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      <blip:puredescription>Day for night, also known as nuit am&amp;#233;ricaine (&amp;quot;American night&amp;quot;), is the name for cinematographic techniques used to simulate a night scene; such as using tungsten-balanced rather than daylight-balanced film stock or with special blue filters and also under-exposing the shot (usually in post-production) to create the illusion of darkness or moonlight. Historically, infrared movie film was used to achieve an equivalent look with black-and-white film. A great way to achieve this effect is to tune the white balance of the camera to a yellow source if there is no tungsten setting. Another way to make a more believable night scene is to underexpose the footage to the desired degree of night/darkness. This depends on the amount of light shown or believed to be in the given scene.</blip:puredescription>
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Day for night, also known as nuit am&amp;#233;ricaine (&amp;quot;American night&amp;quot;), is the name for cinematographic techniques used to simulate a night scene; such as using tungsten-balanced rather than daylight-balanced film stock or with special blue filters and also under-exposing the shot (usually in post-production) to create the illusion of darkness or moonlight. Historically, infrared movie film was used to achieve an equivalent look with black-and-white film. A great way to achieve this effect is to tune the white balance of the camera to a yellow source if there is no tungsten setting. Another way to make a more believable night scene is to underexpose the footage to the desired degree of night/darkness. This depends on the amount of light shown or believed to be in the given scene.

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