Arin Crumley

Arin Crumley http://a.images.blip.tv/300x300_show_image_Arincrumley670.jpg http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg </image> <description>I'm posting various videos on the web that are not a part of Four Eyed Monsters or any other film. Although sometimes the stuff is about Four Eyed Monsters or other projects I'm working on. The videos range from Q&A's at screenings to test shoots with different cameras to life logging videos and "about me" videos and projects I film for friends.</description> <itunes:summary>How should the world be? Lets discuss. Lets start with filmmaking. Then move to the film industry. Then Music. And the music industry. Then Art. Then the communication revolution. Then the evolution of the humanity. And eventually, interplanetary dialo</itunes:summary> <itunes:author>Arin Crumley</itunes:author> <itunes:block>no</itunes:block> <language>en</language> <generator>http://blip.tv</generator> <lastBuildDate>Mon, 04 Jul 2011 03:35:00 +0000</lastBuildDate> <pubDate>Mon, 04 Jul 2011 03:35:00 +0000</pubDate> <item> <guid isPermaLink="false">9890F16E-A5EE-11E0-BADC-A94ACB28EC09</guid> <link>http://blip.tv/arin-crumley/fritz-christina-rooftop-wedding-reception-5341402</link> <title>Fritz & Christina Rooftop Wedding Reception Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 5341402 5324069 file no 0.0 2011-07-04T03:35:00Z English 0 0 0 127 AYLGgj4C http://blip.tv/play/AYLGgj4C http://blip.tv/comments/?attached_to=post5341402&skin=rss Arincrumley-FritzChristinaRooftopWeddingReception443-393.jpg http://hichristina.com No license (All rights reserved) http://hichristina.com 127 YahooPartnerVideoID Blip post id 5341402 http://blip.tv/file/5324069 Art Mon, 04 Jul 2011 03:35:00 +0000 http://a.images.blip.tv/Arincrumley-FritzChristinaRooftopWeddingReception443-393.jpg <iframe src="http://blip.tv/play/AYLGgj4C.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYLGgj4C" style="display:none"></embed> Fritz & Christina Rooftop Wedding Reception 04538F8A-A417-11E0-9CB8-FAF875AA27A8 http://blip.tv/arin-crumley/novacut-opensource-video-editor-5334716 Novacut - OpenSource Video Editor Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 5334716 5317380 file no 0.0 2011-07-01T19:19:18Z English 0 0 0 522 AYLFziAC http://blip.tv/play/AYLFziAC http://blip.tv/comments/?attached_to=post5334716&skin=rss Arincrumley-NovacutOpenSourceVideoEditor458-643.jpg http://www.kickstarter.com/projects/novacut/novacut-pro-video-editor http://novacut.com http://arincrumley.com http://strongfeatures.com No license (All rights reserved) http://www.kickstarter.com/projects/novacut/novacut-pro-video-editor http://novacut.com http://arincrumley.com http://strongfeatures.com 522 YahooPartnerVideoID Blip post id 5334716 http://blip.tv/file/5317380 Art opensource video editor editing software cloud collaborative alternative to fcpx final cut pro x novacut discussion dmedia kickstarter review arincrumley christiestrong Fri, 01 Jul 2011 19:19:18 +0000 opensource, video, editor, editing, software, cloud, collaborative, alternative, to, fcpx, final, cut, pro, x, novacut, discussion, dmedia, kickstarter, review, arincrumley, christiestrong http://a.images.blip.tv/Arincrumley-NovacutOpenSourceVideoEditor458-643.jpg opensource, video, editor, editing, software, cloud, collaborative, alternative, to, fcpx, final, cut, pro, x, novacut, discussion, dmedia, kickstarter, review, arincrumley, christiestrong <iframe src="http://blip.tv/play/AYLFziAC.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYLFziAC" style="display:none"></embed> Novacut - OpenSource Video Editor 9789F682-AA7F-11DF-8A8C-A512FCC02043 http://blip.tv/arin-crumley/feature-film-sneak-peek-2-4035729 Feature Film Sneak Peek 2 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 4035729 4016833 file no 0.0 2010-08-18T04:18:02Z English 0 0 0 115 AYH2qXUC http://blip.tv/play/AYH2qXUC http://blip.tv/comments/?attached_to=post4035729&skin=rss Arincrumley-FeatureFilmSneakPeek2526.jpg Help us co-create this project at thecocreate.com/. In 2009 we returned to the desert in order to recreate our real life experiences from the year before. This material was cultivated along with studio shoots and a feature film was born. The film focuses on four subjects - two people falling in love and a couple falling apart. As forces internal and external challenge their relationships to each other, each person is faced with limitations within themselves. In this unique community event in the desert each individual is given the opportunity to create their own reality. In the realities they construct our characters are forced to decide if they can allow love to reshape who they are. In August 2010 the production team is embarking on a month-long road trip across the country to shoot additional scenes for the feature film as well as continue the documentation of this process for the online series. The Online Series Sneak Peek can be viewed here: thecocreate.com/ Appearances in this video by: arincrumley.com susanbuice.com, rogeringraham.com tarynno.com/ mermaidsandunicorns.com/ thebrothersrye.com/ facebook.com/?ref=logo#!/profile.php?id=681133759&ref=ts imdb.com/name/nm3003794/ imdb.com/name/nm2832584/ facebook.com/melaniecharbonneau strongfeatures.com/ The song in this video is "Slow with Horns" by Dan Deacon dandeacon.com/ Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-FeatureFilmSneakPeek2526-796.jpg No license (All rights reserved) Help us co-create this project at thecocreate.com/. In 2009 we returned to the desert in order to recreate our real life experiences from the year before. This material was cultivated along with studio shoots and a feature film was born. The film focuses on four subjects - two people falling in love and a couple falling apart. As forces internal and external challenge their relationships to each other, each person is faced with limitations within themselves. In this unique community event in the desert each individual is given the opportunity to create their own reality. In the realities they construct our characters are forced to decide if they can allow love to reshape who they are. In August 2010 the production team is embarking on a month-long road trip across the country to shoot additional scenes for the feature film as well as continue the documentation of this process for the online series. The Online Series Sneak Peek can be viewed here: thecocreate.com/ Appearances in this video by: arincrumley.com susanbuice.com, rogeringraham.com tarynno.com/ mermaidsandunicorns.com/ thebrothersrye.com/ facebook.com/?ref=logo#!/profile.php?id=681133759&ref=ts imdb.com/name/nm3003794/ imdb.com/name/nm2832584/ facebook.com/melaniecharbonneau strongfeatures.com/ The song in this video is "Slow with Horns" by Dan Deacon dandeacon.com/ Distributed by Tubemogul. 115 YahooPartnerVideoID Blip post id 4035729 http://blip.tv/file/4016833 Movies and Television arincrumley susanbuice thecocreate blackrockdesert openindie foureyedmonsters joshsteinbauer tarynnwiehahn rogeringraham christiestrong evolution metropolis indie film documentary onlineseries free dandeacon feature nevada gifteconomy dawndunning tanyafis Wed, 18 Aug 2010 04:18:02 +0000 arincrumley, susanbuice, thecocreate, blackrockdesert, openindie, foureyedmonsters, joshsteinbauer, tarynnwiehahn, rogeringraham, christiestrong, evolution, metropolis, indie, film, documentary, onlineseries, free, dandeacon, feature, nevada, gifteconomy http://a.images.blip.tv/Arincrumley-FeatureFilmSneakPeek2526.jpg arincrumley, susanbuice, thecocreate, blackrockdesert, openindie, foureyedmonsters, joshsteinbauer, tarynnwiehahn, rogeringraham, christiestrong, evolution, metropolis, indie, film, documentary, onlineseries, free, dandeacon, feature, nevada, gifteconomy, dawndunning, tanyafis <iframe src="http://blip.tv/play/AYH2qXUC.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYH2qXUC" style="display:none"></embed> Feature Film Sneak Peek 2 B1B463CE-4645-11DF-B9B1-957A4FE39633 http://blip.tv/arin-crumley/openindie-gets-mad-as-hell-at-diy-days-3493864 OpenIndie gets "Mad as Hell" at DIY DAYS Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 3493864 3474559 file no 0.0 2010-04-12T15:11:39Z English 0 0 0 595 AYHVoEwC http://blip.tv/play/AYHVoEwC http://blip.tv/comments/?attached_to=post3493864&skin=rss Arincrumley-OpenIndieGetsMadAsHellAtDIYDAYS449.jpg http://OpenIndie.com was asked to participate in the DIY DAYS incubator on April 3rd 2010 where Kieran & I spent the whole day reviewing the strengths and challenges of introducing OpenIndie to the world. The tail end of the day was spent preparing and rehearsing this presentation that I then gave to the DIY DAYS participants and the message was very well received. Afterwards Kieran said, "We aren’t the OpenIndie that went into the DIY DAYS Incubator." It was a truly transformative experience. One that has catapulted us into dialog with investors and other potential leadership and has boosted the user base of the site. If you know anyone who should be a part of the OpenIndie effort, please send referrals and suggestions along via twitter or email. http://twitter.com/arincrumley ArinCrumley @ Gmail (dot) com And please join right now and start requesting films and add your films. Http://openindie.com/films CREDITS: Filmming was done by Alex Liss, Mike Hedge & Raffi Asdourian. The scene is from Network copyright by the studio that owns it and we are using under fair use law. The music in the "request" video is by our friend Drew Danburry. http://www.drewdanburry.com/ That video is taken from the Four Eyed Monsters Case Study you can see here: http://foureyedmonsters.com/four-eyed-monsters-diy-case-study/ Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-OpenIndieGetsMadAsHellAtDIYDAYS449-715.jpg No license (All rights reserved) http://OpenIndie.com was asked to participate in the DIY DAYS incubator on April 3rd 2010 where Kieran & I spent the whole day reviewing the strengths and challenges of introducing OpenIndie to the world. The tail end of the day was spent preparing and rehearsing this presentation that I then gave to the DIY DAYS participants and the message was very well received. Afterwards Kieran said, "We aren’t the OpenIndie that went into the DIY DAYS Incubator." It was a truly transformative experience. One that has catapulted us into dialog with investors and other potential leadership and has boosted the user base of the site. If you know anyone who should be a part of the OpenIndie effort, please send referrals and suggestions along via twitter or email. http://twitter.com/arincrumley ArinCrumley @ Gmail (dot) com And please join right now and start requesting films and add your films. Http://openindie.com/films CREDITS: Filmming was done by Alex Liss, Mike Hedge & Raffi Asdourian. The scene is from Network copyright by the studio that owns it and we are using under fair use law. The music in the "request" video is by our friend Drew Danburry. http://www.drewdanburry.com/ That video is taken from the Four Eyed Monsters Case Study you can see here: http://foureyedmonsters.com/four-eyed-monsters-diy-case-study/ Distributed by Tubemogul. 595 YahooPartnerVideoID Blip post id 3493864 http://blip.tv/file/3474559 Movies and Television openindie ted hope network lance weiler arincrumley susanbuice four eyed monsters distribution heart map request audience experience host screening diy days ny new york school filmmaker tool discovery from here to awesome Mon, 12 Apr 2010 15:11:39 +0000 openindie, ted, hope, network, lance, weiler, arincrumley, susanbuice, four, eyed, monsters, distribution, heart, map, request, audience, experience, host, screening, diy, days, ny, new, york, school, filmmaker, tool, discovery, from, here, to, awesome http://a.images.blip.tv/Arincrumley-OpenIndieGetsMadAsHellAtDIYDAYS449.jpg openindie, ted, hope, network, lance, weiler, arincrumley, susanbuice, four, eyed, monsters, distribution, heart, map, request, audience, experience, host, screening, diy, days, ny, new, york, school, filmmaker, tool, discovery, from, here, to, awesome <iframe src="http://blip.tv/play/AYHVoEwC.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYHVoEwC" style="display:none"></embed> OpenIndie gets "Mad as Hell" at DIY DAYS A7118632-25BF-11DF-B5FB-A5AFCE4726D8 http://blip.tv/arin-crumley/openindie-launched-we-live-in-public-released-3306834 OpenIndie launched & We Live in Public released Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 3306834 3287426 file no 0.0 2010-03-02T05:51:31Z English 0 0 0 250 AYHJ6zYC http://blip.tv/play/AYHJ6zYC http://blip.tv/comments/?attached_to=post3306834&skin=rss Arincrumley-OpenIndieLaunchedWeLiveInPublicReleased515.jpg http://openindie.com/ http://weliveinpublicthemovie.com http://openindie.com/films/we-live-in-public Today, March 1st 2010 OpenIndie launched in beta to the 100 filmmakers who provided over 12,000 dollars to have the site built by myself (Arin Crumley) and my co-founder Kieran Masterton. I was blown away by Kieran's quality of programming and design at launch. The site is truly inspiring to me and I'm glad to have co-designed it and to be bringing it to the public. The first 18 films were added and 7 screenings were entered into the site of tonight's We Live in Public multi-city and multi-format release. The screenings were in celebration of the films VOD & DVD release nationwide. The live Q&A was streamed online from Chicago with the filmmaker Ondi Timoner and main character of the film Josh Harris. They bantered over questions from audiences chimed in through audience members in the 5 other cities asking about the authentic of love that takes place in-front of cameras, the goal we all have with our online identities and the likeliness of Andy Warhol's promise of 15 minutes of fame to everyone alive. Josh Harris explained he's working on a wired city project of living spaces that are streamed online to interacting participants and mentioned having hollywood support for the project. Ondi Timoner mentioned she's working on a film that explores the under exposed solutions to help climate change as well as her first scripted narrative which will be about the life story of Robert Mapplethorpe. Ondi is a freaking radical. I love her. This up coming week for me will be all about further editing the copy on OpenIndie.com, the homepage design, the uploading of films feature and fixing any bugs that arise. Also of course I'm deep into editing here with Christie Strong and have the support of Niklas Schrimpf who is the causual kinesiologist on the film we are making. More info soon on how I hope to bring that film to an OpenIndie release learning from Ondi's amazing release tonight. Provided we can get all the powers that be on board. Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-OpenIndieLaunchedWeLiveInPublicReleased515-795.jpg No license (All rights reserved) http://openindie.com/ http://weliveinpublicthemovie.com http://openindie.com/films/we-live-in-public Today, March 1st 2010 OpenIndie launched in beta to the 100 filmmakers who provided over 12,000 dollars to have the site built by myself (Arin Crumley) and my co-founder Kieran Masterton. I was blown away by Kieran's quality of programming and design at launch. The site is truly inspiring to me and I'm glad to have co-designed it and to be bringing it to the public. The first 18 films were added and 7 screenings were entered into the site of tonight's We Live in Public multi-city and multi-format release. The screenings were in celebration of the films VOD & DVD release nationwide. The live Q&A was streamed online from Chicago with the filmmaker Ondi Timoner and main character of the film Josh Harris. They bantered over questions from audiences chimed in through audience members in the 5 other cities asking about the authentic of love that takes place in-front of cameras, the goal we all have with our online identities and the likeliness of Andy Warhol's promise of 15 minutes of fame to everyone alive. Josh Harris explained he's working on a wired city project of living spaces that are streamed online to interacting participants and mentioned having hollywood support for the project. Ondi Timoner mentioned she's working on a film that explores the under exposed solutions to help climate change as well as her first scripted narrative which will be about the life story of Robert Mapplethorpe. Ondi is a freaking radical. I love her. This up coming week for me will be all about further editing the copy on OpenIndie.com, the homepage design, the uploading of films feature and fixing any bugs that arise. Also of course I'm deep into editing here with Christie Strong and have the support of Niklas Schrimpf who is the causual kinesiologist on the film we are making. More info soon on how I hope to bring that film to an OpenIndie release learning from Ondi's amazing release tonight. Provided we can get all the powers that be on board. Distributed by Tubemogul. 250 YahooPartnerVideoID Blip post id 3306834 http://blip.tv/file/3287426 Videoblogging we live in public wlip arincrumley openindie Tue, 02 Mar 2010 05:51:31 +0000 we, live, in, public, wlip, arincrumley, openindie http://a.images.blip.tv/Arincrumley-OpenIndieLaunchedWeLiveInPublicReleased515.jpg we, live, in, public, wlip, arincrumley, openindie <iframe src="http://blip.tv/play/AYHJ6zYC.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYHJ6zYC" style="display:none"></embed> OpenIndie launched & We Live in Public released A1476A8E-FB3D-11DE-833E-B8299198A7F9 http://blip.tv/arin-crumley/too-many-plantain-chips-nexus-one-3074894 Too Many Plantain Chips (NEXUS ONE) Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 3074894 3055250 file no 0.0 2010-01-07T03:34:58Z English 0 0 0 168 AYG71zIC http://blip.tv/play/AYG71zIC http://blip.tv/comments/?attached_to=post3074894&skin=rss Arincrumley-TooManyPlantainChipsNEXUSONE440.jpg This new years eve crystallized some big concepts for me. I wasn't planning to create new years resolutions but as I let my self sleep in recovering from the catastrophes of the day before the ways in which I'd like to improve came flying into my head. While coming to terms with it all I also was dedicating all my creative energy into figuring out what I could make for Google. They'd given me the unreleased Nexus One a few weeks prior and asked me to make a video about it offering a substantial financial incentive. So I really wanted to do something that we both would be proud of but literally couldn't get organized enough to get it done. Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-TooManyPlantainChipsNEXUSONE440-821.jpg No license (All rights reserved) This new years eve crystallized some big concepts for me. I wasn't planning to create new years resolutions but as I let my self sleep in recovering from the catastrophes of the day before the ways in which I'd like to improve came flying into my head. While coming to terms with it all I also was dedicating all my creative energy into figuring out what I could make for Google. They'd given me the unreleased Nexus One a few weeks prior and asked me to make a video about it offering a substantial financial incentive. So I really wanted to do something that we both would be proud of but literally couldn't get organized enough to get it done. Distributed by Tubemogul. 168 YahooPartnerVideoID Blip post id 3074894 http://blip.tv/file/3055250 Technology nexus one arincrumley foureyedmonsters google new years resolution 2010 get organized adaptation too many plantain chips right thumb left toe Thu, 07 Jan 2010 03:34:58 +0000 nexus, one, arincrumley, foureyedmonsters, google, new, years, resolution, 2010, get, organized, adaptation, too, many, plantain, chips, right, thumb, left, toe http://a.images.blip.tv/Arincrumley-TooManyPlantainChipsNEXUSONE440.jpg nexus, one, arincrumley, foureyedmonsters, google, new, years, resolution, 2010, get, organized, adaptation, too, many, plantain, chips, right, thumb, left, toe <iframe src="http://blip.tv/play/AYG71zIC.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYG71zIC" style="display:none"></embed> Too Many Plantain Chips (NEXUS ONE) A0579758-C32E-11DE-8DB9-C923047D5E99 http://blip.tv/arin-crumley/first-you-have-get-mad-then-build-openindie-2795517 FIRST YOU HAVE GET MAD! - Then build OpenIndie Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2795517 2775647 file no 0.0 2009-10-27T19:26:29Z English 0 0 0 216 AYGq0GEC http://blip.tv/play/AYGq0GEC http://blip.tv/comments/?attached_to=post2795517&skin=rss Arincrumley-FIRSTYOUHAVEGETMADThenBuildOpenIndie458.jpg You are not the only one struggling. Everyone is. And we can do something about it. But first you've got to get mad. Post a video or tweet saying, "I'm as mad as hell and I'm not going to take it any more." Put @openindie and we'll find it and make a mash up of screen grabs and video clips. Actually do it. It will feel good. You'll feel better about what a panel of indie film experts at the Moma recently declared an indie film crisis. Once you've gotten mad, donate to OpenIndie here: http://bit.ly/752Dl Then blog about it. Here is the video that explains what OpenIndie is: http://www.youtube.com/watch?v=V3X0-cyNDiA Below is the text from the end of this video incase you want to quote it for a blog post, re-read or fact check (links included): Ted Hope, producer of Thumbsucker & many other films donated $100 to help build OpenIndie. http://www.kickstarter.com/profile/2005196536 3,666 feature films were submitted to Sundance last year and only 178 got in. http://www.slashfilm.com/2008/12/03/2009-sundance-film-festival-competition-films-announced/ Lance Weiler, founder of the Workbook Project, self distributed his two films,The Last Broadcast & Head Trauma & has donated $100 towards building OpenIndie. http://lanceweiler.com Only 10 films found distribution at Sundance 2009. http://hollywoodinsider.ew.com/2009/01/25/sundance-wrap/ Ondi Timoner, filmmaker of Digg & Join Us donated $100 to sign up her new film We Live in Public on OpenIndie. http://themoment.blogs.nytimes.com/2009/03/18/coming-soon-we-live-in-public/ In 2008 Mark Gill declared the sky is falling on independent film. http://latimesblogs.latimes.com/the_big_picture/2008/06/the-sky-is-fall.html Ira Deutchman manages a network of 65 digital theaters & donated $100 to help build OpenIndie. http://iradeutchman.com/wordpress/about/ Four Eyed Monsters had to file a lawsuit against IFC for sitting on their film for a year and never paying. http://twitter.com/4eyedmonsters Arin Crumley, co-director of Four Eyed Monsters has now co-founded OpenIndie & will use it to distribute his upcoming feature film at the same time as it's festival premiere. Learn more at: http://openindie.com Subscribe for future videos: http://arincrumley.com/subscribe Follow: http://twitter.com/arincrumley Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-FIRSTYOUHAVEGETMADThenBuildOpenIndie458-346.jpg No license (All rights reserved) You are not the only one struggling. Everyone is. And we can do something about it. But first you've got to get mad. Post a video or tweet saying, "I'm as mad as hell and I'm not going to take it any more." Put @openindie and we'll find it and make a mash up of screen grabs and video clips. Actually do it. It will feel good. You'll feel better about what a panel of indie film experts at the Moma recently declared an indie film crisis. Once you've gotten mad, donate to OpenIndie here: http://bit.ly/752Dl Then blog about it. Here is the video that explains what OpenIndie is: http://www.youtube.com/watch?v=V3X0-cyNDiA Below is the text from the end of this video incase you want to quote it for a blog post, re-read or fact check (links included): Ted Hope, producer of Thumbsucker & many other films donated $100 to help build OpenIndie. http://www.kickstarter.com/profile/2005196536 3,666 feature films were submitted to Sundance last year and only 178 got in. http://www.slashfilm.com/2008/12/03/2009-sundance-film-festival-competition-films-announced/ Lance Weiler, founder of the Workbook Project, self distributed his two films,The Last Broadcast & Head Trauma & has donated $100 towards building OpenIndie. http://lanceweiler.com Only 10 films found distribution at Sundance 2009. http://hollywoodinsider.ew.com/2009/01/25/sundance-wrap/ Ondi Timoner, filmmaker of Digg & Join Us donated $100 to sign up her new film We Live in Public on OpenIndie. http://themoment.blogs.nytimes.com/2009/03/18/coming-soon-we-live-in-public/ In 2008 Mark Gill declared the sky is falling on independent film. http://latimesblogs.latimes.com/the_big_picture/2008/06/the-sky-is-fall.html Ira Deutchman manages a network of 65 digital theaters & donated $100 to help build OpenIndie. http://iradeutchman.com/wordpress/about/ Four Eyed Monsters had to file a lawsuit against IFC for sitting on their film for a year and never paying. http://twitter.com/4eyedmonsters Arin Crumley, co-director of Four Eyed Monsters has now co-founded OpenIndie & will use it to distribute his upcoming feature film at the same time as it's festival premiere. Learn more at: http://openindie.com Subscribe for future videos: http://arincrumley.com/subscribe Follow: http://twitter.com/arincrumley Distributed by Tubemogul. 216 YahooPartnerVideoID Blip post id 2795517 http://blip.tv/file/2775647 The Mainstream Media arin crumley ted hope lance weiler ondi timoner sundance sky is falling indie film independent distribution mark gill ira deutchman digital theater network ifc channel we live in public last broadcast head trauma four eyed monsters @openindie kieran maste Tue, 27 Oct 2009 19:26:29 +0000 arin, crumley, ted, hope, lance, weiler, ondi, timoner, sundance, sky, is, falling, indie, film, independent, distribution, mark, gill, ira, deutchman, digital, theater, network, ifc, channel, we, live, in, public, last, broadcast, head, trauma, four, ey http://a.images.blip.tv/Arincrumley-FIRSTYOUHAVEGETMADThenBuildOpenIndie458.jpg arin, crumley, ted, hope, lance, weiler, ondi, timoner, sundance, sky, is, falling, indie, film, independent, distribution, mark, gill, ira, deutchman, digital, theater, network, ifc, channel, we, live, in, public, last, broadcast, head, trauma, four, eyed, monsters, @openindie, kieran, maste <iframe src="http://blip.tv/play/AYGq0GEC.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGq0GEC" style="display:none"></embed> FIRST YOU HAVE GET MAD! - Then build OpenIndie D5B65C3A-AECB-11DE-ABA4-FD312343DFA0 http://blip.tv/arin-crumley/introducing-openindie-com-a-new-online-film-community-2689684 Introducing OpenIndie.com - A new online Film Community Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2689684 2669790 file no 0.0 2009-10-01T20:48:55Z English 0 0 0 258 AYGklXgC http://blip.tv/play/AYGklXgC http://blip.tv/comments/?attached_to=post2689684&skin=rss Arincrumley-IntroducingOpenIndiecomANewOnlineFilmCommunity703.jpg Jump on this train, make a donation: http://bit.ly/752Dl Or visit: http://openindie.com Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-IntroducingOpenIndiecomANewOnlineFilmCommunity703-822.jpg No license (All rights reserved) Jump on this train, make a donation: http://bit.ly/752Dl Or visit: http://openindie.com Distributed by Tubemogul. 258 YahooPartnerVideoID Blip post id 2689684 http://blip.tv/file/2669790 Educational open indie eric kohn indiewire arin crumley kieran masterton film distribution screenings theatrical is broken fh2a from here to awesome what wrong with industry festivals suck Thu, 01 Oct 2009 20:48:55 +0000 open, indie, eric, kohn, indiewire, arin, crumley, kieran, masterton, film, distribution, screenings, theatrical, is, broken, fh2a, from, here, to, awesome, what, wrong, with, industry, festivals, suck http://a.images.blip.tv/Arincrumley-IntroducingOpenIndiecomANewOnlineFilmCommunity703.jpg open, indie, eric, kohn, indiewire, arin, crumley, kieran, masterton, film, distribution, screenings, theatrical, is, broken, fh2a, from, here, to, awesome, what, wrong, with, industry, festivals, suck <iframe src="http://blip.tv/play/AYGklXgC.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGklXgC" style="display:none"></embed> Introducing OpenIndie.com - A new online Film Community ED5E4DDC-AE64-11DE-A6CC-D843CADE624B http://blip.tv/arin-crumley/your-phone-can-make-a-change-be-a-vj-2687080 Your Phone Can Make a Change - Be A VJ Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2687080 2667186 file no 0.0 2009-10-01T08:32:17Z English 0 0 0 198 AYGkgUwC http://blip.tv/play/AYGkgUwC http://blip.tv/comments/?attached_to=post2687080&skin=rss Arincrumley-YourPhoneCanMakeAChangeBeAVJ770.jpg As a tribute to the Brave Video Journalists that risk imprisoned I have teamed up with DogWoof & The Co-Operative to produce a series of videos that teach people how to Be A VJ. The more video journalists there are the less effective it is to arrest and imprison them all. You can make a difference in the world by being part of the mirror that allows humanity to look at it's self. You probably already have technology in your pocket that can empower you to start to participate in citizen video journalism today. Learn more at http://beavj.com. There is also something very important you should do right now which is sign the petition to help free the VJs that are currently in prison in Burma. These five VJs footage has aired internationally on CNN, BBC and many other networks and was the foundation for the film 'Burma VJ'. In order for us to maintain the strengths of our collective voice we must not allow the silencing of individuals. Every signature counts so please take a minute to visit this site and contribute your name. http://burmavjmovie.com/take_action/free_the_vjs And thank you for being a part of my video channel more of my videos and a virtual film school are available at: http://arincrumley.com Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-YourPhoneCanMakeAChangeBeAVJ770-946.jpg No license (All rights reserved) As a tribute to the Brave Video Journalists that risk imprisoned I have teamed up with DogWoof & The Co-Operative to produce a series of videos that teach people how to Be A VJ. The more video journalists there are the less effective it is to arrest and imprison them all. You can make a difference in the world by being part of the mirror that allows humanity to look at it's self. You probably already have technology in your pocket that can empower you to start to participate in citizen video journalism today. Learn more at http://beavj.com. There is also something very important you should do right now which is sign the petition to help free the VJs that are currently in prison in Burma. These five VJs footage has aired internationally on CNN, BBC and many other networks and was the foundation for the film 'Burma VJ'. In order for us to maintain the strengths of our collective voice we must not allow the silencing of individuals. Every signature counts so please take a minute to visit this site and contribute your name. http://burmavjmovie.com/take_action/free_the_vjs And thank you for being a part of my video channel more of my videos and a virtual film school are available at: http://arincrumley.com Distributed by Tubemogul. 198 YahooPartnerVideoID Blip post id 2687080 http://blip.tv/file/2667186 Educational beavj olivia video journalist arin crumley youtube upload police brutality critical mass 2008 time square abuse bicyclist messenger tackled by cop Thu, 01 Oct 2009 08:32:17 +0000 beavj, olivia, video, journalist, arin, crumley, youtube, upload, police, brutality, critical, mass, 2008, time, square, abuse, bicyclist, messenger, tackled, by, cop http://a.images.blip.tv/Arincrumley-YourPhoneCanMakeAChangeBeAVJ770.jpg beavj, olivia, video, journalist, arin, crumley, youtube, upload, police, brutality, critical, mass, 2008, time, square, abuse, bicyclist, messenger, tackled, by, cop <iframe src="http://blip.tv/play/AYGkgUwC.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGkgUwC" style="display:none"></embed> Your Phone Can Make a Change - Be A VJ 11CAD5C2-AC27-11DE-9674-F85A0D0151BD http://blip.tv/arin-crumley/wine-cellar-heated-debate-on-state-of-industry-2673866 Wine Cellar Heated Debate on State of Industry Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2673866 2653961 file no 0.0 2009-09-28T12:04:27Z English 0 0 0 6804 AYGjmi4C http://blip.tv/play/AYGjmi4C http://blip.tv/comments/?attached_to=post2673866&skin=rss Arincrumley-WineCellarHeatedDebateOnStateOfIndustry179.jpg Exactly a year ago a room full of filmmaker and technologists got together to discuss what was wrong with the film industry and how we might go about fixing it. Parts of the discussion turned into almost a screaming debate as we all struggled to get our ideas heard by the rest of the table. In the end, I'm not sure what productive outcome the talk had, but we had a good time. And at least we got the entire thing on video. Lately I've been taking a much less critical approach to the question. My thought is that there is nothing wrong. The changes that are happening are good. I'm now just looking for more ways to ride the wave of change that is washing over all of the creative industries. How would you ride this wave? http://arincrumley.com http://workbookproject.com http://diydays.com http://lanceweiler.com http://indiegogo.com Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-WineCellarHeatedDebateOnStateOfIndustry179-242.jpg No license (All rights reserved) Exactly a year ago a room full of filmmaker and technologists got together to discuss what was wrong with the film industry and how we might go about fixing it. Parts of the discussion turned into almost a screaming debate as we all struggled to get our ideas heard by the rest of the table. In the end, I'm not sure what productive outcome the talk had, but we had a good time. And at least we got the entire thing on video. Lately I've been taking a much less critical approach to the question. My thought is that there is nothing wrong. The changes that are happening are good. I'm now just looking for more ways to ride the wave of change that is washing over all of the creative industries. How would you ride this wave? http://arincrumley.com http://workbookproject.com http://diydays.com http://lanceweiler.com http://indiegogo.com Distributed by Tubemogul. 6804 YahooPartnerVideoID Blip post id 2673866 http://blip.tv/file/2653961 Educational faye dunnaway lance weiler arin crumley susan buice ted hope hammer Mon, 28 Sep 2009 12:04:27 +0000 faye, dunnaway, lance, weiler, arin, crumley, susan, buice, ted, hope, hammer http://a.images.blip.tv/Arincrumley-WineCellarHeatedDebateOnStateOfIndustry179.jpg faye, dunnaway, lance, weiler, arin, crumley, susan, buice, ted, hope, hammer <iframe src="http://blip.tv/play/AYGjmi4C.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGjmi4C" style="display:none"></embed> Wine Cellar Heated Debate on State of Industry A58AC3DA-93B8-11DE-BC1E-A6642BAE0945 http://blip.tv/arin-crumley/last-minute-items-needed-in-sf-or-reno-2546455 Last minute items needed in SF or Reno Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2546455 2526450 file no 0.0 2009-08-28T09:53:32Z English 0 0 0 132 AYGbtnsC http://blip.tv/play/AYGbtnsC http://blip.tv/comments/?attached_to=post2546455&skin=rss Arincrumley-LastMinuteItemsNeededInSFOrReno328.jpg bit.ly/cmzG5 You can get a signed Four Eyed Monsters DVD, credit and even investment points for loaning something on the list to our project. you just need to get it to sunnyvale CA by saturday, a few key items might also be able to arrive sunday and still make it in with our second vehicle. Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-LastMinuteItemsNeededInSFOrReno328-970.jpg No license (All rights reserved) bit.ly/cmzG5 You can get a signed Four Eyed Monsters DVD, credit and even investment points for loaning something on the list to our project. you just need to get it to sunnyvale CA by saturday, a few key items might also be able to arrive sunday and still make it in with our second vehicle. Distributed by Tubemogul. 132 YahooPartnerVideoID Blip post id 2546455 http://blip.tv/file/2526450 Movies and Television arincrumley burning man shoot Fri, 28 Aug 2009 09:53:32 +0000 arincrumley, burning, man, shoot http://a.images.blip.tv/Arincrumley-LastMinuteItemsNeededInSFOrReno328.jpg arincrumley, burning, man, shoot <iframe src="http://blip.tv/play/AYGbtnsC.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGbtnsC" style="display:none"></embed> Last minute items needed in SF or Reno 690DF11E-92D9-11DE-9B9E-FFAEE06D722A http://blip.tv/arin-crumley/got-the-hard-drives-and-audio-gear-2542275 Got the hard drives and audio gear Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2542275 2522267 file no 0.0 2009-08-27T07:15:33Z English 0 0 0 182 AYGblicC http://blip.tv/play/AYGblicC http://blip.tv/comments/?attached_to=post2542275&skin=rss Arincrumley-GotTheHardDrivesAndAudioGear917.jpg http://arincrumley.com Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-GotTheHardDrivesAndAudioGear917-335.jpg No license (All rights reserved) http://arincrumley.com Distributed by Tubemogul. 182 YahooPartnerVideoID Blip post id 2542275 http://blip.tv/file/2522267 Educational arincrumley surround sound explanation Thu, 27 Aug 2009 07:15:33 +0000 arincrumley, surround, sound, explanation http://a.images.blip.tv/Arincrumley-GotTheHardDrivesAndAudioGear917.jpg arincrumley, surround, sound, explanation <iframe src="http://blip.tv/play/AYGblicC.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGblicC" style="display:none"></embed> Got the hard drives and audio gear 5573EADE-920F-11DE-BD6B-D12EEDF5EBB5 http://blip.tv/arin-crumley/thank-god-for-the-internet-we-ve-met-our-kickstarter-goal-2538123 Thank God for the Internet! We've met our kickstarter Goal! Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2538123 2518113 file no 0.0 2009-08-26T07:09:02Z English 0 0 0 279 AYGa9W8C http://blip.tv/play/AYGa9W8C http://blip.tv/comments/?attached_to=post2538123&skin=rss Arincrumley-ThankGodForTheInternetWeveMetOurKickstarterGoal801.jpg See current status of kickstarter page: bit.ly/p3IWV Thank god for the internet and thank god for all of you. Thank you to everyone who contributed and/or asked others to do so. We reached our goal of 2,500 dollars and it keeps climbing. Amazing! This is huge for me and is opening my view into a whole slew of other projects that could happen now that I see a style of gaining support for my ideas, getting the money to make them a reality, then being able to follow through continuing to use the newly formed community to make it a reality. It's really very exciting to me to see how this is all possible and to see it all work. Wow. That is all I can say. You guys inspire me. You keep me going! Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-ThankGodForTheInternetWeveMetOurKickstarterGoal801-94.jpg No license (All rights reserved) See current status of kickstarter page: bit.ly/p3IWV Thank god for the internet and thank god for all of you. Thank you to everyone who contributed and/or asked others to do so. We reached our goal of 2,500 dollars and it keeps climbing. Amazing! This is huge for me and is opening my view into a whole slew of other projects that could happen now that I see a style of gaining support for my ideas, getting the money to make them a reality, then being able to follow through continuing to use the newly formed community to make it a reality. It's really very exciting to me to see how this is all possible and to see it all work. Wow. That is all I can say. You guys inspire me. You keep me going! Distributed by Tubemogul. 279 YahooPartnerVideoID Blip post id 2538123 http://blip.tv/file/2518113 Educational arin crumley reaches kickstarter goal burning man shoot loft key Wed, 26 Aug 2009 07:09:02 +0000 arin, crumley, reaches, kickstarter, goal, burning, man, shoot, loft, key http://a.images.blip.tv/Arincrumley-ThankGodForTheInternetWeveMetOurKickstarterGoal801.jpg arin, crumley, reaches, kickstarter, goal, burning, man, shoot, loft, key <iframe src="http://blip.tv/play/AYGa9W8C.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGa9W8C" style="display:none"></embed> Thank God for the Internet! We've met our kickstarter Goal! A6F24B70-90EE-11DE-91C8-DAC96605DCF5 http://blip.tv/arin-crumley/need-1-860-donated-by-aug-26th-10am-or-we-get-nothing-2532085 Need $1,860 donated by AUG 26th 10AM or we get nothing Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2532085 2512075 file no 0.0 2009-08-24T20:42:34Z English 0 0 0 225 AYGaxlkC http://blip.tv/play/AYGaxlkC http://blip.tv/comments/?attached_to=post2532085&skin=rss Arincrumley-Need1860DonatedByAUG26th10AMOrWeGetNothing344.jpg A new video is in the works to post tonight giving us tomorrow to be the big final 24 hour count down to when our kick starter campaign ends at 10 AM on wednesday August 26th. So tonight I'm hoping to quickly resign up with iContact.com for a bulk email service to reach out to the 25,000 FEM mailing list people to let them know about our kickstarter campaign. This video will act as a summary of what we shot last year and tease the ideas and themes driving this years shoots. Subscribe to my RSS feed using reader or any other service that you like so that the moment I post to my blog you'll get it. MY BLOG FEED: http://arincrumley.com Thanks in advance for all your support in getting this upcoming video passed to everyone you know. Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-Need1860DonatedByAUG26th10AMOrWeGetNothing344-683.jpg No license (All rights reserved) A new video is in the works to post tonight giving us tomorrow to be the big final 24 hour count down to when our kick starter campaign ends at 10 AM on wednesday August 26th. So tonight I'm hoping to quickly resign up with iContact.com for a bulk email service to reach out to the 25,000 FEM mailing list people to let them know about our kickstarter campaign. This video will act as a summary of what we shot last year and tease the ideas and themes driving this years shoots. Subscribe to my RSS feed using reader or any other service that you like so that the moment I post to my blog you'll get it. MY BLOG FEED: http://arincrumley.com Thanks in advance for all your support in getting this upcoming video passed to everyone you know. Distributed by Tubemogul. 225 YahooPartnerVideoID Blip post id 2532085 http://blip.tv/file/2512075 Educational arincrumley burning man shoot pre production protocol script meetings development Mon, 24 Aug 2009 20:42:34 +0000 arincrumley, burning, man, shoot, pre, production, protocol, script, meetings, development http://a.images.blip.tv/Arincrumley-Need1860DonatedByAUG26th10AMOrWeGetNothing344.jpg arincrumley, burning, man, shoot, pre, production, protocol, script, meetings, development <iframe src="http://blip.tv/play/AYGaxlkC.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGaxlkC" style="display:none"></embed> Need $1,860 donated by AUG 26th 10AM or we get nothing 7C626D94-8DCA-11DE-8BCB-9A51FDE59C47 http://blip.tv/arin-crumley/a-sip-of-clarity-2518095 A sip of clarity Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2518095 2498083 file no 0.0 2009-08-20T20:46:07Z English 0 0 0 296 AYGZ2TMC http://blip.tv/play/AYGZ2TMC http://blip.tv/comments/?attached_to=post2518095&skin=rss Arincrumley-ASipOfClarity394.jpg Do you like this video? Give a tip, I'll make more: http://tipjoy.com/u/arincrumley/ This song is 'Video Tape' by Radio on 'In Rainbows' and is available in iTunes & amazon. Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-ASipOfClarity394-332.jpg No license (All rights reserved) Do you like this video? Give a tip, I'll make more: http://tipjoy.com/u/arincrumley/ This song is 'Video Tape' by Radio on 'In Rainbows' and is available in iTunes & amazon. Distributed by Tubemogul. 296 YahooPartnerVideoID Blip post id 2518095 http://blip.tv/file/2498083 Movies and Television video tape arincrumley arin crumley music sip clarity drinks water radio head inrainbows radiohead fan Thu, 20 Aug 2009 20:46:07 +0000 video, tape, arincrumley, arin, crumley, music, sip, clarity, drinks, water, radio, head, inrainbows, radiohead, fan http://a.images.blip.tv/Arincrumley-ASipOfClarity394.jpg video, tape, arincrumley, arin, crumley, music, sip, clarity, drinks, water, radio, head, inrainbows, radiohead, fan <iframe src="http://blip.tv/play/AYGZ2TMC.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGZ2TMC" style="display:none"></embed> A sip of clarity 2FB0F424-8CEA-11DE-B864-9A3721C62AD9 http://blip.tv/arin-crumley/i-bought-a-gh1-today-2513206 I bought a GH1 Today Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2513206 2493193 file no 0.0 2009-08-19T18:00:31Z English 0 0 0 424 AYGZsxoC http://blip.tv/play/AYGZsxoC http://blip.tv/comments/?attached_to=post2513206&skin=rss Arincrumley-IBoughtAGH1Today247.jpg Search vimeo.com for "GH1" and you'll find great samples of this amazing camera. Here is my new philosophy, DV & HDV are for filmming weddings, an SLR camera is an artists tool, if DSLR cameras can now shoot beautiful HD video then it's time for all filmmakers to sell off their shitty tape based super heavy cameras and go for these new inventions that get you all the resolution and control you need to capture great images. Pannasonic is not paying me to say this, yet, I do hope they can help market the film once it's done. We'll be part of a slew of films to be first to be shot on the GH1. For thos wondering, the audio can be the H4n which gives you time stamps. Anyway, get involved in our creative process with our kickstarter page: http://www.kickstarter.com/projects/972012474/filming-at-burning-man-2009 Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-IBoughtAGH1Today247-292.jpg No license (All rights reserved) Search vimeo.com for "GH1" and you'll find great samples of this amazing camera. Here is my new philosophy, DV & HDV are for filmming weddings, an SLR camera is an artists tool, if DSLR cameras can now shoot beautiful HD video then it's time for all filmmakers to sell off their shitty tape based super heavy cameras and go for these new inventions that get you all the resolution and control you need to capture great images. Pannasonic is not paying me to say this, yet, I do hope they can help market the film once it's done. We'll be part of a slew of films to be first to be shot on the GH1. For thos wondering, the audio can be the H4n which gives you time stamps. Anyway, get involved in our creative process with our kickstarter page: http://www.kickstarter.com/projects/972012474/filming-at-burning-man-2009 Distributed by Tubemogul. 424 YahooPartnerVideoID Blip post id 2513206 http://blip.tv/file/2493193 Educational arin crumley gh1 pannasonic kickstarter community exchange couch surfing indie film john cassavettes Wed, 19 Aug 2009 18:00:31 +0000 arin, crumley, gh1, pannasonic, kickstarter, community, exchange, couch, surfing, indie, film, john, cassavettes http://a.images.blip.tv/Arincrumley-IBoughtAGH1Today247.jpg arin, crumley, gh1, pannasonic, kickstarter, community, exchange, couch, surfing, indie, film, john, cassavettes <iframe src="http://blip.tv/play/AYGZsxoC.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGZsxoC" style="display:none"></embed> I bought a GH1 Today EE7D65B6-8C92-11DE-B939-822B235A8994 http://blip.tv/arin-crumley/shooting-at-burning-man-2009-production-blog-2511569 Shooting at Burning Man 2009 - Production Blog Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2511569 2491556 file no 0.0 2009-08-19T07:35:56Z English 0 0 0 643 AYGZpjUC http://blip.tv/play/AYGZpjUC http://blip.tv/comments/?attached_to=post2511569&skin=rss Arincrumley-ShootingAtBurningMan2009ProductionBlog224.jpg So today a lot shuffled around but the team is now locked. I'm heading out into the desert to shoot with Roger Ingraham, Tarynn Weihahn, Susan Buice & Josh Steinbauer and AJ Abucay will be my second camera operator. I'll write more about what the story and concept is later, but for now, here is a video that lets you into the head space I'm in preparing for this ambitious next 3 weeks. And if you want to participate in the project by either providing a financial contribution to help us get more lighting gear or help out in some other way, you can do that through our projects kickstarter page. http://www.kickstarter.com/projects/972012474/filming-at-burning-man-2009/ Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-ShootingAtBurningMan2009ProductionBlog224-988.jpg No license (All rights reserved) So today a lot shuffled around but the team is now locked. I'm heading out into the desert to shoot with Roger Ingraham, Tarynn Weihahn, Susan Buice & Josh Steinbauer and AJ Abucay will be my second camera operator. I'll write more about what the story and concept is later, but for now, here is a video that lets you into the head space I'm in preparing for this ambitious next 3 weeks. And if you want to participate in the project by either providing a financial contribution to help us get more lighting gear or help out in some other way, you can do that through our projects kickstarter page. http://www.kickstarter.com/projects/972012474/filming-at-burning-man-2009/ Distributed by Tubemogul. 643 YahooPartnerVideoID Blip post id 2511569 http://blip.tv/file/2491556 Educational arin crumley burning man art car shooting at gh1 jeep Wed, 19 Aug 2009 07:35:56 +0000 arin, crumley, burning, man, art, car, shooting, at, gh1, jeep http://a.images.blip.tv/Arincrumley-ShootingAtBurningMan2009ProductionBlog224.jpg arin, crumley, burning, man, art, car, shooting, at, gh1, jeep <iframe src="http://blip.tv/play/AYGZpjUC.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGZpjUC" style="display:none"></embed> Shooting at Burning Man 2009 - Production Blog 6CDDD77A-5984-11DE-A7AA-FB878F02A39D http://blip.tv/arin-crumley/radar-party-2253616 Radar Party Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2253616 2242176 file no 0.0 2009-06-15T08:13:36Z English 0 0 0 156 AYGJxxQC http://blip.tv/play/AYGJxxQC http://blip.tv/comments/?attached_to=post2253616&skin=rss Arincrumley-RadarParty362.jpg After Alex Johnson and Lance Weiler worked their asses off for 6 months they've now completed 12 episodes that have gone live on Babble Gum. The episodes document innovative artists in snazzy 3 minute powerful mini documentaries. The basic concept is this series can be your Radar for up and coming neat stuff you otherwise would hear about until months and months later after it blows up. Through out the process I've been helping out a little behind the scenes with a little extra camera work, projections, searching for documentary subjects and generally keep everyone from going too insane in the pretty insanely ambitious effort. The result is a very neat series and a newly announced commitment from Babble Gum for another order of 24 more episodes! Check out the series at: http://radar.workbookproject.com Some photos I took at the party are here: http://www.facebook.com/album.php?aid=121234&id=507418218&l=e675e4eb53 Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-RadarParty362-182.jpg No license (All rights reserved) After Alex Johnson and Lance Weiler worked their asses off for 6 months they've now completed 12 episodes that have gone live on Babble Gum. The episodes document innovative artists in snazzy 3 minute powerful mini documentaries. The basic concept is this series can be your Radar for up and coming neat stuff you otherwise would hear about until months and months later after it blows up. Through out the process I've been helping out a little behind the scenes with a little extra camera work, projections, searching for documentary subjects and generally keep everyone from going too insane in the pretty insanely ambitious effort. The result is a very neat series and a newly announced commitment from Babble Gum for another order of 24 more episodes! Check out the series at: http://radar.workbookproject.com Some photos I took at the party are here: http://www.facebook.com/album.php?aid=121234&id=507418218&l=e675e4eb53 Distributed by Tubemogul. 156 YahooPartnerVideoID Blip post id 2253616 http://blip.tv/file/2242176 Movies and Television dr sketches eclectic method bambikillers radar workbook project jonny Mon, 15 Jun 2009 08:13:36 +0000 dr, sketches, eclectic, method, bambikillers, radar, workbook, project, jonny http://a.images.blip.tv/Arincrumley-RadarParty362.jpg dr, sketches, eclectic, method, bambikillers, radar, workbook, project, jonny <iframe src="http://blip.tv/play/AYGJxxQC.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGJxxQC" style="display:none"></embed> Radar Party 431DEBF6-4A74-11DE-B410-C36DACF38F7A http://blip.tv/arin-crumley/meeting-ks12-in-berlin-2174915 Meeting KS12 in Berlin Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2174915 2164191 file no 0.0 2009-05-27T04:10:07Z English 0 0 0 310 AYGE4CcC http://blip.tv/play/AYGE4CcC http://blip.tv/comments/?attached_to=post2174915&skin=rss Arincrumley-MeetingKS12InBerlin987-857.jpg Tomorrow (today) I speak at BTK in Berlin about the future of filmmaking and what my Berliner host Gabriel is calling Hypercubism. He also has a clever name for editing video which he calls tesseracting. So I think it's appropriate to have cut together close to real time my journey from New York City to Berlin mainly to trip them out and to also get a chance to post some visuals that have been on my mind for a while but that I haven't been able to express in any appropriate way yet. If you or someone you know is in New York, send them along to these screening links to check out one of two Four Eyed Monsters Screenings: BTK http://www.btk-fh.de/index.php?id=46&tx_ttnews[tt_news]=123&tx_ttnews[backPid]=7&cHash=dd66e53388 Cineramarock http://www.cineramarock.de/page11.html MORE LINKS: http://www.ks12.net/ http://www.gabrielshalom.com/ http://pavako.com/ TECHNICAL NOTES: This video was shot on a Cannon TX1. Once I arrived in Berlin I put the SD card into the computer and used 'a better finder rename' to rename the files so they looked like this: 2009-05-25-055944-ARIN-TX1-TRIP-TO-BERLIN.AVI Then I dragged all of those files into Final Cut Pro with them still on the SD card because I was in a hurry and the 16 Gig sd card was full so I didn't want to back them up to the 1 terabyte drive I have with me on the trip. Then I made a timeline in FCP with the preset of apple pro res 720 by 1280. I then changed manual the timebase from 29.97 to 30 on a drop down in the sequence settings. This is because all of the TX1 footage is 30p and I didn't want to run cinema tools to change it to 29.97. Then I changed the the sequence play back settings from "safe" to "RT" so that I didn't need to render my AVI files. THey played perfectly real time on my 2.16 core duo Mac Pro that has 2 gigs of ram. I could even add color correction but then the cross dissolves didn't play back completely real time but instead looked like I was getting 10 fps. I then made a aiff of the song 'Nude' by Radio Head from the album in Rainbows that I bought directly from inrainbows.com which is no longer available as a download but that you can get on iTunes or Amazon. I didn't actually get permission from Radio Head so there is a chance that some video sites might not accept this video. However, I did credit the song right when it begins to play and my hope is that it's considered promotion for the song and basically fair use because it's only part of the song and my video doesn't replace the need for someone to get the song but instead encourages the need for someone to get the song because it's an amazing song. I don't know if this argument wouldn't hold up in court for a feature film but I do think it could hold up for a short video blog of this nature in which I'm not to worried if a few sites end up not wanting to host the video and kicking it back. I spent 3 hours editing, just playing around really. Some of the time was spent color correcting in which I just boosted the mids and adjusted the blacks clip by clip to have detail while being as black as possible. I also put a photo of myself at the end which was constructed in photo shop from test shoot I did with Ella Manor. I was standing in while the Models were getting made up and we wanted to see what the projection looked like when her flash was firing off. I overlaid a tiny bit of Nancy Bakers artwork as an abstract layer on top of the photo sort of pretending that image had been projected onto my face. I also chose to include all my social media links at the end since I'm trying to increase awareness of the different places I exist online. After the edit I showed the result to Patty and Gabe who were pretty blown away that they had just met me and already have been put into my video blog a few hours later. It was a new experience for them and Patty said it was good for Gabe to be seeing something be created in very little time cause it demonstrates that it's helpful to sometimes just get up and do things with out too much forethought. I made a couple more tweaks to the where the music begins and I used compressor to export to the quicktime apple TV codec. After the first export I saw a couple things I wanted to tweak so exported again then uploaded to tubemogul which cross posted to YouTube, vimeo, myspace and a bunch of other sites. At the point I render the finished product I had changed from "RT" mode to "Safe" mode and then hit apple R having highlighted the entire timeline and I should mention that it wasn't working too well to have the clips be on the SD card. Maybe my computer was over heating because of being on the bed with the vent on the back blocked by the blankets but my computer did crash in the middle of rendering. I transfered the clips to the drive I have with me, reconnected media, and then rendered. For more virtual film school notes go to: http://arincrumley.com/category/blog/virtual-film-school Follow: twitter.com/arincrumley Friends, Videos & Photos: Search Facebook: "Arin crumley" Subscribe to Videos: youtube.com/arincrumley iPhone/iPod Video Podcast: Search iTunes: "Arin Crumley" Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-MeetingKS12InBerlin987-857-502.jpg No license (All rights reserved) Tomorrow (today) I speak at BTK in Berlin about the future of filmmaking and what my Berliner host Gabriel is calling Hypercubism. He also has a clever name for editing video which he calls tesseracting. So I think it's appropriate to have cut together close to real time my journey from New York City to Berlin mainly to trip them out and to also get a chance to post some visuals that have been on my mind for a while but that I haven't been able to express in any appropriate way yet. If you or someone you know is in New York, send them along to these screening links to check out one of two Four Eyed Monsters Screenings: BTK http://www.btk-fh.de/index.php?id=46&tx_ttnews[tt_news]=123&tx_ttnews[backPid]=7&cHash=dd66e53388 Cineramarock http://www.cineramarock.de/page11.html MORE LINKS: http://www.ks12.net/ http://www.gabrielshalom.com/ http://pavako.com/ TECHNICAL NOTES: This video was shot on a Cannon TX1. Once I arrived in Berlin I put the SD card into the computer and used 'a better finder rename' to rename the files so they looked like this: 2009-05-25-055944-ARIN-TX1-TRIP-TO-BERLIN.AVI Then I dragged all of those files into Final Cut Pro with them still on the SD card because I was in a hurry and the 16 Gig sd card was full so I didn't want to back them up to the 1 terabyte drive I have with me on the trip. Then I made a timeline in FCP with the preset of apple pro res 720 by 1280. I then changed manual the timebase from 29.97 to 30 on a drop down in the sequence settings. This is because all of the TX1 footage is 30p and I didn't want to run cinema tools to change it to 29.97. Then I changed the the sequence play back settings from "safe" to "RT" so that I didn't need to render my AVI files. THey played perfectly real time on my 2.16 core duo Mac Pro that has 2 gigs of ram. I could even add color correction but then the cross dissolves didn't play back completely real time but instead looked like I was getting 10 fps. I then made a aiff of the song 'Nude' by Radio Head from the album in Rainbows that I bought directly from inrainbows.com which is no longer available as a download but that you can get on iTunes or Amazon. I didn't actually get permission from Radio Head so there is a chance that some video sites might not accept this video. However, I did credit the song right when it begins to play and my hope is that it's considered promotion for the song and basically fair use because it's only part of the song and my video doesn't replace the need for someone to get the song but instead encourages the need for someone to get the song because it's an amazing song. I don't know if this argument wouldn't hold up in court for a feature film but I do think it could hold up for a short video blog of this nature in which I'm not to worried if a few sites end up not wanting to host the video and kicking it back. I spent 3 hours editing, just playing around really. Some of the time was spent color correcting in which I just boosted the mids and adjusted the blacks clip by clip to have detail while being as black as possible. I also put a photo of myself at the end which was constructed in photo shop from test shoot I did with Ella Manor. I was standing in while the Models were getting made up and we wanted to see what the projection looked like when her flash was firing off. I overlaid a tiny bit of Nancy Bakers artwork as an abstract layer on top of the photo sort of pretending that image had been projected onto my face. I also chose to include all my social media links at the end since I'm trying to increase awareness of the different places I exist online. After the edit I showed the result to Patty and Gabe who were pretty blown away that they had just met me and already have been put into my video blog a few hours later. It was a new experience for them and Patty said it was good for Gabe to be seeing something be created in very little time cause it demonstrates that it's helpful to sometimes just get up and do things with out too much forethought. I made a couple more tweaks to the where the music begins and I used compressor to export to the quicktime apple TV codec. After the first export I saw a couple things I wanted to tweak so exported again then uploaded to tubemogul which cross posted to YouTube, vimeo, myspace and a bunch of other sites. At the point I render the finished product I had changed from "RT" mode to "Safe" mode and then hit apple R having highlighted the entire timeline and I should mention that it wasn't working too well to have the clips be on the SD card. Maybe my computer was over heating because of being on the bed with the vent on the back blocked by the blankets but my computer did crash in the middle of rendering. I transfered the clips to the drive I have with me, reconnected media, and then rendered. For more virtual film school notes go to: http://arincrumley.com/category/blog/virtual-film-school Follow: twitter.com/arincrumley Friends, Videos & Photos: Search Facebook: "Arin crumley" Subscribe to Videos: youtube.com/arincrumley iPhone/iPod Video Podcast: Search iTunes: "Arin Crumley" Distributed by Tubemogul. 310 YahooPartnerVideoID Blip post id 2174915 http://blip.tv/file/2164191 Movies and Television arin crumley following the signs advertisements ks12 gabriel shalom patrizia kommerell berlin new york city radio head nude inrainbows virtual film school arincrumley four eyed monsters screening germany german Wed, 27 May 2009 04:10:07 +0000 arin, crumley, following, the, signs, advertisements, ks12, gabriel, shalom, patrizia, kommerell, berlin, new, york, city, radio, head, nude, inrainbows, virtual, film, school, arincrumley, four, eyed, monsters, screening, germany, german http://a.images.blip.tv/Arincrumley-MeetingKS12InBerlin987-857.jpg arin, crumley, following, the, signs, advertisements, ks12, gabriel, shalom, patrizia, kommerell, berlin, new, york, city, radio, head, nude, inrainbows, virtual, film, school, arincrumley, four, eyed, monsters, screening, germany, german <iframe src="http://blip.tv/play/AYGE4CcC.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AYGE4CcC" style="display:none"></embed> Meeting KS12 in Berlin BE01E190-2B81-11DE-9CE3-AF6E7A2693F7 http://blip.tv/arin-crumley/how-do-you-do-what-you-do-london-power-to-the-pixel-2008-2015945 How do you do what you do? - London Power to the Pixel 2008 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 2015945 2005805 file no 0.0 2009-04-17T18:58:30Z English 0 0 0 1900 AfuGLQI http://blip.tv/play/AfuGLQI http://blip.tv/comments/?attached_to=post2015945&skin=rss Arincrumley-HowDoYouDoWhatYouDoLondonPowerToThePixel2008659.jpg How do we do anything in life? How do we walk? How do we digest food? How the hell did we develop language and story telling? The answer? I don't have a clue. All I can tell is that we look around us at the objects and landscape and other creatures before us and we take a step into it all. Then another step, and then another step. And pretty soon, we are surviving as a product of our environment and doing so with out even much thought. Each next step is just the impulsive step we want to take. This has been my experience in the film industry. Everything changes when you least expect it and suddenly there are a new set of objects, landscapes and creatures. All I can do is try to stay in touch with what is before me, and take the step my involuntary impulses tell me that I should take. This video is my (Arin Crumley) presentation at power to the pixel back in Oct of 2008 and gives you a pretty good snapshot of the steps I've recently been taking. For more info please visit and subscribe to: http://powertothepixel.com http://arincrumley.com http://fromheretoawesome.com http://asthedustsettles.com http://foureyedmonsters.com http://workbookproject.com Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-HowDoYouDoWhatYouDoLondonPowerToThePixel2008659-122.jpg No license (All rights reserved) How do we do anything in life? How do we walk? How do we digest food? How the hell did we develop language and story telling? The answer? I don't have a clue. All I can tell is that we look around us at the objects and landscape and other creatures before us and we take a step into it all. Then another step, and then another step. And pretty soon, we are surviving as a product of our environment and doing so with out even much thought. Each next step is just the impulsive step we want to take. This has been my experience in the film industry. Everything changes when you least expect it and suddenly there are a new set of objects, landscapes and creatures. All I can do is try to stay in touch with what is before me, and take the step my involuntary impulses tell me that I should take. This video is my (Arin Crumley) presentation at power to the pixel back in Oct of 2008 and gives you a pretty good snapshot of the steps I've recently been taking. For more info please visit and subscribe to: http://powertothepixel.com http://arincrumley.com http://fromheretoawesome.com http://asthedustsettles.com http://foureyedmonsters.com http://workbookproject.com Distributed by Tubemogul. 1900 YahooPartnerVideoID Blip post id 2015945 http://blip.tv/file/2005805 Educational arin crumley as the dust settles katheryn mcgaffigan susan buice josh stienbauer tx1 red camera power to the pixel 2008 from here to awesome the organism Fri, 17 Apr 2009 18:58:30 +0000 arin, crumley, as, the, dust, settles, katheryn, mcgaffigan, susan, buice, josh, stienbauer, tx1, red, camera, power, to, the, pixel, 2008, from, here, to, awesome, the, organism http://a.images.blip.tv/Arincrumley-HowDoYouDoWhatYouDoLondonPowerToThePixel2008659.jpg arin, crumley, as, the, dust, settles, katheryn, mcgaffigan, susan, buice, josh, stienbauer, tx1, red, camera, power, to, the, pixel, 2008, from, here, to, awesome, the, organism <iframe src="http://blip.tv/play/AfuGLQI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AfuGLQI" style="display:none"></embed> How do you do what you do? - London Power to the Pixel 2008 5830F0AC-1F1C-11DE-826C-F5707D3D300B http://blip.tv/arin-crumley/arin-cruley-michael-morlan-discussing-the-red-camera-1955862 Arin Cruley & Michael Morlan Discussing the RED camera Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1955862 1946204 file no 0.0 2009-04-02T00:22:26Z English 0 0 0 3126 AfewegI http://blip.tv/play/AfewegI http://blip.tv/comments/?attached_to=post1955862&skin=rss Arincrumley-ArinCruleyMichaelMorlanDiscussingTheREDCamera666-668.jpg PLEASE VISIT & SUBSCRIBE: ARINCRULEY.COM MICHAEL-MORAN.NET MIKEHEDGE.COM FROMHERETOAWESOME.COM DIYDAYS.COM WORKBOOKPROJECT.COM RED.COM SAMAMIDON.COM (THIS MUSIC) REDUSER.NET SXSW.COM Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-ArinCruleyMichaelMorlanDiscussingTheREDCamera666-668-177.jpg No license (All rights reserved) PLEASE VISIT & SUBSCRIBE: ARINCRULEY.COM MICHAEL-MORAN.NET MIKEHEDGE.COM FROMHERETOAWESOME.COM DIYDAYS.COM WORKBOOKPROJECT.COM RED.COM SAMAMIDON.COM (THIS MUSIC) REDUSER.NET SXSW.COM Distributed by Tubemogul. 3126 YahooPartnerVideoID Blip post id 1955862 http://blip.tv/file/1946204 Educational michael morlan arin crumley mike hedge red camera user net sam amidon reduser sxsw diydays from here to awesome workbook project filmmaking new cinema technical demonstration convention interactive Thu, 02 Apr 2009 00:22:26 +0000 michael, morlan, arin, crumley, mike, hedge, red, camera, user, net, sam, amidon, reduser, sxsw, diydays, from, here, to, awesome, workbook, project, filmmaking, new, cinema, technical, demonstration, convention, interactive http://a.images.blip.tv/Arincrumley-ArinCruleyMichaelMorlanDiscussingTheREDCamera666-668.jpg michael, morlan, arin, crumley, mike, hedge, red, camera, user, net, sam, amidon, reduser, sxsw, diydays, from, here, to, awesome, workbook, project, filmmaking, new, cinema, technical, demonstration, convention, interactive <iframe src="http://blip.tv/play/AfewegI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AfewegI" style="display:none"></embed> Arin Cruley & Michael Morlan Discussing the RED camera 36EFFED4-1C00-11DE-A515-C3E00E28FA16 http://blip.tv/arin-crumley/arin-crumley-michael-morlan-1940505 Arin Crumley & Michael Morlan Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1940505 1930881 file no 0.0 2009-03-29T01:23:31Z English 0 0 0 3126 Afa4fQI http://blip.tv/play/Afa4fQI http://blip.tv/comments/?attached_to=post1940505&skin=rss Arincrumley-ArinCrumleyMichaelMorlan130.png http://a.images.blip.tv/Arincrumley-ArinCrumleyMichaelMorlan130-114.jpg Creative Commons Attribution 3.0 3126 YahooPartnerVideoID Blip post id 1940505 http://blip.tv/file/1930881 Default Category Sun, 29 Mar 2009 01:23:31 +0000 http://a.images.blip.tv/Arincrumley-ArinCrumleyMichaelMorlan130.png <iframe src="http://blip.tv/play/Afa4fQI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#Afa4fQI" style="display:none"></embed> Arin Crumley & Michael Morlan http://creativecommons.org/licenses/by/3.0/ 55535B0A-18E5-11DE-BB34-886EB9DD9ED6 http://blip.tv/arin-crumley/arin-crumley-michael-morlan-shot-by-mike-hedge-1925511 Arin Crumley & Michael Morlan shot by Mike Hedge Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1925511 1915895 file no 0.0 2009-03-25T02:33:32Z English 0 0 0 3126 AfXDawI http://blip.tv/play/AfXDawI http://blip.tv/comments/?attached_to=post1925511&skin=rss Arincrumley-ArinCrumleyMichaelMorlanShotByMikeHedge330-107.jpg http://a.images.blip.tv/Arincrumley-ArinCrumleyMichaelMorlanShotByMikeHedge330-107-778.jpg Creative Commons Attribution 3.0 3126 YahooPartnerVideoID Blip post id 1925511 http://blip.tv/file/1915895 Default Category Wed, 25 Mar 2009 02:33:32 +0000 http://a.images.blip.tv/Arincrumley-ArinCrumleyMichaelMorlanShotByMikeHedge330-107.jpg <iframe src="http://blip.tv/play/AfXDawI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AfXDawI" style="display:none"></embed> Arin Crumley & Michael Morlan shot by Mike Hedge http://creativecommons.org/licenses/by/3.0/ D237CA94-B890-11DD-B0B5-C8505C6DA695 http://blip.tv/arin-crumley/out-of-jail-headed-to-youtube-live-1503294 Out of Jail & Headed to YouTube Live Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1503294 1495695 file no 0.0 2008-11-22T12:26:43Z English 0 0 0 140 AdvhIgI http://blip.tv/play/AdvhIgI http://blip.tv/comments/?attached_to=post1503294&skin=rss Arincrumley-OutOfJailHeadedToYouTubeLive758-5.jpg Tune into youtube.com/live at at 5pm pacific / 8 pm eastern tonight (Nov 22nd) for this crazy concert with lots of music that has been popularized on YouTube. Susan and I will be introducing The Spinto Band as well as displaying some projections we created behind their live performance of "oh mandy" and "summer grof". Feel free to subscribe to My Video Channel on YouTube and see the rest of this trip unfold. http://a.images.blip.tv/Arincrumley-OutOfJailHeadedToYouTubeLive758-5-983.jpg Creative Commons Attribution 2.0 Tune into youtube.com/live at at 5pm pacific / 8 pm eastern tonight (Nov 22nd) for this crazy concert with lots of music that has been popularized on YouTube. Susan and I will be introducing The Spinto Band as well as displaying some projections we created behind their live performance of "oh mandy" and "summer grof". Feel free to subscribe to My Video Channel on YouTube and see the rest of this trip unfold. 140 YahooPartnerVideoID Blip post id 1503294 http://blip.tv/file/1495695 Videoblogging four eyed monsters arin crumley susan buice getting arrested in new york city dark after park riding bike on sidewalk broken windows theory Sat, 22 Nov 2008 12:26:43 +0000 four, eyed, monsters, arin, crumley, susan, buice, getting, arrested, in, new, york, city, dark, after, park, riding, bike, on, sidewalk, broken, windows, theory http://a.images.blip.tv/Arincrumley-OutOfJailHeadedToYouTubeLive758-5.jpg four, eyed, monsters, arin, crumley, susan, buice, getting, arrested, in, new, york, city, dark, after, park, riding, bike, on, sidewalk, broken, windows, theory <iframe src="http://blip.tv/play/AdvhIgI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AdvhIgI" style="display:none"></embed> Out of Jail & Headed to YouTube Live http://creativecommons.org/licenses/by/2.0/ 189E1790-95C8-11DD-B271-8D3FDE2D292A http://blip.tv/arin-crumley/heading-to-becket-to-edit-1345702 Heading to Becket to Edit Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1345702 1339338 file no 0.0 2008-10-09T06:04:13Z English 0 0 0 175 AdKSCgI http://blip.tv/play/AdKSCgI http://blip.tv/comments/?attached_to=post1345702&skin=rss Arincrumley-HeadingToBecketToEdit941-7.jpg If you are in london on october 22nd and 23rd come visit Power To the Pixel to see our presentation for From Here to Awesome and our sneak peak of the rough cut of the trailer to As The Dust Settles.We'll be presenting to a room full of potential investors, sponsors and TV channels that could potentially bring the film to the next level with their support.A video of the presentation will eventually be posted online as well.So for now, I'm editing away in becket MA and shooting a little additional material in NYC. If anyone has a RED camera during october or november in NYC? Anyone want to be a production assistant, boom operator or production assistant for As The Dust Settles? Also does anyone have any footage or a well documented personal experience or an edited segment they would like to contribute to As The Dust Settles? If so to any of the above, email ASTHEDUSTSETTLES (at) G M A I L (dot) C O MOr, does anyone want to be part of the test audience for the film and see a rough cut of the film online and in nyc or la early and provide feedback and see this rough edit of the trailer via secret link before anyone else does?For that go to: http://indiegogo.com/asthedust and click (fund) and you can join the team.Comments on the editing workflow described above, feel free to leave thoughts below: http://a.images.blip.tv/Arincrumley-HeadingToBecketToEdit941-7-540.jpg Creative Commons Attribution-ShareAlike 2.0 If you are in london on october 22nd and 23rd come visit Power To the Pixel to see our presentation for From Here to Awesome and our sneak peak of the rough cut of the trailer to As The Dust Settles.We'll be presenting to a room full of potential investors, sponsors and TV channels that could potentially bring the film to the next level with their support.A video of the presentation will eventually be posted online as well.So for now, I'm editing away in becket MA and shooting a little additional material in NYC. If anyone has a RED camera during october or november in NYC? Anyone want to be a production assistant, boom operator or production assistant for As The Dust Settles? Also does anyone have any footage or a well documented personal experience or an edited segment they would like to contribute to As The Dust Settles? If so to any of the above, email ASTHEDUSTSETTLES (at) G M A I L (dot) C O MOr, does anyone want to be part of the test audience for the film and see a rough cut of the film online and in nyc or la early and provide feedback and see this rough edit of the trailer via secret link before anyone else does?For that go to: http://indiegogo.com/asthedust and click (fund) and you can join the team.Comments on the editing workflow described above, feel free to leave thoughts below: 175 YahooPartnerVideoID Blip post id 1345702 http://blip.tv/file/1339338 Educational atds as dust settles power to pixel asthedustsettles arin crumley arincrumley jamie dee fish jamiedeefish judd guitar nylon string classic macrobiotics kushi institute Thu, 09 Oct 2008 06:04:13 +0000 atds, as, dust, settles, power, to, pixel, asthedustsettles, arin, crumley, arincrumley, jamie, dee, fish, jamiedeefish, judd, guitar, nylon, string, classic, macrobiotics, kushi, institute http://a.images.blip.tv/Arincrumley-HeadingToBecketToEdit941-7.jpg atds, as, dust, settles, power, to, pixel, asthedustsettles, arin, crumley, arincrumley, jamie, dee, fish, jamiedeefish, judd, guitar, nylon, string, classic, macrobiotics, kushi, institute <iframe src="http://blip.tv/play/AdKSCgI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AdKSCgI" style="display:none"></embed> Heading to Becket to Edit http://creativecommons.org/licenses/by-sa/2.0/ DDA8DB18-90FC-11DD-A52B-CF911CA6EC9B http://blip.tv/arin-crumley/from-here-to-awesome-screening-and-boston-diy-days-1323754 From Here to Awesome Screening and Boston DIY DAYS Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1323754 1317421 file no 0.0 2008-10-03T03:39:21Z English 0 0 0 69 AdDmTgI http://blip.tv/play/AdDmTgI http://blip.tv/comments/?attached_to=post1323754&skin=rss Arincrumley-FromHereToAwesomeScreeningAndBostonDIYDAYS215-936.jpg A free screening and filmmaking workshop is coming your way this weekend if you are in the Boston area. Here is an invite video and all of the details are below. SPECIAL SCREENING of FROM HERE TO AWESOME FILMS Friday, October 3, 2008 Tower Auditorium Massachusetts College of Art and Design621 Huntington Avenue, Boston Directions Link: http://massart.edu/x474.xml 7pm to 9:30pm DIY DAYS CONFERENCE Saturday, October 4, 2008 Trustees Room, 11th Floor Tower Building Massachusetts College of Art and Design 621 Huntington Avenue, Boston Directions Link:: http://massart.edu/x474.xml 10am to 6:30pm DVD of Los Angeles and San Francisco DIY DAYS events available through DIYDAYS.com. http://a.images.blip.tv/Arincrumley-FromHereToAwesomeScreeningAndBostonDIYDAYS215-936-709.jpg Creative Commons Attribution-ShareAlike 2.0 A free screening and filmmaking workshop is coming your way this weekend if you are in the Boston area. Here is an invite video and all of the details are below. SPECIAL SCREENING of FROM HERE TO AWESOME FILMS Friday, October 3, 2008 Tower Auditorium Massachusetts College of Art and Design621 Huntington Avenue, Boston Directions Link: http://massart.edu/x474.xml 7pm to 9:30pm DIY DAYS CONFERENCE Saturday, October 4, 2008 Trustees Room, 11th Floor Tower Building Massachusetts College of Art and Design 621 Huntington Avenue, Boston Directions Link:: http://massart.edu/x474.xml 10am to 6:30pm DVD of Los Angeles and San Francisco DIY DAYS events available through DIYDAYS.com. 69 YahooPartnerVideoID Blip post id 1323754 http://blip.tv/file/1317421 Videoblogging ring blood book caleb smile boston project diy days from here to awesome arin crumley gingerbread patriots mass art mit iffb Fri, 03 Oct 2008 03:39:21 +0000 ring, blood, book, caleb, smile, boston, project, diy, days, from, here, to, awesome, arin, crumley, gingerbread, patriots, mass, art, mit, iffb http://a.images.blip.tv/Arincrumley-FromHereToAwesomeScreeningAndBostonDIYDAYS215-936.jpg ring, blood, book, caleb, smile, boston, project, diy, days, from, here, to, awesome, arin, crumley, gingerbread, patriots, mass, art, mit, iffb <iframe src="http://blip.tv/play/AdDmTgI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AdDmTgI" style="display:none"></embed> From Here to Awesome Screening and Boston DIY DAYS http://creativecommons.org/licenses/by-sa/2.0/ 7AE4A734-872C-11DD-9AB4-D9F74ED35C85 http://blip.tv/arin-crumley/hurricane-ike-sucked-1285325 Hurricane Ike Sucked Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1285325 1279078 file no 0.0 2008-09-20T15:55:00Z English 0 0 0 108 Ac66MQI http://blip.tv/play/Ac66MQI http://blip.tv/comments/?attached_to=post1285325&skin=rss Arincrumley-HurricaneIkeSucked174-534.jpg Coming back from Burning Man and re-introducing myself to society has been hard. Kind of depressing. The real world is so slow. Connections formed on the playa don't have permission to grow anymore. Watching Hurricane Ike on the plane pretty much summed it all up. It's the end of the world. Or at least it feels like it. Maybe this slow life will eventually catch up with the acceleration I experienced out there. How long is that going to take? Help me here, what do you guys think? http://arincrumley.com/ http://asthedustsettles.com/ http://a.images.blip.tv/Arincrumley-HurricaneIkeSucked174-534-128.jpg Creative Commons Attribution 2.0 Coming back from Burning Man and re-introducing myself to society has been hard. Kind of depressing. The real world is so slow. Connections formed on the playa don't have permission to grow anymore. Watching Hurricane Ike on the plane pretty much summed it all up. It's the end of the world. Or at least it feels like it. Maybe this slow life will eventually catch up with the acceleration I experienced out there. How long is that going to take? Help me here, what do you guys think? http://arincrumley.com/ http://asthedustsettles.com/ 108 YahooPartnerVideoID Blip post id 1285325 http://blip.tv/file/1279078 Videoblogging arin crumley hurricane ike Sat, 20 Sep 2008 15:55:00 +0000 arin, crumley, hurricane, ike http://a.images.blip.tv/Arincrumley-HurricaneIkeSucked174-534.jpg arin, crumley, hurricane, ike <iframe src="http://blip.tv/play/Ac66MQI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#Ac66MQI" style="display:none"></embed> Hurricane Ike Sucked http://creativecommons.org/licenses/by/2.0/ 3A16878E-80AD-11DD-A55E-D89BFEFE5FA5 http://blip.tv/arin-crumley/pre-post-as-the-dust-settles-arin-crumley-video-blog-1261444 "Pre Post" As The Dust Settles - Arin Crumley Video Blog Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1261444 1255253 file no 0.0 2008-09-12T09:28:58Z English 0 0 0 163 Acz_aAI http://blip.tv/play/Acz_aAI http://blip.tv/comments/?attached_to=post1261444&skin=rss Arincrumley-PrePostAsTheDustSettlesArinCrumleyVideoBlog319-377.jpg Words can't describe the experience at burning man. For now all I can really say is how the preparation for post production is going. So here is a little video blog announcing the rough cut test screening happening in park city utah in january of 2009. To become a part of the test screening visit: http://indiegogo.com/asthedust http://a.images.blip.tv/Arincrumley-PrePostAsTheDustSettlesArinCrumleyVideoBlog319-377-755.jpg Creative Commons Attribution 2.0 Words can't describe the experience at burning man. For now all I can really say is how the preparation for post production is going. So here is a little video blog announcing the rough cut test screening happening in park city utah in january of 2009. To become a part of the test screening visit: http://indiegogo.com/asthedust 163 YahooPartnerVideoID Blip post id 1261444 http://blip.tv/file/1255253 Educational atds as dust settles asthedustsettles arincrumley pre post production red hd Fri, 12 Sep 2008 09:28:58 +0000 atds, as, dust, settles, asthedustsettles, arincrumley, pre, post, production, red, hd http://a.images.blip.tv/Arincrumley-PrePostAsTheDustSettlesArinCrumleyVideoBlog319-377.jpg atds, as, dust, settles, asthedustsettles, arincrumley, pre, post, production, red, hd <iframe src="http://blip.tv/play/Acz_aAI.html?p=1" width="480" height="299" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#Acz_aAI" style="display:none"></embed> "Pre Post" As The Dust Settles - Arin Crumley Video Blog http://creativecommons.org/licenses/by/2.0/ A5B9CC80-253A-11DE-B5CA-F11526C9E6B5 http://blip.tv/arin-crumley/can-t-we-all-just-get-a-long-1986318 Can't we all just get a long? Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1986318 1976330 file no 0.0 2008-08-26T19:14:00Z English 0 0 0 3801 AfmecgI http://blip.tv/play/AfmecgI http://blip.tv/comments/?attached_to=post1986318&skin=rss Arincrumley-CantWeAllJustGetALong734.png FIlmmakers and digital exhibitors both need each other. They both expect a lot out of each other. Sometimes it hasn't been communicated what the expectations are. Sometimes it's good in relationships to just step back and spell out the needs. What are the exhibitors needs? What are the filmmakers needs? In this video a panel of new media digital exhibitors are asked that question and a room full of filmmakers then tell the exhibitors what their needs are. With that dialog out of the way we begin to design an ideal reality together. A future of universal meta data, transparent stats, healthy compensation and a frictionless discovery experience for the audience. So now with the beautiful plan designed the only way we're going to get there is if we work together. Guys, don't forget that it's okay that we need each other. It might be called DIY, but we don't mean literally. Christ! We have to undo some of our american engrained independence sometimes and just bond, join forces, become a greater sum then our parts and together we can move mountains. APPEARANCES IN THIS VIDEO BY: Scilla Andreen (indieFlix) Alex Afterman (Formerly at Heretic Films), Sara Pollack (youTube), Tom Hicks (Caachi), Saskia Wilson-Brown (Current TV), Mark Rotblat (TubeMogul) - Discussion Leader: Arin Crumley Please visit and subscribe to: http://diydays.com http://arincrumley.com http://fromheretoawesome.com http://workbookproject.com Thanks to all the sponsors and partners including: http://current.tv Distributed by Tubemogul. http://a.images.blip.tv/Arincrumley-CantWeAllJustGetALong734-244.jpg Creative Commons Attribution 3.0 FIlmmakers and digital exhibitors both need each other. They both expect a lot out of each other. Sometimes it hasn't been communicated what the expectations are. Sometimes it's good in relationships to just step back and spell out the needs. What are the exhibitors needs? What are the filmmakers needs? In this video a panel of new media digital exhibitors are asked that question and a room full of filmmakers then tell the exhibitors what their needs are. With that dialog out of the way we begin to design an ideal reality together. A future of universal meta data, transparent stats, healthy compensation and a frictionless discovery experience for the audience. So now with the beautiful plan designed the only way we're going to get there is if we work together. Guys, don't forget that it's okay that we need each other. It might be called DIY, but we don't mean literally. Christ! We have to undo some of our american engrained independence sometimes and just bond, join forces, become a greater sum then our parts and together we can move mountains. APPEARANCES IN THIS VIDEO BY: Scilla Andreen (indieFlix) Alex Afterman (Formerly at Heretic Films), Sara Pollack (youTube), Tom Hicks (Caachi), Saskia Wilson-Brown (Current TV), Mark Rotblat (TubeMogul) - Discussion Leader: Arin Crumley Please visit and subscribe to: http://diydays.com http://arincrumley.com http://fromheretoawesome.com http://workbookproject.com Thanks to all the sponsors and partners including: http://current.tv Distributed by Tubemogul. 3801 YahooPartnerVideoID Blip post id 1986318 http://blip.tv/file/1976330 Educational cant we all just get along indie film distribution discussion exhibitors digital new media diy days workbook project from here to awesome fhtascilla andreen indieflix alex afterman formerly heretic films sara pollack youtube tom hicks caachi saskia wilson Tue, 26 Aug 2008 19:14:00 +0000 cant, we, all, just, get, along, indie, film, distribution, discussion, exhibitors, digital, new, media, diy, days, workbook, project, from, here, to, awesome, fhtascilla, andreen, indieflix, alex, afterman, formerly, heretic, films, sara, pollack, youtu http://a.images.blip.tv/Arincrumley-CantWeAllJustGetALong734.png cant, we, all, just, get, along, indie, film, distribution, discussion, exhibitors, digital, new, media, diy, days, workbook, project, from, here, to, awesome, fhtascilla, andreen, indieflix, alex, afterman, formerly, heretic, films, sara, pollack, youtube, tom, hicks, caachi, saskia, wilson <iframe src="http://blip.tv/play/AfmecgI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AfmecgI" style="display:none"></embed> Can't we all just get a long? http://creativecommons.org/licenses/by/3.0/ E8BF8CDE-703D-11DD-BC9F-C7184E800980 http://blip.tv/arin-crumley/arin-crumley-as-the-dust-settles-pre-production-8-21-08-1200918 Arin Crumley - AS THE DUST SETTLES pre-production 8-21-08 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1200918 1194782 file no 0.0 2008-08-22T11:31:49Z English 0 0 0 203 AcmmegI http://blip.tv/play/AcmmegI http://blip.tv/comments/?attached_to=post1200918&skin=rss Arincrumley-ArinCrumleyASTHEDUSTSETTLESPreproduction82108199-973.jpg Wow, we've made 250 dollars on indiegogo.com. Anyone can be an associate producer, test audience member or Partner with the film. Head over to indiegogo.com/asthedust to get involved. Also everyone showed up today which went amazing. So good to see all of my most favorite people that exist and I'm really pumped to get to work with all of them on this project. http://indiegogo.com/asthedust http://arincrumley.com http://asthedustsettles.com http://a.images.blip.tv/Arincrumley-ArinCrumleyASTHEDUSTSETTLESPreproduction82108199-973-916.jpg Creative Commons Attribution 2.0 Wow, we've made 250 dollars on indiegogo.com. Anyone can be an associate producer, test audience member or Partner with the film. Head over to indiegogo.com/asthedust to get involved. Also everyone showed up today which went amazing. So good to see all of my most favorite people that exist and I'm really pumped to get to work with all of them on this project. http://indiegogo.com/asthedust http://arincrumley.com http://asthedustsettles.com 203 YahooPartnerVideoID Blip post id 1200918 http://blip.tv/file/1194782 Videoblogging atds asthedusts as dust settles isis masoud arin crumley mike hedge filmmaking burning man fhta Fri, 22 Aug 2008 11:31:49 +0000 atds, asthedusts, as, dust, settles, isis, masoud, arin, crumley, mike, hedge, filmmaking, burning, man, fhta http://a.images.blip.tv/Arincrumley-ArinCrumleyASTHEDUSTSETTLESPreproduction82108199-973.jpg atds, asthedusts, as, dust, settles, isis, masoud, arin, crumley, mike, hedge, filmmaking, burning, man, fhta <iframe src="http://blip.tv/play/AcmmegI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AcmmegI" style="display:none"></embed> Arin Crumley - AS THE DUST SETTLES pre-production 8-21-08 http://creativecommons.org/licenses/by/2.0/ BE348C6A-6E64-11DD-9D35-951FCB2EEAF5 http://blip.tv/arin-crumley/pre-production-blog-for-as-the-dust-settles-1193491 Pre-Production Blog for "As the Dust Settles" Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1193491 1187350 file no 0.0 2008-08-20T03:04:45Z English 0 0 0 254 AcjsdwI http://blip.tv/play/AcjsdwI http://blip.tv/comments/?attached_to=post1193491&skin=rss Arincrumley-PreProductionBlogForAsTheDustSettles558.jpg I've started work on a new project called As The Dust Settles. Donate to the post production budget now and get a free DVD of the finished film: http://indiegogo.com/asthedust More information about the project at: http://asthedustsettles.com http://arincrumley.com http://a.images.blip.tv/Arincrumley-PreProductionBlogForAsTheDustSettles558-532.jpg Creative Commons Attribution 2.0 I've started work on a new project called As The Dust Settles. Donate to the post production budget now and get a free DVD of the finished film: http://indiegogo.com/asthedust More information about the project at: http://asthedustsettles.com http://arincrumley.com 254 http://blip.tv/file/1187350 Videoblogging asthedustsettles production video blog Wed, 20 Aug 2008 03:04:45 +0000 asthedustsettles, production, video, blog http://a.images.blip.tv/Arincrumley-PreProductionBlogForAsTheDustSettles558.jpg asthedustsettles, production, video, blog <iframe src="http://blip.tv/play/AcjsdwI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AcjsdwI" style="display:none"></embed> Pre-Production Blog for "As the Dust Settles" http://creativecommons.org/licenses/by/2.0/ 76231DC2-5093-11DD-87C6-EE3F79D08EBE http://blip.tv/arin-crumley/diy-days-invite-rough-edit-need-feedback-1080392 DIY DAYS INVITE - ROUGH EDIT - NEED FEEDBACK Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1080392 1074211 file no 0.0 2008-07-13T04:23:36Z English 0 0 0 53 AcH5LAI http://blip.tv/play/AcH5LAI http://blip.tv/comments/?attached_to=post1080392&skin=rss Arincrumley-DIYDAYSINVITEROUGHEDITNEEDFEEDBACK181-103.jpg Come to this event! http://DIYDAYS.COM This invitation video is only a rough Edit. I plan to add a voice over and also list the other speakers and then publish this video to youtube.com/fromheretoawesome http://a.images.blip.tv/Arincrumley-DIYDAYSINVITEROUGHEDITNEEDFEEDBACK181-103-383.jpg No license (All rights reserved) Come to this event! http://DIYDAYS.COM This invitation video is only a rough Edit. I plan to add a voice over and also list the other speakers and then publish this video to youtube.com/fromheretoawesome 53 YahooPartnerVideoID Blip post id 1080392 http://blip.tv/file/1074211 Educational diy days from here to awesome arin crumley lance weiler head trauma we are the strange mdotstrange Sun, 13 Jul 2008 04:23:36 +0000 diy, days, from, here, to, awesome, arin, crumley, lance, weiler, head, trauma, we, are, the, strange, mdotstrange http://a.images.blip.tv/Arincrumley-DIYDAYSINVITEROUGHEDITNEEDFEEDBACK181-103.jpg diy, days, from, here, to, awesome, arin, crumley, lance, weiler, head, trauma, we, are, the, strange, mdotstrange <iframe src="http://blip.tv/play/AcH5LAI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AcH5LAI" style="display:none"></embed> DIY DAYS INVITE - ROUGH EDIT - NEED FEEDBACK DC0EA572-4A6F-11DD-B987-F2756E0D5E68 http://blip.tv/arin-crumley/test-raw-footage-1058321 test raw footage Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1058321 1052128 file no 0.0 2008-07-05T08:53:38Z English 0 0 0 84 AcDMdQI http://blip.tv/play/AcDMdQI http://blip.tv/comments/?attached_to=post1058321&skin=rss Arincrumley-testRawFootage358-374.jpg test raw footage from the music video susan uploaded. http://a.images.blip.tv/Arincrumley-testRawFootage358-374-845.jpg No license (All rights reserved) test raw footage from the music video susan uploaded. 84 YahooPartnerVideoID Blip post id 1058321 http://blip.tv/file/1052128 Default Category Sat, 05 Jul 2008 08:53:38 +0000 http://a.images.blip.tv/Arincrumley-testRawFootage358-374.jpg <iframe src="http://blip.tv/play/AcDMdQI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AcDMdQI" style="display:none"></embed> test raw footage 0347E8EE-4942-11DD-8898-B1B961985350 http://blip.tv/arin-crumley/pre-performance-20x2-sxsw-2008-1054395 Pre-Performance @ 20x2 - SXSW 2008 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1054395 1048184 file no 0.0 2008-07-03T20:52:56Z English 0 0 0 308 AcCuHwI http://blip.tv/play/AcCuHwI http://blip.tv/comments/?attached_to=post1054395&skin=rss Arincrumley-PrePerformance20x2SXSW2008484-45.jpg I was one of the 20 people asked by the 20×2 organizers to answer the question “What’s the difference” in 2 minutes. They said I could do a film, speak, play music, what ever I felt like and since I had recently had fun making music, I decided to write this song. It was a cool event and but it happened at the same time as the From Here to Awesome party so I could only stay to see one other performance which I really liked. http://arincrumley.com http://20x2.org http://www.vimeo.com/755793 MUSIC at end: http://kidkulit.com http://a.images.blip.tv/Arincrumley-PrePerformance20x2SXSW2008484-45-568.jpg Creative Commons Attribution 2.0 I was one of the 20 people asked by the 20×2 organizers to answer the question “What’s the difference” in 2 minutes. They said I could do a film, speak, play music, what ever I felt like and since I had recently had fun making music, I decided to write this song. It was a cool event and but it happened at the same time as the From Here to Awesome party so I could only stay to see one other performance which I really liked. http://arincrumley.com http://20x2.org http://www.vimeo.com/755793 MUSIC at end: http://kidkulit.com 308 YahooPartnerVideoID Blip post id 1054395 http://blip.tv/file/1048184 Music and Entertainment arin crumley sxsw 2008 20x2 arincrumley austin whats difference Thu, 03 Jul 2008 20:52:56 +0000 arin, crumley, sxsw, 2008, 20x2, arincrumley, austin, whats, difference http://a.images.blip.tv/Arincrumley-PrePerformance20x2SXSW2008484-45.jpg arin, crumley, sxsw, 2008, 20x2, arincrumley, austin, whats, difference <iframe src="http://blip.tv/play/AcCuHwI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AcCuHwI" style="display:none"></embed> Pre-Performance @ 20x2 - SXSW 2008 http://creativecommons.org/licenses/by/2.0/ 4B2DE156-48CD-11DD-88C3-EF313FF7C45B http://blip.tv/arin-crumley/what-s-the-difference-20x2-performance-sxsw-2008-1052486 What's the difference - 20x2 performance - SXSW 2008 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 1052486 1046263 file no 0.0 2008-07-03T06:57:25Z English 0 0 0 165 AcCfKgI http://blip.tv/play/AcCfKgI http://blip.tv/comments/?attached_to=post1052486&skin=rss Arincrumley-WhatsTheDifference20x2PerformanceSXSW2008144-228.jpg http://arincrumley.com http://20x2.org http://www.vimeo.com/755793 http://a.images.blip.tv/Arincrumley-WhatsTheDifference20x2PerformanceSXSW2008144-228-15.jpg Creative Commons Attribution 2.0 http://arincrumley.com http://20x2.org http://www.vimeo.com/755793 165 YahooPartnerVideoID Blip post id 1052486 http://blip.tv/file/1046263 Music and Entertainment arin crumley sxsw 2008 20x2 arincrumley austin whats difference Thu, 03 Jul 2008 06:57:25 +0000 arin, crumley, sxsw, 2008, 20x2, arincrumley, austin, whats, difference http://a.images.blip.tv/Arincrumley-WhatsTheDifference20x2PerformanceSXSW2008144-228.jpg arin, crumley, sxsw, 2008, 20x2, arincrumley, austin, whats, difference <iframe src="http://blip.tv/play/AcCfKgI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AcCfKgI" style="display:none"></embed> What's the difference - 20x2 performance - SXSW 2008 http://creativecommons.org/licenses/by/2.0/ E29AA90C-38F1-11DD-A1FE-AD2413795FE4 http://blip.tv/arin-crumley/spout-discussion-starter-video-995045 Spout Discussion Starter Video Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 995045 988730 file no 0.0 2008-06-13T02:39:03Z English 0 0 0 651 AbzeSQI http://blip.tv/play/AbzeSQI http://blip.tv/comments/?attached_to=post995045&skin=rss Arincrumley-SpoutDiscussionStarterVideo203.jpg Spout.com/foureyedmonsters has evolved and is now a discussion area for our recent new episodes 9 to 13. Check it out. Post questions and reactions to our film and episodes. http://a.images.blip.tv/Arincrumley-SpoutDiscussionStarterVideo203-975.jpg No license (All rights reserved) Spout.com/foureyedmonsters has evolved and is now a discussion area for our recent new episodes 9 to 13. Check it out. Post questions and reactions to our film and episodes. 651 YahooPartnerVideoID Blip post id 995045 http://blip.tv/file/988730 Movies and Television four eyed monsters arin crumley episodes susan buice spout film filmmaker Fri, 13 Jun 2008 02:39:03 +0000 four, eyed, monsters, arin, crumley, episodes, susan, buice, spout, film, filmmaker http://a.images.blip.tv/Arincrumley-SpoutDiscussionStarterVideo203.jpg four, eyed, monsters, arin, crumley, episodes, susan, buice, spout, film, filmmaker <iframe src="http://blip.tv/play/AbzeSQI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AbzeSQI" style="display:none"></embed> Spout Discussion Starter Video 4799CB7C-38F1-11DD-BB37-C2D096BA3392 http://blip.tv/arin-crumley/rough-edit-for-approval-summer-conference-2007-995037 Rough Edit for Approval - Summer Conference 2007 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 995037 988723 file no 0.0 2008-06-13T02:34:43Z English 0 0 0 151 AbzeQQI http://blip.tv/play/AbzeQQI http://blip.tv/comments/?attached_to=post995037&skin=rss Arincrumley-RoughEditForApprovalSummerConference2007532-639.jpg http://a.images.blip.tv/Arincrumley-RoughEditForApprovalSummerConference2007532-639-412.jpg No license (All rights reserved) 151 http://blip.tv/file/988723 Default Category Fri, 13 Jun 2008 02:34:43 +0000 http://a.images.blip.tv/Arincrumley-RoughEditForApprovalSummerConference2007532-639.jpg <iframe src="http://blip.tv/play/AbzeQQI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AbzeQQI" style="display:none"></embed> Rough Edit for Approval - Summer Conference 2007 83C05568-10FA-11DD-BB5B-9257287E838E http://blip.tv/arin-crumley/drexel-university-episodic-cliff-hangers-spontaneous-camera-attacks-855422 Drexel University: Episodic Cliff Hangers & Spontaneous Camera Attacks Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 855422 848987 file no 0.0 2008-04-23T06:00:02Z English 0 0 0 751 AbSbYgI http://blip.tv/play/AbSbYgI http://blip.tv/comments/?attached_to=post855422&skin=rss Arincrumley-TalkingAboutEpisodicCliffHangersAtDrexelUniversity679-796.jpg At Drexel University in Philidelphia on Monday I showed a clip of Episode 12. After that I spoke a bit about spontaneous filmmaking and always having a camera on hand in case you want to document something. Then I talk about episodic cliff hangers and a structure we found ourselves coming back to time and time again. Jason, who produced Chuck and Buck brought up the fact that dickens released his first few novels serialized in the paper. Jason also mentioned the age old complaint that about there being a lot of bad stuff out there because of the democratization of filmmaking.It's agreed that the promise is in better filtering and recommendation enginges. Then Jonathan asks us what did to raise revenue with Four Eyed Monsters. After my answer the tape runs out and then Brian Announces to the classroom a new project they are doing called "Nokia Productions" and says a press release with full details will come out on April 25th. http://a.images.blip.tv/Arincrumley-TalkingAboutEpisodicCliffHangersAtDrexelUniversity679-796-569.jpg Public Domain At Drexel University in Philidelphia on Monday I showed a clip of Episode 12. After that I spoke a bit about spontaneous filmmaking and always having a camera on hand in case you want to document something. Then I talk about episodic cliff hangers and a structure we found ourselves coming back to time and time again. Jason, who produced Chuck and Buck brought up the fact that dickens released his first few novels serialized in the paper. Jason also mentioned the age old complaint that about there being a lot of bad stuff out there because of the democratization of filmmaking.It's agreed that the promise is in better filtering and recommendation enginges. Then Jonathan asks us what did to raise revenue with Four Eyed Monsters. After my answer the tape runs out and then Brian Announces to the classroom a new project they are doing called "Nokia Productions" and says a press release with full details will come out on April 25th. 751 YahooPartnerVideoID Blip post id 855422 http://blip.tv/file/848987 Educational arin crumley arincrumley drexel phily phildelphia diy filmmaking filmmaker resource nokia productions Wed, 23 Apr 2008 06:00:02 +0000 arin, crumley, arincrumley, drexel, phily, phildelphia, diy, filmmaking, filmmaker, resource, nokia, productions http://a.images.blip.tv/Arincrumley-TalkingAboutEpisodicCliffHangersAtDrexelUniversity679-796.jpg arin, crumley, arincrumley, drexel, phily, phildelphia, diy, filmmaking, filmmaker, resource, nokia, productions <iframe src="http://blip.tv/play/AbSbYgI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AbSbYgI" style="display:none"></embed> Drexel University: Episodic Cliff Hangers & Spontaneous Camera Attacks http://creativecommons.org/licenses/publicdomain/ 453D13B4-0B12-11DD-A01C-EF9D2D7C302D http://blip.tv/arin-crumley/video-blog-nokia-college-tour-from-here-to-awesome-diy-workshop-835875 Video Blog: Nokia College Tour - From Here to Awesome - DIY Workshop Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 835875 829470 file no 0.0 2008-04-15T17:34:58Z English 0 0 0 328 AbODBwI http://blip.tv/play/AbODBwI http://blip.tv/comments/?attached_to=post835875&skin=rss Arincrumley-VideoBlogNokiaCollegeTourFromHereToAwesomeDIYWorksho120.png This is a little update to let people know what I'm up to. In this video I mention how I've just moved out of my loft and am going on tour and then I invite people to check out the Nokia College Tour, From Here To Awesome and the DIY self distribution workshop we are doing at Boston university at the end of May. And then at the end I tease a little something going on with Four Eyed Monsters. Questions? Comments? Just post a response below... http://a.images.blip.tv/Arincrumley-NokiaCollegeTourFromHereToAwesomeDIYWorkshop661-648-808.jpg Public Domain This is a little update to let people know what I'm up to. In this video I mention how I've just moved out of my loft and am going on tour and then I invite people to check out the Nokia College Tour, From Here To Awesome and the DIY self distribution workshop we are doing at Boston university at the end of May. And then at the end I tease a little something going on with Four Eyed Monsters. Questions? Comments? Just post a response below... 328 YahooPartnerVideoID Blip post id 835875 http://blip.tv/file/829470 Educational nokia college tour from here to awesome diy workshop arincrumley arin crumley filmmaking fhta Tue, 15 Apr 2008 17:34:58 +0000 nokia, college, tour, from, here, to, awesome, diy, workshop, arincrumley, arin, crumley, filmmaking, fhta http://a.images.blip.tv/Arincrumley-VideoBlogNokiaCollegeTourFromHereToAwesomeDIYWorksho120.png nokia, college, tour, from, here, to, awesome, diy, workshop, arincrumley, arin, crumley, filmmaking, fhta <iframe src="http://blip.tv/play/AbODBwI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AbODBwI" style="display:none"></embed> Video Blog: Nokia College Tour - From Here to Awesome - DIY Workshop http://creativecommons.org/licenses/publicdomain/ 25D47978-D448-11DC-8AF3-8FA16F18ECE0 http://blip.tv/arin-crumley/clothes-made-from-recycled-fabric-655444 Clothes made from Recycled Fabric Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 655444 649567 file no 0.0 2008-02-06T00:12:05Z English 0 0 0 153 AaiBOAI http://blip.tv/play/AaiBOAI http://blip.tv/comments/?attached_to=post655444&skin=rss Arincrumley-ClothesMadeFromRecycledFabric375.png http://mandateofheavenclothing.com I’ve been thinking a lot about clothing lately. I think there is a big potential for the whole clothing experience to be re-invented so we don’t have to hurt the environment and humanity so much. Instead of always using new fabric and shipping clothes made in sweat shops by little kids all over the world a very different approach can be taken. One major step in the right direction is what a friend of a friends clothing line is up to. Mandate of Heaven makes their clothes from recycled fabric. And they distribute their clothes primarily locally which cuts down on shipping and packaging pollution. They’re also all very expressive clothes which gives the person wearing them a strong individuality and uniqueness which helps break out of the manufactured mindset of manufactured clothes. I was invited to check out their show and decided to bring my camera. Then I couldn’t help myself and wanted to edit their show into a video with music by one of my favorite local bands 'Forest Fire' who I’ve posted a performance by in the past. http://myspace.com/fuckforestfire Here is the complete list of lovely models: Paige Wood, Sophia Casanova, Montana Queler, Valerie Ponelli, John Lustig, Claudia Lopez, Rachel Antonoff, Sarah Moran, Noelle Lynch, Jessica Gallucci, Alexa Weir, Lisa Goodwin, Eugina Williams, Alia Shawkat, Maria Christina, Brissi, Ying Li, Sara Copeland, Carissa Ackerman. For more info about the models visit the Mandate of Heaven MySpace Profile. http://www.myspace.com/mandate_of_heaven There is also a flickr photo set from the show. http://www.flickr.com/photos/angellustnyc/sets/72157603848088184/ Technical Notes about making this video: I shot on the HVX-200 with all default settings in terms of gama and color manipulation. The recording setting was at 720 60p and the Scene setting was put to ‘film cam’ rather then what I normally shoot on which is ‘video cam’. Then while shooting I took into consideration everything getting slowed down and did some more radical camera work that I otherwise wouldn’t have done. I tried to run around a lot and get different angles. Then I captured the footage into FCP using Log and transfer. Because I shot on ‘Film Cam’ the 60 frames per second that were recorded played back at 23.98 which is the beautiful slowmotion you see in the video. I then proceeded to slow the footage down even further to 50 percent and sometimes 25 percent. I did this by clicking the clip and then hitting “apple J” and then typing in the speed that I wanted it to be. Normally I avoid frame blending but in this case it gave it a nice dreamy blur that I like so I used it on almost every shot. Then I used WireTap Pro to record the forest fire song off their myspace profile. I set the software to record the computer audio at 48Khz with no compression and then brought that music into FCP. Then I downloaded some elements from my website like the earth and the pattern and dragged those from my desktop to the FCP timeline in order to have a background for my graphics. Then I color corrected by crushing the blacks, lowering the whites and boosting the mids. Also dragging the color temperature towards blue as needed for each shot. Then I used compressor to export to web and chose the iPod 640 by 480 preset and then uploaded to YouTube. Then I hopped over here and wrote the blog post in my wordpress blog and next will export the video in the Apple TV codec and then use tubemogul to post that across my various video services including blip.tv which makes this video available in iTunes and Miro in HD quality. This video is under a sharalike creative commons license so anyone can re-edit and re-post with a similar license provided they link to the designer and to myself. Question for commenters: How else do you think the clothing experience can be re-invented? http://a.images.blip.tv/Arincrumley-ClothesMadeFromRecycledFabric375-421.jpg Creative Commons Attribution-ShareAlike 2.0 http://mandateofheavenclothing.com I’ve been thinking a lot about clothing lately. I think there is a big potential for the whole clothing experience to be re-invented so we don’t have to hurt the environment and humanity so much. Instead of always using new fabric and shipping clothes made in sweat shops by little kids all over the world a very different approach can be taken. One major step in the right direction is what a friend of a friends clothing line is up to. Mandate of Heaven makes their clothes from recycled fabric. And they distribute their clothes primarily locally which cuts down on shipping and packaging pollution. They’re also all very expressive clothes which gives the person wearing them a strong individuality and uniqueness which helps break out of the manufactured mindset of manufactured clothes. I was invited to check out their show and decided to bring my camera. Then I couldn’t help myself and wanted to edit their show into a video with music by one of my favorite local bands 'Forest Fire' who I’ve posted a performance by in the past. http://myspace.com/fuckforestfire Here is the complete list of lovely models: Paige Wood, Sophia Casanova, Montana Queler, Valerie Ponelli, John Lustig, Claudia Lopez, Rachel Antonoff, Sarah Moran, Noelle Lynch, Jessica Gallucci, Alexa Weir, Lisa Goodwin, Eugina Williams, Alia Shawkat, Maria Christina, Brissi, Ying Li, Sara Copeland, Carissa Ackerman. For more info about the models visit the Mandate of Heaven MySpace Profile. http://www.myspace.com/mandate_of_heaven There is also a flickr photo set from the show. http://www.flickr.com/photos/angellustnyc/sets/72157603848088184/ Technical Notes about making this video: I shot on the HVX-200 with all default settings in terms of gama and color manipulation. The recording setting was at 720 60p and the Scene setting was put to ‘film cam’ rather then what I normally shoot on which is ‘video cam’. Then while shooting I took into consideration everything getting slowed down and did some more radical camera work that I otherwise wouldn’t have done. I tried to run around a lot and get different angles. Then I captured the footage into FCP using Log and transfer. Because I shot on ‘Film Cam’ the 60 frames per second that were recorded played back at 23.98 which is the beautiful slowmotion you see in the video. I then proceeded to slow the footage down even further to 50 percent and sometimes 25 percent. I did this by clicking the clip and then hitting “apple J” and then typing in the speed that I wanted it to be. Normally I avoid frame blending but in this case it gave it a nice dreamy blur that I like so I used it on almost every shot. Then I used WireTap Pro to record the forest fire song off their myspace profile. I set the software to record the computer audio at 48Khz with no compression and then brought that music into FCP. Then I downloaded some elements from my website like the earth and the pattern and dragged those from my desktop to the FCP timeline in order to have a background for my graphics. Then I color corrected by crushing the blacks, lowering the whites and boosting the mids. Also dragging the color temperature towards blue as needed for each shot. Then I used compressor to export to web and chose the iPod 640 by 480 preset and then uploaded to YouTube. Then I hopped over here and wrote the blog post in my wordpress blog and next will export the video in the Apple TV codec and then use tubemogul to post that across my various video services including blip.tv which makes this video available in iTunes and Miro in HD quality. This video is under a sharalike creative commons license so anyone can re-edit and re-post with a similar license provided they link to the designer and to myself. Question for commenters: How else do you think the clothing experience can be re-invented? 153 http://blip.tv/file/649567 Travel mandate heaven girls models recycled clothing fashion week new york city 2008 paige wood sophia casanova montana queler valerie ponelli john lustig claudia lopez rachel antonoff sarah moran noelle lynch jessica gallucci alexa weir lisa goodwin eugina will Wed, 06 Feb 2008 00:12:05 +0000 mandate, heaven, girls, models, recycled, clothing, fashion, week, new, york, city, 2008, paige, wood, sophia, casanova, montana, queler, valerie, ponelli, john, lustig, claudia, lopez, rachel, antonoff, sarah, moran, noelle, lynch, jessica, gallucci, al http://a.images.blip.tv/Arincrumley-ClothesMadeFromRecycledFabric375.png mandate, heaven, girls, models, recycled, clothing, fashion, week, new, york, city, 2008, paige, wood, sophia, casanova, montana, queler, valerie, ponelli, john, lustig, claudia, lopez, rachel, antonoff, sarah, moran, noelle, lynch, jessica, gallucci, alexa, weir, lisa, goodwin, eugina, will <iframe src="http://blip.tv/play/AaiBOAI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaiBOAI" style="display:none"></embed> Clothes made from Recycled Fabric http://creativecommons.org/licenses/by-sa/2.0/ 25C02092-D103-11DC-9B4E-D6C833BAE3C9 http://blip.tv/arin-crumley/haters-in-a-hostile-world-646536 Haters in a Hostile World Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 646536 640673 file no 0.0 2008-02-01T20:20:36Z English 0 0 0 259 Aae7bAI http://blip.tv/play/Aae7bAI http://blip.tv/comments/?attached_to=post646536&skin=rss Arincrumley-HatersInAHostileWorld852-856.jpg This is a mash up of real hate comments and hate mail I got in reaction to my last video. The 4 places I collected the hate comments were Williamsboard, Gawker, YouTube comments and my own blog post. In addition to a parody video, a confession video has also appeared in which the creator anonymously claims to have met me at the party introducing himself with his real name and shaking my hand. According to a commenter on this guys profile posted back in August, the individual behind this account might be named, "Adam Pearse". Going through these comments looking for leads on the stolen bike and coat was sometimes hilarious but left me feeling kind of depressed. Until I had the idea for this song which has made me feel way better. To create this song I pasted any good lines into a document that I then tweaked to add rhythm and rhyme. Here are the lyrics and chords. Tech Notes: I filmed on the HVX-200 with a soft light above the camera and a back light you can see hidden just behind the de-popper. I always try to use a fast shutter speed for web video because you don't want motion blur, compression doesn't like it. So I went with 250 or 120, I forget. I used a Shure KSM27 Microphone hooked up to mic input 1 and a 1/4 to XLR cable to go out of my guitar straight into the cameras mic input 2 of the video camera. I recorded in 720pn making sure I had the entire song down in one single take, which took a few tries, most of which I deleted after trying it. Also I re-wrote the lyrics slightly after each take to fix what was tripping me up. Then I used, "log and transfer" function in FCP to get the footage in. Then a color correction filter to crush blacks, boost mids and drag the color temperature towards a cooler less red tone. Then I used sound affects provided in Sound Track Pro for the gun shots and bullet landing on the ground. But I didn't use soundtrack Pro, I just found those files on my drive and pulled them into FCP. Then I added a slight delay using an audio plug-in to my singing voice and compression using an FCP default plug-in on my voice and guitar. That just generally smooths out the volume change as I'd move closer and further from the mic. Then I chose export to compressor and selected iPod 640 by 480. Because the video was 16:9 compressor knew to actually make a 640 by 360 video and I double clicked on the settings to insure that was the case. Then I hit "submit" and waited for it to encode and then I posted to YouTube. Then I used senduit.com to get a copy over to susan and she suggested i take out one extra line I had at the intro and I agreed so I re-exported the same way and posted to YouTube. Then I used compressor to make an Apple TV version which I posted to TubeMogul.com which cross posts to all my other video accounts including blip.tv which means this video is freely downloadable in iTunes and Miro in HD. http://a.images.blip.tv/Arincrumley-HatersInAHostileWorld852-856-203.jpg Creative Commons Attribution-ShareAlike 2.0 This is a mash up of real hate comments and hate mail I got in reaction to my last video. The 4 places I collected the hate comments were Williamsboard, Gawker, YouTube comments and my own blog post. In addition to a parody video, a confession video has also appeared in which the creator anonymously claims to have met me at the party introducing himself with his real name and shaking my hand. According to a commenter on this guys profile posted back in August, the individual behind this account might be named, "Adam Pearse". Going through these comments looking for leads on the stolen bike and coat was sometimes hilarious but left me feeling kind of depressed. Until I had the idea for this song which has made me feel way better. To create this song I pasted any good lines into a document that I then tweaked to add rhythm and rhyme. Here are the lyrics and chords. Tech Notes: I filmed on the HVX-200 with a soft light above the camera and a back light you can see hidden just behind the de-popper. I always try to use a fast shutter speed for web video because you don't want motion blur, compression doesn't like it. So I went with 250 or 120, I forget. I used a Shure KSM27 Microphone hooked up to mic input 1 and a 1/4 to XLR cable to go out of my guitar straight into the cameras mic input 2 of the video camera. I recorded in 720pn making sure I had the entire song down in one single take, which took a few tries, most of which I deleted after trying it. Also I re-wrote the lyrics slightly after each take to fix what was tripping me up. Then I used, "log and transfer" function in FCP to get the footage in. Then a color correction filter to crush blacks, boost mids and drag the color temperature towards a cooler less red tone. Then I used sound affects provided in Sound Track Pro for the gun shots and bullet landing on the ground. But I didn't use soundtrack Pro, I just found those files on my drive and pulled them into FCP. Then I added a slight delay using an audio plug-in to my singing voice and compression using an FCP default plug-in on my voice and guitar. That just generally smooths out the volume change as I'd move closer and further from the mic. Then I chose export to compressor and selected iPod 640 by 480. Because the video was 16:9 compressor knew to actually make a 640 by 360 video and I double clicked on the settings to insure that was the case. Then I hit "submit" and waited for it to encode and then I posted to YouTube. Then I used senduit.com to get a copy over to susan and she suggested i take out one extra line I had at the intro and I agreed so I re-exported the same way and posted to YouTube. Then I used compressor to make an Apple TV version which I posted to TubeMogul.com which cross posts to all my other video accounts including blip.tv which means this video is freely downloadable in iTunes and Miro in HD. 259 http://blip.tv/file/640673 Default Category arin crumley haters in hostile world arincrumley coat stolen bike Fri, 01 Feb 2008 20:20:36 +0000 arin, crumley, haters, in, hostile, world, arincrumley, coat, stolen, bike http://a.images.blip.tv/Arincrumley-HatersInAHostileWorld852-856.jpg arin, crumley, haters, in, hostile, world, arincrumley, coat, stolen, bike <iframe src="http://blip.tv/play/Aae7bAI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#Aae7bAI" style="display:none"></embed> Haters in a Hostile World http://creativecommons.org/licenses/by-sa/2.0/ E52DB1D4-CD97-11DC-8324-C6BB71370DEB http://blip.tv/arin-crumley/social-checks-and-balance-of-digital-karma-in-the-information-age-635327 Social Checks and Balance of Digital Karma in the Information Age Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 635327 629488 file no 1.3 2008-01-28T11:55:18Z English 0 0 0 232 AabkIwI http://blip.tv/play/AabkIwI http://blip.tv/comments/?attached_to=post635327&skin=rss Arincrumley-IWasRobbedBikeCoatWalletVideoRecorderPassport342.jpg To track this case please subscribe to my video channel. To provide leads or turn in the goods, get in touch on my contact page or via arincrumley - at - gmail - dot - com. STOLEN BIKE:*NOTE: The bike is actually susan's and I would borrow it from time to time. But she would ride her bike almost every day so it's very important to me to either get this bike back or get her a new one. STOLEN COAT: Also missing is a standard US passport with the name Arin M Crumley inside (it's new so might have an RFID Chip that can be used to track the perpatrators every move). In the coat was a beat up wallet with a lot of receipts and maxed out credit cards (don't try to use them, they are full.) Also I had this video recorder in one of the pockets. http://a.images.blip.tv/Arincrumley-IWasRobbedBikeCoatWalletVideoRecorderPassport342-397.jpg Public Domain To track this case please subscribe to my video channel. To provide leads or turn in the goods, get in touch on my contact page or via arincrumley - at - gmail - dot - com. STOLEN BIKE:*NOTE: The bike is actually susan's and I would borrow it from time to time. But she would ride her bike almost every day so it's very important to me to either get this bike back or get her a new one. STOLEN COAT: Also missing is a standard US passport with the name Arin M Crumley inside (it's new so might have an RFID Chip that can be used to track the perpatrators every move). In the coat was a beat up wallet with a lot of receipts and maxed out credit cards (don't try to use them, they are full.) Also I had this video recorder in one of the pockets. 232 http://blip.tv/file/629488 Videoblogging stolen bike coat robbed missing help arin crumley arincrumley passport respect trail digitally caputred security cameras 79 lorimer loft party brooklyn theif balance hug handshake Mon, 28 Jan 2008 11:55:18 +0000 stolen, bike, coat, robbed, missing, help, arin, crumley, arincrumley, passport, respect, trail, digitally, caputred, security, cameras, 79, lorimer, loft, party, brooklyn, theif, balance, hug, handshake http://a.images.blip.tv/Arincrumley-IWasRobbedBikeCoatWalletVideoRecorderPassport342.jpg stolen, bike, coat, robbed, missing, help, arin, crumley, arincrumley, passport, respect, trail, digitally, caputred, security, cameras, 79, lorimer, loft, party, brooklyn, theif, balance, hug, handshake <iframe src="http://blip.tv/play/AabkIwI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AabkIwI" style="display:none"></embed> Social Checks and Balance of Digital Karma in the Information Age http://creativecommons.org/licenses/publicdomain/ 41C505D6-CA10-11DC-9ECF-C9C5EBA57DD0 http://blip.tv/arin-crumley/evil-city-film-festival-panel-filmmakers-tell-all-625338 Evil City Film Festival Panel - Filmmakers Tell All Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 625338 619512 file no 0.0 2008-01-24T00:06:48Z English 0 0 0 3473 AaaWHgI http://blip.tv/play/AaaWHgI http://blip.tv/comments/?attached_to=post625338&skin=rss Arincrumley-EvilCityFilmFestivalPanelFilmmakersTellAll722.png Watch on YouTubeThis panel was moderated by Ingrid Kopp of Shooting people as part of the Evil City Film festival back in October. Panelists include Leah Meyerhoff, John Putch, Arin Crumley and Susan Buice.Three very short clips were taken from the above video and posted to the new From Here to Awesome Video Feed. Look for the video feed and subscribe on iTunes, Miro, YouTube, MySpace and Blip.TV and several other video sites.Thanks to TubeMogul and Mike Hedge for cross posting that video to so many sites.Please feel free to sample and re-post any part of or all of this video. Please link to ArinCrumley.com as the original place the video posted. http://a.images.blip.tv/Arincrumley-EvilCityFilmFestivalPanelFilmmakersTellAll722-940.jpg Public Domain Watch on YouTubeThis panel was moderated by Ingrid Kopp of Shooting people as part of the Evil City Film festival back in October. Panelists include Leah Meyerhoff, John Putch, Arin Crumley and Susan Buice.Three very short clips were taken from the above video and posted to the new From Here to Awesome Video Feed. Look for the video feed and subscribe on iTunes, Miro, YouTube, MySpace and Blip.TV and several other video sites.Thanks to TubeMogul and Mike Hedge for cross posting that video to so many sites.Please feel free to sample and re-post any part of or all of this video. Please link to ArinCrumley.com as the original place the video posted. 3473 http://blip.tv/file/619512 Default Category evil city film festival panel fromheretoawesome fhta from here to awesome arin crumley lance weiler evil city film festival attention filmmakers tips Thu, 24 Jan 2008 00:06:48 +0000 evil, city, film, festival panel fromheretoawesome fhta from here to awesome arin crumley lance weiler evil city film festival attention filmmakers tips http://a.images.blip.tv/Arincrumley-EvilCityFilmFestivalPanelFilmmakersTellAll722.png evil, city, film, festival panel fromheretoawesome fhta from here to awesome arin crumley lance weiler evil city film festival attention filmmakers tips <iframe src="http://blip.tv/play/AaaWHgI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaaWHgI" style="display:none"></embed> Evil City Film Festival Panel - Filmmakers Tell All http://creativecommons.org/licenses/publicdomain/ B11C6A1C-C931-11DC-811D-EF75AD6B6C4F http://blip.tv/arin-crumley/from-here-to-awesome-interview-by-newteevee-622560 From Here to Awesome Interview by NewTeeVee Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 622560 616744 file no 5.0 2008-01-22T21:33:37Z English 0 0 0 1138 AaaARAI http://blip.tv/play/AaaARAI http://blip.tv/comments/?attached_to=post622560&skin=rss Arincrumley-FromHereToAwesomeInterviewByNewTeeVee806-540.jpg Formats: .mov | .flv | YouTubeLast week a film festival I co-founded called From Here to Awesome was introduced and got a lot of blogosphere attention. This is an interview that NewTeeVee conducted with Lance and I. After the interview they posted a raw .mp3 of the full conversation and wrote up a blog post on NewTeeVee. I've you've made a film you think the world should there is a good chance you should really be a part of From Here to Awesome. Read the details on how to submit here. You can also see photos documenting the creation of this film festival in this flickr set. Please spread the word!!!! FromHereToAwesome.com http://a.images.blip.tv/Arincrumley-FromHereToAwesomeInterviewByNewTeeVee806-540-622.jpg Public Domain Formats: .mov | .flv | YouTubeLast week a film festival I co-founded called From Here to Awesome was introduced and got a lot of blogosphere attention. This is an interview that NewTeeVee conducted with Lance and I. After the interview they posted a raw .mp3 of the full conversation and wrote up a blog post on NewTeeVee. I've you've made a film you think the world should there is a good chance you should really be a part of From Here to Awesome. Read the details on how to submit here. You can also see photos documenting the creation of this film festival in this flickr set. Please spread the word!!!! FromHereToAwesome.com 1138 http://blip.tv/file/616744 Educational from here to awesome interview awesomeshort awesomefeature arin crumley arincrumley newteevee Tue, 22 Jan 2008 21:33:37 +0000 from, here, to, awesome, interview, awesomeshort, awesomefeature, arin crumley, arincrumley, newteevee http://a.images.blip.tv/Arincrumley-FromHereToAwesomeInterviewByNewTeeVee806-540.jpg from, here, to, awesome, interview, awesomeshort, awesomefeature, arin crumley, arincrumley, newteevee <iframe src="http://blip.tv/play/AaaARAI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaaARAI" style="display:none"></embed> From Here to Awesome Interview by NewTeeVee http://creativecommons.org/licenses/publicdomain/ FB378D6A-BD57-11DC-B3A7-CE4616F5B99E http://blip.tv/arin-crumley/forest-fire-live-the-appartment-in-brooklyn-ny-590335 Forest Fire Live @ The Appartment in Brooklyn NY Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 590335 584647 file no 0.0 2008-01-07T19:37:28Z English 0 0 0 151 AaSEYwI http://blip.tv/play/AaSEYwI http://blip.tv/comments/?attached_to=post590335&skin=rss Arincrumley-ForestFireLiveTheAppartmentInBrooklynNY668.png Forest Fire performes their song Fortune Teller at the Appartment January 5th 2008. Due to seeing my videos of Sharon I was invited by Michael Leviton to his and Leah Hayes apartment where they have monthly open mic. People show up and get on a list and then perform a couple songs and there is tons of video and photography happening of it all. Check out The Appartment MySpace page.To get all of the performances coming out of the Appartment go to their YouTube page.And to get all of my videos go to my subscribe page.Tech Notes:This footage was shot in 720 24pn on the HVX-200 and color corrected in final cut studio with color correction filter lowering saturation and boosting mids and whites. I encoded the footage into the Apple TV codec using compressor and then changed the file name from a .m3v to a .mov and uploaded to Tubemogul.com where it was cross posted to my blip channel where I logged in and edited this HTML and then arincrumley.com and a few other sites got the cross post. Check my tutorial on this uploading and cross posting process. http://a.images.blip.tv/Arincrumley-ForestFireLiveTheAppartmentInBrooklynNY668-854.jpg Creative Commons Attribution-ShareAlike 2.0 Forest Fire performes their song Fortune Teller at the Appartment January 5th 2008. Due to seeing my videos of Sharon I was invited by Michael Leviton to his and Leah Hayes apartment where they have monthly open mic. People show up and get on a list and then perform a couple songs and there is tons of video and photography happening of it all. Check out The Appartment MySpace page.To get all of the performances coming out of the Appartment go to their YouTube page.And to get all of my videos go to my subscribe page.Tech Notes:This footage was shot in 720 24pn on the HVX-200 and color corrected in final cut studio with color correction filter lowering saturation and boosting mids and whites. I encoded the footage into the Apple TV codec using compressor and then changed the file name from a .m3v to a .mov and uploaded to Tubemogul.com where it was cross posted to my blip channel where I logged in and edited this HTML and then arincrumley.com and a few other sites got the cross post. Check my tutorial on this uploading and cross posting process. 151 http://blip.tv/file/584647 Music and Entertainment forest fire music brooklyn appartment Mon, 07 Jan 2008 19:37:28 +0000 forest, fire, music, brooklyn, appartment http://a.images.blip.tv/Arincrumley-ForestFireLiveTheAppartmentInBrooklynNY668.png forest, fire, music, brooklyn, appartment <iframe src="http://blip.tv/play/AaSEYwI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaSEYwI" style="display:none"></embed> Forest Fire Live @ The Appartment in Brooklyn NY http://creativecommons.org/licenses/by-sa/2.0/ 2753987E-BCAB-11DC-BBAD-9FFAEB1A5BBE http://blip.tv/arin-crumley/art-installation-by-brook-goldberg-the-art-party-588495 Art installation by Brook Goldberg @ The Art Party Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 588495 582815 file no 0.0 2008-01-06T23:00:19Z English 0 0 0 70 AaP2MwI http://blip.tv/play/AaP2MwI http://blip.tv/comments/?attached_to=post588495&skin=rss Arincrumley-ArtInstallationByBrookGoldbergTheArtParty583.png I was at The Art Party at Galapagos in December 2007 and the concepts in Brook Goldbergs art jumped out at me so I decided to record some video. Then the organizer of Party offered to introduce me to Brook and I recorded this audio clip. http://a.images.blip.tv/Arincrumley-ArtInstallationByBrookGoldbergTheArtParty583-658.jpg Public Domain I was at The Art Party at Galapagos in December 2007 and the concepts in Brook Goldbergs art jumped out at me so I decided to record some video. Then the organizer of Party offered to introduce me to Brook and I recorded this audio clip. 70 http://blip.tv/file/582815 Movies and Television brook goldberg at galapagos brooklyn local art Sun, 06 Jan 2008 23:00:19 +0000 brook, goldberg, at, galapagos, brooklyn, local, art http://a.images.blip.tv/Arincrumley-ArtInstallationByBrookGoldbergTheArtParty583.png brook, goldberg, at, galapagos, brooklyn, local, art <iframe src="http://blip.tv/play/AaP2MwI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaP2MwI" style="display:none"></embed> Art installation by Brook Goldberg @ The Art Party http://creativecommons.org/licenses/publicdomain/ D233D73C-B50C-11DC-A8D5-B861D1368697 http://blip.tv/arin-crumley/the-future-of-performance-art-if-misnomer-gets-the-10k-570544 The Future of Performance Art if Misnomer gets the 10K Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 570544 564963 file no 0.0 2007-12-28T06:19:18Z English 0 0 0 981 AaLqFAI http://blip.tv/play/AaLqFAI http://blip.tv/comments/?attached_to=post570544&skin=rss Arincrumley-TheFutureOfPerformanceArtIfMisnomerGetsThe10K860-48.jpg If you like Dorian Nuskind-Oder and Chris Elam's vision for the future of performance art please get everyone you know to go vote for them at ideablob.com where they can win 10K to make this all a reality. For more about their dance company visit Misnomer.com and for more of my videos visit www.arincrumley.com. http://a.images.blip.tv/Arincrumley-TheFutureOfPerformanceArtIfMisnomerGetsThe10K860-48-901.jpg Public Domain If you like Dorian Nuskind-Oder and Chris Elam's vision for the future of performance art please get everyone you know to go vote for them at ideablob.com where they can win 10K to make this all a reality. For more about their dance company visit Misnomer.com and for more of my videos visit www.arincrumley.com. 981 YahooPartnerVideoID Blip post id 570544 http://blip.tv/file/564963 Videoblogging misnomer interview about ideablob 10k contest chris elam dorian nuskind-oder future performance art dance company digital social networking video rehursal distribution story Fri, 28 Dec 2007 06:19:18 +0000 misnomer, interview, about, ideablob, 10k, contest, chris, elam, dorian, nuskind-oder, future, performance, art, dance, company, digital, social, networking, video, rehursal, distribution, story http://a.images.blip.tv/Arincrumley-TheFutureOfPerformanceArtIfMisnomerGetsThe10K860-48.jpg misnomer, interview, about, ideablob, 10k, contest, chris, elam, dorian, nuskind-oder, future, performance, art, dance, company, digital, social, networking, video, rehursal, distribution, story <iframe src="http://blip.tv/play/AaLqFAI.html?p=1" width="480" height="421" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaLqFAI" style="display:none"></embed> The Future of Performance Art if Misnomer gets the 10K http://creativecommons.org/licenses/publicdomain/ F11B0AEE-AF26-11DC-9CD0-CED8962D1ACE http://blip.tv/arin-crumley/sharon-van-etten-damn-right-galapagos-12-19-2007-558765 Sharon Van Etten "Damn Right" @ Galapagos - 12.19.2007 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 558765 553233 file no 0.0 2007-12-20T18:11:10Z English 0 0 0 213 AaKOEQI http://blip.tv/play/AaKOEQI http://blip.tv/comments/?attached_to=post558765&skin=rss Arincrumley-SharonVanEttenDamnRightGalapagos12192007556.png Sharon Van Etten performs "Damn Right" to at the noisy bar in Brooklyn. The back room there is a little bit better but right at the bar in the front room it's hard to grab peoples attention. Only some of the room is engaged and that tension really works for a song about unrequited love. Sign up on her mailing list on her site to find out about upcoming shows: http://sharonvanetten.com http://a.images.blip.tv/Arincrumley-SharonVanEttenDamnRightGalapagos12192007556-813.jpg Creative Commons Attribution 2.0 Sharon Van Etten performs "Damn Right" to at the noisy bar in Brooklyn. The back room there is a little bit better but right at the bar in the front room it's hard to grab peoples attention. Only some of the room is engaged and that tension really works for a song about unrequited love. Sign up on her mailing list on her site to find out about upcoming shows: http://sharonvanetten.com 213 http://blip.tv/file/553233 Music and Entertainment sharon van etten performs damn right galapgos 12-19-2007 brooklyn new york art party space folk indie Thu, 20 Dec 2007 18:11:10 +0000 sharon, van, etten, performs, damn, right, galapgos, 12-19-2007, brooklyn, new, york, art, party, space, folk, indie http://a.images.blip.tv/Arincrumley-SharonVanEttenDamnRightGalapagos12192007556.png sharon, van, etten, performs, damn, right, galapgos, 12-19-2007, brooklyn, new, york, art, party, space, folk, indie <iframe src="http://blip.tv/play/AaKOEQI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaKOEQI" style="display:none"></embed> Sharon Van Etten "Damn Right" @ Galapagos - 12.19.2007 http://creativecommons.org/licenses/by/2.0/ 707B3C42-AC79-11DC-B006-BF4732A4AAA7 http://blip.tv/arin-crumley/birthday-karaoke-sing-sing-12-13-2007-551859 Birthday Karaoke @ Sing Sing 12.13.2007 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 551859 546355 file no 0.0 2007-12-17T08:24:09Z English 0 0 0 199 AaHYFwI http://blip.tv/play/AaHYFwI http://blip.tv/comments/?attached_to=post551859&skin=rss Arincrumley-BirthdayKaraokeSingSing12132007534.png Karl Jacob, Sara Mayti, Brian Chirls, Amylin Loglisci, Brian Jacobs, Sharon Van Etten, Joe Griffin, Susan Buice, Josh Steinbauer, some british girls that randomly joined us, and myself all at my favorite karaoke place in New York called Sing Sing. Best Bday ever! And we took tons ofpictures that are up on my flickr. For more of whats going on in my world subscribe to arincrumley.com. http://a.images.blip.tv/Arincrumley-BirthdayKaraokeSingSing12132007534-168.jpg Public Domain Karl Jacob, Sara Mayti, Brian Chirls, Amylin Loglisci, Brian Jacobs, Sharon Van Etten, Joe Griffin, Susan Buice, Josh Steinbauer, some british girls that randomly joined us, and myself all at my favorite karaoke place in New York called Sing Sing. Best Bday ever! And we took tons ofpictures that are up on my flickr. For more of whats going on in my world subscribe to arincrumley.com. 199 http://blip.tv/file/546355 Comedy karl jacob sara mayti amylin loglisci sharon van etten susan buice josh steinbauer arin crumley sing brian chirls jacobs joe griffin Mon, 17 Dec 2007 08:24:09 +0000 karl, jacob, sara, mayti, amylin, loglisci, sharon, van, etten, susan, buice, josh, steinbauer, arin, crumley, sing, brian, chirls, jacobs, joe, griffin http://a.images.blip.tv/Arincrumley-BirthdayKaraokeSingSing12132007534.png karl, jacob, sara, mayti, amylin, loglisci, sharon, van, etten, susan, buice, josh, steinbauer, arin, crumley, sing, brian, chirls, jacobs, joe, griffin <iframe src="http://blip.tv/play/AaHYFwI.html?p=1" width="480" height="302" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaHYFwI" style="display:none"></embed> Birthday Karaoke @ Sing Sing 12.13.2007 http://creativecommons.org/licenses/publicdomain/ FD26C0AE-AC73-11DC-8F47-DBF7C3F6B3CC http://blip.tv/arin-crumley/essie-jain-williamsburg-music-hall-in-brooklyn-12-15-2007-551761 Essie Jain @ Williamsburg Music Hall in Brooklyn 12.15.2007 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 551761 546257 file no 0.0 2007-12-17T07:45:08Z English 0 0 0 508 AaHXNQI http://blip.tv/play/AaHXNQI http://blip.tv/comments/?attached_to=post551761&skin=rss Arincrumley-EssieJainWilliamsburgMusicHallInBrooklyn12152007386-23.jpg Sharon brought me to this show to see white magic and it turned out Essie Jain was opening: http://www.essiejain.com http://a.images.blip.tv/Arincrumley-EssieJainWilliamsburgMusicHallInBrooklyn12152007386-23-621.jpg No license (All rights reserved) Sharon brought me to this show to see white magic and it turned out Essie Jain was opening: http://www.essiejain.com 508 YahooPartnerVideoID Blip post id 551761 http://blip.tv/file/546257 Music and Entertainment essie jain williamsburg music hall brooklyn new york ny badabing Mon, 17 Dec 2007 07:45:08 +0000 essie, jain, williamsburg, music, hall, brooklyn, new, york, ny, badabing http://a.images.blip.tv/Arincrumley-EssieJainWilliamsburgMusicHallInBrooklyn12152007386-23.jpg essie, jain, williamsburg, music, hall, brooklyn, new, york, ny, badabing <iframe src="http://blip.tv/play/AaHXNQI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaHXNQI" style="display:none"></embed> Essie Jain @ Williamsburg Music Hall in Brooklyn 12.15.2007 ADA0663A-A885-11DC-BEEE-938F6938109C http://blip.tv/arin-crumley/sharon-van-etten-live-zebulon-in-brooklyn-ny-on-12-9-2007-541786 Sharon Van Etten Live @ Zebulon in Brooklyn NY on 12-9-2007 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 541786 536296 file no 0.0 2007-12-12T07:41:41Z English 0 0 0 1766 AaGJPgI http://blip.tv/play/AaGJPgI http://blip.tv/comments/?attached_to=post541786&skin=rss Arincrumley-SharonVanEttenLiveZebulonInBrooklynNYOn1292007497.png Sharon Van Etten invited me to her show sunday night at Zebulon and I decided to film it. I had captured an event that she was a part of two nights earlier but this was cool because it was a full length set. Also had back up vocals on a few songs from Ben Sanabria and myisha from Forest Fire who had performed earlier.The thing that amazed me about the show was the transition from noisy bar to mesmorized audience. Now and then you hear the squeek of the bathroom door but other then that the entire bar was sitting in captivated slience. Earlier in the night I also filmed a couple songs performed by Leah Hayes who goes by Scary Mansion and who is also in the band La Laque. Unfortunatley the footage is very dark so I'm probably not going to post those songs. I had asked the sound man to brighten the stage for Sharon which helped a lot.I'd love to hear peoples thoughts about Sharon's music. Also I always love suggestions of other indie underground material to listen to or possibly go see live. Please post a comment below.This is the third live show video I've posted and plan to do more in the future as well as continue blogging about indie film, the creative process and the digital art landscape. Grab my RSS feed or get an email everytime I post new stuff online. http://a.images.blip.tv/Arincrumley-SharonVanEttenLiveZebulonInBrooklynNYOn1292007497-241.jpg Creative Commons Attribution 2.0 Sharon Van Etten invited me to her show sunday night at Zebulon and I decided to film it. I had captured an event that she was a part of two nights earlier but this was cool because it was a full length set. Also had back up vocals on a few songs from Ben Sanabria and myisha from Forest Fire who had performed earlier.The thing that amazed me about the show was the transition from noisy bar to mesmorized audience. Now and then you hear the squeek of the bathroom door but other then that the entire bar was sitting in captivated slience. Earlier in the night I also filmed a couple songs performed by Leah Hayes who goes by Scary Mansion and who is also in the band La Laque. Unfortunatley the footage is very dark so I'm probably not going to post those songs. I had asked the sound man to brighten the stage for Sharon which helped a lot.I'd love to hear peoples thoughts about Sharon's music. Also I always love suggestions of other indie underground material to listen to or possibly go see live. Please post a comment below.This is the third live show video I've posted and plan to do more in the future as well as continue blogging about indie film, the creative process and the digital art landscape. Grab my RSS feed or get an email everytime I post new stuff online. 1766 http://blip.tv/file/536296 Default Category sharon van etten zebulon ben sanabria myisha zebulon brooklyn new york acoustic guitar music Wed, 12 Dec 2007 07:41:41 +0000 sharon, van, etten, zebulon, ben, sanabria, myisha, zebulon, brooklyn, new, york, acoustic, guitar, music http://a.images.blip.tv/Arincrumley-SharonVanEttenLiveZebulonInBrooklynNYOn1292007497.png sharon, van, etten, zebulon, ben, sanabria, myisha, zebulon, brooklyn, new, york, acoustic, guitar, music <iframe src="http://blip.tv/play/AaGJPgI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaGJPgI" style="display:none"></embed> Sharon Van Etten Live @ Zebulon in Brooklyn NY on 12-9-2007 http://creativecommons.org/licenses/by/2.0/ DC558B7E-A6C6-11DC-93B9-A1DB619DD98C http://blip.tv/arin-crumley/woodpecker-live-petes-candy-store-in-brooklyn-ny-12-6-2007-536848 Woodpecker live @ Petes Candy Store in Brooklyn NY 12-6-2007 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 536848 531375 file no 0.0 2007-12-10T02:23:14Z English 0 0 0 1280 AaDidAI http://blip.tv/play/AaDidAI http://blip.tv/comments/?attached_to=post536848&skin=rss Arincrumley-WoodpeckerLivePetesCandyStoreInBrooklynNY1262007957-837.jpg Real music, with real instruments. Novel thought. A friend Josh is in Woodpecker so I decided to go to their show and film it. http://woodpeckermusic.com ________________________________________ Susan and I have been listening to their music pretty often while we are working on stuff and it was great to see the band and find out who sings each song. Also randomly my friend Sharon Van Etten knows the Cello player Andy because they went to elementary school together. He's kind of my favorite in the band in a way, nothing like a solid Cello. I love all these instruments and how good they blend together. My favorite songs kick in about half way into the video. Can't wait to here what comes out of these guys next. Susan is especially in love. To get this video downloaded in HD Seach iTunes or Miro for "Arin Crumley" and subscribe free to my video channel there. The file can play on Apple TV and is in 720p and looks pretty amazing. And feel free to re-cut and re-post if you have a favorite song or section you want to put on your own video channel. Just make sure to link to the band. Also I'll be posting more music and performance videos of events I go to and like. To get it all subscribe to the RSS feed at my site: http://arincrumley.com You can download the 720p HD version of this video here: http://blip.tv/file/get/Arincrumley-VideoOfWoodpeckerLivePetesCandyStoreInBrooklyn1262007116.m4v Also you can get an mp3 of this performance here: http://blip.tv/file/get/Arincrumley-VideoOfWoodpeckerLivePetesCandyStoreInBrooklyn1262007116.mp3 http://a.images.blip.tv/Arincrumley-WoodpeckerLivePetesCandyStoreInBrooklynNY1262007957-837-325.jpg Creative Commons Attribution 2.0 Real music, with real instruments. Novel thought. A friend Josh is in Woodpecker so I decided to go to their show and film it. http://woodpeckermusic.com ________________________________________ Susan and I have been listening to their music pretty often while we are working on stuff and it was great to see the band and find out who sings each song. Also randomly my friend Sharon Van Etten knows the Cello player Andy because they went to elementary school together. He's kind of my favorite in the band in a way, nothing like a solid Cello. I love all these instruments and how good they blend together. My favorite songs kick in about half way into the video. Can't wait to here what comes out of these guys next. Susan is especially in love. To get this video downloaded in HD Seach iTunes or Miro for "Arin Crumley" and subscribe free to my video channel there. The file can play on Apple TV and is in 720p and looks pretty amazing. And feel free to re-cut and re-post if you have a favorite song or section you want to put on your own video channel. Just make sure to link to the band. Also I'll be posting more music and performance videos of events I go to and like. To get it all subscribe to the RSS feed at my site: http://arincrumley.com You can download the 720p HD version of this video here: http://blip.tv/file/get/Arincrumley-VideoOfWoodpeckerLivePetesCandyStoreInBrooklyn1262007116.m4v Also you can get an mp3 of this performance here: http://blip.tv/file/get/Arincrumley-VideoOfWoodpeckerLivePetesCandyStoreInBrooklyn1262007116.mp3 1280 YahooPartnerVideoID Blip post id 536848 http://blip.tv/file/531375 Music and Entertainment woodpecker live petes candy store brooklyn nyc new york city lorimer st december 12-6-2007 josh steinbauer andy jordan anderson al huang banjo mandolin Mon, 10 Dec 2007 02:23:14 +0000 woodpecker, live, petes, candy, store, brooklyn, nyc, new, york, city, lorimer, st, december, 12-6-2007, josh, steinbauer, andy, jordan, anderson, al, huang, banjo, mandolin http://a.images.blip.tv/Arincrumley-WoodpeckerLivePetesCandyStoreInBrooklynNY1262007957-837.jpg woodpecker, live, petes, candy, store, brooklyn, nyc, new, york, city, lorimer, st, december, 12-6-2007, josh, steinbauer, andy, jordan, anderson, al, huang, banjo, mandolin <iframe src="http://blip.tv/play/AaDidAI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaDidAI" style="display:none"></embed> Woodpecker live @ Petes Candy Store in Brooklyn NY 12-6-2007 http://creativecommons.org/licenses/by/2.0/ 11DE817A-A5E5-11DC-8DA7-FB5B13C63B8A http://blip.tv/arin-crumley/video-of-woodpecker-live-petes-candy-store-in-brooklyn-12-6-2007-hd-534705 Video of Woodpecker live @ Petes Candy Store in Brooklyn 12-6-2007 - HD Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 534705 529237 file no 0.0 2007-12-08T23:26:58Z English 0 0 0 1280 AaDSFQI http://blip.tv/play/AaDSFQI http://blip.tv/comments/?attached_to=post534705&skin=rss Arincrumley-VideoOfWoodpeckerLivePetesCandyStoreInBrooklyn1262007113.png Real music, with real instruments. Novel thought. A friend Josh is in Woodpecker so I decided to go to their show and film it. Susan and I have been listening to their music pretty often while we are working on stuff and it was great to see the band and find out who sings each song. Also randomly my friend Sharon Van Etten knows the Cello player Andy because they went to elementary school together. He's kind of my favorite in the band in a way, nothing like a solid Cello. I love all these instruments and how good they blend together. My favorite songs kick in about half way into the video. Can't wait to here what comes out of these guys next. Susan is especially in love.To get this video download in HD Seach iTunes or Miro for "Arin Crumley" and subscribe free to my video channel there. The file can play on Apple TV and is in 720p and looks pretty amazing. And feel free to re-cut and re-post if you have a favorite song or section you want to put on your own video channel. Just make sure to link to the band.Also I'll be posting more music and performance videos of events I go to and like. Subscribe to the RSS feed at arincrumley.com to make sure you get it all. http://a.images.blip.tv/Arincrumley-VideoOfWoodpeckerLivePetesCandyStoreInBrooklyn1262007113-394.jpg Creative Commons Attribution 2.0 Real music, with real instruments. Novel thought. A friend Josh is in Woodpecker so I decided to go to their show and film it. Susan and I have been listening to their music pretty often while we are working on stuff and it was great to see the band and find out who sings each song. Also randomly my friend Sharon Van Etten knows the Cello player Andy because they went to elementary school together. He's kind of my favorite in the band in a way, nothing like a solid Cello. I love all these instruments and how good they blend together. My favorite songs kick in about half way into the video. Can't wait to here what comes out of these guys next. Susan is especially in love.To get this video download in HD Seach iTunes or Miro for "Arin Crumley" and subscribe free to my video channel there. The file can play on Apple TV and is in 720p and looks pretty amazing. And feel free to re-cut and re-post if you have a favorite song or section you want to put on your own video channel. Just make sure to link to the band.Also I'll be posting more music and performance videos of events I go to and like. Subscribe to the RSS feed at arincrumley.com to make sure you get it all. 1280 YahooPartnerVideoID Blip post id 534705 http://blip.tv/file/529237 Music and Entertainment woodpecker josh steinbauer andy jordan anderson al huang banjo mandolin Sat, 08 Dec 2007 23:26:58 +0000 woodpecker, josh, steinbauer, andy, jordan, anderson, al, huang, banjo, mandolin http://a.images.blip.tv/Arincrumley-VideoOfWoodpeckerLivePetesCandyStoreInBrooklyn1262007113.png woodpecker, josh, steinbauer, andy, jordan, anderson, al, huang, banjo, mandolin <iframe src="http://blip.tv/play/AaDSFQI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AaDSFQI" style="display:none"></embed> Video of Woodpecker live @ Petes Candy Store in Brooklyn 12-6-2007 - HD http://creativecommons.org/licenses/by/2.0/ 4E2802B8-8A3E-11DC-9551-FD7A22152082 http://blip.tv/arin-crumley/adventures-in-self-distribution-panel-power-to-the-pixel-468688 Adventures in Self-Distribution Panel - Power to the Pixel Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 468688 463399 file no 0.0 2007-11-03T18:55:11Z English 0 0 0 2431 AZzONAI http://blip.tv/play/AZzONAI http://blip.tv/comments/?attached_to=post468688&skin=rss Arincrumley-AdventuresInSelfDistributionPanelPowerToThePixel146.jpg This video was a panel moderated by Liz Rosenthal and including Lance Weiler, Jeremy Nathan and Matt Hanson as we all spoke about our thoughts on the future of distribution. Despite end of the day exhaustion some good audience questions sparked an interesting dialog that closed Power to the Pixel on a bright vision for the future.One of the topics discussed was festivals. The basic point being made was that they are no different then any other distributor of a film in that they should provide revenue and audience information to the content owner. Lance pointed out with distributing Head Trauma he used the LA Film Festival as a PR platform for to pre-hype a self-distribution theatrical release he had lined up to take place after the film festival. Needless to say he didn't need to find a distributor at the festival and instead simply focused on putting the film in-front of audiences and reviewers and having a good time at the premiere. He also used the fact that he was giving his film a theatrical release to leverage a DVD retail release with Heretic Films which he structured so it would kick off one month after the theatrical release began.Jeremy Nathan said in south africa he's made money from festivals and gotten information on audience members. Susan and I explained that hasn't been our experience and outlined how we wanted to see film festivals evolve.We've been thinking about this for a while and have decided that there are three things that can make todays film festival world be more accommodating to filmmakers. 1. Get a cut of what they collect from screenings. 2. Get information about who buys tickets to see our film and if possible who liked the film. (festivals usually poll audience for audience award.) 3. Get them to buy some DVDs to sell after the screenings and they'll get half the proceeds. 4. Don't charge us submission fees. In exchange for this we'll notify our audience base in the area of the screening and send them all info about the screening. That way if a film comes to a festival they bring their audience with them rather then simply hoping the festival will have the right audience for the film. Indie films are so all over the place that the chance of a festival having the right audience is pretty low anywayBut in the future I think film festivals should be just like any other distributor. There is a license on a film that allows others to monetize the film. So they do what ever curating they want. Maybe have a 1000 people help program the festival, maybe have only 1 person program it all. Whatever they want. Then they make a play list and assign the play list to different theaters and each theater gets essentially a video podcast that pulls down HD versions of the films to say a mac mini or whatever is playing back the digital films. Then they can post an event which phones home to the movies home base online and then anyone in the area who had bookmarked the film saying they want notifications when it's screening would find out. A film festival could even publish a list of 100 films they've narrowed down and let the festival attendees help decide between them or even base the prime time selection slots on this information by having the audience pre-bookmarking the ones they are most interested in seeing on the big screen.So the idea of a film only being available in film festivals and then going to theaters then DVD then VOD then TV then internet is obviously going to pass. It's just going to become available when it's done. But as a film starts to pick up traction film festivals will continue to be a good place to find audiences that can lead to finding more audiences so in the end, festivals can be a good thing. All they have to do is what everyone else has to do, evolve. http://a.images.blip.tv/Arincrumley-AdventuresInSelfDistributionPanelPowerToThePixel146-925.jpg Public Domain This video was a panel moderated by Liz Rosenthal and including Lance Weiler, Jeremy Nathan and Matt Hanson as we all spoke about our thoughts on the future of distribution. Despite end of the day exhaustion some good audience questions sparked an interesting dialog that closed Power to the Pixel on a bright vision for the future.One of the topics discussed was festivals. The basic point being made was that they are no different then any other distributor of a film in that they should provide revenue and audience information to the content owner. Lance pointed out with distributing Head Trauma he used the LA Film Festival as a PR platform for to pre-hype a self-distribution theatrical release he had lined up to take place after the film festival. Needless to say he didn't need to find a distributor at the festival and instead simply focused on putting the film in-front of audiences and reviewers and having a good time at the premiere. He also used the fact that he was giving his film a theatrical release to leverage a DVD retail release with Heretic Films which he structured so it would kick off one month after the theatrical release began.Jeremy Nathan said in south africa he's made money from festivals and gotten information on audience members. Susan and I explained that hasn't been our experience and outlined how we wanted to see film festivals evolve.We've been thinking about this for a while and have decided that there are three things that can make todays film festival world be more accommodating to filmmakers. 1. Get a cut of what they collect from screenings. 2. Get information about who buys tickets to see our film and if possible who liked the film. (festivals usually poll audience for audience award.) 3. Get them to buy some DVDs to sell after the screenings and they'll get half the proceeds. 4. Don't charge us submission fees. In exchange for this we'll notify our audience base in the area of the screening and send them all info about the screening. That way if a film comes to a festival they bring their audience with them rather then simply hoping the festival will have the right audience for the film. Indie films are so all over the place that the chance of a festival having the right audience is pretty low anywayBut in the future I think film festivals should be just like any other distributor. There is a license on a film that allows others to monetize the film. So they do what ever curating they want. Maybe have a 1000 people help program the festival, maybe have only 1 person program it all. Whatever they want. Then they make a play list and assign the play list to different theaters and each theater gets essentially a video podcast that pulls down HD versions of the films to say a mac mini or whatever is playing back the digital films. Then they can post an event which phones home to the movies home base online and then anyone in the area who had bookmarked the film saying they want notifications when it's screening would find out. A film festival could even publish a list of 100 films they've narrowed down and let the festival attendees help decide between them or even base the prime time selection slots on this information by having the audience pre-bookmarking the ones they are most interested in seeing on the big screen.So the idea of a film only being available in film festivals and then going to theaters then DVD then VOD then TV then internet is obviously going to pass. It's just going to become available when it's done. But as a film starts to pick up traction film festivals will continue to be a good place to find audiences that can lead to finding more audiences so in the end, festivals can be a good thing. All they have to do is what everyone else has to do, evolve. 2431 YahooPartnerVideoID Blip post id 468688 http://blip.tv/file/463399 Business power to the pixel self distribution bfi arin crumley susan buice liz rosenthal lance weiler jeremy nathan matt hanson Sat, 03 Nov 2007 18:55:11 +0000 power, to, the, pixel, self, distribution, bfi, arin, crumley, susan, buice, liz, rosenthal, lance, weiler, jeremy, nathan, matt, hanson http://a.images.blip.tv/Arincrumley-AdventuresInSelfDistributionPanelPowerToThePixel146.jpg power, to, the, pixel, self, distribution, bfi, arin, crumley, susan, buice, liz, rosenthal, lance, weiler, jeremy, nathan, matt, hanson <iframe src="http://blip.tv/play/AZzONAI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzONAI" style="display:none"></embed> Adventures in Self-Distribution Panel - Power to the Pixel http://creativecommons.org/licenses/publicdomain/ 5E684506-8A2B-11DC-AD78-9CA57839380A http://blip.tv/arin-crumley/visionary-matt-hanson-a-swarm-of-angles-case-study-468559 Visionary Matt Hanson - A Swarm of Angles Case Study Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 468559 463271 file no 0.0 2007-11-03T16:39:38Z English 0 0 0 885 AZzNMwI http://blip.tv/play/AZzNMwI http://blip.tv/comments/?attached_to=post468559&skin=rss Arincrumley-VisionaryMattHansonASwarmOfAnglesCaseStudy392.jpg Matt Hanson talks about his project A Swarm of Angles and the general concepts behind collaboration in the digital era. I personally would love to see collaborative editing tools evolve to the point where you could upload raw footage and anyone could add to the meta data like it was a wiki. They could ad captions, comments, notes, languages, time code based tags etc... And in some cases it might be possible for meta data to be automatically added to your footage similar to the way everyzing.com uses computers to transcribe footage. The key in my mind is to have both automatic as well as organic transcribing and then use software to have the automatic transcription basically become time code anchor points to the human transcription.In a system where raw footage is online rather then trapped on your computer anyone can be involved either as someone simply watching and rating raw footage or by actually selecting clips to add to a timeline they create and then post back online. The missing link here is a URI for raw footage. URI stands for uniform resource identifier and they are very important to the what comes after web 2.0 which is the Semantic Web. A URI is basically a standardized home base that any other site or software can refer to when it needs that object. If you had that for raw footage then you'd have a place where software could refer to when it needed meta data information or needed to download a portion of the master in high res to compile a final edit. And of course your final edit would already have all of it's meta data that it needs thanks to the software being able to refer to the URI. You could choose to flatten or keep the meta data live if it was still a rough cut. Brett Gaylor from Open Source Cinema and I have spoken about this concept and he says it would be a god sent for his open source collaborative editing film he's working on called Basement Tapes. Susan Buice and Matt Hanson also had a quick talk about it after power to the pixel and he expressed a lot of interest and we'll probably be working together in some capacity to continue to brainstorm how this all could work. Also at the drinks reception after Power to the Pixel I met Michela Ledwidge who has a project called ModFilms that has also pioneered this stuff and is interested in future development. While we are all about opening up raw footage other filmmakers I've spoken to feel weird about having raw material available to the public. Thats why I think it would be smart for a system like this to allow passwords on custom RSS feeds that are generated for a particular user. That way if you aren't that user, the RSS feed doesn't work and you don't get all of the dailies from the film in your Miro player. The thing about video editing is you never have enough time with the footage and you never have enough tools to dig through it to find the gems. I hope a system like this can be built in time for our next film which will be very inspired by a Swarm of Angels because it will also be an online collaborative project that I'll write more about in the future. http://a.images.blip.tv/Arincrumley-VisionaryMattHansonASwarmOfAnglesCaseStudy392-13.jpg Public Domain Matt Hanson talks about his project A Swarm of Angles and the general concepts behind collaboration in the digital era. I personally would love to see collaborative editing tools evolve to the point where you could upload raw footage and anyone could add to the meta data like it was a wiki. They could ad captions, comments, notes, languages, time code based tags etc... And in some cases it might be possible for meta data to be automatically added to your footage similar to the way everyzing.com uses computers to transcribe footage. The key in my mind is to have both automatic as well as organic transcribing and then use software to have the automatic transcription basically become time code anchor points to the human transcription.In a system where raw footage is online rather then trapped on your computer anyone can be involved either as someone simply watching and rating raw footage or by actually selecting clips to add to a timeline they create and then post back online. The missing link here is a URI for raw footage. URI stands for uniform resource identifier and they are very important to the what comes after web 2.0 which is the Semantic Web. A URI is basically a standardized home base that any other site or software can refer to when it needs that object. If you had that for raw footage then you'd have a place where software could refer to when it needed meta data information or needed to download a portion of the master in high res to compile a final edit. And of course your final edit would already have all of it's meta data that it needs thanks to the software being able to refer to the URI. You could choose to flatten or keep the meta data live if it was still a rough cut. Brett Gaylor from Open Source Cinema and I have spoken about this concept and he says it would be a god sent for his open source collaborative editing film he's working on called Basement Tapes. Susan Buice and Matt Hanson also had a quick talk about it after power to the pixel and he expressed a lot of interest and we'll probably be working together in some capacity to continue to brainstorm how this all could work. Also at the drinks reception after Power to the Pixel I met Michela Ledwidge who has a project called ModFilms that has also pioneered this stuff and is interested in future development. While we are all about opening up raw footage other filmmakers I've spoken to feel weird about having raw material available to the public. Thats why I think it would be smart for a system like this to allow passwords on custom RSS feeds that are generated for a particular user. That way if you aren't that user, the RSS feed doesn't work and you don't get all of the dailies from the film in your Miro player. The thing about video editing is you never have enough time with the footage and you never have enough tools to dig through it to find the gems. I hope a system like this can be built in time for our next film which will be very inspired by a Swarm of Angels because it will also be an online collaborative project that I'll write more about in the future. 885 YahooPartnerVideoID Blip post id 468559 http://blip.tv/file/463271 Conferences and Other Events mat hanson swarm of angels case study power to the pixel london bfi presentation collaboration editing film production 2.0 cinem filmmaking semantic web uri Sat, 03 Nov 2007 16:39:38 +0000 mat, hanson, swarm, of, angels, case, study, power, to, the, pixel, london, bfi, presentation, collaboration, editing, film, production, 2.0, cinem, filmmaking, semantic, web, uri http://a.images.blip.tv/Arincrumley-VisionaryMattHansonASwarmOfAnglesCaseStudy392.jpg mat, hanson, swarm, of, angels, case, study, power, to, the, pixel, london, bfi, presentation, collaboration, editing, film, production, 2.0, cinem, filmmaking, semantic, web, uri <iframe src="http://blip.tv/play/AZzNMwI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzNMwI" style="display:none"></embed> Visionary Matt Hanson - A Swarm of Angles Case Study http://creativecommons.org/licenses/publicdomain/ CF33FF88-8A20-11DC-B955-B2C72E54F086 http://blip.tv/arin-crumley/filmmaking-in-africa-jeremy-nathan-468462 Filmmaking in Africa - Jeremy Nathan Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 468462 463174 file no 0.0 2007-11-03T15:24:03Z English 0 0 0 1541 AZzMUgI http://blip.tv/play/AZzMUgI http://blip.tv/comments/?attached_to=post468462&skin=rss Arincrumley-FilmmakingInAfricaJeremyNathan914.png This presentation was by Jeremy Nathan from DV8 which is a production company trying to deviate from the normal production approach. The most interesting thing about South Africa is that there seems to be the chance to have that area of the world leap ahead embracing new technologies that the already modern world will have a harder time with because of the difficulty of transitioning from an old system. So because their old system really wasn't that established and because success there requires so much hard work anyway, it's not a big leap to build a system of distribution that puts that burden on the production companies rather then third party middle men. The other cool thing about Africa is that audiences seem eager for non-mainstream content and are starting to have more and more access to the internet.Getting a small taste of how media exists in south Africa has made me think that the democratic playing field is really important to maintain world wide. No point in Africa building a system that isn't compatible with the rest of the world just because they are more nimble and can act faster then we can. Here is a scenario. A film comes out in Africa and does well there and therefor starts to catch on else where. Bi-lingual fans transcribe the film into hundreds of languages and professional transcribers give it a final edit. It's then release in theaters and burned to DVD on demand stations across the world wherever people would like to see it. The creator of that project now has a budget form the proceeds that went directly to them to turn around and make another film. There would be no delay in payment or waiting for a market to buy the film. It would all be scaled by the audience depending on how it was catching on. So it's the youtube viral video model scaled to an international film industry that allows creators to make money will staying true to the integrity of free culture.And the amount of time it takes a movie to scale to it's full potential will increasingly become quicker and quicker as social discovery tools improve and eventually it will only take a few days or even one day and maybe eventually half a day. Could you imagine a film posted by a kid in a third world country making it to theaters by that evening?king it to theaters by that evening? http://a.images.blip.tv/Arincrumley-FilmmakingInAfricaJeremyNathan914-435.jpg Public Domain This presentation was by Jeremy Nathan from DV8 which is a production company trying to deviate from the normal production approach. The most interesting thing about South Africa is that there seems to be the chance to have that area of the world leap ahead embracing new technologies that the already modern world will have a harder time with because of the difficulty of transitioning from an old system. So because their old system really wasn't that established and because success there requires so much hard work anyway, it's not a big leap to build a system of distribution that puts that burden on the production companies rather then third party middle men. The other cool thing about Africa is that audiences seem eager for non-mainstream content and are starting to have more and more access to the internet.Getting a small taste of how media exists in south Africa has made me think that the democratic playing field is really important to maintain world wide. No point in Africa building a system that isn't compatible with the rest of the world just because they are more nimble and can act faster then we can. Here is a scenario. A film comes out in Africa and does well there and therefor starts to catch on else where. Bi-lingual fans transcribe the film into hundreds of languages and professional transcribers give it a final edit. It's then release in theaters and burned to DVD on demand stations across the world wherever people would like to see it. The creator of that project now has a budget form the proceeds that went directly to them to turn around and make another film. There would be no delay in payment or waiting for a market to buy the film. It would all be scaled by the audience depending on how it was catching on. So it's the youtube viral video model scaled to an international film industry that allows creators to make money will staying true to the integrity of free culture.And the amount of time it takes a movie to scale to it's full potential will increasingly become quicker and quicker as social discovery tools improve and eventually it will only take a few days or even one day and maybe eventually half a day. Could you imagine a film posted by a kid in a third world country making it to theaters by that evening?king it to theaters by that evening? 1541 YahooPartnerVideoID Blip post id 468462 http://blip.tv/file/463174 Conferences and Other Events jeremy nathan power to the pixel dv8 2007 cheap filmmaking pioneer media revolution international south africa Sat, 03 Nov 2007 15:24:03 +0000 jeremy, nathan, power, to, the, pixel, dv8, 2007, cheap, filmmaking, pioneer, media, revolution, international, south, africa http://a.images.blip.tv/Arincrumley-FilmmakingInAfricaJeremyNathan914.png jeremy, nathan, power, to, the, pixel, dv8, 2007, cheap, filmmaking, pioneer, media, revolution, international, south, africa <iframe src="http://blip.tv/play/AZzMUgI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzMUgI" style="display:none"></embed> Filmmaking in Africa - Jeremy Nathan http://creativecommons.org/licenses/publicdomain/ E95E1E9C-8A17-11DC-8E05-D7DC5A0345F4 http://blip.tv/arin-crumley/diy-guru-and-pioneer-lance-weiler-head-trauma-case-study-468399 DIY Guru and Pioneer Lance Weiler - Head Trauma Case Study Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 468399 463111 file no 5.0 2007-11-03T14:20:21Z English 0 0 0 1879 AZzMEwI http://blip.tv/play/AZzMEwI http://blip.tv/comments/?attached_to=post468399&skin=rss Arincrumley-DIYGuruAndPioneerLanceWeilerHeadTraumaCaseStudy202.jpg I called Lance Weiler a one man power house in our talk explaining to the audience that there is a lot you can do as one guy. Now Lance does have his wife who helps him as well as a programming buddy and other team members but for the most part, it's all him and he gets an amazing amount done and pulls off some incredible things that have brought him a lot of financial reward and opportunity. He's about to start on a 5 million dollar film he's going to shoot in 3D and all of this is happening as he's just found out the great news that he's going to be a father and it's a boy. So as if life isn't about to get way crazier, the past 9 years have been pretty intense for him. One of Lances accomplishments is he got a movie to re-tract it's statement about being the first digitally distributed film to theaters pointing out that it actually was a movie he co-created called the Last Broadcast.Lance and I recently spoke together in Vancouver and he explained the innovative back story of The Last Broadcast but in this talk he focuses on his recent film Head Trauma and his online reality game Hope is Missing.The highlight of Head Trauma for me is the Alternative Reality Game that he built around the film which includes live music while the film plays in theaters, text messaging from the characters that follow you out of the theater and websites that record your voice over the phone. He does crazy things like call the cops to break up gurilla screenings that he set up and then will text message the crowd as the police helicopter flies over head with their search lights. And then he'll direct people to websites at the same time he has his software call them and then loops their voice into the website causing an eerie echo and then has when they try to click the exit box the phone tells them, "where do you think you're going, I'm not done yet!"It's Horror 2.0 and Lance is the master of it all and I'm sure him and his cohorts are giggling in the corner as it all goes down. But fun and games asside, there is so much to learn from lance and his ultra confident rock solid approach to getting things done. Susan and I often refer to lance in conversations saying we have to do what lance would do. In his talk he also explains what the Workbook Project which susan and I are occasional contributors to and which is an amazing resource for filmmakers needing to wade through the hundreds of tools that exist. It's also a great place to learn through osmosis by listening to other creatives talk about their work through podcast interviews. http://a.images.blip.tv/Arincrumley-DIYGuruAndPioneerLanceWeilerHeadTraumaCaseStudy202-473.jpg Public Domain I called Lance Weiler a one man power house in our talk explaining to the audience that there is a lot you can do as one guy. Now Lance does have his wife who helps him as well as a programming buddy and other team members but for the most part, it's all him and he gets an amazing amount done and pulls off some incredible things that have brought him a lot of financial reward and opportunity. He's about to start on a 5 million dollar film he's going to shoot in 3D and all of this is happening as he's just found out the great news that he's going to be a father and it's a boy. So as if life isn't about to get way crazier, the past 9 years have been pretty intense for him. One of Lances accomplishments is he got a movie to re-tract it's statement about being the first digitally distributed film to theaters pointing out that it actually was a movie he co-created called the Last Broadcast.Lance and I recently spoke together in Vancouver and he explained the innovative back story of The Last Broadcast but in this talk he focuses on his recent film Head Trauma and his online reality game Hope is Missing.The highlight of Head Trauma for me is the Alternative Reality Game that he built around the film which includes live music while the film plays in theaters, text messaging from the characters that follow you out of the theater and websites that record your voice over the phone. He does crazy things like call the cops to break up gurilla screenings that he set up and then will text message the crowd as the police helicopter flies over head with their search lights. And then he'll direct people to websites at the same time he has his software call them and then loops their voice into the website causing an eerie echo and then has when they try to click the exit box the phone tells them, "where do you think you're going, I'm not done yet!"It's Horror 2.0 and Lance is the master of it all and I'm sure him and his cohorts are giggling in the corner as it all goes down. But fun and games asside, there is so much to learn from lance and his ultra confident rock solid approach to getting things done. Susan and I often refer to lance in conversations saying we have to do what lance would do. In his talk he also explains what the Workbook Project which susan and I are occasional contributors to and which is an amazing resource for filmmakers needing to wade through the hundreds of tools that exist. It's also a great place to learn through osmosis by listening to other creatives talk about their work through podcast interviews. 1879 YahooPartnerVideoID Blip post id 468399 http://blip.tv/file/463111 Technology lance weiler power to the pixel head trauma case study future of media revolution film arg hope is missing Sat, 03 Nov 2007 14:20:21 +0000 lance, weiler, power, to, the, pixel, head, trauma, case, study, future, of, media, revolution, film, arg, hope, is, missing http://a.images.blip.tv/Arincrumley-DIYGuruAndPioneerLanceWeilerHeadTraumaCaseStudy202.jpg lance, weiler, power, to, the, pixel, head, trauma, case, study, future, of, media, revolution, film, arg, hope, is, missing <iframe src="http://blip.tv/play/AZzMEwI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzMEwI" style="display:none"></embed> DIY Guru and Pioneer Lance Weiler - Head Trauma Case Study http://creativecommons.org/licenses/publicdomain/ 8E1CE6C6-899F-11DC-90F0-A1B78E10ACBA http://blip.tv/arin-crumley/four-eyed-monsters-diy-distribution-case-study-467714 Four Eyed Monsters DIY Distribution Case Study Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 467714 462430 file no 0.0 2007-11-02T23:58:49Z English 0 0 0 1750 AZzGZgI http://blip.tv/play/AZzGZgI http://blip.tv/comments/?attached_to=post467714&skin=rss Arincrumley-FourEyedMonstersDIYDistributionCaseStudy918.jpg This talk has been evolving over the last year since we began to give it and during that time more things have happened including releasing Four Eyed Monsters on YouTube for free with our spout.com/foureyedmonsters 1 dollar per sign up campaign. This talk details the creation of our film through the audience building phase of releasing the video podcast and then the theatrical release, DVD release and free YouTube release. We then talk about the doors this process has opened up including an unannounced 100K distribution deal to get our film and video podcast on TV and get the DVD re-released and this time be available in retail. Stay tuned at www.foureyedmonsters.com in the publicity category of our blog for further developments around that.The audience had some good questions when we were done and everyone we met that night at the reception seemed very interested in what we had accomplished and wanted may wanted us to get involved in their projects. Unfortunately we can't watch everyones film and give everyone advice and distribute other peoples work. People have to look at what we've done and what we've posted online and deduce from all of that what they can do on their own. Us posting so much info online is our way of helping as many people as we can so one on one special attention doesn't take us away from our own filmmaking.So thats also why we've released the above video in the public domain so their is no copyright on it and so that anyone can show our Four Eyed Monsters Case Study Presentation at any film school. You can also download our keynote file or power point file of our presentation which includes most of the little videos between slides and present our talk to film students. And if you are putting together a conference or workshop we've prepared a 12 minute distribution story video that has most of the same information as the above 30 minute video. And of course, feel free to re-edit or do whatever you'd like with the raw footage of this talk or any of the other power to the pixel talks posted here. http://a.images.blip.tv/Arincrumley-FourEyedMonstersDIYDistributionCaseStudy918-308.jpg Public Domain This talk has been evolving over the last year since we began to give it and during that time more things have happened including releasing Four Eyed Monsters on YouTube for free with our spout.com/foureyedmonsters 1 dollar per sign up campaign. This talk details the creation of our film through the audience building phase of releasing the video podcast and then the theatrical release, DVD release and free YouTube release. We then talk about the doors this process has opened up including an unannounced 100K distribution deal to get our film and video podcast on TV and get the DVD re-released and this time be available in retail. Stay tuned at www.foureyedmonsters.com in the publicity category of our blog for further developments around that.The audience had some good questions when we were done and everyone we met that night at the reception seemed very interested in what we had accomplished and wanted may wanted us to get involved in their projects. Unfortunately we can't watch everyones film and give everyone advice and distribute other peoples work. People have to look at what we've done and what we've posted online and deduce from all of that what they can do on their own. Us posting so much info online is our way of helping as many people as we can so one on one special attention doesn't take us away from our own filmmaking.So thats also why we've released the above video in the public domain so their is no copyright on it and so that anyone can show our Four Eyed Monsters Case Study Presentation at any film school. You can also download our keynote file or power point file of our presentation which includes most of the little videos between slides and present our talk to film students. And if you are putting together a conference or workshop we've prepared a 12 minute distribution story video that has most of the same information as the above 30 minute video. And of course, feel free to re-edit or do whatever you'd like with the raw footage of this talk or any of the other power to the pixel talks posted here. 1750 YahooPartnerVideoID Blip post id 467714 http://blip.tv/file/462430 Default Category four eyed monsters case study arin crumley susan buice distribution self diy media revolution power to the pixel Fri, 02 Nov 2007 23:58:49 +0000 four, eyed, monsters, case, study, arin, crumley, susan, buice, distribution, self, diy, media, revolution, power, to, the, pixel http://a.images.blip.tv/Arincrumley-FourEyedMonstersDIYDistributionCaseStudy918.jpg four, eyed, monsters, case, study, arin, crumley, susan, buice, distribution, self, diy, media, revolution, power, to, the, pixel <iframe src="http://blip.tv/play/AZzGZgI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzGZgI" style="display:none"></embed> Four Eyed Monsters DIY Distribution Case Study http://creativecommons.org/licenses/publicdomain/ AEF6B1BE-8991-11DC-89F4-CE525B419D26 http://blip.tv/arin-crumley/alternative-distribution-case-study-on-robert-greenwald-467568 Alternative Distribution Case Study on Robert Greenwald Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 467568 462284 file no 0.0 2007-11-02T22:19:31Z English 0 0 0 805 AZzFVAI http://blip.tv/play/AZzFVAI http://blip.tv/comments/?attached_to=post467568&skin=rss Arincrumley-AlternativeDistributionCaseStudyOnRobertGreenwald163.png First Liz introduces Robert Greenwald by first talking about how often times independents are still rather dependent on others. She then points out all of the ways Robert Greenwald really is dependent on very little more then audiences and organizations being passionate about his films subject matter. No need for huge companies and profits and marketability and all the things his mainstream counter part Michael Moore has to deal with.Robert Greenwald spoke to power to the pixel via a video tape he created explaining some recent experiences on his film Iraq For Sale. Rober Greenwalds Distribution started before the film was made by talking to various human rights and anit-war groups before making the film and collected interest from over 100 groups. Then they used emails from previous films they made to reach out to raise money for "Iraq for sale". They got 3,000 people to donate an average of 100 dollars each raising the 300,000 dollars they needed to make the film in a matter of just 2 weeks. Then to release the film they set up screenings in peoples homes using a technology that they've now published for all filmmakers to use at www.bravenewtheaters.com. Any filmmaker can sign up there in a few minutes and we've been using it to let our online fanbase set up screenings of Four Eyed Monsters.He also talks about the new medium of making short form videos and how his filmmaking is evolving from figuring out how to tell a story in 2 hours to figuring out how to tell a story in 2 minutes as they build out their YouTube account.Robert Greenwald is one of my hero's and definitely has influenced a lot of how we've dealt with our distribution and fan base outreach. And I'm going to be completely honest, I have not seen any of his feature films yet but am interested in seeing all of them and hope that some day I'll be making films about subject matter as important as the topics he chooses to tackle. He's a true radical. http://a.images.blip.tv/Arincrumley-AlternativeDistributionCaseStudyOnRobertGreenwald163-388.jpg Public Domain First Liz introduces Robert Greenwald by first talking about how often times independents are still rather dependent on others. She then points out all of the ways Robert Greenwald really is dependent on very little more then audiences and organizations being passionate about his films subject matter. No need for huge companies and profits and marketability and all the things his mainstream counter part Michael Moore has to deal with.Robert Greenwald spoke to power to the pixel via a video tape he created explaining some recent experiences on his film Iraq For Sale. Rober Greenwalds Distribution started before the film was made by talking to various human rights and anit-war groups before making the film and collected interest from over 100 groups. Then they used emails from previous films they made to reach out to raise money for "Iraq for sale". They got 3,000 people to donate an average of 100 dollars each raising the 300,000 dollars they needed to make the film in a matter of just 2 weeks. Then to release the film they set up screenings in peoples homes using a technology that they've now published for all filmmakers to use at www.bravenewtheaters.com. Any filmmaker can sign up there in a few minutes and we've been using it to let our online fanbase set up screenings of Four Eyed Monsters.He also talks about the new medium of making short form videos and how his filmmaking is evolving from figuring out how to tell a story in 2 hours to figuring out how to tell a story in 2 minutes as they build out their YouTube account.Robert Greenwald is one of my hero's and definitely has influenced a lot of how we've dealt with our distribution and fan base outreach. And I'm going to be completely honest, I have not seen any of his feature films yet but am interested in seeing all of them and hope that some day I'll be making films about subject matter as important as the topics he chooses to tackle. He's a true radical. 805 YahooPartnerVideoID Blip post id 467568 http://blip.tv/file/462284 Default Category robert greenwald theaters iraq for sale indie filmmaker gatekeepers media revolution brave new pictures Fri, 02 Nov 2007 22:19:31 +0000 robert, greenwald, theaters, iraq, for, sale, indie, filmmaker, gatekeepers, media, revolution, brave, new, pictures http://a.images.blip.tv/Arincrumley-AlternativeDistributionCaseStudyOnRobertGreenwald163.png robert, greenwald, theaters, iraq, for, sale, indie, filmmaker, gatekeepers, media, revolution, brave, new, pictures <iframe src="http://blip.tv/play/AZzFVAI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzFVAI" style="display:none"></embed> Alternative Distribution Case Study on Robert Greenwald http://creativecommons.org/licenses/publicdomain/ 6481C6DA-898E-11DC-BAF4-E1336504769F http://blip.tv/arin-crumley/new-distributors-and-the-need-for-a-universal-media-license-467505 New Distributors and the need for a universal media license Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 467505 462221 file no 0.0 2007-11-02T21:55:57Z English 0 0 0 1198 AZzFFQI http://blip.tv/play/AZzFFQI http://blip.tv/comments/?attached_to=post467505&skin=rss Arincrumley-NewDistributorsAndTheNeedForAUniversalMediaLicense642.png Screen international and ScreenDaily.com editor Michael Gubbins hosts this Power to the Pixel Panel with Sara Pollack the film manager of YouTube, David Straus & Joe Neulight from Withoutabox, Kelly Devine working on the Reframe project at Renew and Paula Le Dieu with Magic Lantern and who has worked with iCommons the international wing of Creative Commons. Michael points out that in some ways we have a new system of gate-keeping and then David Straus points out that more and more filmmakers are starting to be empowered as distributors. Then Joe Neulight gets very defensive about how slow things have moved in the past two years and promises for more Withoutabox services for self distribution in the spring. Then questions from the audience reiterate the new gate keeper contradiction as well as provide a call to action to have meta data about movies contain alternative audio tracks for the blind and captions for the hearing impaired. I thought this was an interesting point because ideally most content and user interfaces would be able to work either with no audio or with only audio. This is the kind of thing digital media should promise if people can do their jobs and get it all designed right.Now the panel was called, "new distributors" which is a great name but Withoutabox kept talking about "self distribution." Wait a minute, what are the new distributors doing if I still have to self distribute my work? Here is the thing. I've learned through Four Eyed Monsters Distribution effort. There is no such thing as Self-Distribution unless your selling DVD-R's of your movie in the subway. The second you make 1,000 dvds from a replication company or decide to use a fulfillment company to ship your DVDs or an e-commerce solution to collect the money online it's no longer truly self distribution. It's simply having made a deal with someone that is facilitating the distribution of the film. But what people mean by self distribution of course is that you hold onto your rights. That way you can do all of the things a distributor would do and essentially have your own distribution company powered by various distribution services available to anyone. This is good because it's a democratic approach. It's an empowering concept because with enough commitment anyone can do this. And we have. So we are glad this is possible. But should this be the answer for the business model of the future? David Wachs of Break Through Distribution said it himself in Peter Buckingham's Q&A session, "we found that most of the DVDs sit on the shelves." This is a very good point and even with our pretty large audience base online we've still had a hard time selling DVDs on the web. We think it will go a lot better once we are in retail for our demographic. See the problem with holding onto your rights is that you are also holding onto the incentive for others to monetize your film and make you money. You shouldn't give all your rights stupidly away, but you should find smart ways to provide companies with some of the rights to your film. And eventually I think it would be amazing to entrust the rights to your film in a universal license.The Universal License Concept as it stands at the moment:In the future I hope that instead of a filmmaker distributing their work themselves or having a company buy all the rights and distribute it, a piece of content will be able to distribute it's self. The content literally needs to grow legs and walk away from the creators and lawyers that too often keep it tied down. Now and then the content should write home and send money that it's made back to it's parents. Once a license exists that you can attach to a piece of content that defines how others can distribute it defining the financial splits for various types of distribution, then I think there will be an explosion in innovative ways to distribute high quality content. There will also be an explosion in new user habits that will take us the rest of the way out of the DVD era and help the film industry narrowly avoid the fate of the music industry now that it's in the post CD era. If you enable any new company to easily become a "new distributor" then the services and monetization solutions will be created that will help the content owners find audiences and make money. So the missing link is that there will have to be a standard way of publishing complete works online in high res along with a license that lets any 3rd party service monetize the work and send money to the payee information on the standard license on the work. The proof that this is necessary is in how all of the "new distributors" on the stage have a problem getting enough good content. Lack of compensation and sluggish paperwork are the things that prevent good content from appearing in places where it should. So a universal license you put on content can eliminate needing to go through paperwork and create accounts on thousands of platforms. Now currently the answer is to have non-exclusive agreements that give a website rights to do whatever they want with a film and if you're lucky sometimes they will share money if they monetize your content. But the split is really bad considering how little they do and that you are the one that made the content.Once we have a universal license the environment for monetizing digital media will mature and the majority of proceeds will go to the creators which will instigate more culture being made by those that prove they make relevant culture. A universal license for media starts to sound like a pretty involved thing. But we know one thing. We need a world in which it's legal to give a copy of a movie you like to a friend. And we also need a world where any company can become a professional distributor monetizing content without first having to go out and get a catalog of content. A new subscription service putting content on cell phones in a foreign country, a new micro cinema network, a new company that gives you access to content but also lets you invest half of your monthly subscription fees into new works from your favorite artists. It's in the interest of audiences and content creators to let other companies innovate new ways to bring the two of them together.It should never be one company doing all the innovating. We see problems today with waiting for YouTUbe to have higher quality video while the technology exists today to get HD videos to the end user via Bittorrent Technology that YouTube doesn't have the infrastructure to adopt.In a universal media publishing standards environment, open source communities as well as companies could be implementing these solutions. So I propose Creative Commons gets a grant from someplace to get together a team of experts in their fields to spend a few days together in a room and draft this universal license.It needs to be designed in a way that can likely be adopted by independent media. It might be sort of like drafting the constitution of the united states and there might be a few fist fights over how it should be made. I don't think the people working on it should be representing any companies cause that will corrupt it's design. It should just be people that happen to have the experience needed to make this thing in a way that is fair to filmmakers and gives enough incentive to new distributors to create platforms and services that do a good job monetizing content. Susan and I hope to make a second film that will be done in a couple years and we want to see this system up and running by then so please, jump on it. Do you think this is possible? Please post comments below. http://a.images.blip.tv/Arincrumley-NewDistributorsAndTheNeedForAUniversalMediaLicense642-922.jpg No license (All rights reserved) Screen international and ScreenDaily.com editor Michael Gubbins hosts this Power to the Pixel Panel with Sara Pollack the film manager of YouTube, David Straus & Joe Neulight from Withoutabox, Kelly Devine working on the Reframe project at Renew and Paula Le Dieu with Magic Lantern and who has worked with iCommons the international wing of Creative Commons. Michael points out that in some ways we have a new system of gate-keeping and then David Straus points out that more and more filmmakers are starting to be empowered as distributors. Then Joe Neulight gets very defensive about how slow things have moved in the past two years and promises for more Withoutabox services for self distribution in the spring. Then questions from the audience reiterate the new gate keeper contradiction as well as provide a call to action to have meta data about movies contain alternative audio tracks for the blind and captions for the hearing impaired. I thought this was an interesting point because ideally most content and user interfaces would be able to work either with no audio or with only audio. This is the kind of thing digital media should promise if people can do their jobs and get it all designed right.Now the panel was called, "new distributors" which is a great name but Withoutabox kept talking about "self distribution." Wait a minute, what are the new distributors doing if I still have to self distribute my work? Here is the thing. I've learned through Four Eyed Monsters Distribution effort. There is no such thing as Self-Distribution unless your selling DVD-R's of your movie in the subway. The second you make 1,000 dvds from a replication company or decide to use a fulfillment company to ship your DVDs or an e-commerce solution to collect the money online it's no longer truly self distribution. It's simply having made a deal with someone that is facilitating the distribution of the film. But what people mean by self distribution of course is that you hold onto your rights. That way you can do all of the things a distributor would do and essentially have your own distribution company powered by various distribution services available to anyone. This is good because it's a democratic approach. It's an empowering concept because with enough commitment anyone can do this. And we have. So we are glad this is possible. But should this be the answer for the business model of the future? David Wachs of Break Through Distribution said it himself in Peter Buckingham's Q&A session, "we found that most of the DVDs sit on the shelves." This is a very good point and even with our pretty large audience base online we've still had a hard time selling DVDs on the web. We think it will go a lot better once we are in retail for our demographic. See the problem with holding onto your rights is that you are also holding onto the incentive for others to monetize your film and make you money. You shouldn't give all your rights stupidly away, but you should find smart ways to provide companies with some of the rights to your film. And eventually I think it would be amazing to entrust the rights to your film in a universal license.The Universal License Concept as it stands at the moment:In the future I hope that instead of a filmmaker distributing their work themselves or having a company buy all the rights and distribute it, a piece of content will be able to distribute it's self. The content literally needs to grow legs and walk away from the creators and lawyers that too often keep it tied down. Now and then the content should write home and send money that it's made back to it's parents. Once a license exists that you can attach to a piece of content that defines how others can distribute it defining the financial splits for various types of distribution, then I think there will be an explosion in innovative ways to distribute high quality content. There will also be an explosion in new user habits that will take us the rest of the way out of the DVD era and help the film industry narrowly avoid the fate of the music industry now that it's in the post CD era. If you enable any new company to easily become a "new distributor" then the services and monetization solutions will be created that will help the content owners find audiences and make money. So the missing link is that there will have to be a standard way of publishing complete works online in high res along with a license that lets any 3rd party service monetize the work and send money to the payee information on the standard license on the work. The proof that this is necessary is in how all of the "new distributors" on the stage have a problem getting enough good content. Lack of compensation and sluggish paperwork are the things that prevent good content from appearing in places where it should. So a universal license you put on content can eliminate needing to go through paperwork and create accounts on thousands of platforms. Now currently the answer is to have non-exclusive agreements that give a website rights to do whatever they want with a film and if you're lucky sometimes they will share money if they monetize your content. But the split is really bad considering how little they do and that you are the one that made the content.Once we have a universal license the environment for monetizing digital media will mature and the majority of proceeds will go to the creators which will instigate more culture being made by those that prove they make relevant culture. A universal license for media starts to sound like a pretty involved thing. But we know one thing. We need a world in which it's legal to give a copy of a movie you like to a friend. And we also need a world where any company can become a professional distributor monetizing content without first having to go out and get a catalog of content. A new subscription service putting content on cell phones in a foreign country, a new micro cinema network, a new company that gives you access to content but also lets you invest half of your monthly subscription fees into new works from your favorite artists. It's in the interest of audiences and content creators to let other companies innovate new ways to bring the two of them together.It should never be one company doing all the innovating. We see problems today with waiting for YouTUbe to have higher quality video while the technology exists today to get HD videos to the end user via Bittorrent Technology that YouTube doesn't have the infrastructure to adopt.In a universal media publishing standards environment, open source communities as well as companies could be implementing these solutions. So I propose Creative Commons gets a grant from someplace to get together a team of experts in their fields to spend a few days together in a room and draft this universal license.It needs to be designed in a way that can likely be adopted by independent media. It might be sort of like drafting the constitution of the united states and there might be a few fist fights over how it should be made. I don't think the people working on it should be representing any companies cause that will corrupt it's design. It should just be people that happen to have the experience needed to make this thing in a way that is fair to filmmakers and gives enough incentive to new distributors to create platforms and services that do a good job monetizing content. Susan and I hope to make a second film that will be done in a couple years and we want to see this system up and running by then so please, jump on it. Do you think this is possible? Please post comments below. 1198 YahooPartnerVideoID Blip post id 467505 http://blip.tv/file/462221 Default Category michael gubbins power to the pixel panel sara pollack youtube david straus joe neulight withoutabox kelly devine reframe renew paula magic lantern Fri, 02 Nov 2007 21:55:57 +0000 michael, gubbins, power, to, the, pixel, panel, sara, pollack, youtube, david, straus, joe, neulight, withoutabox, kelly, devine, reframe, renew, paula, magic, lantern http://a.images.blip.tv/Arincrumley-NewDistributorsAndTheNeedForAUniversalMediaLicense642.png michael, gubbins, power, to, the, pixel, panel, sara, pollack, youtube, david, straus, joe, neulight, withoutabox, kelly, devine, reframe, renew, paula, magic, lantern <iframe src="http://blip.tv/play/AZzFFQI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzFFQI" style="display:none"></embed> New Distributors and the need for a universal media license F365D4F6-8987-11DC-8164-94617A65999A http://blip.tv/arin-crumley/a-new-aggregator-for-aggregators-reframe-kelly-devine-467418 A new aggregator for aggregators - Reframe - Kelly Devine Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 467418 462134 file no 5.0 2007-11-02T21:09:51Z English 0 0 0 532 AZzEPgI http://blip.tv/play/AZzEPgI http://blip.tv/comments/?attached_to=post467418&skin=rss Arincrumley-ANewAggregatorForAggregatorsReframeKellyDevine571.jpg Kelly Devine talks about how Renew Media has a new project called Reframe which is basically an aggregator for aggregators. The need for this comes from the fact that when someone like Amazon or iTunes or Netflix is trying to have everything that ever existed they need to add things to their systems in chunks rather then one by one. So a smaller collections can be added in bulk to the big pool. Reframe is trying to be one of those smaller collections but first they need content to be in that small collection.The first aggregator they are aggregating for is Amazon and they've managed to get much better deal terms then a filmmaker could ever get as a stand alone piece of content. So good for them. Power in numbers. Just like unions. But at the end of the day, what they are doing is just another quick fix to make them and some filmmakers a little bit of money but a couple years from now it will be looked back upon as an experiment that lead to a more sustainable solution. http://a.images.blip.tv/Arincrumley-ANewAggregatorForAggregatorsReframeKellyDevine571-39.jpg Public Domain Kelly Devine talks about how Renew Media has a new project called Reframe which is basically an aggregator for aggregators. The need for this comes from the fact that when someone like Amazon or iTunes or Netflix is trying to have everything that ever existed they need to add things to their systems in chunks rather then one by one. So a smaller collections can be added in bulk to the big pool. Reframe is trying to be one of those smaller collections but first they need content to be in that small collection.The first aggregator they are aggregating for is Amazon and they've managed to get much better deal terms then a filmmaker could ever get as a stand alone piece of content. So good for them. Power in numbers. Just like unions. But at the end of the day, what they are doing is just another quick fix to make them and some filmmakers a little bit of money but a couple years from now it will be looked back upon as an experiment that lead to a more sustainable solution. 532 YahooPartnerVideoID Blip post id 467418 http://blip.tv/file/462134 Default Category kelly devine power to the pixel reframe aggregator renew media revolution distribution service amazon Fri, 02 Nov 2007 21:09:51 +0000 kelly, devine, power, to, the, pixel, reframe, aggregator, renew, media, revolution, distribution, service, amazon http://a.images.blip.tv/Arincrumley-ANewAggregatorForAggregatorsReframeKellyDevine571.jpg kelly, devine, power, to, the, pixel, reframe, aggregator, renew, media, revolution, distribution, service, amazon <iframe src="http://blip.tv/play/AZzEPgI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzEPgI" style="display:none"></embed> A new aggregator for aggregators - Reframe - Kelly Devine http://creativecommons.org/licenses/publicdomain/ 39B76CF6-8985-11DC-B329-FEF5E777DEC1 http://blip.tv/arin-crumley/youtube-s-role-in-the-future-of-film-467376 YouTube's role in the future of film Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 467376 462092 file no 0.0 2007-11-02T20:50:20Z English 0 0 0 822 AZzEFAI http://blip.tv/play/AZzEFAI http://blip.tv/comments/?attached_to=post467376&skin=rss Arincrumley-YouTubesRoleInTheFutureOfFilm974.jpg Sara Pollack addresses briefly what I hope will get a lot more attention in the future. YouTube's Discovery tools. The most enticing thing to filmmakers that YouTube has to offer is an audience base. But the reality is that often times amazing videos sit there with only 50 to 200 views. So I've been telling YouTube ever since Spencer Cooks in their PR department contacted us a year ago that they need to improve discovery tools on YouTube. YouTube needs to use your friends and the favorite tool to come up with a pool of videos a user is very likely to enjoy. The idea is that if your real friends liked it then you probably will too. Susan, Brian and I explained to Sara over lunch that then as you rate videos software can learn which friends really have the same taste as you and friends who like things that you dislike can automatically stop influencing the suggestions to you if that continues to occur.This is kind of like amazon and netflix suggestions but different because it's based on your friends rather then the entire population on the site. Thats the key thing that very few sites seem to understand just yet. The other thing we always tell youtube when ever we get someone listening to us is that the revenue needs to be higher and we think that can happen with a better user generated advertising echo-sphere. So instead of banners for products that take you to standard produced commercials, you could have videos made by real people and creative filmmakers that are inspired by a product and make an ad for it and submit that ad to the company. Almost the same way you request friendship from someone and then wait for approval.The company could then approve the ad if they wanted to and agree to a certain price per view and then any other youtube show could use that video as an advertisement and get revenue for encouraging that ad to be viewed. But more importantlly people would come to the video on their own accord if either it was really creative or if it was really informative. Then the company could also put it on their site and the more the video does it's job promoting the product the more the person that made it gets paid. This way advertising on youtube won't be just for mainstream products but also for smaller more niche products and services. And advertising 101 tells us that targeted niche advertising is more profitable. But of course it's hard to manage such small business deals unless of course you are google. They run google ad sense so they already know how to manage millions of niche advertisements. So all in due time I suppose. I'm pretty sure this is where YouTube is headed and when video sharing becomes old news it will be the reason YouTube sticks around. It won't be the beautiful place it once was but will be a good place to watch ads. But I think we all know a new haven of video discovery and sharing will emerge. My only hope is that it's using the back bone of an open platform but that also manages to get compensation back to the creators. Because in the end, for the record, I don't think that the future of all content creation should be funded by ad revenue. I think it should be subscription services and maybe secondarily ad revenue. The reason why is eventually there will really be no way to interrupt a user even in the most subtle way like a banner popping in as the video plays. All of that stuff will be removed so the content industry shouldn't create a system where we rely on ad revenue. http://a.images.blip.tv/Arincrumley-YouTubesRoleInTheFutureOfFilm162-977.jpg Public Domain Sara Pollack addresses briefly what I hope will get a lot more attention in the future. YouTube's Discovery tools. The most enticing thing to filmmakers that YouTube has to offer is an audience base. But the reality is that often times amazing videos sit there with only 50 to 200 views. So I've been telling YouTube ever since Spencer Cooks in their PR department contacted us a year ago that they need to improve discovery tools on YouTube. YouTube needs to use your friends and the favorite tool to come up with a pool of videos a user is very likely to enjoy. The idea is that if your real friends liked it then you probably will too. Susan, Brian and I explained to Sara over lunch that then as you rate videos software can learn which friends really have the same taste as you and friends who like things that you dislike can automatically stop influencing the suggestions to you if that continues to occur.This is kind of like amazon and netflix suggestions but different because it's based on your friends rather then the entire population on the site. Thats the key thing that very few sites seem to understand just yet. The other thing we always tell youtube when ever we get someone listening to us is that the revenue needs to be higher and we think that can happen with a better user generated advertising echo-sphere. So instead of banners for products that take you to standard produced commercials, you could have videos made by real people and creative filmmakers that are inspired by a product and make an ad for it and submit that ad to the company. Almost the same way you request friendship from someone and then wait for approval.The company could then approve the ad if they wanted to and agree to a certain price per view and then any other youtube show could use that video as an advertisement and get revenue for encouraging that ad to be viewed. But more importantlly people would come to the video on their own accord if either it was really creative or if it was really informative. Then the company could also put it on their site and the more the video does it's job promoting the product the more the person that made it gets paid. This way advertising on youtube won't be just for mainstream products but also for smaller more niche products and services. And advertising 101 tells us that targeted niche advertising is more profitable. But of course it's hard to manage such small business deals unless of course you are google. They run google ad sense so they already know how to manage millions of niche advertisements. So all in due time I suppose. I'm pretty sure this is where YouTube is headed and when video sharing becomes old news it will be the reason YouTube sticks around. It won't be the beautiful place it once was but will be a good place to watch ads. But I think we all know a new haven of video discovery and sharing will emerge. My only hope is that it's using the back bone of an open platform but that also manages to get compensation back to the creators. Because in the end, for the record, I don't think that the future of all content creation should be funded by ad revenue. I think it should be subscription services and maybe secondarily ad revenue. The reason why is eventually there will really be no way to interrupt a user even in the most subtle way like a banner popping in as the video plays. All of that stuff will be removed so the content industry shouldn't create a system where we rely on ad revenue. 822 YahooPartnerVideoID Blip post id 467376 http://blip.tv/file/462092 Default Category sara pollack youtube film manager future of advertising media cinema 2.0 filmmaking revolution Fri, 02 Nov 2007 20:50:20 +0000 sara, pollack, youtube, film, manager, future, of, advertising, media, cinema, 2.0, filmmaking, revolution http://a.images.blip.tv/Arincrumley-YouTubesRoleInTheFutureOfFilm974.jpg sara, pollack, youtube, film, manager, future, of, advertising, media, cinema, 2.0, filmmaking, revolution <iframe src="http://blip.tv/play/AZzEFAI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzEFAI" style="display:none"></embed> YouTube's role in the future of film http://creativecommons.org/licenses/publicdomain/ 6B4C98AE-8980-11DC-96B0-D22ADE9F7203 http://blip.tv/arin-crumley/passion-in-the-digital-era-is-everything-creative-commons-467313 Passion in the digital era is everything & Creative Commons Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 467313 462029 file no 0.0 2007-11-02T20:15:56Z English 0 0 0 942 AZzDVQI http://blip.tv/play/AZzDVQI http://blip.tv/comments/?attached_to=post467313&skin=rss Arincrumley-PassionInTheDigitalEraIsEverythingCreativeCommons492.jpg Paula Le Dieu from Magic Lantern talks about how personal story telling and passion can go very far despite pressure to be a be formal and rigid and act like a business person. She basically explains that it's good to be a loose cannon. Cool, I like that. She then gives a basic explanation of what Creative Commons is and mentions her involvement with iCommons.I think the next step for creative commons is to create a voting body of people that are using creative commons for real world media distribution. That way instead of a fixed license it can be a dynamic license that is subject to change. That way with each new edition they can upgrade already licensed work to a new smarter better license.So what needs to get better about creative commons licenses? Payee info. They theoretically are starting to do it with Creative Commons 3.0 but I don't see anything robust enough yet. What I want is a license you put on a film that allows anyone to exploit and distribute your film pulling it from it's online digital master and converting it into what ever format they. It might be a micro-cinema network or flash based ad revenue video site or their bit-torrent based subscription fee distribution platform. There are so many digital distribution players out there that I think we need a license that can define the split so we can just post once and have the different sites pull down the video rather then us sitting around uploading to hundreds of sites.Also there needs to be a pass through ability so if something with a license on it gets used in a another piece of content then there needs to be an automatic way to pass proceeds back to all of the creators.Paula also talks about DRM and points out a lot of it's problems. I made this slide a few months back to show to the Directors Guild of America. Paula explains the main reason DRM is bad is that it's a hurdle between your work and your audience. But more importantly from a film industry evolution perspective, DRM that aims to lock down content or force content to only get to individuals through certain paths is a problem.Content needs to flow freely basically because we don't have a choice in the matter and it's going to anyway. So we have to encourage it by removing all copy protection and DRM and instead building social tools that encourage people to voluntarily share their view history with their subscription service they pay X amount of money per month to that then pays the payee information on the license of the content.Thats the model in my mind and I'm going to keep re-iterating and re-explaining and re-fining the details over and over until I see it getting built. Keep an eye out for my Montreal Presentation on Subscription models I'll be posting soon. http://a.images.blip.tv/Arincrumley-PassionInTheDigitalEraIsEverythingCreativeCommons492-825.jpg Public Domain Paula Le Dieu from Magic Lantern talks about how personal story telling and passion can go very far despite pressure to be a be formal and rigid and act like a business person. She basically explains that it's good to be a loose cannon. Cool, I like that. She then gives a basic explanation of what Creative Commons is and mentions her involvement with iCommons.I think the next step for creative commons is to create a voting body of people that are using creative commons for real world media distribution. That way instead of a fixed license it can be a dynamic license that is subject to change. That way with each new edition they can upgrade already licensed work to a new smarter better license.So what needs to get better about creative commons licenses? Payee info. They theoretically are starting to do it with Creative Commons 3.0 but I don't see anything robust enough yet. What I want is a license you put on a film that allows anyone to exploit and distribute your film pulling it from it's online digital master and converting it into what ever format they. It might be a micro-cinema network or flash based ad revenue video site or their bit-torrent based subscription fee distribution platform. There are so many digital distribution players out there that I think we need a license that can define the split so we can just post once and have the different sites pull down the video rather then us sitting around uploading to hundreds of sites.Also there needs to be a pass through ability so if something with a license on it gets used in a another piece of content then there needs to be an automatic way to pass proceeds back to all of the creators.Paula also talks about DRM and points out a lot of it's problems. I made this slide a few months back to show to the Directors Guild of America. Paula explains the main reason DRM is bad is that it's a hurdle between your work and your audience. But more importantly from a film industry evolution perspective, DRM that aims to lock down content or force content to only get to individuals through certain paths is a problem.Content needs to flow freely basically because we don't have a choice in the matter and it's going to anyway. So we have to encourage it by removing all copy protection and DRM and instead building social tools that encourage people to voluntarily share their view history with their subscription service they pay X amount of money per month to that then pays the payee information on the license of the content.Thats the model in my mind and I'm going to keep re-iterating and re-explaining and re-fining the details over and over until I see it getting built. Keep an eye out for my Montreal Presentation on Subscription models I'll be posting soon. 942 YahooPartnerVideoID Blip post id 467313 http://blip.tv/file/462029 Default Category paula le dieu magic lantern power to the pixel creative commons 3.0 web tech filmmaking new media revolution four eyed monsters Fri, 02 Nov 2007 20:15:56 +0000 paula, le, dieu, magic, lantern, power, to, the, pixel, creative, commons, 3.0, web, tech, filmmaking, new, media, revolution, four, eyed, monsters http://a.images.blip.tv/Arincrumley-PassionInTheDigitalEraIsEverythingCreativeCommons492.jpg paula, le, dieu, magic, lantern, power, to, the, pixel, creative, commons, 3.0, web, tech, filmmaking, new, media, revolution, four, eyed, monsters <iframe src="http://blip.tv/play/AZzDVQI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzDVQI" style="display:none"></embed> Passion in the digital era is everything & Creative Commons http://creativecommons.org/licenses/publicdomain/ E44179CE-897A-11DC-90D4-E01B3964BBC7 http://blip.tv/arin-crumley/new-media-philosophy-101-by-withoutabox-467241 New Media Philosophy 101 by Withoutabox Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 467241 461957 file no 0.0 2007-11-02T19:36:22Z English 0 0 0 1142 AZzDDQI http://blip.tv/play/AZzDDQI http://blip.tv/comments/?attached_to=post467241&skin=rss Arincrumley-NewMediaPhilosophy101ByWithoutabox852.png New-Age theme and awkward delivery aside, there are some good ideas in there. Some attending the conference really enjoyed Joe Neulight & David Straus' presentation. Some really needed to hear what they were saying. Others were rolling their eyes or yawning the whole time. Personally, I felt a little embarrassed for them. I felt like the reason they stayed focused on abstract concepts was due to the fact that after all this time they still don't really have anything to new to show us. When Withoutabox created the film festival submission system it was completely revolutionary but now a ton of time has passed with no new products to help filmmakers. So it was unfortunate that at this talk they had no site demo or new tools to announce. And to make matters worst tools they talked about in their digimart presentation 1 year ago still haven't manifested. Withoutabox did however mention that they'd have a dashboard for filmmakers to use to distribute their work across the web soon. Whatever thats worth. Don't get me wrong, I'd love to see it but if it sounds like I'm being hard on Withoutabox, I am. We are all on the same team but I feel we have to keep each other in check sometimes.To credit Withoutabox, they did help us out big time in April of 2006 when they sponsored our self-distribution research. They enabled us to move out of Susan's parents' basement and back to NYC. David Strauss' enthusiasm is pretty impressive and Joe's Understanding of New Media is very on point and even provided us with great feedback on our film when we were working on our final edit. Actually, the Heart Map we hired Brian Chirls to create was a project that we brainstormed partly at Withoutabox's offices in LA. Also I plan to use the film festival submission a little bit more in the future. But film festivals and the way films get to them needs to evolve which I talk about in my post about the Adventures in Self Distribution video which was the last panel of the day. http://a.images.blip.tv/Arincrumley-NewMediaPhilosophy101ByWithoutabox852-161.jpg No license (All rights reserved) New-Age theme and awkward delivery aside, there are some good ideas in there. Some attending the conference really enjoyed Joe Neulight & David Straus' presentation. Some really needed to hear what they were saying. Others were rolling their eyes or yawning the whole time. Personally, I felt a little embarrassed for them. I felt like the reason they stayed focused on abstract concepts was due to the fact that after all this time they still don't really have anything to new to show us. When Withoutabox created the film festival submission system it was completely revolutionary but now a ton of time has passed with no new products to help filmmakers. So it was unfortunate that at this talk they had no site demo or new tools to announce. And to make matters worst tools they talked about in their digimart presentation 1 year ago still haven't manifested. Withoutabox did however mention that they'd have a dashboard for filmmakers to use to distribute their work across the web soon. Whatever thats worth. Don't get me wrong, I'd love to see it but if it sounds like I'm being hard on Withoutabox, I am. We are all on the same team but I feel we have to keep each other in check sometimes.To credit Withoutabox, they did help us out big time in April of 2006 when they sponsored our self-distribution research. They enabled us to move out of Susan's parents' basement and back to NYC. David Strauss' enthusiasm is pretty impressive and Joe's Understanding of New Media is very on point and even provided us with great feedback on our film when we were working on our final edit. Actually, the Heart Map we hired Brian Chirls to create was a project that we brainstormed partly at Withoutabox's offices in LA. Also I plan to use the film festival submission a little bit more in the future. But film festivals and the way films get to them needs to evolve which I talk about in my post about the Adventures in Self Distribution video which was the last panel of the day. 1142 YahooPartnerVideoID Blip post id 467241 http://blip.tv/file/461957 Default Category withoutabox joe neulight david straus power to the pixel 2007 Fri, 02 Nov 2007 19:36:22 +0000 withoutabox, joe, neulight, david, straus, power, to, the, pixel, 2007 http://a.images.blip.tv/Arincrumley-NewMediaPhilosophy101ByWithoutabox852.png withoutabox, joe, neulight, david, straus, power, to, the, pixel, 2007 <iframe src="http://blip.tv/play/AZzDDQI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzDDQI" style="display:none"></embed> New Media Philosophy 101 by Withoutabox E5D23898-8973-11DC-B21F-D237981F7565 http://blip.tv/arin-crumley/michael-gubbins-sets-up-the-new-distributors-presenters-467144 Michael Gubbins sets up the New Distributors Presenters Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 467144 461860 file no 0.0 2007-11-02T18:46:18Z English 0 0 0 145 AZzCLAI http://blip.tv/play/AZzCLAI http://blip.tv/comments/?attached_to=post467144&skin=rss Arincrumley-MichaelGubbinsSetsUpTheNewDistributorsPresenters719.png Michael Gubbins from Screen international talks about how the rest of the world thinks your crazy when you rant and rave about the new media revolution. I concur. http://a.images.blip.tv/Arincrumley-MichaelGubbinsSetsUpTheNewDistributorsPresenters719-334.jpg No license (All rights reserved) Michael Gubbins from Screen international talks about how the rest of the world thinks your crazy when you rant and rave about the new media revolution. I concur. 145 YahooPartnerVideoID Blip post id 467144 http://blip.tv/file/461860 Default Category tv dvd digital revolution power to pixel 2007 united kingdom london film council british accent Fri, 02 Nov 2007 18:46:18 +0000 tv, dvd, digital, revolution, power, to, pixel, 2007, united, kingdom, london, film, council, british, accent http://a.images.blip.tv/Arincrumley-MichaelGubbinsSetsUpTheNewDistributorsPresenters719.png tv, dvd, digital, revolution, power, to, pixel, 2007, united, kingdom, london, film, council, british, accent <iframe src="http://blip.tv/play/AZzCLAI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzCLAI" style="display:none"></embed> Michael Gubbins sets up the New Distributors Presenters 5F1423A8-8972-11DC-835A-914FF288CA27 http://blip.tv/arin-crumley/peter-buckingham-from-british-film-council-on-the-digital-revolution-467128 Peter Buckingham from British Film Council on the Digital Revolution Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 467128 461844 file no 0.0 2007-11-02T18:35:22Z English 0 0 0 1604 AZzCHAI http://blip.tv/play/AZzCHAI http://blip.tv/comments/?attached_to=post467128&skin=rss Arincrumley-PeterBuckinghamFromBritishFilmCouncilOnTheDigitalRevolu352.png Peter Buckingham breaks down the Digital Media Revolution. The difference between having no physical limitation with digital vs having a limited number of films reels you can shiplike limited theaters, limited DVD shelves and limited TV channels. He then explains the power of digital and the long-tail. He also explains we are at a cross road where either we seize this moment for a more democratic system or we let the choice continue to be limited by big media companies. Ira was a little more practical and Peter Buckingham zooms out and speaks much more generally. In some ways they cover the same ground. The audience was fairly pumped about Peter's talk. It's pretty cool when Peter makes it seem so dumb that the film industry is based on withholding content unless a viewer coughs up money and how DRM just gives the people that do cough up money a difficult time. It's also cool when he makes fun of the theatrical industry for having such low attendance.Then there is a pretty lively discussion with the audience. In response to the first question Peter says he disagrees with Ira saying that the DCI vs iCinema standard war is like Beta vs VHS. But of course, that is a kind of stupid concept since the point of digital is that it's scalable and everyone who has ever touched a video projector knows that you can throw a variety of signals at it playing back whatever quality you happen to have. Photo by Jen ChanBut I could understand a distribution network wanting to have quality standards the creators and audience can count on. But more importantly people need to start thinking about the universal publishing standards for feature films and be thinking beyond just theatrical. I spoke to Ira about Peter's comment and asked him what he normally gets from content owners before he converts into iCinema for his network. He said often tape but sometimes a digital file. I asked him if a 1920 by 1080 24p H.264 file on a server would work and he said yes and that they've done that before. So in my mind iCinema and DCI are just other networks out there and I'm sure there will be more. And I think the way to get to those networks is to post your material in full res and let them do the conversion just like any other digital distributor who needs to store a digital clone of your work, monetize it and send back checks to the published payee info on the content.See in my view, watching on cell phones, your home theater, your local cinema, or a huge premiere at a festival all are kind of blurring in terms of technology and licensing.Photo: The above childs playroom was recently transformed into a home theaterProof of this convergence is that h.264 is the same codec that plays back a YouTube video on your cell phone, the same codec that plays back a TV show on your apple TV and the same codec that plays back in full resolution at your local movie theater using the iCinema standard.And the cost of all this technology is coming down. A full system for a home theater experience doesn't cost that much more then a few iPhones. And getting a top of the line home theater system does the job pretty well for a micro-cinema movie theater space. And even the top, top of the line servers and projectors have costs that have dramatically decreased over the past few years. So what really matters? All of this technology and play back devices? Not really, at the end of the day content is more important. All these platform and playback problems will be solved. Individuals will have devices in their pockets to watch any video that exists, at home people will all have HD home theaters, local neighborhoods and villages in third world countries will all have digital cinemas which have access to any video that exists. The important thing to remember is that technology is not the value here. The value is the content. Thats what matters. And thats what is threatened if we get too wrapped up in the technology and DRM and create platforms that only have room for the mainstream content.You never know where a well crafted story with integrity might come from so the important thing is to make technology open and democratic to all content. But even more importantly make the compensation for content that does well be the same compensation system for all levels of production. That way if something sprouts up as a hit from left field. That creator will see proceeds to go make more material with. So in a system like that, when you watch and forward to friends because you like it, you are putting down your vote to see more from that creator. Again, I think theatrical needs to be looked at as having the same dynamics of web video in terms of being able to have something culturally relevant explode. So to have lots of content with integrity, we need solutions that get creators paid. And thats the discussion to be having. Not the codec or the projector, the incentive for creating the culture that these devices will display.I'll get even more specific in future posts on solutions for getting creators compensated. http://a.images.blip.tv/Arincrumley-PeterBuckinghamFromBritishFilmCouncilOnTheDigitalRevolu352-803.jpg No license (All rights reserved) Peter Buckingham breaks down the Digital Media Revolution. The difference between having no physical limitation with digital vs having a limited number of films reels you can shiplike limited theaters, limited DVD shelves and limited TV channels. He then explains the power of digital and the long-tail. He also explains we are at a cross road where either we seize this moment for a more democratic system or we let the choice continue to be limited by big media companies. Ira was a little more practical and Peter Buckingham zooms out and speaks much more generally. In some ways they cover the same ground. The audience was fairly pumped about Peter's talk. It's pretty cool when Peter makes it seem so dumb that the film industry is based on withholding content unless a viewer coughs up money and how DRM just gives the people that do cough up money a difficult time. It's also cool when he makes fun of the theatrical industry for having such low attendance.Then there is a pretty lively discussion with the audience. In response to the first question Peter says he disagrees with Ira saying that the DCI vs iCinema standard war is like Beta vs VHS. But of course, that is a kind of stupid concept since the point of digital is that it's scalable and everyone who has ever touched a video projector knows that you can throw a variety of signals at it playing back whatever quality you happen to have. Photo by Jen ChanBut I could understand a distribution network wanting to have quality standards the creators and audience can count on. But more importantly people need to start thinking about the universal publishing standards for feature films and be thinking beyond just theatrical. I spoke to Ira about Peter's comment and asked him what he normally gets from content owners before he converts into iCinema for his network. He said often tape but sometimes a digital file. I asked him if a 1920 by 1080 24p H.264 file on a server would work and he said yes and that they've done that before. So in my mind iCinema and DCI are just other networks out there and I'm sure there will be more. And I think the way to get to those networks is to post your material in full res and let them do the conversion just like any other digital distributor who needs to store a digital clone of your work, monetize it and send back checks to the published payee info on the content.See in my view, watching on cell phones, your home theater, your local cinema, or a huge premiere at a festival all are kind of blurring in terms of technology and licensing.Photo: The above childs playroom was recently transformed into a home theaterProof of this convergence is that h.264 is the same codec that plays back a YouTube video on your cell phone, the same codec that plays back a TV show on your apple TV and the same codec that plays back in full resolution at your local movie theater using the iCinema standard.And the cost of all this technology is coming down. A full system for a home theater experience doesn't cost that much more then a few iPhones. And getting a top of the line home theater system does the job pretty well for a micro-cinema movie theater space. And even the top, top of the line servers and projectors have costs that have dramatically decreased over the past few years. So what really matters? All of this technology and play back devices? Not really, at the end of the day content is more important. All these platform and playback problems will be solved. Individuals will have devices in their pockets to watch any video that exists, at home people will all have HD home theaters, local neighborhoods and villages in third world countries will all have digital cinemas which have access to any video that exists. The important thing to remember is that technology is not the value here. The value is the content. Thats what matters. And thats what is threatened if we get too wrapped up in the technology and DRM and create platforms that only have room for the mainstream content.You never know where a well crafted story with integrity might come from so the important thing is to make technology open and democratic to all content. But even more importantly make the compensation for content that does well be the same compensation system for all levels of production. That way if something sprouts up as a hit from left field. That creator will see proceeds to go make more material with. So in a system like that, when you watch and forward to friends because you like it, you are putting down your vote to see more from that creator. Again, I think theatrical needs to be looked at as having the same dynamics of web video in terms of being able to have something culturally relevant explode. So to have lots of content with integrity, we need solutions that get creators paid. And thats the discussion to be having. Not the codec or the projector, the incentive for creating the culture that these devices will display.I'll get even more specific in future posts on solutions for getting creators compensated. 1604 YahooPartnerVideoID Blip post id 467128 http://blip.tv/file/461844 Default Category peter buckingham theatrical tv dvd digital revolution power to pixel 2007 united kingdom london film council british accent Fri, 02 Nov 2007 18:35:22 +0000 peter, buckingham, theatrical, tv, dvd, digital, revolution, power, to, pixel, 2007, united, kingdom, london, film, council, british, accent http://a.images.blip.tv/Arincrumley-PeterBuckinghamFromBritishFilmCouncilOnTheDigitalRevolu352.png peter, buckingham, theatrical, tv, dvd, digital, revolution, power, to, pixel, 2007, united, kingdom, london, film, council, british, accent <iframe src="http://blip.tv/play/AZzCHAI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzCHAI" style="display:none"></embed> Peter Buckingham from British Film Council on the Digital Revolution 372F4B88-896D-11DC-8030-DD144A3AC7C6 http://blip.tv/arin-crumley/theatrical-is-broken-ira-deutchman-presents-solutions-467062 Theatrical is Broken - Ira Deutchman presents solutions Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 467062 461778 file no 0.0 2007-11-02T17:58:28Z English 0 0 0 1872 AZzBWgI http://blip.tv/play/AZzBWgI http://blip.tv/comments/?attached_to=post467062&skin=rss Arincrumley-TheatricalIsBrokenIraDeutchmanPresentsSolutions376.png Ira Deutchman kicks off Power to the Pixel with a talk about what is wrong with the theatrical distribution system. He then continues with some solutions for how theatrical can be fixed. He talks about the advantages of digital distribution and explains what emerging pictures is doing to help pioneer this new space. One thing that could use more emphasis is how social software applications can be used to integrate audience demand with theater programming. Users of social networking services like Spout.com are already using software to keep a list of movies they are interested in seeing. It's not hard to imagine a scenario in which movie goers get notified when films they want to see in a theater are going to be playing near where they live. If theaters had access to information about the local demand for films, they could schedule their programming more intelligently. Online Social Networking technology is a medium through which theaters can inform people of when the movies they want to see in a theater are going to be playing. In addition, the notifications can be one click away from where the movie goer can buy a ticket. Movie goers could opt to join a public RSVP page where other potential attendees can see who's planning on attending the show, adding a more social element to the event.I think Spout.com and Flixter.com are both good candidates for being the company that really starts to connect some of these dots, since both of them already do some of it. A back-end for theaters to use which provides them with information about demand, a way to notify the audience, and handles ticket sales could be added to either of these services. But thats at the moment. Really I hope in the long term that open source social networking, universal video publishing licenses and innovative digital distributors can all work together in three tiers to solve all of these problems. http://a.images.blip.tv/Arincrumley-TheatricalIsBrokenIraDeutchmanPresentsSolutions376-929.jpg No license (All rights reserved) Ira Deutchman kicks off Power to the Pixel with a talk about what is wrong with the theatrical distribution system. He then continues with some solutions for how theatrical can be fixed. He talks about the advantages of digital distribution and explains what emerging pictures is doing to help pioneer this new space. One thing that could use more emphasis is how social software applications can be used to integrate audience demand with theater programming. Users of social networking services like Spout.com are already using software to keep a list of movies they are interested in seeing. It's not hard to imagine a scenario in which movie goers get notified when films they want to see in a theater are going to be playing near where they live. If theaters had access to information about the local demand for films, they could schedule their programming more intelligently. Online Social Networking technology is a medium through which theaters can inform people of when the movies they want to see in a theater are going to be playing. In addition, the notifications can be one click away from where the movie goer can buy a ticket. Movie goers could opt to join a public RSVP page where other potential attendees can see who's planning on attending the show, adding a more social element to the event.I think Spout.com and Flixter.com are both good candidates for being the company that really starts to connect some of these dots, since both of them already do some of it. A back-end for theaters to use which provides them with information about demand, a way to notify the audience, and handles ticket sales could be added to either of these services. But thats at the moment. Really I hope in the long term that open source social networking, universal video publishing licenses and innovative digital distributors can all work together in three tiers to solve all of these problems. 1872 YahooPartnerVideoID Blip post id 467062 http://blip.tv/file/461778 Default Category emerging pictures ira deutchman power to the pixel theatrical is dead film industry 2.0 web four eyed monsters Fri, 02 Nov 2007 17:58:28 +0000 emerging, pictures, ira, deutchman, power, to, the, pixel, theatrical, is, dead, film, industry, 2.0, web, four, eyed, monsters http://a.images.blip.tv/Arincrumley-TheatricalIsBrokenIraDeutchmanPresentsSolutions376.png emerging, pictures, ira, deutchman, power, to, the, pixel, theatrical, is, dead, film, industry, 2.0, web, four, eyed, monsters <iframe src="http://blip.tv/play/AZzBWgI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzBWgI" style="display:none"></embed> Theatrical is Broken - Ira Deutchman presents solutions 3AFEDC7E-8963-11DC-AFD7-F608E44F7B18 http://blip.tv/arin-crumley/power-to-the-pixel-director-liz-rosenthal-introduces-the-day-466924 Power to the Pixel Director Liz Rosenthal Introduces the Day Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 466924 461640 file no 0.0 2007-11-02T16:46:59Z English 0 0 0 127 AZzAUAI http://blip.tv/play/AZzAUAI http://blip.tv/comments/?attached_to=post466924&skin=rss Arincrumley-PowerToThePixelDirectorLizRosenthalIntroducesTheDay446.png Liz explains how the day will unfold and thanks her crew and sponsors. She gives a good over view that will be helpful to watch if you are considering watching all of the power to the pixel videos. Brian Chirls and I were just getting acquainted with our laptop recording device and finding left over space on almost empty tapes and had to adjust the shutter in the middle of this clip so sorry about that.Liz did a good job lining up sponsorships from Skillset, Film London, The London Development Agency, The UK film Council, Digital Horizons, FDMX, Sohonet, WiseGuy PIctures, AllCity, Screen International, Shooting People.And I have to say, Tishna Molla, Josephine Lott, Ella Weston, Katy Swarbrick were all very friendly, helpful and all impressively attractive as well. http://a.images.blip.tv/Arincrumley-PowerToThePixelDirectorLizRosenthalIntroducesTheDay446-225.jpg No license (All rights reserved) Liz explains how the day will unfold and thanks her crew and sponsors. She gives a good over view that will be helpful to watch if you are considering watching all of the power to the pixel videos. Brian Chirls and I were just getting acquainted with our laptop recording device and finding left over space on almost empty tapes and had to adjust the shutter in the middle of this clip so sorry about that.Liz did a good job lining up sponsorships from Skillset, Film London, The London Development Agency, The UK film Council, Digital Horizons, FDMX, Sohonet, WiseGuy PIctures, AllCity, Screen International, Shooting People.And I have to say, Tishna Molla, Josephine Lott, Ella Weston, Katy Swarbrick were all very friendly, helpful and all impressively attractive as well. 127 YahooPartnerVideoID Blip post id 466924 http://blip.tv/file/461640 Movies and Television power to the pixel liz rosenthal confernce new media digital film cinema 2.0 Fri, 02 Nov 2007 16:46:59 +0000 power, to, the, pixel, liz, rosenthal, confernce, new, media, digital, film, cinema, 2.0 http://a.images.blip.tv/Arincrumley-PowerToThePixelDirectorLizRosenthalIntroducesTheDay446.png power, to, the, pixel, liz, rosenthal, confernce, new, media, digital, film, cinema, 2.0 <iframe src="http://blip.tv/play/AZzAUAI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZzAUAI" style="display:none"></embed> Power to the Pixel Director Liz Rosenthal Introduces the Day A6B0E406-885C-11DC-99EA-D2D6C39FBFA7 http://blip.tv/arin-crumley/biggest-battle-for-indie-filmmakers-is-obscurity-464259 Biggest battle for indie filmmakers is obscurity Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 464259 458983 file no 0.0 2007-11-01T09:27:22Z English 0 0 0 21 AZyrZwI http://blip.tv/play/AZyrZwI http://blip.tv/comments/?attached_to=post464259&skin=rss Arincrumley-BiggestBattleForIndieFilmmakersIsObscurity508-2.jpg Paula Le Dieu said at her power to the pixel presentation on October 26th 2007: "The very very best of film is frankly not anything unless someone sees it. So on of the biggest battles an independent filmmaker faces is obscurity. How on earth do we get more people to see the work that we make." To see the entire power to the pixel conference go to: http://www.arincrumley.com or http://www.powertothepixel.com http://a.images.blip.tv/Arincrumley-BiggestBattleForIndieFilmmakersIsObscurity508-2-263.jpg No license (All rights reserved) Paula Le Dieu said at her power to the pixel presentation on October 26th 2007: "The very very best of film is frankly not anything unless someone sees it. So on of the biggest battles an independent filmmaker faces is obscurity. How on earth do we get more people to see the work that we make." To see the entire power to the pixel conference go to: http://www.arincrumley.com or http://www.powertothepixel.com 21 http://blip.tv/file/458983 Educational paula le dieu quote power to pixel presentation october 26th 2007 biggest battle indie filmmakers is obscurity four eyed monsters arin crumley Thu, 01 Nov 2007 09:27:22 +0000 paula, le, dieu, quote, power, to, pixel, presentation, october, 26th, 2007, biggest, battle, indie, filmmakers, is, obscurity, four, eyed, monsters, arin, crumley http://a.images.blip.tv/Arincrumley-BiggestBattleForIndieFilmmakersIsObscurity508-2.jpg paula, le, dieu, quote, power, to, pixel, presentation, october, 26th, 2007, biggest, battle, indie, filmmakers, is, obscurity, four, eyed, monsters, arin, crumley <iframe src="http://blip.tv/play/AZyrZwI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZyrZwI" style="display:none"></embed> Biggest battle for indie filmmakers is obscurity 2170B534-885A-11DC-8705-8E23B92DC66B http://blip.tv/arin-crumley/rt-quote-from-power-to-the-pixel-conference-464251 rt Quote from Power to the Pixel Conference Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 464251 458975 file no 0.0 2007-11-01T09:09:20Z English 0 0 0 26 AZyrXwI http://blip.tv/play/AZyrXwI http://blip.tv/comments/?attached_to=post464251&skin=rss Arincrumley-rtQuoteFromPowerToThePixelConference865-280.jpg Editor of Screen International Michael Gubbins said on October 26th 2007 at Power to the Pixel: "The world as it is, is broke. The distribution mechanism that we are seeing right now as far as independent film is concerned makes no sense what so ever. And I think what we're now seeing is a period of waking up to the idea that theres nothing to go back to and only really beginning to engage in what possibly may come. That makes for very disturbing and very exciting times." Thats reasonably well put. View all of the power to the pixel presentations at: http://www.arincrumley.com http://a.images.blip.tv/Arincrumley-rtQuoteFromPowerToThePixelConference865-280-533.jpg No license (All rights reserved) Editor of Screen International Michael Gubbins said on October 26th 2007 at Power to the Pixel: "The world as it is, is broke. The distribution mechanism that we are seeing right now as far as independent film is concerned makes no sense what so ever. And I think what we're now seeing is a period of waking up to the idea that theres nothing to go back to and only really beginning to engage in what possibly may come. That makes for very disturbing and very exciting times." Thats reasonably well put. View all of the power to the pixel presentations at: http://www.arincrumley.com 26 http://blip.tv/file/458975 Movies and Television editor screen international michael gubbins october 26th 2007 at power to pixel Thu, 01 Nov 2007 09:09:20 +0000 editor, screen, international, michael, gubbins, october, 26th, 2007, at, power, to, pixel http://a.images.blip.tv/Arincrumley-rtQuoteFromPowerToThePixelConference865-280.jpg editor, screen, international, michael, gubbins, october, 26th, 2007, at, power, to, pixel <iframe src="http://blip.tv/play/AZyrXwI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZyrXwI" style="display:none"></embed> rt Quote from Power to the Pixel Conference B6510450-8699-11DC-B4D6-93DD0ED460B7 http://blip.tv/arin-crumley/short-quote-from-power-to-the-pixel-conference-459570 Short Quote from Power to the Pixel Conference Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 459570 454308 file no 0.0 2007-10-30T03:39:26Z English 0 0 0 31 AZyHFgI http://blip.tv/play/AZyHFgI http://blip.tv/comments/?attached_to=post459570&skin=rss Arincrumley-ShortQuoteFromPowerToThePixelConference748.png Editor of Screen International Michael Gubbins said on October 26th 2007 at Power to the Pixel: "The world as it is, is broke. The distribution mechanism that we are seeing right now as far as independent film is concerned makes no sense what so ever. And I think what we're now seeing is a period of waking up to the idea that theres nothing to go back to and only really begginging to engage in what possibly may come. That makes for very disturbing and very exciting times."Thats reasonably well put. http://a.images.blip.tv/Arincrumley-ShortQuoteFromPowerToThePixelConference748-905.jpg Public Domain Editor of Screen International Michael Gubbins said on October 26th 2007 at Power to the Pixel: "The world as it is, is broke. The distribution mechanism that we are seeing right now as far as independent film is concerned makes no sense what so ever. And I think what we're now seeing is a period of waking up to the idea that theres nothing to go back to and only really begginging to engage in what possibly may come. That makes for very disturbing and very exciting times."Thats reasonably well put. 31 YahooPartnerVideoID Blip post id 459570 http://blip.tv/file/454308 Business editor of screen international michael gubbins distribution mechanism cinema 2.0 indie media revolution Tue, 30 Oct 2007 03:39:26 +0000 editor, of, screen, international, michael, gubbins, distribution, mechanism, cinema, 2.0, indie, media, revolution http://a.images.blip.tv/Arincrumley-ShortQuoteFromPowerToThePixelConference748.png editor, of, screen, international, michael, gubbins, distribution, mechanism, cinema, 2.0, indie, media, revolution <iframe src="http://blip.tv/play/AZyHFgI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZyHFgI" style="display:none"></embed> Short Quote from Power to the Pixel Conference http://creativecommons.org/licenses/publicdomain/ 510559D4-8671-11DC-AC74-8444624495BF http://blip.tv/arin-crumley/power-to-the-pixel-arin-crumley-video-blog-from-london-459122 Power to the Pixel - Arin Crumley Video Blog from London Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 459122 453861 file no 0.0 2007-10-29T22:50:16Z English 0 0 0 108 AZyDVgI http://blip.tv/play/AZyDVgI http://blip.tv/comments/?attached_to=post459122&skin=rss Arincrumley-PowerToThePixelArinCrumleyVideoBlogFromLondon156-129.jpg Visit arincrumley.com to find this complete text if the site you are reading on cuts it off: Liz and her attractive British crew did an amazing job organizing and promoting this event. However, in the future I prefer to be a part of doing more then just speaking. I want to get something done. Either a hands on workshop or more importantly some sessions involving a room full of programmers and problem solvers to develop the new film industry. Why should we let the old film industry try to re-invent it's self when it's currently wide open for quicker fresh minds to start something from scratch that is way better. The objectives next time will be to create universal publishing standard like RSS but for film projects and containing way more meta data about the film. And then come up with a universal social networking protocol that can be adopted by film sites. The core principal of a new social network standard will be that you store your personal data rather then Facebook and MySpace and sites like Amazon pull the review you wrote about a film from your personally stored blog post review of that film. Then come up with a universal event standard so anyone can create a directory of screenings. Then start publishing plans for how people can create cheap micro cinema systems for 1 to 5 grand depending on their budget that get them all the digital films using this system. Then create a road map for how this system can eventually take over and be the system that even mainstream content owners will want to be a part of. RSS took very little time to get the name of "podcasting" and now even major media companies use it even though it defies their methodology. So it can be done. Then publish plans for how people can create subscription models for internet deliver of content. That way people all over the world can create a local service that sends money back to creators. It's all too much to detail here. But watch all of these power to the pixel presentations that will follow and keep the vision of the future in mind through out. You'll see how some get it more then others and then take these ideas out into the world and you'll once again see some getting it immediately and others wanting to argue things can't change. Form alliances with those who think this is possible and that things can change. http://a.images.blip.tv/Arincrumley-PowerToThePixelArinCrumleyVideoBlogFromLondon156-301-245.jpg No license (All rights reserved) Visit arincrumley.com to find this complete text if the site you are reading on cuts it off: Liz and her attractive British crew did an amazing job organizing and promoting this event. However, in the future I prefer to be a part of doing more then just speaking. I want to get something done. Either a hands on workshop or more importantly some sessions involving a room full of programmers and problem solvers to develop the new film industry. Why should we let the old film industry try to re-invent it's self when it's currently wide open for quicker fresh minds to start something from scratch that is way better. The objectives next time will be to create universal publishing standard like RSS but for film projects and containing way more meta data about the film. And then come up with a universal social networking protocol that can be adopted by film sites. The core principal of a new social network standard will be that you store your personal data rather then Facebook and MySpace and sites like Amazon pull the review you wrote about a film from your personally stored blog post review of that film. Then come up with a universal event standard so anyone can create a directory of screenings. Then start publishing plans for how people can create cheap micro cinema systems for 1 to 5 grand depending on their budget that get them all the digital films using this system. Then create a road map for how this system can eventually take over and be the system that even mainstream content owners will want to be a part of. RSS took very little time to get the name of "podcasting" and now even major media companies use it even though it defies their methodology. So it can be done. Then publish plans for how people can create subscription models for internet deliver of content. That way people all over the world can create a local service that sends money back to creators. It's all too much to detail here. But watch all of these power to the pixel presentations that will follow and keep the vision of the future in mind through out. You'll see how some get it more then others and then take these ideas out into the world and you'll once again see some getting it immediately and others wanting to argue things can't change. Form alliances with those who think this is possible and that things can change. 108 http://blip.tv/file/453861 Videoblogging video blog arin crumley power to pixel london new media Mon, 29 Oct 2007 22:50:16 +0000 video, blog, arin, crumley, power, to, pixel, london, new, media http://a.images.blip.tv/Arincrumley-PowerToThePixelArinCrumleyVideoBlogFromLondon156-129.jpg video, blog, arin, crumley, power, to, pixel, london, new, media <iframe src="http://blip.tv/play/AZyDVgI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZyDVgI" style="display:none"></embed> Power to the Pixel - Arin Crumley Video Blog from London 97775418-8517-11DC-A56E-FAE2E47118D4 http://blip.tv/arin-crumley/discussion-about-new-distribution-for-indie-films-455528 Discussion about New Distribution for indie films Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 455528 450275 file no 5.0 2007-10-28T05:35:28Z English 0 0 0 2427 AZvnTAI http://blip.tv/play/AZvnTAI http://blip.tv/comments/?attached_to=post455528&skin=rss Arincrumley-DiscussionAboutNewDistributionForIndieFilms456-451.jpg 4pm October 26th 2007 Power to the Pixel presented a panel hosted by Liz Rosenthal having a discussion with Arin Crumley, Susan Buice, Lance Weiler, Jeremy Nathan & Matt Hanson.For more information visit:http://powertothepixel.com/ http://foureyedmonsters.comhttp://headtraumamovie.comhttp://swarmofangels.comhttp://www.dv8.co.za/ http://a.images.blip.tv/Arincrumley-DiscussionAboutNewDistributionForIndieFilms456-451-591.jpg Creative Commons Attribution 2.0 4pm October 26th 2007 Power to the Pixel presented a panel hosted by Liz Rosenthal having a discussion with Arin Crumley, Susan Buice, Lance Weiler, Jeremy Nathan & Matt Hanson.For more information visit:http://powertothepixel.com/ http://foureyedmonsters.comhttp://headtraumamovie.comhttp://swarmofangels.comhttp://www.dv8.co.za/ 2427 http://blip.tv/file/450275 Movies and Television arin crumley susan buice lance weiler jeremy nathan matt hanson arincrumley susanbuice four eyed monsters foureyedmonsters head trauma headtrauma Sun, 28 Oct 2007 05:35:28 +0000 arin, crumley, susan, buice, lance, weiler, jeremy, nathan, matt, hanson, arincrumley, susanbuice, four, eyed, monsters, foureyedmonsters, head, trauma, headtrauma http://a.images.blip.tv/Arincrumley-DiscussionAboutNewDistributionForIndieFilms456-451.jpg arin, crumley, susan, buice, lance, weiler, jeremy, nathan, matt, hanson, arincrumley, susanbuice, four, eyed, monsters, foureyedmonsters, head, trauma, headtrauma <iframe src="http://blip.tv/play/AZvnTAI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZvnTAI" style="display:none"></embed> Discussion about New Distribution for indie films http://creativecommons.org/licenses/by/2.0/ 9846BC1A-7D3A-11DC-B4E5-BF253CAC0450 http://blip.tv/arin-crumley/four-eyed-monsters-screening-in-montreal-oct-20th-2007-438016 Four Eyed Monsters Screening in Montreal Oct-20th-2007 Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 438016 432805 file no 5.0 2007-10-18T05:25:53Z English 0 0 0 75 AZreZAI http://blip.tv/play/AZreZAI http://blip.tv/comments/?attached_to=post438016&skin=rss Arincrumley-FourEyedMonstersScreeningInMontrealOct20th2007177-343.jpg Susan and I are getting on a train to come to Montreal to screen our film at Ex-Centris and do a post screening discussion. We are also doing a panel at SAT about the future of cinema. Get details about the screening here: http://4eyedmonsters.bravenewtheaters.com/screening/show/9971-montr-al More info on Four Eyed Monsters here: http://www.foureyedmonsters.com Help us out of debt with-out spending any money here: http://www.spout.com/foureyedmonsters Track the media revolution here: http://www.arincrumley.com Search iTunes for "Ratatat" for the song "El Pico" if it's stuck in your head. http://a.images.blip.tv/Arincrumley-FourEyedMonstersScreeningInMontrealOct20th2007177-343-79.jpg No license (All rights reserved) Susan and I are getting on a train to come to Montreal to screen our film at Ex-Centris and do a post screening discussion. We are also doing a panel at SAT about the future of cinema. Get details about the screening here: http://4eyedmonsters.bravenewtheaters.com/screening/show/9971-montr-al More info on Four Eyed Monsters here: http://www.foureyedmonsters.com Help us out of debt with-out spending any money here: http://www.spout.com/foureyedmonsters Track the media revolution here: http://www.arincrumley.com Search iTunes for "Ratatat" for the song "El Pico" if it's stuck in your head. 75 http://blip.tv/file/432805 Movies and Television screening invitaiton video four eyed monsters media revolution montreal ex-centris Thu, 18 Oct 2007 05:25:53 +0000 screening, invitaiton, video, four, eyed, monsters, media, revolution, montreal, ex-centris http://a.images.blip.tv/Arincrumley-FourEyedMonstersScreeningInMontrealOct20th2007177-343.jpg screening, invitaiton, video, four, eyed, monsters, media, revolution, montreal, ex-centris <iframe src="http://blip.tv/play/AZreZAI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZreZAI" style="display:none"></embed> Four Eyed Monsters Screening in Montreal Oct-20th-2007 A820E1A4-76C0-11DC-9443-B09ECF8CCBA1 http://blip.tv/arin-crumley/post-screening-discussion-in-vancouver-424099 Post Screening Discussion in Vancouver Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 424099 418924 file no 5.0 2007-10-09T23:37:54Z English 0 0 0 1444 AZnyBwI http://blip.tv/play/AZnyBwI http://blip.tv/comments/?attached_to=post424099&skin=rss Arincrumley-PostScreeningDiscussionInVancouver452-890.jpg Four Eyed Monsters screened at Gallery Gachet in Vancouver Canada on September 29th. This is a video of the discussion that went down afterwards. Thanks to pitchpage.com for filming the talk. LINKS: http://www.foureyedmonsters.com http://www.arincrumley.com http://www.viff.org http://www.gachet.org http://www.pitchpage.com http://a.images.blip.tv/Mhudack-PostScreeningDiscussionInVancouver433-314.jpg No license (All rights reserved) Four Eyed Monsters screened at Gallery Gachet in Vancouver Canada on September 29th. This is a video of the discussion that went down afterwards. Thanks to pitchpage.com for filming the talk. LINKS: http://www.foureyedmonsters.com http://www.arincrumley.com http://www.viff.org http://www.gachet.org http://www.pitchpage.com 1444 http://blip.tv/file/418924 The Mainstream Media post screening discussion q&a four eyed monsters arin crumley audience questions interaction love romance online relationships soul mates true real life indie film movie making Tue, 09 Oct 2007 23:37:54 +0000 post, screening, discussion, q&a, four, eyed, monsters, arin, crumley, audience, questions, interaction, love, romance, online, relationships, soul, mates, true, real, life, indie, film, movie, making http://a.images.blip.tv/Arincrumley-PostScreeningDiscussionInVancouver452-890.jpg post, screening, discussion, q&a, four, eyed, monsters, arin, crumley, audience, questions, interaction, love, romance, online, relationships, soul, mates, true, real, life, indie, film, movie, making <iframe src="http://blip.tv/play/AZnyBwI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZnyBwI" style="display:none"></embed> Post Screening Discussion in Vancouver 9F6DAA18-746F-11DC-A1DF-814635655996 http://blip.tv/arin-crumley/filmmakers-seize-control-panel-61-minutes-419433 Filmmakers Seize Control Panel - (61 minutes) Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 419433 414270 file no 5.0 2007-10-07T00:52:47Z English 0 0 0 3674 AZnNTQI http://blip.tv/play/AZnNTQI http://blip.tv/comments/?attached_to=post419433&skin=rss Arincrumley-FilmmakersSeizeControlPanel61Minutes555-366.jpg The Vancouver international film festival invited Lance Weiler and I to come out and be a part of their Forum sessions. This one was called Filmmakers Seize Control.LINKS:http://Viff.orghttp://FourEyedMonsters.comhttp://HeadTramaMovie.comhttp://thelastbroadcast.comhttp://www.arincrumley.comhttp://www.lanceweiler.com (more) http://a.images.blip.tv/Arincrumley-FilmmakersSeizeControlPanel61Minutes555-366-641.jpg Public Domain The Vancouver international film festival invited Lance Weiler and I to come out and be a part of their Forum sessions. This one was called Filmmakers Seize Control.LINKS:http://Viff.orghttp://FourEyedMonsters.comhttp://HeadTramaMovie.comhttp://thelastbroadcast.comhttp://www.arincrumley.comhttp://www.lanceweiler.com (more) 3674 YahooPartnerVideoID Blip post id 419433 http://blip.tv/file/414270 Conferences and Other Events filmmakers seize control arin crumley lance weilser head trauma vancouver Sun, 07 Oct 2007 00:52:47 +0000 filmmakers, seize, control, arin, crumley, lance, weilser, head, trauma, vancouver http://a.images.blip.tv/Arincrumley-FilmmakersSeizeControlPanel61Minutes555-366.jpg filmmakers, seize, control, arin, crumley, lance, weilser, head, trauma, vancouver <iframe src="http://blip.tv/play/AZnNTQI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZnNTQI" style="display:none"></embed> Filmmakers Seize Control Panel - (61 minutes) http://creativecommons.org/licenses/publicdomain/ 0565FEB4-6BC0-11DC-A78C-CF9F4AF5DD0D http://blip.tv/arin-crumley/vancouver-local-paper-arin-crumley-401603 Vancouver Local Paper - Arin Crumley Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 401603 396510 file no 0.0 2007-09-25T23:35:38Z English 0 0 0 407 AZjCJwI http://blip.tv/play/AZjCJwI http://blip.tv/comments/?attached_to=post401603&skin=rss Arincrumley-VancouverLocalPaperArinCrumley849-195.jpg I was interviewed by Graeme McRanor for the Vancouver local paper about a talk and screening I'm doing Saturday and about viral marketing and the changing film industry. LINKS: http://www.4eyedmonsters.bravenewtheaters.com http://www.viff.org http://vancouver.24hrs.ca http://foureyedmonsters.com http://arincrumley.com http://a.images.blip.tv/Arincrumley-VancouverLocalPaperArinCrumley849-195-42.jpg No license (All rights reserved) I was interviewed by Graeme McRanor for the Vancouver local paper about a talk and screening I'm doing Saturday and about viral marketing and the changing film industry. LINKS: http://www.4eyedmonsters.bravenewtheaters.com http://www.viff.org http://vancouver.24hrs.ca http://foureyedmonsters.com http://arincrumley.com 407 http://blip.tv/file/396510 The Mainstream Media graeme mcranor for vancouver 24hrs canada four eyed monsters fem 4em foureyedmonsters arin crumley arincrumley diy self distribution film industry viral marketing Tue, 25 Sep 2007 23:35:38 +0000 graeme, mcranor, for, vancouver, 24hrs, canada, four, eyed, monsters, fem, 4em, foureyedmonsters, arin, crumley, arincrumley, diy, self, distribution, film, industry, viral, marketing http://a.images.blip.tv/Arincrumley-VancouverLocalPaperArinCrumley849-195.jpg graeme, mcranor, for, vancouver, 24hrs, canada, four, eyed, monsters, fem, 4em, foureyedmonsters, arin, crumley, arincrumley, diy, self, distribution, film, industry, viral, marketing <iframe src="http://blip.tv/play/AZjCJwI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZjCJwI" style="display:none"></embed> Vancouver Local Paper - Arin Crumley CCC9B746-6B9F-11DC-A8F3-F3108ADA40A5 http://blip.tv/arin-crumley/cfun-radio-interview-arin-crumley-401261 CFUN Radio Interview - Arin Crumley Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 401261 396171 file no 5.0 2007-09-25T19:44:59Z English 0 0 0 503 AZi_UQI http://blip.tv/play/AZi_UQI http://blip.tv/comments/?attached_to=post401261&skin=rss Arincrumley-CFUNRadioInterviewArinCrumley579-77.jpg I was interviewed today by CFUN in Vancouver by Shane Foxman. I'll be out there this saturday to do a talk at VIFF and a screening at gallery gotcha. Screening details here: http://4eyedmonsters.bravenewtheaters.com/screening/show/9898-vancouver LINKS: http://www.viff.org http://www.foureyedmonsters.com http://www.foxmanconsulting.com/ http://www.cfun.com http://www.arincrumley.com http://a.images.blip.tv/Arincrumley-CFUNRadioInterviewArinCrumley579-77-345.jpg No license (All rights reserved) I was interviewed today by CFUN in Vancouver by Shane Foxman. I'll be out there this saturday to do a talk at VIFF and a screening at gallery gotcha. Screening details here: http://4eyedmonsters.bravenewtheaters.com/screening/show/9898-vancouver LINKS: http://www.viff.org http://www.foureyedmonsters.com http://www.foxmanconsulting.com/ http://www.cfun.com http://www.arincrumley.com 503 http://blip.tv/file/396171 The Mainstream Media vancouver film festival cfun arincrumley arin crumley shane foxman gallery gotcha viff interview four eyed monsters foureyedmonsters fem 4em Tue, 25 Sep 2007 19:44:59 +0000 vancouver, film, festival, cfun, arincrumley, arin, crumley, shane, foxman, gallery, gotcha, viff, interview, four, eyed, monsters, foureyedmonsters, fem, 4em http://a.images.blip.tv/Arincrumley-CFUNRadioInterviewArinCrumley579-77.jpg vancouver, film, festival, cfun, arincrumley, arin, crumley, shane, foxman, gallery, gotcha, viff, interview, four, eyed, monsters, foureyedmonsters, fem, 4em <iframe src="http://blip.tv/play/AZi_UQI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZi_UQI" style="display:none"></embed> CFUN Radio Interview - Arin Crumley 7C15B918-6AEF-11DC-83CE-B126DA1994EC http://blip.tv/arin-crumley/discussing-four-eyed-monsters-theatrica-release-on-ifp-panel-399912 Discussing Four Eyed Monsters Theatrica Release on IFP Panel Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 399912 394830 file no 0.0 2007-09-24T22:42:52Z English 0 0 0 355 AZi1DAI http://blip.tv/play/AZi1DAI http://blip.tv/comments/?attached_to=post399912&skin=rss Arincrumley-DiscussingFourEyedMonstersTheatricaReleaseOnIFPPanel707.png In this video we talk about our DIY theatrical release which included our undiscovered gems showcase, our Thursdays in September run, the theatrical opening in NYC and the 30 cities on valentines day. http://www.foureyedmonsters.comhttp://foureyedmonsters.com/thurs-sept/ http://a.images.blip.tv/Arincrumley-DiscussingFourEyedMonstersTheatricaReleaseOnIFPPanel707-316.jpg Public Domain In this video we talk about our DIY theatrical release which included our undiscovered gems showcase, our Thursdays in September run, the theatrical opening in NYC and the 30 cities on valentines day. http://www.foureyedmonsters.comhttp://foureyedmonsters.com/thurs-sept/ 355 http://blip.tv/file/394830 Educational four eyed monsters diy theatrical release promoting screenings grass roots thursdays in september 30 cities valentines day cinema village undiscovered gems showcase Mon, 24 Sep 2007 22:42:52 +0000 four, eyed, monsters, diy, theatrical, release, promoting, screenings, grass, roots, thursdays, in, september, 30, cities, valentines, day, cinema, village, undiscovered, gems, showcase http://a.images.blip.tv/Arincrumley-DiscussingFourEyedMonstersTheatricaReleaseOnIFPPanel707.png four, eyed, monsters, diy, theatrical, release, promoting, screenings, grass, roots, thursdays, in, september, 30, cities, valentines, day, cinema, village, undiscovered, gems, showcase <iframe src="http://blip.tv/play/AZi1DAI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZi1DAI" style="display:none"></embed> Discussing Four Eyed Monsters Theatrica Release on IFP Panel http://creativecommons.org/licenses/publicdomain/ 4AB8DED6-6AD6-11DC-9DB8-B3BA2A191DB5 http://blip.tv/arin-crumley/example-of-how-four-eyed-monsters-promoted-screenings-399710 Example of how Four Eyed Monsters promoted screenings Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 399710 394629 file no 0.0 2007-09-24T19:42:32Z English 0 0 0 62 AZizQgI http://blip.tv/play/AZizQgI http://blip.tv/comments/?attached_to=post399710&skin=rss Arincrumley-ExampleOfHowFourEyedMonstersPromotedScreenings954-917.jpg This is a clip we cut out of one of our invitation videos to show how we would promote screenings. http://www.foureyedmonsters.com http://www.arincrumley.tumblr.com http://www.gingerbreadpatriots.com http://a.images.blip.tv/Arincrumley-ExampleOfHowFourEyedMonstersPromotedScreenings954-917-157.jpg No license (All rights reserved) This is a clip we cut out of one of our invitation videos to show how we would promote screenings. http://www.foureyedmonsters.com http://www.arincrumley.tumblr.com http://www.gingerbreadpatriots.com 62 YahooPartnerVideoID Blip post id 399710 http://blip.tv/file/394629 Educational four eyed monsters diy theatrical release promoting screenings grass roots Mon, 24 Sep 2007 19:42:32 +0000 four, eyed, monsters, diy, theatrical, release, promoting, screenings, grass, roots http://a.images.blip.tv/Arincrumley-ExampleOfHowFourEyedMonstersPromotedScreenings954-917.jpg four, eyed, monsters, diy, theatrical, release, promoting, screenings, grass, roots <iframe src="http://blip.tv/play/AZizQgI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZizQgI" style="display:none"></embed> Example of how Four Eyed Monsters promoted screenings 26255740-6A39-11DC-99F8-C8D6913610D7 http://blip.tv/arin-crumley/the-current-point-of-my-video-channel-398698 The current point of my Video Channel Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 398698 393617 file no 0.0 2007-09-24T00:57:40Z English 0 0 0 275 AZirTgI http://blip.tv/play/AZirTgI http://blip.tv/comments/?attached_to=post398698&skin=rss Arincrumley-TheCurrentPointOfMyVideoChannel114-521.jpg Quit your job, start a media channel. I'll share the insights on how to do this on my personal video channel. Check out these: http://www.arincrumley.tumblr.com http://www.workbookproject.com http://www.selfreliantfilm.com http://www.thedvshow.com http://www.foureyedmonsters.com/category/tutorial http://www.youtube.com/arincrumley http://a.images.blip.tv/Arincrumley-TheCurrentPointOfMyVideoChannel114-521-686.jpg No license (All rights reserved) Quit your job, start a media channel. I'll share the insights on how to do this on my personal video channel. Check out these: http://www.arincrumley.tumblr.com http://www.workbookproject.com http://www.selfreliantfilm.com http://www.thedvshow.com http://www.foureyedmonsters.com/category/tutorial http://www.youtube.com/arincrumley 275 http://blip.tv/file/393617 Educational arincrumley diy distribution filmmakers quit your job self reliant dv show workbook project arin crumley Mon, 24 Sep 2007 00:57:40 +0000 arincrumley, diy, distribution, filmmakers, quit, your, job, self, reliant, dv, show, workbook, project, arin, crumley http://a.images.blip.tv/Arincrumley-TheCurrentPointOfMyVideoChannel114-521.jpg arincrumley, diy, distribution, filmmakers, quit, your, job, self, reliant, dv, show, workbook, project, arin, crumley <iframe src="http://blip.tv/play/AZirTgI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZirTgI" style="display:none"></embed> The current point of my Video Channel F505F348-69AE-11DC-8A2E-B71525B4A1D1 http://blip.tv/arin-crumley/what-is-rss-andrew-baron-397356 What is RSS? (Andrew Baron) Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 397356 392276 file no 0.0 2007-09-23T08:28:27Z English 0 0 0 86 AZihEAI http://blip.tv/play/AZihEAI http://blip.tv/comments/?attached_to=post397356&skin=rss Arincrumley-WhatIsRSSAndrewBaron127-397.jpg Andrew Baron from Rocketboom explains in plain English what RSS and why it's important. http://a.images.blip.tv/Arincrumley-WhatIsRSSAndrewBaron127-397-742.jpg No license (All rights reserved) Andrew Baron from Rocketboom explains in plain English what RSS and why it's important. 86 YahooPartnerVideoID Blip post id 397356 http://blip.tv/file/392276 Educational rss andrew baron ifp video podcast how to tutorial Sun, 23 Sep 2007 08:28:27 +0000 rss, andrew, baron, ifp, video, podcast, how, to, tutorial http://a.images.blip.tv/Arincrumley-WhatIsRSSAndrewBaron127-397.jpg rss, andrew, baron, ifp, video, podcast, how, to, tutorial <iframe src="http://blip.tv/play/AZihEAI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZihEAI" style="display:none"></embed> What is RSS? (Andrew Baron) AFC925A8-648F-11DC-A48A-823DA80FC7AA http://blip.tv/arin-crumley/episode-1-excerpt-for-use-in-powerpoint-385982 Episode 1 Excerpt for use in powerpoint Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 385982 380960 file no 0.0 2007-09-16T20:02:00Z English 0 0 0 124 AZfIIgI http://blip.tv/play/AZfIIgI http://blip.tv/comments/?attached_to=post385982&skin=rss Arincrumley-Episode1ExcerptForUseInPowerpoint811-513.jpg This 2 minute clip will be shown at panels at IFP, Vancouver International and London International Film Festival. It's an few clips from episode one that explain why Four Eyed Monsters got started and gives an example of life log filmmaking. http://a.images.blip.tv/Arincrumley-Episode1ExcerptForUseInPowerpoint811-513-949.jpg No license (All rights reserved) This 2 minute clip will be shown at panels at IFP, Vancouver International and London International Film Festival. It's an few clips from episode one that explain why Four Eyed Monsters got started and gives an example of life log filmmaking. 124 http://blip.tv/file/380960 Videoblogging four eyed monsters episode 1 in beginning excerpt web 2.0 distribution films online marketing Sun, 16 Sep 2007 20:02:00 +0000 four, eyed, monsters, episode, 1, in, beginning, excerpt, web, 2.0, distribution, films, online, marketing http://a.images.blip.tv/Arincrumley-Episode1ExcerptForUseInPowerpoint811-513.jpg four, eyed, monsters, episode, 1, in, beginning, excerpt, web, 2.0, distribution, films, online, marketing <iframe src="http://blip.tv/play/AZfIIgI.html?p=1" width="480" height="350" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZfIIgI" style="display:none"></embed> Episode 1 Excerpt for use in powerpoint 319DBD80-6401-11DC-B072-CFF4CC3CBF1F http://blip.tv/arin-crumley/moviemaker-interviews-us-about-four-eyed-monsters-385271 MovieMaker interviews us about Four Eyed Monsters Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 385271 380254 file no 5.0 2007-09-16T03:02:00Z English 0 0 0 1152 AZfCWwI http://blip.tv/play/AZfCWwI http://blip.tv/comments/?attached_to=post385271&skin=rss Arincrumley-MovieMakerInterviewsUsAboutFourEyedMonsters296-820.jpg We were interviewed for the Nov. 07 issue of moviemaker by Jennifer Strauss. We were kind of in the middle of eating so sorry about that. http://a.images.blip.tv/Arincrumley-MovieMakerInterviewsUsAboutFourEyedMonsters296-820-554.jpg Public Domain We were interviewed for the Nov. 07 issue of moviemaker by Jennifer Strauss. We were kind of in the middle of eating so sorry about that. 1152 YahooPartnerVideoID Blip post id 385271 http://blip.tv/file/380254 Movies and Television four eyed monsters arin crumley susan buice moviemaker independent film making tutorial how to bside jennifer strauss Sun, 16 Sep 2007 03:02:00 +0000 four, eyed, monsters, arin, crumley, susan, buice, moviemaker, independent, film, making, tutorial, how, to, bside, jennifer, strauss http://a.images.blip.tv/Arincrumley-MovieMakerInterviewsUsAboutFourEyedMonsters296-820.jpg four, eyed, monsters, arin, crumley, susan, buice, moviemaker, independent, film, making, tutorial, how, to, bside, jennifer, strauss <iframe src="http://blip.tv/play/AZfCWwI.html?p=1" width="480" height="300" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZfCWwI" style="display:none"></embed> MovieMaker interviews us about Four Eyed Monsters http://creativecommons.org/licenses/publicdomain/ 4FCA21D6-543E-11DC-9EDC-F783FEC53F73 http://blip.tv/arin-crumley/four-eyed-monsters-q-a-bushwick-film-festival-arin-only-358191 Four Eyed Monsters Q&A - Bushwick Film Festival - Arin only Arincrumley 88118 arincrumley arin-crumley Arin Crumley http://blip.tv/arin-crumley http://a.images.blip.tv/user_photo_Arincrumley381-918.jpg 358191 353328 file no 5.0 2007-08-27T01:39:11Z English 0 0 0 1021 AZXvEwI http://blip.tv/play/AZXvEwI http://blip.tv/comments/?attached_to=post358191&skin=rss Arincrumley-FourEyedMonstersQABushwickFilmFestivalArinOnly915-645.jpg Four Eyed Monsters screened at the first annual Bushwick Film Festival and Brian Gonzalez from taxiplasm.net filmed the Q&A. Unofortunately Susan wasn't able to attend so the Q&A is just with me (Arin Crumley). To see our entire feature film for free or pick up a DVD visit: http://www.foureyedmonsters.com/ You can also visit our spout page here: http://spout.com/foureyedmonsters FaceBook Profiles: Arin - http://www.facebook.com/profile.php?i... Susan - http://www.facebook.com/profile.php?i... Four Eyed Monsters - http://www.facebook.com/group.php?gid... MySpace Profiles: Susan - http://www.myspace.com/susanbuice Arin - http://www.myspace.com/arincrumley Film - http://www.myspace.com/foureyedmonsters Music - http://www.myspace.com/foureyedmonste... Twitter Profiles: Arin - http://www.twitter.com/arincrumley Susan - http://www.twitter.com/susanbuice Thoughts...Leave us a video comment or Leave a message on our comment line: 1-718-878-5278 http://a.images.blip.tv/Arincrumley-FourEyedMonstersQABushwickFilmFestivalArinOnly915-645-590.jpg No license (All rights reserved) Four Eyed Monsters screened at the first annual Bushwick Film Festival and Brian Gonzalez from taxiplasm.net filmed the Q&A. Unofortunately Susan wasn't able to attend so the Q&A is just with me (Arin Crumley). To see our entire feature film for free or pick up a DVD visit: http://www.foureyedmonsters.com/ You can also visit our spout page here: http://spout.com/foureyedmonsters FaceBook Profiles: Arin - http://www.facebook.com/profile.php?i... Susan - http://www.facebook.com/profile.php?i... Four Eyed Monsters - http://www.facebook.com/group.php?gid... MySpace Profiles: Susan - http://www.myspace.com/susanbuice Arin - http://www.myspace.com/arincrumley Film - http://www.myspace.com/foureyedmonsters Music - http://www.myspace.com/foureyedmonste... Twitter Profiles: Arin - http://www.twitter.com/arincrumley Susan - http://www.twitter.com/susanbuice Thoughts...Leave us a video comment or Leave a message on our comment line: 1-718-878-5278 1021 http://blip.tv/file/353328 Movies and Television four eyed monsters q&a question answer arin crumley bushwick film Mon, 27 Aug 2007 01:39:11 +0000 four, eyed, monsters, q&a, question, answer, arin, crumley, bushwick, film http://a.images.blip.tv/Arincrumley-FourEyedMonstersQABushwickFilmFestivalArinOnly915-645.jpg four, eyed, monsters, q&a, question, answer, arin, crumley, bushwick, film <iframe src="http://blip.tv/play/AZXvEwI.html?p=1" width="480" height="390" frameborder="0" allowfullscreen></iframe><embed type="application/x-shockwave-flash" src="http://a.blip.tv/api.swf#AZXvEwI" style="display:none"></embed> Four Eyed Monsters Q&A - Bushwick Film Festival - Arin only