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<br />

;A program called Target Women, produced by Current, that makes use of originally shot footage and segments from commercials and other tv shows. Is this video fair use? Why or why not? If yes, what specific categories of fair use does the video employ? If no, what could the video makers have done differently to make it fair use?

]]></description>
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<iframe src="http://blip.tv/play/g%2BIqgfS9OAI.html?p=1" width="480" height="298" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#g+IqgfS9OAI" style="display:none"></embed>
<br />

This is a compilation of YouTube poster NormanCroucher&apos;s top 10 favorite moments from the hit series, Lost. Why is this video fair use? What specific categories of fair use does the video employ? What arguments can you make for why this video is fair use?

]]></description>
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  <category>Art</category>
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<br />

A video of a toddler dancing around a kitchen. Is this video fair use? Why or why not? If yes, what specific categories of fair use does the video employ? If no, what could the video makers have done differently to make it fair use?

]]></description>
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  <blip:puredescription><![CDATA[This video, &quot;Feminism by Whirlpool,&quot; was posted on the website Feministing. Why is this video fair use? What specific categories of fair use does the video employ? What arguments can you make for why this video is fair use?]]></blip:puredescription>
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  <description><![CDATA[

<iframe src="http://blip.tv/play/g%2BIqgfS8XAI.html?p=1" width="480" height="350" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#g+IqgfS8XAI" style="display:none"></embed>
<br />

This video, &quot;Feminism by Whirlpool,&quot; was posted on the website Feministing. Why is this video fair use? What specific categories of fair use does the video employ? What arguments can you make for why this video is fair use?

]]></description>
  <comments>http://blip.tv/file/3986460</comments>
  <category>Art</category>
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  <blip:puredescription><![CDATA[A clip from the Hurricane Katrina fundraising telethon that shows Kanye West claiming that &quot;George Bush doesn&apos;t care about black people.&quot; Why is this video fair use? What specific categories of fair use does the video employ? What arguments can you make for why this video is fair use?]]></blip:puredescription>
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<br />

A clip from the Hurricane Katrina fundraising telethon that shows Kanye West claiming that &quot;George Bush doesn&apos;t care about black people.&quot; Why is this video fair use? What specific categories of fair use does the video employ? What arguments can you make for why this video is fair use?

]]></description>
  <comments>http://blip.tv/file/3986448</comments>
  <category>Art</category>
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  <blip:puredescription><![CDATA[A video of a fat cat sitting on a couch watching TV. Why is this video fair use? What specific categories of fair use does the video employ? What arguments can you make for why this video is fair use?]]></blip:puredescription>
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<br />

A video of a fat cat sitting on a couch watching TV. Why is this video fair use? What specific categories of fair use does the video employ? What arguments can you make for why this video is fair use?

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<br />

This is a video of comedian Judson Laipply&apos;s routine, &quot;The Evolution of Dance.&quot; Why is this video fair use? What specific categories of fair use does the video employ? What arguments can you make for why this video is fair use?

]]></description>
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<br />

This video, &quot;10 Things I Hate About Commandments,&quot; is a new take on the teen movie genre. Why is this video fair use? What specific categories of fair use does the video employ? What arguments can you make for why this video is fair use?

]]></description>
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<br />

This is a clip from the White House Correspondent&apos;s Association Dinner, that shows Stephen Colbert roasting the administration and its policies. Why is this video fair use? What specific categories of fair use does the video employ? What arguments can you make for why this video is fair use?

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<iframe src="http://blip.tv/play/g%2BIqgfS8EQI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#g+IqgfS8EQI" style="display:none"></embed>
<br />

This is a section of a longer video on climate change. Why is this video fair use? What specific categories of fair use does the video employ? What arguments can you make for why this video is fair use?

]]></description>
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  <blip:puredescription><![CDATA[As part of the Center for Social Media&apos;s 2009 Human Rights Film Series, Pamela Yates and Paco de Onis, the director and producer of the film The Reckoning, take questions following the October 29th screening of their film at American University]]></blip:puredescription>
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<br />

As part of the Center for Social Media&apos;s 2009 Human Rights Film Series, Pamela Yates and Paco de Onis, the director and producer of the film The Reckoning, take questions following the October 29th screening of their film at American University

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As part of the Center for Social Media&apos;s Human Rights Film Series, Mary Lampson, editor of the film Taking Root: The Vision of Wangari Maathai, answered questions about the film and her editing process after the October 15 screening.

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As part of the Center for Social Media&apos;s Human Rights Film Series, filmmaker Jennifer Maytorena Taylor came to American University to screen her documentary film New Muslim Cool and lead a filmmaking class on how to build narrative arcs in verite footage.

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Editor Sam Pollard discusses working with Spike Lee to find interviews for When the Levees Broke.

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The Center for Social Media is proud to announce the release of the Code of Best Practices in Fair Use for Media Literacy Education. This code is a step-by-step guide to fair use in an academic setting that enables teachers and students who use popular culture to know when their uses are legal. The Code of Best Practices was created in collaboration with the Washington College of Law&#8217;s Program on Information, Justice and Intellectual Property and with our new partner Media Education Lab at Temple University. The Code was released in hard copy in Philadelphia at the Kirby Auditorium on November 11, 2009, and is available online here. To get a sense of what the Code of Best Practices in Fair Use for Media Literacy is all about, watch our Media Literacy video

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  <blip:puredescription><![CDATA[Outreach and ConnectionThis panel focused on the various ways that outreach and audience connection can be incorporated into social-issue media, and provide new approaches in measuring impact. Featuring: Andrew Mer of SnagfilmsAlmudena Carracedo and Robert Bahar, film makers of Made in LAScott Kirsner, author of CinemaTechMaia L. Ermita, Director of Festival and Outreach at Arts EngineWendy Levy, Director of Creative Programming of the Bay Area Video Coalition]]></blip:puredescription>
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Outreach and ConnectionThis panel focused on the various ways that outreach and audience connection can be incorporated into social-issue media, and provide new approaches in measuring impact. Featuring: Andrew Mer of SnagfilmsAlmudena Carracedo and Robert Bahar, film makers of Made in LAScott Kirsner, author of CinemaTechMaia L. Ermita, Director of Festival and Outreach at Arts EngineWendy Levy, Director of Creative Programming of the Bay Area Video Coalition

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Art, Ethics and MissionWhat happens when you make a beautiful film about a dark subject? This panel took a look at how to marry the ethics of media making with the aesthetic choices required to make powerful art. Featuring: Sean Fine and Andrea Nix Fine, film makers of War DanceCara Mertes, Director of the Sundance Documentary Film ProgramThomas Allen Harris, Director of Chimpanzee ProductionsSky Sitney, Programming Director of SILVERDOCS

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Art, Ethics and MissionWhat happens when you make a beautiful film about a dark subject? This panel took a look at how to marry the ethics of media making with the aesthetic choices required to make powerful art. Featuring: Sean Fine and Andrea Nix Fine, film makers of War DanceCara Mertes, Director of the Sundance Documentary Film ProgramThomas Allen Harris, Director of Chimpanzee ProductionsSky Sitney, Programming Director of SILVERDOCS

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Art, Ethics and MissionWhat happens when you make a beautiful film about a dark subject? This panel took a look at how to marry the ethics of media making with the aesthetic choices required to make powerful art. Featuring: Sean Fine and Andrea Nix Fine, film makers of War DanceCara Mertes, Director of the Sundance Documentary Film ProgramThomas Allen Harris, Director of Chimpanzee ProductionsSky Sitney, Programming Director of SILVERDOCS

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  <blip:puredescription><![CDATA[Media Literacy case study 1 - Elementary School]]></blip:puredescription>
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Media Literacy case study 1 - Elementary School

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  <blip:puredescription><![CDATA[Media Literacy Case Study 2 from Upper Merion Area High School]]></blip:puredescription>
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Media Literacy Case Study 2 from Upper Merion Area High School

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Larry Irving, President of the Irving Information Group, urged participants to work together on forming an agenda for public media.

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Keith Hopper, Product Manager at Public Interactive, advises media makers at the 2008 Beyond Broadcast conference to focus on getting more online users and building user interaction.

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<br />

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Wendy Levy, Director of Media Arts and Education at the Bay Area Video Coalition, notes the explosion of interest in public media mapping projects at the 2008 Beyond Broadcast conference.

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Anthony Hamelle, Vice President of RTGI/Linkfluence, discusses the interconnectedness and dispersion of the public media world.

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<br />

Dennis Haarsager, Interim CEO of NPR, discusses the challenges of setting a national agenda for public media at the 2008 Beyond Broadcast conference.

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  <blip:puredescription><![CDATA[Chaacha Mwita, Training Director at Media Focus on Africa Foundation, discusses the innovative way his organization made use of a map to engage and connect people at the 2008 Beyond Broadcast conference.]]></blip:puredescription>
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Chaacha Mwita, Training Director at Media Focus on Africa Foundation, discusses the innovative way his organization made use of a map to engage and connect people at the 2008 Beyond Broadcast conference.

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  <blip:puredescription><![CDATA[Paula Le Dieu, Director of Open Media at Magic Lantern Productions, discusses the power of maps as a visual tool for storytelling at the 2008 Beyond Broadcast conference.]]></blip:puredescription>
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<br />

Paula Le Dieu, Director of Open Media at Magic Lantern Productions, discusses the power of maps as a visual tool for storytelling at the 2008 Beyond Broadcast conference.

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  <blip:puredescription><![CDATA[Lee Banville, Editor-in-Chief of the Online News Hour with Jim Lehrer, discusses how maps can act as a portal for information on local and national political races at the 2008 Beyond Broadcast conference.]]></blip:puredescription>
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<br />

Lee Banville, Editor-in-Chief of the Online News Hour with Jim Lehrer, discusses how maps can act as a portal for information on local and national political races at the 2008 Beyond Broadcast conference.

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Craig Reigel, Vice President, Western Region, Nonprofit Finance Fund

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From Beyond Broadcast &apos;08, hosted by the Center for Social Media, Vince Stehle speaks on the &quot;Mapping the Money,&quot; panel.

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  <blip:puredescription><![CDATA[There is a ton of new creativity in the user generated space, and much of it builds on unauthorized uses of copyrighted material. In this new era of participatory media, where should we draw the line between infringement and fair use? Take a look at our new video, highlighting some of the ways that existing content is being repurposed. This video is designed to provoke discussion, so please comment!]]></blip:puredescription>
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<br />

There is a ton of new creativity in the user generated space, and much of it builds on unauthorized uses of copyrighted material. In this new era of participatory media, where should we draw the line between infringement and fair use? Take a look at our new video, highlighting some of the ways that existing content is being repurposed. This video is designed to provoke discussion, so please comment!

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  <blip:puredescription><![CDATA[On the &quot;Visualizing Public Media Futures&quot; panel at 2008&apos;s Beyond Broadcast conference, panelists discussed public media&apos;s move toward becoming more participatory and democratic.]]></blip:puredescription>
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<br />

On the &quot;Visualizing Public Media Futures&quot; panel at 2008&apos;s Beyond Broadcast conference, panelists discussed public media&apos;s move toward becoming more participatory and democratic.

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  <blip:puredescription><![CDATA[Some highlights from videos from the DIY Conference earlier in 2008.]]></blip:puredescription>
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Some highlights from videos from the DIY Conference earlier in 2008.

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Still wondering what &quot;Public Media&quot; actually is? This short video highlights some of the types of public media that have been created by organizations and communities.

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Do you want to know what it means to map public media? Take a look at this video and see some of the many ways maps have been incorporated into public media!

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<br />

On the &quot;Maps as Public Media&quot; panel of the 2008 &quot;Beyond Broadcast: Mapping Public Media Conference,&quot; panelists discussed ways in which communities and organizations are using maps as a form of public media and a tool for democracy.

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  <blip:puredescription><![CDATA[During the &quot;Mapping the Money&quot; roundtable of the 2008 &quot;Beyond Broadcast: Mapping Public Media Conference,&quot; panelists discussed ways to monetize public media.]]></blip:puredescription>
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During the &quot;Mapping the Money&quot; roundtable of the 2008 &quot;Beyond Broadcast: Mapping Public Media Conference,&quot; panelists discussed ways to monetize public media.

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  <blip:puredescription><![CDATA[Larry Irving, President of the Irving Information Group, was the 2008&apos;s &quot;Beyond Broadcast : Mapping Public Media&quot; conference&apos;s keynote speaker. He spoke about the shifting role of public media and the impact it could have under a new administration.]]></blip:puredescription>
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<br />

Larry Irving, President of the Irving Information Group, was the 2008&apos;s &quot;Beyond Broadcast : Mapping Public Media&quot; conference&apos;s keynote speaker. He spoke about the shifting role of public media and the impact it could have under a new administration.

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Billed by bloggers as &#8216;geeks meet wonks,&#8217; Beyond Broadcast 2006 was a public conference to explore how traditional public media face a critical and unique opportunity to embrace participatory, web-based media models, such as podcasting, video blogs and social software.

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