A Dutch angle is a cinematic tactic often used to portray the psychological uneasiness of the subject being filmed. A Dutch angle does not use the X, Y or Z axes, but rather an unconventional diagonal axis from which the camera shoots. Many Dutch angles are static shots at an obscure angle, but in a moving Dutch angle shot the camera can pivot, pan or track along the director/cinematographer's established diagonal axis for the shot. The 1949 film The Third Man makes extensive use of Dutch angle shots to emphasize the main character's alienation in a foreign environment. An anecdote of cinema lore alleges that once filming was completed, the crew presented director Carol Reed with a level to ironically encourage him to use more traditional shooting angles. Less