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historiaoculta

EL VIAJE SECRETO DE LEONARDO DA VINCI

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Autor: José Luis Espejo. Contacto: historiaoculta@gmail.com. Página web: www.gestae.com. Detrás de La Gioconda se esconde un gran secreto. Éste es a...
Autor: José Luis Espejo. Contacto: historiaoculta@gmail.com. Página web: www.gestae.com. Detrás de La Gioconda se esconde un gran secreto. Éste es al mismo tiempo una idea y un lugar. En el presente audiovisual se explica que Leonardo era un hereje, descendiente de cátaros huidos del Pirineo catalán dos siglos y medio antes de su nacimiento. De Vinciano (actual Vinçà), en el Rosellón (norte de Cataluña) recibiría su apellido. Leonardo volvió a la patria de sus antepasados entre los años 1481 y 1483, y seguramente también en 1504. Desde mi punto de vista, en Montserrat pintaría al menos dos obras (una de ellas sería su San Jerónimo), y habría tomado notas para algunas pinturas más (La Virgen de las Rocas y La Gioconda). Este período de su vida, sus "años perdidos", ha sido ignorado por la historiografía oficial. Sin embargo, marcaron un antes y un después en su carrera profesional, así como en su trayectoria vital. Un detalle importante: en esos "años perdidos" de Leonardo, Giulio della Rovere, el futuro Papa Julio II (el que encargó a Miguel Angel la decoración de la Capilla Sixtina), era abad de Montserrat. The Mona Lisa is hiding a big secret. Two things at the same time: an idea and a place. This audiovisual explains that Leonardo was a heretic, a descendant of Cathars escaped from the Catalan Pyrenees, two and a half centuries before his birth. He would have received his name from Vinciano (the actual Vinçà) in the Roussillon (Northern Catalonia). Leonardo returned to his ancestral homeland between the years 1481 and 1483, and probably also in 1504. From my point of view, in Montserrat he would have painted at least two works (one of them would be his Saint Jerome), and he would have made annotations for some other pictures (The Virgin of the Rocks and La Gioconda). This period of his life, his "lost years" has been ignored by the official historiography. However, it marked a turning point in his professional career, as in his lifes trajectory. An important detail: During those "lost years" of Leonardo, Giulio della Rovere, future Pope Julius II (which commissioned Michelangelo to decorate the Sistine Chapel), was Abbot of Montserrat. Less
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