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<br />

A wild and tasty remix of AC/DC and Pink Floyd with some Bee Gees in there somewhere with an extra eye candy visual FX treat! Enjoy. mix by Lenny Ibizarre - soundcloud.com/ibizarre visual interpretation by Philiac - myspace.com/philiacband Channel - vimeo.com/channels/philiac

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  <title>Danish Pavillion 2010</title>
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  <blip:puredescription><![CDATA[THE DANISH PAVILION (2010) The theme of the Expo 2010 was Better Cities Better Life and in this context BIG architects designed an expressive pavilion that showed the main qualities of Copenhagen by having real city bikes, a harbor pool and the Little Mermaid integrated in the exhibition. FACADE The Danish Pavilion was designed as a looping spiral, creating an elongated and varied exhibition that could be experienced as a pedestrian or on a Copenhagen city bike. The expressive form has over 300 meters of facade with more than 3,500 wholes. Each having opaque acrylic tubes installed connecting the inside and the outside. The tubes vary in size and makes it possible to look inside and out of the building and creates a natural ventilation. But the tubes also have another function. Each hole is equipped with a powerful full-color LED light source that can illuminate the tube and hereby the building. SENSORS The light sources in the tubes are controlled by 16 sensors - 8 which measures the current temperature in and around the facade, and 8 which measures the light. The sensors are installed and distributed on the fa&#231;ade giving a total picture of temperature and light conditions around the pavilion. The data from the sensors was interpreted by a specially created software that controlled and ran the light designs throughout the pavilion. Information from the light sensors controlled when and what visual effects to activate and the temperature affected the color temperature of the light design. CONCEPT One of the main concepts of the light designs has been to keep a natural and consistent look of the pavilion. This shows especially in the nightfall when the light is in the pavilion is slowly turned on. Whereas the holes in the facade appear as black windows during the day, they are lit in the evening and create a new layer of communication to the pavilion. The 627 pixels in length and nine in height are used for different effects, patterns and information that varies in intensity and speed. Light designs that surprises, entertains and informs, from subtle and understated experiences to more powerful and spectacular ones. FACTS Opening period: From the 1st of May 2010 to the 31st of October 2010 Visitors: More than 70,000,000 visitors in the exhibition area and more than 5,500,000 in the Danish Pavilion PAVILLON 300 meters of facade 2,800 m2 of exhibition space 1,300 tons of steel 230 m3 of water in the basin of the Little Mermaid LIGHT INSTALLATIONS 3,500 powerful full-color LED lamps 1,350 meter White LED Strips 8,500 meters power and signal cables Specially developed software for the management and settlement As well as a myriad of different lamp products Total budget for the Danish Pavilion in Shanghai: Dkr. 150,000,000 See vimeo.com/26428336 for more information about the design process behind the light designs PARTNERS CAVI, cavi.dk DUL, digitalurbanliving.dk Martin Professional, martin.com BIG, big.dk Project leader Media Facades, Rune Nielsen and Morten Lervig See the following link for more media architecture projects: vimeo.com/album/1809263]]></blip:puredescription>
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<br />

THE DANISH PAVILION (2010) The theme of the Expo 2010 was Better Cities Better Life and in this context BIG architects designed an expressive pavilion that showed the main qualities of Copenhagen by having real city bikes, a harbor pool and the Little Mermaid integrated in the exhibition. FACADE The Danish Pavilion was designed as a looping spiral, creating an elongated and varied exhibition that could be experienced as a pedestrian or on a Copenhagen city bike. The expressive form has over 300 meters of facade with more than 3,500 wholes. Each having opaque acrylic tubes installed connecting the inside and the outside. The tubes vary in size and makes it possible to look inside and out of the building and creates a natural ventilation. But the tubes also have another function. Each hole is equipped with a powerful full-color LED light source that can illuminate the tube and hereby the building. SENSORS The light sources in the tubes are controlled by 16 sensors - 8 which measures the current temperature in and around the facade, and 8 which measures the light. The sensors are installed and distributed on the fa&#231;ade giving a total picture of temperature and light conditions around the pavilion. The data from the sensors was interpreted by a specially created software that controlled and ran the light designs throughout the pavilion. Information from the light sensors controlled when and what visual effects to activate and the temperature affected the color temperature of the light design. CONCEPT One of the main concepts of the light designs has been to keep a natural and consistent look of the pavilion. This shows especially in the nightfall when the light is in the pavilion is slowly turned on. Whereas the holes in the facade appear as black windows during the day, they are lit in the evening and create a new layer of communication to the pavilion. The 627 pixels in length and nine in height are used for different effects, patterns and information that varies in intensity and speed. Light designs that surprises, entertains and informs, from subtle and understated experiences to more powerful and spectacular ones. FACTS Opening period: From the 1st of May 2010 to the 31st of October 2010 Visitors: More than 70,000,000 visitors in the exhibition area and more than 5,500,000 in the Danish Pavilion PAVILLON 300 meters of facade 2,800 m2 of exhibition space 1,300 tons of steel 230 m3 of water in the basin of the Little Mermaid LIGHT INSTALLATIONS 3,500 powerful full-color LED lamps 1,350 meter White LED Strips 8,500 meters power and signal cables Specially developed software for the management and settlement As well as a myriad of different lamp products Total budget for the Danish Pavilion in Shanghai: Dkr. 150,000,000 See vimeo.com/26428336 for more information about the design process behind the light designs PARTNERS CAVI, cavi.dk DUL, digitalurbanliving.dk Martin Professional, martin.com BIG, big.dk Project leader Media Facades, Rune Nielsen and Morten Lervig See the following link for more media architecture projects: vimeo.com/album/1809263

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  <title>Gentrification and a Gypsy Cab</title>
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  <blip:puredescription><![CDATA[Modesto &#8220;Flako&#8221; Jimenez [twitter.com/#!/brooklyngypsies] is Dominican, a poet, a gypsy cab driver and a native of Bushwick, Brooklyn. He identifies with the gentrifying artists who&#8217;ve flocked to the area in the last decade and the Hispanic locals with whom he grew up when Bushwick was better known for its crime rate than its hot new galleries. Flako&#8217;s documentary, &#161;Oye! Para mi Querido Brooklyn (Listen! For my Dear Brooklyn), is comprised of a series of poems aimed at sparking a dialogue about Bushwick&#8217;s transformation. &#8220;My neighborhood right now has a lot of people that picking sides,&#8221; Flako says. &#8220;Where to hang out, where to go. I chill in both worlds and I&#8217;m getting kind of tired of it.&#8221; mariyapylayev.com Twitter: @mpylayev]]></blip:puredescription>
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<br />

Modesto &#8220;Flako&#8221; Jimenez [twitter.com/#!/brooklyngypsies] is Dominican, a poet, a gypsy cab driver and a native of Bushwick, Brooklyn. He identifies with the gentrifying artists who&#8217;ve flocked to the area in the last decade and the Hispanic locals with whom he grew up when Bushwick was better known for its crime rate than its hot new galleries. Flako&#8217;s documentary, &#161;Oye! Para mi Querido Brooklyn (Listen! For my Dear Brooklyn), is comprised of a series of poems aimed at sparking a dialogue about Bushwick&#8217;s transformation. &#8220;My neighborhood right now has a lot of people that picking sides,&#8221; Flako says. &#8220;Where to hang out, where to go. I chill in both worlds and I&#8217;m getting kind of tired of it.&#8221; mariyapylayev.com Twitter: @mpylayev

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  <blip:puredescription><![CDATA[Produced/Edited by Joel Anderson @JoelgAnderson Travis Lawrence of Infinity Prints - infinity-prints.com Music used with permission by Deadhorse - deadhorse.bandcamp.com Shot at Evil Prints in St. Louis, MO - evilprints.com]]></blip:puredescription>
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Produced/Edited by Joel Anderson @JoelgAnderson Travis Lawrence of Infinity Prints - infinity-prints.com Music used with permission by Deadhorse - deadhorse.bandcamp.com Shot at Evil Prints in St. Louis, MO - evilprints.com

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  <blip:puredescription><![CDATA[In support of Beijing Design Week late last year, Converse presented &#8220;Off Canvas&#8221; a street-level exhibition of typography design that canvassed the capital city in obscure places that mark China&#8217;s thriving creative subcultures. Neville Brody With over one hundred years behind the brand, the exhibition celebrated two things vital to Converse&#8217;s heritage of storytelling&#8211; words and type. &#8220;Off Canvas&#8221; showcased the work of international and local artists notorious for their artistry of words. Culling from the diverse worlds of graphic design, art, and graffiti, the installations revealed communities and canvases where China&#8217;s emerging scenes in indie music, art, fashion and skate are based. The work of artists Benny Luk (Hong Kong), Ying Yonghui (Shanghai), Nod Young (Beijing), Neville Brody (London), Ben Eine (London) and Niels Shoe Meulman (Amsterdam) compose a map that includes the quaint Wudaoying Hutong to the packed streets of Xidan to the art district of 798/D-Park to the fa&#231;ade of the live music venue Mao Livehouse. Brody is known to many for his cutting edge digital typography and graphic design that helped define the lasting pop culture aesthetic that he still redefines today. As the general public has learned from that time in the 80&#8242;s the choice and usage of typography contains many hidden messages. Brody once said, &#8220;Typography is a hidden tool of manipulation within society.&#8221; Neville Brody studied graphic design at the London College of Printing from 1977 until 1980. In the early 1980s Neville Brody became art director at Fetish Records. Belonging to the fringe music scene, Neville Brody experimented with new typefaces, informed by ideas drawn from the subculture. Neville Brody mixed fonts, ignored typeface sizes and standard distances between lines, interspersing fonts with decorative elements. From 1981 until 1986 Neville Brody was art director at &#8220;The Face&#8221; magazine, for which he designed a distinctive typography that inspired magazine producers and designers worldwide. The film was shot and produced by Petter Eldin of Studio Stare in Shanghai, an amazing group of visual storytellers we hope to be featuring more of on the Independent Media Channel.]]></blip:puredescription>
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<br />

In support of Beijing Design Week late last year, Converse presented &#8220;Off Canvas&#8221; a street-level exhibition of typography design that canvassed the capital city in obscure places that mark China&#8217;s thriving creative subcultures. Neville Brody With over one hundred years behind the brand, the exhibition celebrated two things vital to Converse&#8217;s heritage of storytelling&#8211; words and type. &#8220;Off Canvas&#8221; showcased the work of international and local artists notorious for their artistry of words. Culling from the diverse worlds of graphic design, art, and graffiti, the installations revealed communities and canvases where China&#8217;s emerging scenes in indie music, art, fashion and skate are based. The work of artists Benny Luk (Hong Kong), Ying Yonghui (Shanghai), Nod Young (Beijing), Neville Brody (London), Ben Eine (London) and Niels Shoe Meulman (Amsterdam) compose a map that includes the quaint Wudaoying Hutong to the packed streets of Xidan to the art district of 798/D-Park to the fa&#231;ade of the live music venue Mao Livehouse. Brody is known to many for his cutting edge digital typography and graphic design that helped define the lasting pop culture aesthetic that he still redefines today. As the general public has learned from that time in the 80&#8242;s the choice and usage of typography contains many hidden messages. Brody once said, &#8220;Typography is a hidden tool of manipulation within society.&#8221; Neville Brody studied graphic design at the London College of Printing from 1977 until 1980. In the early 1980s Neville Brody became art director at Fetish Records. Belonging to the fringe music scene, Neville Brody experimented with new typefaces, informed by ideas drawn from the subculture. Neville Brody mixed fonts, ignored typeface sizes and standard distances between lines, interspersing fonts with decorative elements. From 1981 until 1986 Neville Brody was art director at &#8220;The Face&#8221; magazine, for which he designed a distinctive typography that inspired magazine producers and designers worldwide. The film was shot and produced by Petter Eldin of Studio Stare in Shanghai, an amazing group of visual storytellers we hope to be featuring more of on the Independent Media Channel.

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<br />

The Junkyard Jumbotron lets you take a bunch of random laptops, cellphones and tablets and stitch them together into a large, virtual display, simply by taking a photograph of them. Republished under a Creative Commons License 2011.

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  <blip:puredescription><![CDATA[Outstanding Moving Image work by Roland Quelven. For more information visit http://vip.newmediafest.org/?page_id=606 Audio | Luper&apos;s theme by Sandra Chechik - Tulse Luper Journey - Additionnal voices. Loops for Lupercyclopedia&apos;s project. Video | Roland Quelven &#8206;&quot;Nous isolons de la complexit&#233; immense du r&#233;el quelques &#233;l&#233;ments, nous cr&#233;ons le plus souvent, une s&#233;rie en extrayant ces &#233;l&#233;ments-l&#224; de cette immense complexit&#233;.&quot; Christian Dotremont &#8206;&quot;We isolate some elements from the immense complexity of the real, often we create series by extracting those elements from this immense complexity&quot;. Christian Dotremont @ Samy da Silva]]></blip:puredescription>
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Outstanding Moving Image work by Roland Quelven. For more information visit http://vip.newmediafest.org/?page_id=606 Audio | Luper&apos;s theme by Sandra Chechik - Tulse Luper Journey - Additionnal voices. Loops for Lupercyclopedia&apos;s project. Video | Roland Quelven &#8206;&quot;Nous isolons de la complexit&#233; immense du r&#233;el quelques &#233;l&#233;ments, nous cr&#233;ons le plus souvent, une s&#233;rie en extrayant ces &#233;l&#233;ments-l&#224; de cette immense complexit&#233;.&quot; Christian Dotremont &#8206;&quot;We isolate some elements from the immense complexity of the real, often we create series by extracting those elements from this immense complexity&quot;. Christian Dotremont @ Samy da Silva

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Act 4 | AZUL A&#955;&#966;&#940;&#946;&#951;&#964;&#959;. The fourth and last part of a polyptych in 4 acts: Two alphabets and two retables. Music The Song of Sirens by Sofia Koubli. Vocal improvisation by Chrysa Tsaltampasi. Video: Isabel Perez Del Pulgar &amp; Roland Quelven. Sofia Koubli - Music/Sound Design. vimeo.com/&#8203;sofiakoubli Isabel Perez del Pulgar - La Dama Roja. vimeo.com/&#8203;perezdelpulgar Chrysa Tsaltampasi myspace.com/&#8203;chproject1 Roland Quelven mubi.com/&#8203;garage/&#8203;films?user_id=383715

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  <blip:puredescription><![CDATA[Helen Dennis Projected Drawings July 8th-September 2nd 2011 video by twitter.com/&#8203;johnbirdsong Helen&apos;s work is rooted in the built world of the urban environment. She uses architecture to develop her layered drawings, which are entwined into the photographic process and directly used as negatives to create photographic drawings. Using the space at The LAB Gallery, Helen will push the concept of her process further. Through manipulation of the space, she will project the outside environment directly into the exhibition space, turning it into a camera obscura. From within, her drawings will unfold to engulf the space and thus, magnify the nuances of urban life. The passage of time and movement on the streets outside will be depicted as Helen&apos;s drawings grow over the duration of the project. Helen Dennis was born in the UK and now resides in Brooklyn, NY. She studied her BA (Honors) at the University of the Creative Arts in Canterbury and achieved her MFA at Hunter College in 2005. Dennis has been awarded a fellowship from Aljira Center for Contemporary Art as well as a photographic fellowship from The International House, NYC. Dennis has attended art residencies in Beijing, Cyprus and most recently Iceland. She has participated in various exhibitions worldwide and in the US with the support of Queens Council of the Arts, Kent County Council, New Jersey State Council on the Arts, South East Arts UK and the National Lottery Arts Fund for the UK. Dennis&apos; public art installations have been commissioned by the Downtown Alliance of New York, and NoLongerEmpty. helendennis.com rogersmithlife.com thelabgallery.com Camera: Canon Rebel t3i Lenses: 50mm nikon 1.4 + 18-55 canon ISII Shot using neutral color profile Edited in FCP 7 Video by John Birdsong twitter.com/&#8203;johnbirdsong]]></blip:puredescription>
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Helen Dennis Projected Drawings July 8th-September 2nd 2011 video by twitter.com/&#8203;johnbirdsong Helen&apos;s work is rooted in the built world of the urban environment. She uses architecture to develop her layered drawings, which are entwined into the photographic process and directly used as negatives to create photographic drawings. Using the space at The LAB Gallery, Helen will push the concept of her process further. Through manipulation of the space, she will project the outside environment directly into the exhibition space, turning it into a camera obscura. From within, her drawings will unfold to engulf the space and thus, magnify the nuances of urban life. The passage of time and movement on the streets outside will be depicted as Helen&apos;s drawings grow over the duration of the project. Helen Dennis was born in the UK and now resides in Brooklyn, NY. She studied her BA (Honors) at the University of the Creative Arts in Canterbury and achieved her MFA at Hunter College in 2005. Dennis has been awarded a fellowship from Aljira Center for Contemporary Art as well as a photographic fellowship from The International House, NYC. Dennis has attended art residencies in Beijing, Cyprus and most recently Iceland. She has participated in various exhibitions worldwide and in the US with the support of Queens Council of the Arts, Kent County Council, New Jersey State Council on the Arts, South East Arts UK and the National Lottery Arts Fund for the UK. Dennis&apos; public art installations have been commissioned by the Downtown Alliance of New York, and NoLongerEmpty. helendennis.com rogersmithlife.com thelabgallery.com Camera: Canon Rebel t3i Lenses: 50mm nikon 1.4 + 18-55 canon ISII Shot using neutral color profile Edited in FCP 7 Video by John Birdsong twitter.com/&#8203;johnbirdsong

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  <blip:puredescription><![CDATA[South African opera singers featured in The Creators documentary. Contact Mthetho at m.mapoyi@gmail.com]]></blip:puredescription>
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South African opera singers featured in The Creators documentary. Contact Mthetho at m.mapoyi@gmail.com

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  <blip:puredescription><![CDATA[A video made in stopmotion for competition AdobeYouGC. The simulation of a tutorial which shows how to make the lovely butter cookies with the new Adobe Photoshop Cook! Whole set was made with cardboard and with kitchen utensils. Stefania is an explorer. Up till now she has explore photography, video, stop motion, motion graphic, interaction design, theatre, dance, performance, installation, paints, illustration, web and net art, flash art, soun design, experimental documentary and cinema, generative art, antropology. The object that rapresented her is a kaleidoscope. Changeable, ecletic, beautiful lover, resercher. A dreamer with a open eyes. http://www.minimalbaroque.com/]]></blip:puredescription>
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<br />

A video made in stopmotion for competition AdobeYouGC. The simulation of a tutorial which shows how to make the lovely butter cookies with the new Adobe Photoshop Cook! Whole set was made with cardboard and with kitchen utensils. Stefania is an explorer. Up till now she has explore photography, video, stop motion, motion graphic, interaction design, theatre, dance, performance, installation, paints, illustration, web and net art, flash art, soun design, experimental documentary and cinema, generative art, antropology. The object that rapresented her is a kaleidoscope. Changeable, ecletic, beautiful lover, resercher. A dreamer with a open eyes. http://www.minimalbaroque.com/

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<br />

Body Type is a body-based font generator using OpenFrameworks, OpenNI, iOS, Font Forge, ImageMagick and the Kinect sensor. Full writeup of the project here: mauriciogiraldo.com/&#8203;blog/&#8203;2011/&#8203;06/&#8203;29/&#8203;body-type/&#8203; Project for the Spring 2011 Interactive Art &amp; Computational Design course in Carnegie Mellon University golancourses.net/&#8203;2011spring/&#8203; Code for download here: code.google.com/&#8203;p/&#8203;bodytype/&#8203; Mauricio Giraldo Arteaga mauriciogiraldo.com/&#8203;blog

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Zavoloka &quot;Vedana&quot; new album is out now on Kvitnu! Purchase it here: ;kvitnu.com/&#8203;releases/&#8203;kvitnu16.htmlzavoloka.com Catalogue#: KVITNU 16 Format: CD-Enhanced / Digital download Released: 21.04.2011 Release notes:

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  <category>Art</category>
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  <blip:puredescription><![CDATA[In case you&apos;re not hip to The Decemberists , they&apos;re a fantastic indie/folk/rock outfit from Portland, Oregon who took 15 years to become an overnight success. Their influences are diverse, from 1960s British folksters like Shirley Collins and Anne Briggs to 1980s modern rock songwriters like XTC, REM, and Morrissey. In January, the band released its sixth album, an epic alt.country/bluesy work titled The King Is Dead and took to the road. When their wagon train came through Oakland&apos;s Fox Theater in February, Boing Boing pal and hypertalented video director Scott Compton made the scene. BB readers may remember Scott for directing the Swell Season interview/performance film in 2009 that quickly became a Boing Boing Video fave. The Decemberists&apos; timing was impeccable as it was Valentine&apos;s Day--and Scott, well, loves The Decemberists. Scott rallied his crack video team: the inimitable Bart Nagel and Chris Valente on Canon 5D cameras and Lauretta Molitor on sound -- for 20 minutes with the band and stageside access for a couple tunes. Then he took the footage back to his Remedy Editorial facility where editor Jeffrey Boyette and colorist Ayumi Ashley worked their post-production magic. The video team&apos;s passion and the band&apos;s talent gelled into the lovely piece you see above. &quot;In person, The Decemberists were humble, smart, and collaborative,&quot; Scott says. &quot;For me, it was really interesting to hear singer/songwriter Colin Meloy talk about how Neil Young&apos;s seminal &apos;Comes A Time&apos; album was a big influence. I discovered that album my freshman year of college, and missed a lot of classes sitting in my dorm listening to it again and again.&quot; Credits: Scott Compton (director), Chris Valente (producer), Bart Nagel (camera), Scott Compton (camera), Chris Valente (camera), Lauretta Molitor (sound), Camilla Comanich and Stephan Hawk (production assistance), Jeffrey Boyette (editor), Ayumi Ahsley (colorist), Mike Lowe (visual effects), Marc Pittman (sound mix) For more: The Decemberists Scott Compton, Director]]></blip:puredescription>
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<br />

In case you&apos;re not hip to The Decemberists , they&apos;re a fantastic indie/folk/rock outfit from Portland, Oregon who took 15 years to become an overnight success. Their influences are diverse, from 1960s British folksters like Shirley Collins and Anne Briggs to 1980s modern rock songwriters like XTC, REM, and Morrissey. In January, the band released its sixth album, an epic alt.country/bluesy work titled The King Is Dead and took to the road. When their wagon train came through Oakland&apos;s Fox Theater in February, Boing Boing pal and hypertalented video director Scott Compton made the scene. BB readers may remember Scott for directing the Swell Season interview/performance film in 2009 that quickly became a Boing Boing Video fave. The Decemberists&apos; timing was impeccable as it was Valentine&apos;s Day--and Scott, well, loves The Decemberists. Scott rallied his crack video team: the inimitable Bart Nagel and Chris Valente on Canon 5D cameras and Lauretta Molitor on sound -- for 20 minutes with the band and stageside access for a couple tunes. Then he took the footage back to his Remedy Editorial facility where editor Jeffrey Boyette and colorist Ayumi Ashley worked their post-production magic. The video team&apos;s passion and the band&apos;s talent gelled into the lovely piece you see above. &quot;In person, The Decemberists were humble, smart, and collaborative,&quot; Scott says. &quot;For me, it was really interesting to hear singer/songwriter Colin Meloy talk about how Neil Young&apos;s seminal &apos;Comes A Time&apos; album was a big influence. I discovered that album my freshman year of college, and missed a lot of classes sitting in my dorm listening to it again and again.&quot; Credits: Scott Compton (director), Chris Valente (producer), Bart Nagel (camera), Scott Compton (camera), Chris Valente (camera), Lauretta Molitor (sound), Camilla Comanich and Stephan Hawk (production assistance), Jeffrey Boyette (editor), Ayumi Ahsley (colorist), Mike Lowe (visual effects), Marc Pittman (sound mix) For more: The Decemberists Scott Compton, Director

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datamosh voyage; compressed, abused, warped, toyed, glitched. source sound destroyed, taken from gold gr8tist hits -BBA, and wav files of whales squeaking like a microkorg synthesizer. whales/ by a different _BBA. in a parallel universe, the music was underwater minimal sludge. an endless odyssey loop; deep ocean waters, maybe in sea world in orlando. how far can 1280x720 go before it loses it/s identity? data-stretch. underwater , non source code- - information. produced by WHAbbA. \\\\digital hallucinatory binary password needed. Portland, Ormyspace.com/&#8203;dollyisorange Pepper Clouds organization; filmic state of the art experimentation. + music blobs; post-postmodern pellucid glitches in the fragmented digital age. both idiosyncratic and intuitive sense of &apos;hidden&apos; worlds within worlds, along with faceless realities. errors included.

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Studio Cesarine produces moving images that aren&apos;t what some people might typically associate with the concept of video art, the reality being that there is no real way of describing the genre in terms of technique or the meaning of combining fine art with video interaction. Based in NYC, Indira Cesarine is experimenting with puts models into a painting in progress - artist, model and video combine for spectacular results. This behind the scenes look at the making of Live Art! was edited by Scott Peehl, and features interviews with the models as well as artist Deborah Freedman, Director Indira Cesarine and Make up artist Bernadine Bibiano. Her videos on Vimeo are fantastic images to watch and we thank her for permission to air LIVE ART! Behind the Scenes and invite you to visit her website, http://www.indiracesarine.com You can also see Studio Cesarine&apos;s compilation of videos on Vimeo.

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  <blip:puredescription><![CDATA[Heiko Daxl &amp; Ingeborg F&#252;lepp mediainmotion.infovimeo.com/&#8203;channels/&#8203;mimBerlin &amp; Zagreb]]></blip:puredescription>
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  <blip:puredescription><![CDATA[Louis Harding spent years trying to open an African-American community center in New Orleans. In 2005, he was finally able to offer his first summer program, then Hurricane Katrina struck and the center was destroyed. Despite the setback, 72-year-old Harding refuses to give up on his mission to combat poverty in New Orleans. While sorting through the debris of his life, Louis discusses the importance of history, heroes, and self-esteem in the Black community. He explains how life for African-Americans in New Orleans has changed in the last 50 years and why making his dream a reality is more important than ever before. Learn more at: aloudcolor.com 2008 update: vimeo.com/4759241 PSA for community center with King of Bounce Rap-DJ Jubilee: vimeo.com/4758343 Screenings: Festival International du Film d&#8217;Environnement (Paris) Full Frame Documentary Film Fest (North Carolina) Rooftop Films (New York) Atlanta Film Festival Austin Film Festival Action on Film Intl. Film Fest (Los Angeles, nominated for Best Cinematography) Duke University, Center for Documentary Studies Atlanta Contemporary Art Center Featured on NPR and streamed on the Independent Film Channel&#8217;s website]]></blip:puredescription>
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Louis Harding spent years trying to open an African-American community center in New Orleans. In 2005, he was finally able to offer his first summer program, then Hurricane Katrina struck and the center was destroyed. Despite the setback, 72-year-old Harding refuses to give up on his mission to combat poverty in New Orleans. While sorting through the debris of his life, Louis discusses the importance of history, heroes, and self-esteem in the Black community. He explains how life for African-Americans in New Orleans has changed in the last 50 years and why making his dream a reality is more important than ever before. Learn more at: aloudcolor.com 2008 update: vimeo.com/4759241 PSA for community center with King of Bounce Rap-DJ Jubilee: vimeo.com/4758343 Screenings: Festival International du Film d&#8217;Environnement (Paris) Full Frame Documentary Film Fest (North Carolina) Rooftop Films (New York) Atlanta Film Festival Austin Film Festival Action on Film Intl. Film Fest (Los Angeles, nominated for Best Cinematography) Duke University, Center for Documentary Studies Atlanta Contemporary Art Center Featured on NPR and streamed on the Independent Film Channel&#8217;s website

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Images &amp; Edit: Brandon Tauszik - brandontauszik.com Images: Jon Smith - czarmonger.com Traffique is the alter ego of the infamous Peter and the Wolf.myspace.com/whiskeyandapples

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<br />

Vac&#237;o (Empty) is a video-art work about the body, vital space and their &quot;expropriation&quot; by various forms of control. It reflects my concern about the multiple contemporary evidence that points to the fact that we are still far, as humanity, to experience our body as an intimate, deep and inescapable property. This piece is a finalist on the 2010 Digital Graffiti Festival on Alys Beach Graphic Artist: Daniel Iv&#225;n Camera, Original Music and Editing: Daniel Iv&#225;n Additional Images: Alan Butler, Azed Majeed, Nalts, The Poor Bastard, Rusted Gate, Prajnaupaya, Plewizard, Trucker Tom and Treading. Anatomical Drawings: Andries van Wiesel Text: Daniel Iv&#225;n. Models: Sol Rezza and Daniel Iv&#225;n. November, 2009. Creative Commons License (read it at danielivan.com) ;

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<br />

&quot;Every child is an artist. The problem is how to remain an artist once he grows up.&quot; -Pablo Picasso At Grand Avenue Primary Learning Center, teachers inspire their students every day by integrating visual and performing arts into their classrooms. Told through the eyes of five interns, their mentor, and one artist, &quot;Grand&quot; shares the power of the arts and their effect on a child&apos;s ability to learn. This film will be part of &quot;The Gallery&quot; documentary series for UCF-TV in the Fall of 2010.

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&quot;The hardest part was peeling away these layers of fear...&quot; &#65279;&#65279;&#65279;Directed, Produced and Animated by Shilo Jenz, Music by Prospero&apos;s Ritual (Jez Velasquez &amp; Lathan Lindsey,) Echo Once His reminds us of wistful simplicity, looped over and over, then catapults us into a cyber-world of artificial reality of images created by the media and corporate branding. Here, our lives transforms into a spinning jerky assault on our senses by the unreal. The animated short poses questions that our culture asks in a larger sense - What is reality? By simply turning our attention we create new realities. Prospero&apos;s Ritual sings, &quot;&quot;The hardest part was peeling away these layers of fear...&quot; - Mark Gould Video Direction: Wormintruder Music: Prospero&apos;s Ritual (Jez Velasquez &amp; Lathan Lindsey) Animation Sequences: WormWood Productions - Wormintruder &amp; Sign69 wormintruder.com sign69.com aterriblemind.com

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  <blip:puredescription><![CDATA[by Merav Schacham (bananamoom) Animation Music video for &quot;Panic Ensemble - Spring in your Heart&quot; Long sleepless nights of wondering, dreaming, searching, imagining, building this world piece by piece and making it alive with ariel have come to an end - I hope you all enjoy it:) -Merav Shacham - direction, art, concept -Ariel Levental - direction, animation -Omer messinger - photography http://bananamoon.co.il/]]></blip:puredescription>
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<br />

by Merav Schacham (bananamoom) Animation Music video for &quot;Panic Ensemble - Spring in your Heart&quot; Long sleepless nights of wondering, dreaming, searching, imagining, building this world piece by piece and making it alive with ariel have come to an end - I hope you all enjoy it:) -Merav Shacham - direction, art, concept -Ariel Levental - direction, animation -Omer messinger - photography http://bananamoon.co.il/

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<br />

One of Media in Motion&apos;s great experiments with graphics and sound, you have been seeing a lot more in the realm of experimental media and hopefully, much more. Media in Motion are visionaries who like many of the pioneers, having been doing this for decades! http://www.mediainmotion.info/ Deutschland/Germany 2005/06, DV Video 3:30 Video: Heiko Daxl, Ingeborg F?lepp produziert von / produced by media in motion - Berlin/Zagreb Musik / music: Igor Kuljeric

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<br />

Director: Stuart Lidell, Executive Producer: Brian CohenThe Preston Market in Melbourne has been standing for over 40 years in the centre of a growing multicultural precinct. When developers earmark the area for serious demolition and re-development, the traders are faced with an ongoing uncertainty to their own futures. Engaged in a multifaceted project, an arts company focuses on the people of the market to explore issues of history, displacement and personal realization.

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  <blip:thumbnail_src>Indmediachannel-AnotherKeyTomorrowDirectorMikeKobal326-478.jpg</blip:thumbnail_src>
  <blip:puredescription><![CDATA[Shot, produced and directed by Mike Kobal, mikekobal.com. This new independent filmmaker is also a photographer shooting with a Canon 5D MarkII, which just so happens to shoot video. Shot with a number of Canon EOS Lenses ( http://vimeo.com/10317452 ) this film is also an entry into a Canon video contest. Amazingly enough, there is no noise reduction applied here.. Mike was shooting at ISO levels of 2000 to 3400 in some of the dark scenes and thanks in part to the evolution of digital camera sensor technology these dark scenes are breathtaking.Mike collaborated online with musicians for the sound track, and while the focus seems to be on the technical wizardry, perhaps because it&apos;s a contest entry. The script and the plot is based on the mystery genre, but only has time to be an intriguing vignette. Director Kobal has worked with the Canon to produce a number of works that have received accolades, including from the Independent Media Channel. We look forward to more of Mike&apos;s excellent work.]]></blip:puredescription>
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  <blip:license>No license (All rights reserved)</blip:license>
  <description><![CDATA[

<iframe src="http://blip.tv/play/8FeBz%2BwvAg.html?p=1" width="550" height="443" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#8FeBz+wvAg" style="display:none"></embed>
<br />

Shot, produced and directed by Mike Kobal, mikekobal.com. This new independent filmmaker is also a photographer shooting with a Canon 5D MarkII, which just so happens to shoot video. Shot with a number of Canon EOS Lenses ( http://vimeo.com/10317452 ) this film is also an entry into a Canon video contest. Amazingly enough, there is no noise reduction applied here.. Mike was shooting at ISO levels of 2000 to 3400 in some of the dark scenes and thanks in part to the evolution of digital camera sensor technology these dark scenes are breathtaking.Mike collaborated online with musicians for the sound track, and while the focus seems to be on the technical wizardry, perhaps because it&apos;s a contest entry. The script and the plot is based on the mystery genre, but only has time to be an intriguing vignette. Director Kobal has worked with the Canon to produce a number of works that have received accolades, including from the Independent Media Channel. We look forward to more of Mike&apos;s excellent work.

]]></description>
  <comments>http://blip.tv/file/3385909</comments>
  <category>Movies and Television</category>
  <category>mike_kobal</category>
  <category>mikekobal</category>
  <category>kobal</category>
  <category>another key tomorrow</category>
  <category>canon5d</category>
  <category>digital photography</category>
  <category>independent film</category>
  <pubDate>Tue, 23 Mar 2010 23:07:41 +0000</pubDate>
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  <media:title>Another Key Tomorrow, director: Mike Kobal</media:title>
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  <title>"LOL/Hardbody" by Luck Lucifer</title>
  <blip:user>indmediachannel</blip:user>
  <blip:userid>178950</blip:userid>
  <blip:safeusername>imediachannel</blip:safeusername>
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  <blip:runtime>241</blip:runtime>
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  <blip:thumbnail_src>Indmediachannel-LOLHardbodyByLuckLucifer103.jpg</blip:thumbnail_src>
  <blip:puredescription><![CDATA[A great song with a sweet yet powerful video from a superb up and coming rapper, Luck Lucifer. Grant Babbitt is a film student at Kansas University with a long and successful future ahead. Excellent videography, editing and direction, along with kudos to Luck Lucifer.Director: Grant Babbit]]></blip:puredescription>
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  <blip:license>No license (All rights reserved)</blip:license>
  <description><![CDATA[

<iframe src="http://blip.tv/play/8FeBxaJBAg.html?p=1" width="550" height="443" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#8FeBxaJBAg" style="display:none"></embed>
<br />

A great song with a sweet yet powerful video from a superb up and coming rapper, Luck Lucifer. Grant Babbitt is a film student at Kansas University with a long and successful future ahead. Excellent videography, editing and direction, along with kudos to Luck Lucifer.Director: Grant Babbit

]]></description>
  <comments>http://blip.tv/file/3212509</comments>
  <category>Music and Entertainment</category>
  <category>luck lucifer</category>
  <category>lol/hardbody</category>
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  <pubDate>Sat, 13 Feb 2010 00:52:32 +0000</pubDate>
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  <media:title>"LOL/Hardbody" by Luck Lucifer</media:title>
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  <title>Generative Computer Art and Interaction: Visualizing Fontane's "Br&#252;cke am Tay"</title>
  <blip:user>indmediachannel</blip:user>
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  <blip:show>Independent Media Channel</blip:show>
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  <blip:item_type>file</blip:item_type>
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  <blip:language>English</blip:language>
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  <blip:recommendations>0</blip:recommendations>
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  <blip:puredescription><![CDATA[by Diana Lange &#169;2010Portfolio here. This is a visualization of Theodor Fontane&apos;s poem &quot;Br&#252;cke am Tay&quot; built with Processing. For further informations please check out the project site thesis.diana-lange.de. Processing is an open-source project that was initiated at the Massachusetts Institute of Technology in Boston by Ben Fry (Broad Institute) and Casey Reas (UCLA Design | Media Arts). Processing has the character of a highly simplified version of the Java programming language that allows you to program interactions and visual elements, and is aimed mainly at designers, artists and novice programmers.]]></blip:puredescription>
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  <blip:license>No license (All rights reserved)</blip:license>
  <description><![CDATA[

<iframe src="http://blip.tv/play/8FeBw6xrAg.html?p=1" width="550" height="443" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#8FeBw6xrAg" style="display:none"></embed>
<br />

by Diana Lange &#169;2010Portfolio here. This is a visualization of Theodor Fontane&apos;s poem &quot;Br&#252;cke am Tay&quot; built with Processing. For further informations please check out the project site thesis.diana-lange.de. Processing is an open-source project that was initiated at the Massachusetts Institute of Technology in Boston by Ben Fry (Broad Institute) and Casey Reas (UCLA Design | Media Arts). Processing has the character of a highly simplified version of the Java programming language that allows you to program interactions and visual elements, and is aimed mainly at designers, artists and novice programmers.

]]></description>
  <comments>http://blip.tv/file/3181008</comments>
  <category>Art</category>
  <category>generative</category>
  <category>interaction</category>
  <category>design</category>
  <category>art</category>
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  <category>diana lange</category>
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  <pubDate>Fri, 05 Feb 2010 20:51:37 +0000</pubDate>
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  <media:title>Generative Computer Art and Interaction: Visualizing Fontane's "Br&#252;cke am Tay"</media:title>
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  <link>http://blip.tv/independent-media-channel/two-at-t-execs-3170772</link>
  <title>"Two AT&amp;T Execs"</title>
  <blip:user>indmediachannel</blip:user>
  <blip:userid>178950</blip:userid>
  <blip:safeusername>imediachannel</blip:safeusername>
  <blip:showpath>independent-media-channel</blip:showpath>
  <blip:show>Independent Media Channel</blip:show>
  <blip:showpage>http://blip.tv/independent-media-channel</blip:showpage>
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  <blip:item_type>file</blip:item_type>
  <blip:contentRating>TV-UN</blip:contentRating>
  <blip:rating>0.0</blip:rating>
  <blip:datestamp>2010-01-30T01:43:16Z</blip:datestamp>
  <blip:language>English</blip:language>
  <blip:adChannel>Art/Performance</blip:adChannel>
  <blip:recommendations>0</blip:recommendations>
  <blip:recommendable>0</blip:recommendable>
  <blip:core>0</blip:core>
  <blip:core_value>3</blip:core_value>
  <blip:channel_name>Learning</blip:channel_name>
  <blip:channel_list>Learning</blip:channel_list>
  <blip:adminRating>2</blip:adminRating>
  <blip:runtime>113</blip:runtime>
  <blip:embedLookup>8FeBwcQ4Ag</blip:embedLookup>
  <blip:embedUrl type="application/x-shockwave-flash">http://blip.tv/play/8FeBwcQ4Ag</blip:embedUrl>
  <wfw:commentRss>http://blip.tv/comments/?attached_to=post3170772&amp;skin=rss</wfw:commentRss>
  <blip:thumbnail_src>Indmediachannel-TwoATTExecs916-382.jpg</blip:thumbnail_src>
  <blip:puredescription><![CDATA[From freepress.net]]></blip:puredescription>
  <blip:smallThumbnail>http://a.images.blip.tv/Indmediachannel-TwoATTExecs916-382-169.jpg</blip:smallThumbnail>
  <blip:license>No license (All rights reserved)</blip:license>
  <description><![CDATA[

<iframe src="http://blip.tv/play/8FeBwcQ4Ag.html?p=1" width="550" height="443" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#8FeBwcQ4Ag" style="display:none"></embed>
<br />

From freepress.net

]]></description>
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  <comments>http://blip.tv/file/3151238</comments>
  <category>Art</category>
  <category>freepress</category>
  <category>net neutrality</category>
  <category>media reform</category>
  <category>media activism</category>
  <pubDate>Sat, 30 Jan 2010 01:43:16 +0000</pubDate>
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  <media:title>"Two AT&amp;T Execs"</media:title>
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  <link>http://blip.tv/independent-media-channel/the-movies-were-made-for-men-3160528</link>
  <title>The Movies Were Made For Men</title>
  <blip:user>indmediachannel</blip:user>
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  <blip:show>Independent Media Channel</blip:show>
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  <blip:puredescription><![CDATA[The Movies were made for Men is a documentary constructed to illustrate the basic principles of feminist film theory and to examine whether film emerged as a medium designed for men...or evolved into one. The principles addressed also apply to communications theory, media theory, and semiotics in general, as is pointed out in this excellent film. Director: Derek Dubois &#169;2009]]></blip:puredescription>
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Professor Steven Heller of the School of Visual Arts talks about development of the trademark in Nazi Germany and the work of William Defke, as part of SVA MFA Designer as Author: the Paul Rand Lecture Series

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<br />

From YBCA (Yerba Buena Center for the Arts) - San Francisco What&apos;s the Big Idea? See what develops as YBCA prepares to host its first overnight art party. What does it take to put on an event of this size? How can all the various departments work together to get it done? The art party is themed after our Big Idea, Ritual and Redemption.

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  <blip:puredescription><![CDATA[SAN FRANCISCO - October 28th/SF Bay Area Independent Media Center More than two dozen protesters blocked the entrances to the San Francisco office of Blue Shield of California early in the morning of October 28. They were joined by close to 200 other single payer system health care advocates, who festooned the building with crime tape and chanted loudly. The demonstrators charged Blue Shield with crimes including murder, breach of contract, and subversion of democracy. Participants in the protest represented a range of local organizations including Health Care for All-California, Vote Health, Code Pink, AFSCME Council 57, Single Payer Now, Pride at Work, LAGAI-Queer Insurrection, Labor for Single Payer, Wellstone Democratic Club, Direct Action to Stop the War, California Physicians Alliance, Gray Panthers, and more. Protesters charged the health insurance industry with crimes including: Murder: A new Harvard study found that 45,000 Americans a year die because they don?t have health insurance. For the insured, denial of care and delays in approving care cause an uncounted number of deaths (see ?Patient stories? sheet in this packet). Causing sickness and suffering for millions of people with treatable health conditions who can?t get the care they need because claims are denied, policies canceled, or deductibles and co-payments set so high that patients can?t afford to seek treatment. Breach of contract: Insurance companies routinely cancel the policies of many thousands of people after they became sick. A report released in June by House Committee on Energy and Commerce showed that Blue Cross ? evaluations included reports of how many policyholders they dropped and how many millions worth of medical care they saved the company. ?The committee investigation uncovered several rescission practices that one lawmaker called egregious, including targeting every policyholder diagnosed with leukemia, breast cancer and 1,400 other serious illnesses,? wrote Lisa Girion in the June 17 edition of the L.A. Times.]]></blip:puredescription>
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SAN FRANCISCO - October 28th/SF Bay Area Independent Media Center More than two dozen protesters blocked the entrances to the San Francisco office of Blue Shield of California early in the morning of October 28. They were joined by close to 200 other single payer system health care advocates, who festooned the building with crime tape and chanted loudly. The demonstrators charged Blue Shield with crimes including murder, breach of contract, and subversion of democracy. Participants in the protest represented a range of local organizations including Health Care for All-California, Vote Health, Code Pink, AFSCME Council 57, Single Payer Now, Pride at Work, LAGAI-Queer Insurrection, Labor for Single Payer, Wellstone Democratic Club, Direct Action to Stop the War, California Physicians Alliance, Gray Panthers, and more. Protesters charged the health insurance industry with crimes including: Murder: A new Harvard study found that 45,000 Americans a year die because they don?t have health insurance. For the insured, denial of care and delays in approving care cause an uncounted number of deaths (see ?Patient stories? sheet in this packet). Causing sickness and suffering for millions of people with treatable health conditions who can?t get the care they need because claims are denied, policies canceled, or deductibles and co-payments set so high that patients can?t afford to seek treatment. Breach of contract: Insurance companies routinely cancel the policies of many thousands of people after they became sick. A report released in June by House Committee on Energy and Commerce showed that Blue Cross ? evaluations included reports of how many policyholders they dropped and how many millions worth of medical care they saved the company. ?The committee investigation uncovered several rescission practices that one lawmaker called egregious, including targeting every policyholder diagnosed with leukemia, breast cancer and 1,400 other serious illnesses,? wrote Lisa Girion in the June 17 edition of the L.A. Times.

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Sini Haapalinna (1975/Helsinki) is a live artist who&apos;s work is based on continuous exploration of embodied experience of space, time, kinaesthetics and technology. She uses mixed media for creating interdisciplinary and immersive environments and athmospheres for performative actions and events to take place. She has collaborated extensively with artists from different fields &amp; backgrounds and with experimental art collectives eg. Voukkoset, Proimpro, 3rd Side&#180;Specific, Maus&amp;Orlovski, Immediate Theatre, BIK, TransFluxCollective.

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Setting pixels free, and blurring the boundary between street lighting and digital displays. Urban Pixels is a concept where public space lighting can be programmed in all kinds of ways. For example, instead of having the typical urban skyline illuminated by a static set of office building lights, the lighting display could be programmed so that it could be dynamic and active. William Mitchell sees it as liberating pixels from their traditionally confining frames.

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by xeni@xeni.net (Boing Boing Video, Xeni Jardin, Mark Frauenfelder, Cory Doctorow, David Pescovitz) An animated short by Giles Timms in which the boxy cartoony Mr. Chip seeks love in a psycho-surreal alternate universe.

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