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      <blip:puredescription>In cinematography, a take refers to each filmed &amp;quot;version&amp;quot; of a particular shot or &amp;quot;setup&amp;quot;. Takes of each shot are generally numbered starting with &amp;quot;take one&amp;quot; and the number of each successive take is increased (with the director calling for &amp;quot;take two&amp;quot; or &amp;quot;take eighteen&amp;quot;) until the filming of the shot is completed. A one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special effects) or by happy accident. Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate. The number of each take is written or attached to the clapboard, which is filmed briefly prior to or at the beginning of the actual take. Only takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor.</blip:puredescription>
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In cinematography, a take refers to each filmed &amp;quot;version&amp;quot; of a particular shot or &amp;quot;setup&amp;quot;. Takes of each shot are generally numbered starting with &amp;quot;take one&amp;quot; and the number of each successive take is increased (with the director calling for &amp;quot;take two&amp;quot; or &amp;quot;take eighteen&amp;quot;) until the filming of the shot is completed. A one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special effects) or by happy accident. Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate. The number of each take is written or attached to the clapboard, which is filmed briefly prior to or at the beginning of the actual take. Only takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor.

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