages.com/stealthisfootagePrinceton, New Jersey, April 2007 // Categories: history, print Darnton has spent much of his career investigating the system of information control in eighteenth century France prior to the revolution of 1789. This research brought him to Neuchatel in Switzerland, one of the important centers of printing of the period, where materials forbidden in France were published to be later smuggled into the country and distributed through sophistic...
http://allmusiclyrics.googlepages.com/stealthisfootage New York, April 2007 // Categories: history, print, networks Martin Luther's theses launching the Reformation can be considered the first object of p2p distribution; spread beyond their original audience without authorization. Vaidhyanathan describes how states quickly moved to control information flows through licensing and other methods. Communication technologies change the way in which identity is lived, deterritorializing the subject ...
http://allmusiclyrics.googlepages.com/stealthisfootageNew York, April 2007 // Categories: Culture Industry, Cultural Production Does the end of exclusive control over copies spell the death of cultural production? Yochai Benkler thinks not. While the music industry makes money off CDs, musicians supports themselves with performances. He points out that the film studios, on the other hand, take a large part of their revenues from performance and less from media commodities. He outlines how the ...
http://allmusiclyrics.googlepages.com/stealthisfootage New York, April 2007 // Categories: Autonomy, Cultural Production Individuals have a stake in the fight for control over the information environment that goes beyond the lust for free entertainment. Here, Benkler discusses the growth of user autonomy, the possibility to be makers of our culture rather than remain merely passive recipients, as was the norm in the industrial system of information production. Those who formerly had control re...
http://allmusiclyrics.googlepages.com/stealthisfootage Berlin, June 2007 // Categories: Piracy, History, Cultural Production, Property Piracy is a term used to stigmatize but Liang contextualizes the term as an instance in the long history of 'commoning', where people organze themselves outside of hierarchy and property. He identifies the real threat to industry in the chance they may lose control of production as well as reproduction, as users become aware of their own potential. Finally, he ...
http://allmusiclyrics.googlepages.com/stealthisfootageNew York, April 2007 // Categories: history, copyright, culture industry Even before the birth of copyright laws in the strict sense, there already existed systems for the control over information reproduction which gave the owners of copying equipment a stake in cultural production. Moglen sketches the history of copyright law as a form of industrial regulation, and analyses how the changes in technology have thrown the roles created by th...
http://allmusiclyrics.googlepages.com/stealthisfootageSan Francisco, April 2007 // Categories: history, collaboration Rheingold recounts how the development of communication technology has removed the power top transmit messages from a tiny elite, and had been a force for democratization. Following Benkler's idea of peer production he explains how the diffusion of many-to-many communication technologies enables new forms of collective action.
http://allmusiclyrics.googlepages.com/stealthisfootageSan Francisco, April 2007 // Categories: Copyright, P2P, Criminalization Copyright law was traditionally a set of rules used amongst industry players such as publishers, entertainment companies and hardware producers, to settle disputes amongst one another. With the spread of media production technology into individuals homes, the terrain has shifted and the law is being used against users. Fred von Lohmann describes the escalating legal ca...