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http://www.dance-tech.net produced by Marlon Barrios Solano dance-tech@ BEARNSTOW, on Parker Pond, Mount Vernon, Maine (USA). Marlon Barrios Solano interviews Bebe Miller and K.J. Holmes in the context of teaching &quot;Cooperative Practices: Body-Mind Centering&#174; and Creative Process&quot;, August 22--28, 2010 From the Bearstow Website: KJ Holmes and Bebe Miller will collaborate in leading this workshop, laying a groundwork of interdependent elements drawn from their approaches to creative practice. We&apos;ll use K.J.&apos;s application of Body-Mind Centering&#174; (BMC)* as a lens to creative process, with Bebe&apos;s choreographic strategies for embodied awareness in dance making. Designed as a creative retreat, this week provides time for guided practice, individual exploration and group dialogue. http://www.bearnstow.org/ Each day will contain a guided warm-up, exploration of BMC&#174; principles with K.J. and choreographic strategies with Bebe, time for individual practice and reflection along with time to enjoy the Bearnstow environment. We invite you to translate between land and lake, artful-ness and mindful-ness, and note the information that rises from a canoe stroke, a sunset, a conversation as well as our dancing. BEBE MILLER, choreographer, has been making dances for over 25 years and established Bebe Miller Company in 1985. Currently serving on the Boards of Bearnstow, Danspace Project and Dance Theater Workshop, she resides in Columbus, Ohio and has been a Professor in Dance at The Ohio State University since 2000. K.J. HOLMES is a dance artist who has been exploring improvisation as process and performance since 1981. She is a graduate of The School for Body-Mind Centering (1999) and currently is adjunct faculty at NYU Experimental Theater Wing, continues to teach at Movement Research, and is exploring the relationship between movement and language, and the body and the earth in her choreographies and theater work. Body-Mind Centering&#174; (BMC) is an eclectic and dynamic approach to somatic training and re-education through systems development and evolution developed by Bonnie Bainbridge Cohen.

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  <blip:puredescription><![CDATA[http://www.dance-tech.net produced by marlon barrios solano A former graduate in Animation from the Royal College of Art, Iain Gardner had his introduction to the animation industry as an apprentice on Richard Williams&#8217; unfinished Masterpiece The Thief and the Cobbler. (My first professional animation can be seen here - the hoop of fire around 1:22 - 1:32!) All of his films, as well as his student films, have been screened at International Film Festivals, including Annecy, Edinburgh, Stuttgart and Hiroshima. Throughout this time, he has lectured on 2D animation at Newport, Edinburgh, Vancouver, Dundee and Beijing, with his animation techniques discussed in The Animation Bible published in 2008. He was also the recipient of an alt-w bursary to explore creating animation via mass participation &#8211; a video he made to test this idea scored over a quarter of a million hits on YouTube. Iain was the Chair of the Scottish Animation Group throughout 2008 and is the animation programmer for the 64rd Edinburgh International Film Festival. In 2008, he directed 2x5min animated films with school children in Wales, leading workshops about story telling and animation with Flycatcher Films. Mary and the Miners won First Light&apos;s Best Animation 2010. Recipient of the Friends of the Royal Scottish Academy Bursary 2008. Iain recently collaborated on Juraj Korec&apos;s HABITAT for the Dresden Tanzplan. Iain&apos;s 4mations Digital Short film, THE TANNERY screened at the 64 International Film Festival.]]></blip:puredescription>
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http://www.dance-tech.net produced by marlon barrios solano A former graduate in Animation from the Royal College of Art, Iain Gardner had his introduction to the animation industry as an apprentice on Richard Williams&#8217; unfinished Masterpiece The Thief and the Cobbler. (My first professional animation can be seen here - the hoop of fire around 1:22 - 1:32!) All of his films, as well as his student films, have been screened at International Film Festivals, including Annecy, Edinburgh, Stuttgart and Hiroshima. Throughout this time, he has lectured on 2D animation at Newport, Edinburgh, Vancouver, Dundee and Beijing, with his animation techniques discussed in The Animation Bible published in 2008. He was also the recipient of an alt-w bursary to explore creating animation via mass participation &#8211; a video he made to test this idea scored over a quarter of a million hits on YouTube. Iain was the Chair of the Scottish Animation Group throughout 2008 and is the animation programmer for the 64rd Edinburgh International Film Festival. In 2008, he directed 2x5min animated films with school children in Wales, leading workshops about story telling and animation with Flycatcher Films. Mary and the Miners won First Light&apos;s Best Animation 2010. Recipient of the Friends of the Royal Scottish Academy Bursary 2008. Iain recently collaborated on Juraj Korec&apos;s HABITAT for the Dresden Tanzplan. Iain&apos;s 4mations Digital Short film, THE TANNERY screened at the 64 International Film Festival.

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http://www.dance-tech.net Produced by Marlon Barrios Solano The Guinea Pig Collective - Iris Heitzinger, Dietmar Suoch, Christine Hinterk&#246;rner (BCN/Austria) dance-tech@ La Caldera The Guinea Pig Collective uses the virtual space as an intimate and personal exchange spot. This interdisciplinar project combining scenic and audiovisual arts with new technologies, investigates states and human behaviours leaking them through technology to experience a performance of a woman on stage. How do we feel proximity and intimacy? What does make real the human being? Where is the human place in the virtual space? idea/concept/creation: Dietmar Suoch, Christine Hinterk&#246;rner, Iris Heitzinger. coreography/performance: Iris Heitzinger. technical direction/video programming: Dietmar Suoch. musical direction/composition/voice: Christine Hinterk&#246;rner coproduction of ARGEkultur Salzburg/AT - festival Basics 2010, supported by Podium - Kulturland Salzburg/AT, Verein tanz_house Salzburg/AT, La Caldera Barcelona/ES, Nau Coclea Camallera/ES.

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http://www.dance-tech.net Creative Resident at MUSE 010 Tanzplan Dresden Palucca Schule Hanna Hegenscheidt was born in Bremen, Germany and received her diploma in dance and dance pedagogy from the Lola-Rogge-Schule in Hamburg in 1992. She continued her studies at various studios in New York, among them the Susan Klein School of Dance, Movement Research, the Trisha Brown School and the Atlantic Theater Company. While working in New York as a dancer and choreographer for nine years Hanna was certified as a Movement Analyst (CMA) by the Laban-Bartenieff-Institute for Movement Studies and as a Teacher of Klein-Technique. In 1998 she began teaching Klein-Technique at the Susan Klein School of Dance and Movement Studies and the Trisha Brown School. She also worked as a teaching artist at the Lincoln Center Institute for Aesthetic Education in the New York school system. Since moving to Berlin in 2004 she has build her own Klein-Technique class at the studio LaborGras. She also teaches regularly at Sasha Waltz &amp; Guests and the Tanzfabrik. From 2007 &#8211; 2010 she was a member of the teaching staff of the pilot Bachelor&#180;s University Program for Contemporary Dance (HZT) in Berlin. As a dancer/performer Hanna has worked with Robert Wilson, Reinhild Hoffmann, Achim Freyer, and Martin Clausen/Two Fish among others. In 2004 she founded her own company, collaborating with dancers and actors from New York and Berlin. Her pieces, Prolog (2004), I&#180;m okay you&#180;re okay (2005), Klaus ist tot (2006) and Lieb sein (2009) have been presented at DTW&#8217;s Freshtracks, Dance Space&#8217;s Out Of Space Series, Soaking WET at the West End Theater, Dance@ 8 acres in Vermont, the Tanztage Berlin, Sophiensaele and Radialsystem in Berlin, Kampnagel Fabrik in Hamburg, Villa Warsawa in Warsaw, the Yorkshire Dance Festival in Leeds/England among others. In 2007 she choreographed the pieces Battle Ground and Ich tanze weiter for teenage breakdancers at the Cactus Theater M&#252;nster and the St&#228;dtische B&#252;hnen in M&#252;nster. From 2008&#8211;2010 she was choreographic assistant to Achim Freyer for Wagner&#180;s Ring Cycle at Los Angeles Opera. Currently she is working on her new project Bitte streicheln Sie hier, which will premiere in September 2010 in Berlin. produced by marlon barrios solano

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http://www.dance-tech.net Since her education at CNDC in Angers, from 1987 to 1989, Marion Ballester has had a triple career as choreographer, performer and teacher. After having started her career as a dancer in 1989 with Dominique Petit, she was engaged by Phillipe D&#233;coufl&#233; and later joined Rosas, in both cases as a performer, until leaving to study in New York at the Trisha Brown Studios in 1992. From then on she started elaborating her own choreographic research, founding her own company and creating her own work; Blue Mathematics, then Unconscious Landscape (2000), project dance/sculpture/video for 4 dancers inspired by the work of Louise Bourgeois; Intimez-moi (2001); Bord &#224; Bord (2002); and finally Neptune (2004) created within the framework of the Festival des Antipodes in Brest. She went on to become assistant to Anne Teresa de Keersmaeker for the creation of Once, in 2002. Marion Ballester is at present still dancing the trio Desh with this Flemish choreographer. In 2005 she collaborated with the Company Frederic Flamand/Charleroi dance for the performance Huit. Since 2010 she has been working with Raimund Hogue on a new project and is the assistant of Mich&#232;le Noiret. In parallel Marion Ballester never ceases to deepen the pursuit of a practice of pedagogy, in the midst of different educational structures and professional dance companies; at la M&#233;nagerie de Verre, at CND, at P.A.R.T.S or the companies of Angelin Preljojac, of Philippe D&#233;coufl&#233; and of Jean-Claude Gallota. produced by marlon barrios solano

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  <blip:puredescription><![CDATA[http://www.dance-tech.net These are excerpts from the piece 15STEPS by Vera Ondrasikova and Collective performed at the end of the MUSE 010 in Dresden Germany at the Palucca Schule. August 5th 2010 Vera Ondrasikova and Collective 15STEPS A collective authorial project that deals with the topic of decision-making, direction and navigation. The authors use technology and sound as a partner for the dancer and reveal new relation between movement, music, light and tech. Concept and realization: V&#283;ra Ondra&#353;&#237;kov&#225;, Patrik Sedl&#225;k, Michal Rydlo Live music and sound design: Michal C&#225;b a Stanislav Abrah&#225;m During the residency we upgraded several parts of the performance and develop the motion- tracking system. We change the approach to sound design. We built inner autonomous sound scapes related to virtual environment. www.veraondrasikova.com Vera Ondrasikova Her graduating work &#8220;Aigues Mortes&#8221; had thirty reprise performances, including its presentation at the 2004 Tanec Praha Festival, Biennale de la danse in Lyon, the Aerowaves Festival in London, Aerodance in Amsterdam and at the Masdanza Competition (1st prize for a work for a group) on the Canary Islands, Santiago de Compostela and Euro-Scene Leipzig. April 2005 was the premiere of her new piece UNIQUE with music of The Young Gods (presented at the 2005 Tanec Praha Festival). In 2007 she created IN_FINITO, which was presented at Tanec Praha 2008 and the festival Tanztendenzen09 in Germany. The performance was chosen by open call to official selection of New Web, C.A., a prestigious Czech NGO supporting contemporary progressive theatre arts. She worked as a residency choreographer at The Professional Dance School in Mazatlan (Mexico), MU TERMINAL in Budape&#353;&#357; and Dance School in Las Palmas (Gran Canaria). 2005 was awarded as &#8222;most outstanding dancer&#8220; at Masdanza &#8211; International Contemporary Dance Festival of the Canary Islands and participated in final contest &#8222;Am beste deutsche solo&#8220;. produced by marlon barrios solano http://www.dance-tech.net/profile/veraondrasikova]]></blip:puredescription>
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http://www.dance-tech.net These are excerpts from the piece 15STEPS by Vera Ondrasikova and Collective performed at the end of the MUSE 010 in Dresden Germany at the Palucca Schule. August 5th 2010 Vera Ondrasikova and Collective 15STEPS A collective authorial project that deals with the topic of decision-making, direction and navigation. The authors use technology and sound as a partner for the dancer and reveal new relation between movement, music, light and tech. Concept and realization: V&#283;ra Ondra&#353;&#237;kov&#225;, Patrik Sedl&#225;k, Michal Rydlo Live music and sound design: Michal C&#225;b a Stanislav Abrah&#225;m During the residency we upgraded several parts of the performance and develop the motion- tracking system. We change the approach to sound design. We built inner autonomous sound scapes related to virtual environment. www.veraondrasikova.com Vera Ondrasikova Her graduating work &#8220;Aigues Mortes&#8221; had thirty reprise performances, including its presentation at the 2004 Tanec Praha Festival, Biennale de la danse in Lyon, the Aerowaves Festival in London, Aerodance in Amsterdam and at the Masdanza Competition (1st prize for a work for a group) on the Canary Islands, Santiago de Compostela and Euro-Scene Leipzig. April 2005 was the premiere of her new piece UNIQUE with music of The Young Gods (presented at the 2005 Tanec Praha Festival). In 2007 she created IN_FINITO, which was presented at Tanec Praha 2008 and the festival Tanztendenzen09 in Germany. The performance was chosen by open call to official selection of New Web, C.A., a prestigious Czech NGO supporting contemporary progressive theatre arts. She worked as a residency choreographer at The Professional Dance School in Mazatlan (Mexico), MU TERMINAL in Budape&#353;&#357; and Dance School in Las Palmas (Gran Canaria). 2005 was awarded as &#8222;most outstanding dancer&#8220; at Masdanza &#8211; International Contemporary Dance Festival of the Canary Islands and participated in final contest &#8222;Am beste deutsche solo&#8220;. produced by marlon barrios solano http://www.dance-tech.net/profile/veraondrasikova

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http://www.dance-tech.net Creative Residency at Tanzplan Dresden/MUSE 0101 dancer, choreographer - born 1978 in Toulouse At present, he is performing with ballets c.de la b. in &#8220;ashes&#8221;, a dance piece that tour in europe since february 2009. He worked before with Pierre Rigal in &#8220;arr&#234;ts de jeu&#8221;, with Philippe Vuillermet in &#8220;#1a&#8221; and &#8220;#3&#8221;, with Fran&#231;oise Tartinville in &#8220;pur sucre&#8221;, with compagnie gambit in &#8220;jeux&#8221;. He goes into contemporary dance after five years of studies in the National Center for Circus Arts (CNAC- Chalons en champagne). He worked on different acrobatic and balance specialities. This school permited him to cross the way of many artists from dance, theater, plastic arts or music. At the end of the school in 2005, he did two creations as an acrobat : &#8220;Kilo&#8221; by Thierry Roisin &amp; Jean-Pierre Larroche, and &#8220;Zooo&#8221; by Denis Plassard. Because of his aesthetic envies, dance became more and more logic to him. In parrallel to this differents projects as a performer, he worked on a short solo in 2007 called &#8220;je est o&#249; tu suis, environ&#8221; supported by Sacd (Society for Dramatic Authors and Compositors), in collaboration with Yoann Demichelis (cie Mathilde He works as a choreographic consultant and dramaturge on different projects, teaches from time to time to professional or amateur publics. Passionately fond of photography, he collaborates to &#8220;framing frames&#8221; collective, created with two other photographers. The work related to photography feeds more and more his look and way to envisage the performance.

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  <blip:puredescription><![CDATA[http://www.dance-tech.net Interview with Czech dancer and teacher Jarek Cemerek (www.jaekcemerek.com) in the context of the summer workshop MUSE 010 at the palucca Schule in Dresden Germany. In this contemporary dance class, students learn to use their bodies in a variety of ways. They focus on breathing, posture, and emotional state to establish a mind-body connection. They start on the floor, warming up the body with down on earth organic movement. Students may learn choreographed works, or they may be encouraged to improvise dance pieces. Jarek Cemerek (CZ) Jarek Cemerek studied dance at the Conservatory in Ostrava, choreography and dance pedagogy at The Academy of Performing Arts in Prague, short term study of choreography at The Theatre Academy in Helsinki. He began his artistic career as a dancer at The National Theatre in Ostrava, after he moved to Prague and danced with Laterna Magica and the State Opera. Then he danced in The Bratislava Dance Theatre, Tanztheaterwien (Vienna), Thor (Brussels), Willy Dorner (Vienna), Edita Braun (Salzburg), in The Dance Theatre of Ireland, Stadttheater Bern (Switzerland) and at The Royal Opera House (London). In 2009 he co-founded Albamora contemporary dance company in Denmark. As a teacher he worked in many dance companies and dance festivals, at The Palucca Schule Dresden, The Theatre Academy in Helsinki, Stadttheater Bern, Jayne Persch School (USA), at The Royal Ballet School in Holstebro (Denmark), Cie. Willy Dorner. In the Czech republic he teaches ballet, modern dance, jazz dance and Pilates in the studio Dance Perfect Prague. Produced by marlon barrios solano]]></blip:puredescription>
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http://www.dance-tech.net Interview with Czech dancer and teacher Jarek Cemerek (www.jaekcemerek.com) in the context of the summer workshop MUSE 010 at the palucca Schule in Dresden Germany. In this contemporary dance class, students learn to use their bodies in a variety of ways. They focus on breathing, posture, and emotional state to establish a mind-body connection. They start on the floor, warming up the body with down on earth organic movement. Students may learn choreographed works, or they may be encouraged to improvise dance pieces. Jarek Cemerek (CZ) Jarek Cemerek studied dance at the Conservatory in Ostrava, choreography and dance pedagogy at The Academy of Performing Arts in Prague, short term study of choreography at The Theatre Academy in Helsinki. He began his artistic career as a dancer at The National Theatre in Ostrava, after he moved to Prague and danced with Laterna Magica and the State Opera. Then he danced in The Bratislava Dance Theatre, Tanztheaterwien (Vienna), Thor (Brussels), Willy Dorner (Vienna), Edita Braun (Salzburg), in The Dance Theatre of Ireland, Stadttheater Bern (Switzerland) and at The Royal Opera House (London). In 2009 he co-founded Albamora contemporary dance company in Denmark. As a teacher he worked in many dance companies and dance festivals, at The Palucca Schule Dresden, The Theatre Academy in Helsinki, Stadttheater Bern, Jayne Persch School (USA), at The Royal Ballet School in Holstebro (Denmark), Cie. Willy Dorner. In the Czech republic he teaches ballet, modern dance, jazz dance and Pilates in the studio Dance Perfect Prague. Produced by marlon barrios solano

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  <blip:puredescription><![CDATA[http://www.dance-tech.net Muse 010: Interview with Anton Lachky, Dresden Marlon Barrios Solano interviews Anton Lachky in the context of MUSE 010 organized by Tanzplan Dresden at the Palucca Schule. Description of the course and bio from Tanzplan Dresden website: The primary goal of this course is to emphasize the joy of dancing and allow participants to find pleasure in movement. The workshop aims to help performers develop a strong individual presence and provide an opportunity for playful experimentation as well as hard work. The main focal points are coordination, the limits of speed, the isolation of individual body parts and the establishment of a strong centre. In this course Anton Lachky challenges the dancers&#8217; creativity and teaches his approach to the development of dance material. This involves an in-depth exploration of movement and its complexity so as to create redesigned material for movement. Anton Lachky (SK/B) Anton Lachky has become one of the most sought after teachers and performers on stage today. With speed and fluidity that defies imagination, he is both an inspiring teacher and a captivating dancer. He trained at the University of Bratislava in 2001, and then he studied at P.A.R.T.S. in Brussels. He left P.A.R.T.S. and joined the company of Akram Khan in 2004. After two years of performing and touring to 48 countries around the globe, Lachky left the Akram Khan Company to develop his own work. He is currently a member of Les Slovaks Dance Collective. produced by marlon barrios solano]]></blip:puredescription>
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http://www.dance-tech.net Muse 010: Interview with Anton Lachky, Dresden Marlon Barrios Solano interviews Anton Lachky in the context of MUSE 010 organized by Tanzplan Dresden at the Palucca Schule. Description of the course and bio from Tanzplan Dresden website: The primary goal of this course is to emphasize the joy of dancing and allow participants to find pleasure in movement. The workshop aims to help performers develop a strong individual presence and provide an opportunity for playful experimentation as well as hard work. The main focal points are coordination, the limits of speed, the isolation of individual body parts and the establishment of a strong centre. In this course Anton Lachky challenges the dancers&#8217; creativity and teaches his approach to the development of dance material. This involves an in-depth exploration of movement and its complexity so as to create redesigned material for movement. Anton Lachky (SK/B) Anton Lachky has become one of the most sought after teachers and performers on stage today. With speed and fluidity that defies imagination, he is both an inspiring teacher and a captivating dancer. He trained at the University of Bratislava in 2001, and then he studied at P.A.R.T.S. in Brussels. He left P.A.R.T.S. and joined the company of Akram Khan in 2004. After two years of performing and touring to 48 countries around the globe, Lachky left the Akram Khan Company to develop his own work. He is currently a member of Les Slovaks Dance Collective. produced by marlon barrios solano

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@muse 010 Interdisciplinary Workshop for professional and advanced dancers July 26th - August 6th, 2010 Palucca Schule Dresden ? Hochschule f?r Tanz Anton Lachky (SK/B) Anton Lachky has become one of the most sought after teachers and performers on stage today. With speed and fluidity that defies imagination, he is both an inspiring teacher and a captivating dancer. He trained at the University of Bratislava in 2001, and then he studied at P.A.R.T.S. in Brussels. He left P.A.R.T.S. and joined the company of Akram Khan in 2004. After two years of performing and touring to 48 countries around the globe, Lachky left the Akram Khan Company to develop his own work. He is currently a member of Les Slovaks Dance Collective. Porduced by marlon barrios solano

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  <blip:puredescription><![CDATA[http://www.dance-tech.net Muse 010: Interview with Anton Lachky, Dresden Marlon Barrios Solano interviews Anton Lachky in the context of MUSE 010 organized by Tanzplan Dresden at the Palucca Schule. Description of the course and bio from Tanzplan Dresden website: The primary goal of this course is to emphasize the joy of dancing and allow participants to find pleasure in movement. The workshop aims to help performers develop a strong individual presence and provide an opportunity for playful experimentation as well as hard work. The main focal points are coordination, the limits of speed, the isolation of individual body parts and the establishment of a strong centre. In this course Anton Lachky challenges the dancers&#8217; creativity and teaches his approach to the development of dance material. This involves an in-depth exploration of movement and its complexity so as to create redesigned material for movement. Anton Lachky (SK/B) Anton Lachky has become one of the most sought after teachers and performers on stage today. With speed and fluidity that defies imagination, he is both an inspiring teacher and a captivating dancer. He trained at the University of Bratislava in 2001, and then he studied at P.A.R.T.S. in Brussels. He left P.A.R.T.S. and joined the company of Akram Khan in 2004. After two years of performing and touring to 48 countries around the globe, Lachky left the Akram Khan Company to develop his own work. He is currently a member of Les Slovaks Dance Collective. produced by marlon barrios solano]]></blip:puredescription>
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http://www.dance-tech.net Muse 010: Interview with Anton Lachky, Dresden Marlon Barrios Solano interviews Anton Lachky in the context of MUSE 010 organized by Tanzplan Dresden at the Palucca Schule. Description of the course and bio from Tanzplan Dresden website: The primary goal of this course is to emphasize the joy of dancing and allow participants to find pleasure in movement. The workshop aims to help performers develop a strong individual presence and provide an opportunity for playful experimentation as well as hard work. The main focal points are coordination, the limits of speed, the isolation of individual body parts and the establishment of a strong centre. In this course Anton Lachky challenges the dancers&#8217; creativity and teaches his approach to the development of dance material. This involves an in-depth exploration of movement and its complexity so as to create redesigned material for movement. Anton Lachky (SK/B) Anton Lachky has become one of the most sought after teachers and performers on stage today. With speed and fluidity that defies imagination, he is both an inspiring teacher and a captivating dancer. He trained at the University of Bratislava in 2001, and then he studied at P.A.R.T.S. in Brussels. He left P.A.R.T.S. and joined the company of Akram Khan in 2004. After two years of performing and touring to 48 countries around the globe, Lachky left the Akram Khan Company to develop his own work. He is currently a member of Les Slovaks Dance Collective. produced by marlon barrios solano

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MUSE 010: Interview with Tamas Moricz, Palucca Schule, Dresden Organized by Tanzplan Dresden http://www.tanzplan-dresden.de/v2/en/workshops/muse-010.html His page in dance-tech.net http://www.dance-tech.net/profile/TamasGezaMoricz Working with W. Forsythe&#8217;s ideas of improvisational modalities as tools to generate clear and articulate movements guides you to a better understanding of what the body can do in an accelerated state of motion. It&apos;s a great way to discover your own dancing capabilities and it will surely inspire you to move. This course is especially beneficial to anyone who is interested in finding out how to move with more awareness and become more creative and articulate in their movements. The course aims to develop your ability to improvise and create movement and steps from any given influence, using your own body, music, or your environment as a starting point. Tamas Geza Moricz (HU/D) Tamas Moricz graduated from the Hungarian State Ballet Academy in 1989. He danced with the Ballett Frankfurt under the direction of William Forsythe and performed numerous of William Forsythe&apos;s works. He also danced choreographies by Ryuichi Sakamoto, Mike Figgis, Ji&#345;&#237; Kyli&#225;n, Mats Ek, Jan Fabre, Jonathan Burrows, Saburo Teshigowara, Antony Rizzi, Jacopo Godani, Amanda Miller, Crystal Pite and many others. Tamas Moricz is currently working as a freelance teacher and performer, teaching the Forsythe Improvisational Modalities and ballet classes at higher educational facilities all around the world; among them Hochschule f&#252;r Schauspielkunst &#8220;Ernst Busch&#8221; Berlin, P.A.R.T.S. / Brussels, Architanz / Tokyo, IALS / Rome and Korean National University of Arts, Seoul. Produced by marlon barrios solano

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  <blip:puredescription><![CDATA[Balkan Dance Platform 2090 * Authors: Dragana Bulut, Gillie Kleiman, Ligia Soares * Performers: Dragana Bulut, Gillie Kleiman, Milka &#272;or&#273;evi&#263; * Dramaturgy: Ana Vujanovi&#263; giant-women-3The Giant Women present The Greatest Show in Town is a dance performance which promises to be entertaining, virtuosic, and sharp, through beauty, emotion, etcetera. And of course, you will obviously see the socio-political engagement and the theoretical background of the dancer. Naturally, these aspects will interact with you, provoke you, and shock you. Whilst showing you the crucial power of innovation and blindly following trends, the show achieves historical significance and promises the creation of new paradigms for the dance scene of the future. dance-tech.net interviews are produced by marlon barrios solano Interviews at the Balkan Dance Platform were made possible by a grant from Dance Theater Workshop, with major support from the Trust for Mutual Understanding, New York USA The host of Balkan Dance Platform 2009 was Per.Art www.perart.org]]></blip:puredescription>
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Balkan Dance Platform 2090 * Authors: Dragana Bulut, Gillie Kleiman, Ligia Soares * Performers: Dragana Bulut, Gillie Kleiman, Milka &#272;or&#273;evi&#263; * Dramaturgy: Ana Vujanovi&#263; giant-women-3The Giant Women present The Greatest Show in Town is a dance performance which promises to be entertaining, virtuosic, and sharp, through beauty, emotion, etcetera. And of course, you will obviously see the socio-political engagement and the theoretical background of the dancer. Naturally, these aspects will interact with you, provoke you, and shock you. Whilst showing you the crucial power of innovation and blindly following trends, the show achieves historical significance and promises the creation of new paradigms for the dance scene of the future. dance-tech.net interviews are produced by marlon barrios solano Interviews at the Balkan Dance Platform were made possible by a grant from Dance Theater Workshop, with major support from the Trust for Mutual Understanding, New York USA The host of Balkan Dance Platform 2009 was Per.Art www.perart.org

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  <blip:puredescription><![CDATA[Balkan Dance Platform 2009 At the Balkan Dance Platform 2009 in Novi Sad, Serbia, I interviwed Tomislav Meda &amp; Ivana Ivkovi&#263;, authors and performers of the collaborative dance/theater group from Croatia. They closed the Balkan Dance Platform 2009 with a sophisticated pieces called &quot;1 poor and one 0&quot;. http://badco.hr/works/1-poor-and-one-0/ http://www.balkandanceplatform.net/ Directors: Tomislav Medak &amp; Goran Sergej Prista&#353; Authors and performers: Pravdan Devlahovi&#263;, Ivana Ivkovi&#263;, Aleksandra Janeva Imfeld, Ana Kreitmeyer, Tomislav Medak, Goran Sergej Prista&#353;, Nikolina Prista&#353;, Zrinka U&#382;binec Dramaturgy: Ivana Ivkovi&#263; Stage: Slaven Tolj Costume design: Silvio Vuji&#269;i&#263; Video: Ana Hu&#353;man Light design: Alan Vukeli&#263; Sound design: Ivan Maru&#353;i&#263;-Klif Sound technician: Jasmin Dasovi&#263; Company manager: Lovro Rumiha Inspired by the work of Auguste and Lois Lumiere, Samuel Beckett, Vlado Kristl, Jean-Luc Godard and Harun Farocki. Coproducers: Steirischer Herbst, University of Zagreb -- Student center -- Theatre &amp;TD Supported by: Zagreb City Council for Education, Culture and Sport; Ministry of Culture of Republic of Croatia dance-tech.net interviews are produced by marlon barrios solano Interviews at the Balkan Dance Platform were made possible by a grant from Dance Theater Workshop, with major support from the Trust for Mutual Understanding, New York USA The host of Balkan Dance Platform 2009 was Per.Art www.perart.org]]></blip:puredescription>
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Balkan Dance Platform 2009 At the Balkan Dance Platform 2009 in Novi Sad, Serbia, I interviwed Tomislav Meda &amp; Ivana Ivkovi&#263;, authors and performers of the collaborative dance/theater group from Croatia. They closed the Balkan Dance Platform 2009 with a sophisticated pieces called &quot;1 poor and one 0&quot;. http://badco.hr/works/1-poor-and-one-0/ http://www.balkandanceplatform.net/ Directors: Tomislav Medak &amp; Goran Sergej Prista&#353; Authors and performers: Pravdan Devlahovi&#263;, Ivana Ivkovi&#263;, Aleksandra Janeva Imfeld, Ana Kreitmeyer, Tomislav Medak, Goran Sergej Prista&#353;, Nikolina Prista&#353;, Zrinka U&#382;binec Dramaturgy: Ivana Ivkovi&#263; Stage: Slaven Tolj Costume design: Silvio Vuji&#269;i&#263; Video: Ana Hu&#353;man Light design: Alan Vukeli&#263; Sound design: Ivan Maru&#353;i&#263;-Klif Sound technician: Jasmin Dasovi&#263; Company manager: Lovro Rumiha Inspired by the work of Auguste and Lois Lumiere, Samuel Beckett, Vlado Kristl, Jean-Luc Godard and Harun Farocki. Coproducers: Steirischer Herbst, University of Zagreb -- Student center -- Theatre &amp;TD Supported by: Zagreb City Council for Education, Culture and Sport; Ministry of Culture of Republic of Croatia dance-tech.net interviews are produced by marlon barrios solano Interviews at the Balkan Dance Platform were made possible by a grant from Dance Theater Workshop, with major support from the Trust for Mutual Understanding, New York USA The host of Balkan Dance Platform 2009 was Per.Art www.perart.org

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  <blip:puredescription><![CDATA[Balkan Dance Platform 2009 Participation at BDP 2009 &#8211; supported by Goethe Institut and Stability Pact for South Eastern Europe Heidi is a constructed figure &#8211; &#8220;something&#8221; that symbolizes and represents naivety, purity, silliness and joy in every way&#8230; She is being articulated by the body of a man, who feels like a kid, who acts like a girl, and moves like all these three states of mind. I am also provoked to find out if she might be charmingly stupid, though she is too cute to be called &#8220;stupid&#8221;. In 2008, Aleksandar Georgiev graduated at Theatre department, Subject - Dance theatre, New Bulgarian University, Sofia, Bulgaria. His dance experience is based on: Modern dance technique, Improvisation, Contact improvisation, Instant composition, Release technique, Body mind centering, Graham, Ballet, Jazz, Macedonian folk dance and Bulgarian folk dance. He worked with Rossen Mihailov, Mila Iskrenova, Jurij Konjar and Robert Tannion and performanced in Salt/Drought(2008), Sergej and Vladimira(2008), The tower(2008), Ballet music for and two lovers (2007), and Side effect(2005) dance-tech.net interviews are produced by marlon barrios solano Interviews at the Balkan Dance Platform were made possible by a grant from Dance Theater Workshop, with major support from the Trust for Mutual Understanding, New York USA The host of Balkan Dance Platform 2009 was Per.Art www.perart.org]]></blip:puredescription>
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Balkan Dance Platform 2009 Participation at BDP 2009 &#8211; supported by Goethe Institut and Stability Pact for South Eastern Europe Heidi is a constructed figure &#8211; &#8220;something&#8221; that symbolizes and represents naivety, purity, silliness and joy in every way&#8230; She is being articulated by the body of a man, who feels like a kid, who acts like a girl, and moves like all these three states of mind. I am also provoked to find out if she might be charmingly stupid, though she is too cute to be called &#8220;stupid&#8221;. In 2008, Aleksandar Georgiev graduated at Theatre department, Subject - Dance theatre, New Bulgarian University, Sofia, Bulgaria. His dance experience is based on: Modern dance technique, Improvisation, Contact improvisation, Instant composition, Release technique, Body mind centering, Graham, Ballet, Jazz, Macedonian folk dance and Bulgarian folk dance. He worked with Rossen Mihailov, Mila Iskrenova, Jurij Konjar and Robert Tannion and performanced in Salt/Drought(2008), Sergej and Vladimira(2008), The tower(2008), Ballet music for and two lovers (2007), and Side effect(2005) dance-tech.net interviews are produced by marlon barrios solano Interviews at the Balkan Dance Platform were made possible by a grant from Dance Theater Workshop, with major support from the Trust for Mutual Understanding, New York USA The host of Balkan Dance Platform 2009 was Per.Art www.perart.org

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  <blip:puredescription><![CDATA[Created and organized by MAQAMAT DANCE THEATRE In partnership with SASHA WALTZ &amp; GUESTS and SAREYYET RAMALLAH In Collaboration with DANSGROEP AMSTERDAM &amp; MANCOPY DANSKOMPAGNI Interested applicants should have a good level and knowledge of contemporary dance and are Choreographers and Guest Speakers Krisztina de Chatel &#8226; Marco Cantalupo &#8226; Luc Dunberry &#8226; Omar Rajeh &#8226; Radhouane El Meddeb &#8226; Jens Bjerregaard &#8226; Mia Habis &#8226; Rabih Mroue &#8226; Damien Jalet &#8226; Ghassan Salhab &#8226; Walid Sadek &#8226; Francesco Scavetta &#8226; Vahid &#8226; and Pierre Abi Saab &#8226; Classes Offered will focus on contemporary release Technique &#8226; Physical theatre &#8226; Contact Improvisation &#8226; Composition and Choreography &#8226; Improvisation skills &#8226; Movement analysis &#8226; Dance Theories and concepts &#8226; Performance Making &#8226; Video Dance &#8226; Contemporary arts Dates: 5th of September until the mid of December 2010 in Beirut. Brief Summary Takween-Beirut Contemporary Dance School (BCDC) is an annual, three-month intensive contemporary dance-training program for young dancers and performance artists interested in pursuing professional careers. Mostly attracting students from the Levant, the program consists of rigorous physical classes alongside courses in choreographic composition and conceptual thinking, which are given by renowned local and international artists, dancers and choreographers. Stemming from a regional lack of educational facilities and instruction and professional opportunity, Takween&#8211;BCDC not only provides its participants with the training and discipline needed to professionally establish themselves, but also with a platform for cultural cooperation and exchange necessary for them to become leaders and entrepreneurs in the long-term development and institutionalization of dance as an influential social and cultural practice; thus creating an artistic foundation to begin forging communal dialogue, social bonds and civil change.]]></blip:puredescription>
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Created and organized by MAQAMAT DANCE THEATRE In partnership with SASHA WALTZ &amp; GUESTS and SAREYYET RAMALLAH In Collaboration with DANSGROEP AMSTERDAM &amp; MANCOPY DANSKOMPAGNI Interested applicants should have a good level and knowledge of contemporary dance and are Choreographers and Guest Speakers Krisztina de Chatel &#8226; Marco Cantalupo &#8226; Luc Dunberry &#8226; Omar Rajeh &#8226; Radhouane El Meddeb &#8226; Jens Bjerregaard &#8226; Mia Habis &#8226; Rabih Mroue &#8226; Damien Jalet &#8226; Ghassan Salhab &#8226; Walid Sadek &#8226; Francesco Scavetta &#8226; Vahid &#8226; and Pierre Abi Saab &#8226; Classes Offered will focus on contemporary release Technique &#8226; Physical theatre &#8226; Contact Improvisation &#8226; Composition and Choreography &#8226; Improvisation skills &#8226; Movement analysis &#8226; Dance Theories and concepts &#8226; Performance Making &#8226; Video Dance &#8226; Contemporary arts Dates: 5th of September until the mid of December 2010 in Beirut. Brief Summary Takween-Beirut Contemporary Dance School (BCDC) is an annual, three-month intensive contemporary dance-training program for young dancers and performance artists interested in pursuing professional careers. Mostly attracting students from the Levant, the program consists of rigorous physical classes alongside courses in choreographic composition and conceptual thinking, which are given by renowned local and international artists, dancers and choreographers. Stemming from a regional lack of educational facilities and instruction and professional opportunity, Takween&#8211;BCDC not only provides its participants with the training and discipline needed to professionally establish themselves, but also with a platform for cultural cooperation and exchange necessary for them to become leaders and entrepreneurs in the long-term development and institutionalization of dance as an influential social and cultural practice; thus creating an artistic foundation to begin forging communal dialogue, social bonds and civil change.

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