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<description>CDM covers digital music, live and interactive visuals, and the technologies used to create them. Tune in for tips, tutorials, artist interviews, oddities, and event coverage.</description>
<itunes:summary>CDM covers digital music, live and interactive visuals, and the technologies used to create them. Tune in for tips, tutorials, artist interviews, oddities, and event coverage.</itunes:summary>



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  <title>Behind the scenes of the music of Red Dead Redemption</title>
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  <blip:puredescription><![CDATA[Courtesy Rockstar Games - we&apos;re republishing this behind-the-scenes short on the making of the musical score for Rockstar&apos;s game Red Dead Redemption.(This is not a promotional video; watch for more coverage of how the soundtrack was produced on createdigitalmusic.com)Used with the express permission of Rockstar Games Public Relations in New York]]></blip:puredescription>
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Courtesy Rockstar Games - we&apos;re republishing this behind-the-scenes short on the making of the musical score for Rockstar&apos;s game Red Dead Redemption.(This is not a promotional video; watch for more coverage of how the soundtrack was produced on createdigitalmusic.com)Used with the express permission of Rockstar Games Public Relations in New York

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  <blip:puredescription><![CDATA[A very brief first look at the upcoming Novation MIDI controller that&apos;s geared for Ableton Live.]]></blip:puredescription>
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A very brief first look at the upcoming Novation MIDI controller that&apos;s geared for Ableton Live.

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  <blip:puredescription><![CDATA[First on CDM - M-Audio gives us an exclusive first look of integration between their Axiom Pro keyboard an Axiom Pro. We&apos;ll be following up in coming days on other tricks for working with the Axiom as part of our ongoing tips on controllers with live performance software.]]></blip:puredescription>
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<br />

First on CDM - M-Audio gives us an exclusive first look of integration between their Axiom Pro keyboard an Axiom Pro. We&apos;ll be following up in coming days on other tricks for working with the Axiom as part of our ongoing tips on controllers with live performance software.

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  <blip:puredescription><![CDATA[Robert Henke and Christopher Bauder&apos;s poetic music and light sculpture, executed in a cloud of moving, illuminated balloons, forms a three-dimensional matrix coordinated with live music. As filmed at MUTEK 2009 in Montreal. At the end: a quick tour behind the scenes, revealing Robert&apos;s controller mappings and the physical setup.Filmed by PETER KIRN for createdigitalmusic.com]]></blip:puredescription>
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<br />

Robert Henke and Christopher Bauder&apos;s poetic music and light sculpture, executed in a cloud of moving, illuminated balloons, forms a three-dimensional matrix coordinated with live music. As filmed at MUTEK 2009 in Montreal. At the end: a quick tour behind the scenes, revealing Robert&apos;s controller mappings and the physical setup.Filmed by PETER KIRN for createdigitalmusic.com

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<br />

Ableton&apos;s Dennis DeSantis talks to CDM&apos;s Peter Kirn about some of his favorite production techniques, for making use (and misuse) of groove extraction and the frequency shifter in creative, unexpected ways. Dennis is a founding member of Alarm Will Sound and a talented composer, so this definitely falls beyond some of the usual Live techniques. Part III: Not your usual frequency shifter - apply this new plugin to tune percussion

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<br />

Ableton&apos;s Dennis DeSantis talks to CDM&apos;s Peter Kirn about some of his favorite production techniques, for making use (and misuse) of groove extraction and the frequency shifter in creative, unexpected ways. Dennis is a founding member of Alarm Will Sound and a talented composer, so this definitely falls beyond some of the usual Live techniques. Part II: Steve Reich Ensemble, eat your heart out

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<br />

Ableton&apos;s Dennis DeSantis talks to CDM&apos;s Peter Kirn about some of his favorite production techniques, for making use (and misuse) of groove extraction and the frequency shifter in creative, unexpected ways. Dennis is a founding member of Alarm Will Sound and a talented composer, so this definitely falls beyond some of the usual Live techniques. Part I: Groove extraction for more humane grooves

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  <blip:puredescription><![CDATA[Craig Anderton talks about why supporting the Moog Foundation is so important, as they work to preserve not only Bob Moog&apos;s legacy, but electronic music history. He joined us for this exclusive chat at the Cakewalk booth at NAMM, and even over the din of the trade show, his passion for the subject is loud and clear.]]></blip:puredescription>
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<br />

Craig Anderton talks about why supporting the Moog Foundation is so important, as they work to preserve not only Bob Moog&apos;s legacy, but electronic music history. He joined us for this exclusive chat at the Cakewalk booth at NAMM, and even over the din of the trade show, his passion for the subject is loud and clear.

]]></description>
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  <blip:puredescription><![CDATA[In this exclusive interview, Craig Anderton talks about his new expansion pack for Cakewalk&apos;s Rapture, inspired by the classic Minimoog. Craig explains why Moog, why now, and why Rapture is like your girlfriend. And he talks about how a classic analog synthesizer can still inspire fresh digital sounds.]]></blip:puredescription>
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<br />

In this exclusive interview, Craig Anderton talks about his new expansion pack for Cakewalk&apos;s Rapture, inspired by the classic Minimoog. Craig explains why Moog, why now, and why Rapture is like your girlfriend. And he talks about how a classic analog synthesizer can still inspire fresh digital sounds.

]]></description>
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  <blip:puredescription><![CDATA[The Volts Per Octave duo are the great Moog superfans. Here, they manage to get their groove on even with the distractions of the NAMM trade show floor.]]></blip:puredescription>
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<br />

The Volts Per Octave duo are the great Moog superfans. Here, they manage to get their groove on even with the distractions of the NAMM trade show floor.

]]></description>
  <comments>http://blip.tv/file/651361</comments>
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  <blip:puredescription><![CDATA[When we met up in December 2007, Michael and Todd of artificialeyes were kind enough to show us around some of their fantastic gear. The second video we&apos;re posting of the &quot;artificialeyes Sessions&quot; examines the Vixid VJX16-4 video mixer.There is an accompanying article for this video on CreateDigitalMotion. For more information:http://createdigitalmotion.com/tag/vixid/http://www.vixid.com/http://artificialeyes.tv The previous video in this series is on the VMS Video Moving System.]]></blip:puredescription>
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<br />

When we met up in December 2007, Michael and Todd of artificialeyes were kind enough to show us around some of their fantastic gear. The second video we&apos;re posting of the &quot;artificialeyes Sessions&quot; examines the Vixid VJX16-4 video mixer.There is an accompanying article for this video on CreateDigitalMotion. For more information:http://createdigitalmotion.com/tag/vixid/http://www.vixid.com/http://artificialeyes.tv The previous video in this series is on the VMS Video Moving System.

]]></description>
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  <blip:puredescription><![CDATA[When we met up in December 2007, Michael and Todd of artificialeyes were kind enough to show us around some of their fantastic gear. First up - the VMS &quot;Video Moving System&quot; projector. There is an accompanying article for this video on CreateDigitalMotion. For more information:http://createdigitalmotion.com/tag/vms/http://www.vms-at.comhttp://www.artificialeyes.tv/vms/productsThe followup video in this series is on the Vixid VJX16-4 Video Mixer.]]></blip:puredescription>
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<br />

When we met up in December 2007, Michael and Todd of artificialeyes were kind enough to show us around some of their fantastic gear. First up - the VMS &quot;Video Moving System&quot; projector. There is an accompanying article for this video on CreateDigitalMotion. For more information:http://createdigitalmotion.com/tag/vms/http://www.vms-at.comhttp://www.artificialeyes.tv/vms/productsThe followup video in this series is on the Vixid VJX16-4 Video Mixer.

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  <blip:puredescription><![CDATA[What&apos;s the state of visualism and VJing today? We&apos;re asking artists all around the world about their work and their medium, starting with an assemblage of visualists and fans at the Byte Me Festival in Perth, Australia -- why not begin in the world&apos;s most isolated city?First up: Finnish audiovisual artist Solu, who talks about how she got into digital performance, how tough it is to categorize the great stuff she&apos;s doing, and a bit on why computer art remains so male-dominated.]]></blip:puredescription>
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<br />

What&apos;s the state of visualism and VJing today? We&apos;re asking artists all around the world about their work and their medium, starting with an assemblage of visualists and fans at the Byte Me Festival in Perth, Australia -- why not begin in the world&apos;s most isolated city?First up: Finnish audiovisual artist Solu, who talks about how she got into digital performance, how tough it is to categorize the great stuff she&apos;s doing, and a bit on why computer art remains so male-dominated.

]]></description>
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  <blip:puredescription><![CDATA[VIDEO-SL integrates Serato&apos;s SCRATCH LIVE software with vinyl, for simultaneous mixing and scratching of video and audio. dj rndm and Robotkid tested the tool for us at createdigitalmotion.com. Here, dj rndm demonstrates VIDEO-SL&apos;s scratching capabilities in his hands-on tests. Read the full story at http://createdigitalmotion.com/2008/01/25/hands-on-review-seratos-video-sl-for-visual-vinyl/.]]></blip:puredescription>
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<br />

VIDEO-SL integrates Serato&apos;s SCRATCH LIVE software with vinyl, for simultaneous mixing and scratching of video and audio. dj rndm and Robotkid tested the tool for us at createdigitalmotion.com. Here, dj rndm demonstrates VIDEO-SL&apos;s scratching capabilities in his hands-on tests. Read the full story at http://createdigitalmotion.com/2008/01/25/hands-on-review-seratos-video-sl-for-visual-vinyl/.

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  <blip:puredescription><![CDATA[VIDEO-SL integrates Serato&apos;s SCRATCH LIVE software with vinyl, for simultaneous mixing and scratching of video and audio. dj rndm and Robotkid tested the tool for us at createdigitalmotion.com. Here, dj rndm demonstrates VIDEO-SL&apos;s mixing capabilities in his hands-on tests. Read the full story at http://createdigitalmotion.com/2008/01/25/hands-on-review-seratos-video-sl-for-visual-vinyl/.]]></blip:puredescription>
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<br />

VIDEO-SL integrates Serato&apos;s SCRATCH LIVE software with vinyl, for simultaneous mixing and scratching of video and audio. dj rndm and Robotkid tested the tool for us at createdigitalmotion.com. Here, dj rndm demonstrates VIDEO-SL&apos;s mixing capabilities in his hands-on tests. Read the full story at http://createdigitalmotion.com/2008/01/25/hands-on-review-seratos-video-sl-for-visual-vinyl/.

]]></description>
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