This is a showcase for the video art and machinima work of Martin Sercombe and Britta Pollmuller. Martin Sercombe began making artist's films on 16mm in the 1980s, and was closely involved in the independent film workshop movement in the UK during that period. His work explores a hybrid language embracing visual music, electro-acoustic sound design and performance. Much of it begins with improvised, visceral responses to specific landscapes and environments, which are then choreographed via extensive post production. His single screen works have been screened at many international festivals and in touring shows. Maud (2000) featured in a touring retrospective of international video art, curated by Tom Van Vliet. This and other works have been screened on broadcast television and the internet in the USA, UK, Holland, Spain, Japan, Australia and Hong Kong. Britta Pollmuller has worked extensively in Second Life, teaching film-making techniques to young people around the world. She has collaborated with Skoolaborate, South East Grid for Learning and Schome Park, run by the Open University.
These two short films were made during an artists' residency in Queenstown, Tazmania, in December 2007.George, by Britta Pollmuller, is an animated tale of the ghost who inhabits the local museumDialogues, by Martin Sercombe, is a portrait of four local artists, and their relationship to Queenstown and its landcapes.
Singing The Horizon is a mandala like vision of Halvergate Marshes, a flat expanse of land in the Norfolk Broads, in England. The film is a continuous pan across the horizon, read as a score for Sianed Jones’ vocal accompaniment. The Listening Place is a portrait of Cambridge market place. It is an animated dream painting, observing the shoppers, children and dramas of a single working day.
A dark fairytale which proves that even hopeless drunkards have their uses. A machinima movie set in Second Life.