Episode #154: Filmed at his Johannesburg studio in 2008, William Kentridge discusses how the physical activities of cutting, tearing and collaging generate ideas and infuse his work with meaning. Rather than starting with an idea that is then executed, Kentridge relies on these freeform processes and the resulting juxtapositions to find connections and raise questions. Finished works are shown at the Annandale Galleries in Sydney, Australia. Having witnessed first-hand one of the twentieth century's most contentious struggles—the dissolution of apartheid—William Kentridge brings the ambiguity and subtlety of personal experience to public subjects most often framed in narrowly defined terms. Using film, drawing, sculpture, animation, and performance, he transmutes sobering political events into powerful poetic allegories. Aware of myriad ways in which we construct the world by looking, Kentridge often uses optical illusions to extend his drawings-in-time into three dimensions. Learn more about William Kentridge at: http://www.art21.org/artists/william-kentridge CREDITS | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Philippe Charluet & Robert Elfstrom. Sound: Ray Day. Editor: Paulo Padilha. Artwork Courtesy: William Kentridge. Special Thanks: Annandale Galleries. Video: © 2012 Art21, Inc. All rights reserved.